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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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Non classifié
1297
PIANO & CLAVIERS
Piano seul
446
Piano Facile
204
Piano, Voix
169
Piano, Voix et Guitare
146
Instruments en Do
96
Orgue
28
Accompagnement Piano
9
1 Piano, 4 mains
8
Piano grosses notes
7
Piano Quatuor: piano, violon, alto, violoncelle
7
2 Pianos, 4 mains
6
Accordéon
6
Piano (partie séparée)
4
Piano Trio: piano, violon, violoncelle
4
2 Pianos, 8 mains
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GUITARES
Ligne De Mélodie, (Paroles) et Accords
225
Guitare notes et tablatures
74
Guitare
33
Paroles et Accords
15
Basse electrique
14
Ukulele
8
Guitare (partie séparée)
6
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5
Ukulele Baryton
2
Mandoline, Guitare (duo)
1
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1
Piano, Guitare (duo)
1
Guitare, Violon, Violoncelle (trio)
1
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VOIX
Chorale SATB
185
Chorale 3 parties
53
Chorale TTBB
43
Chorale 2 parties
26
Chorale SSAA
25
Voix Soprano, Piano
6
Voix seule
6
Voix duo, Piano
5
Chorale Unison
5
Voix haute
4
Voix duo
4
Voix moyenne, Piano
2
Chorale
2
Voix basse, Piano
1
Voix basse
1
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VENTS
Quintette de Saxophone: 5 saxophones
150
Ensemble de saxophones
107
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
77
Quatuor de Saxophones: 4 saxophones
77
Saxophone (partie séparée)
73
Saxophone Tenor
66
Saxophone Alto
62
2 Saxophones (duo)
41
Ensemble de Clarinettes
34
Saxophone
31
Saxophone Alto et Piano
30
Flûte traversière et Piano
29
Flûte, Hautbois, Clarinette, Basson
27
Clarinette
25
Saxophone Tenor et Piano
24
Flûte traversière
24
Saxophone Soprano et Piano
19
Clarinette et Piano
18
Hautbois, Piano (duo)
16
Quintette de Flûte : 5 flûtes
16
Ensemble de Flûtes
14
Quatuor de Clarinettes: 4 clarinettes
14
2 Flûtes traversières (duo)
13
Saxophone Baryton, Piano
11
Hautbois (partie séparée)
11
2 Clarinettes (duo)
10
3 Saxophones (trio)
9
Hautbois, Basson (duo)
7
Clarinette et Alto
6
Quatuor de Flûtes : 4 flûtes
5
3 Clarinettes (trio)
5
Flûte, Alto (duo)
5
Flûte, Violoncelle
5
Cor anglais, Piano
5
Clarinette Basse, Piano
4
2 Hautbois (duo)
4
Flute (partie séparée)
3
Clarinette, Violon (duo)
3
Hautbois
3
Trio de Flûtes: 3 flûtes
3
Clarinette (partie séparée)
3
Saxophone, Clarinette (duo)
3
Flûte, Clarinette (duo)
3
Flûte à bec Soprano
2
Saxophone Soprano
2
Hautbois, Clarinette (duo)
2
Flûte, Hautbois, Basson
2
Flûte, Violon
2
Clarinette, Violoncelle (duo)
2
Flûte et Trio à cordes
1
Flûte, Clarinette et Basson
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Quintette de Clarinettes: 5 clarinettes
1
2 Cors Anglais Et Pianoforte
1
Saxophone et Orgue
1
Flûte et Guitare
1
Flûte, Hautbois (duo)
1
Hautbois, Flûte
1
Hautbois, Violoncelle
1
2 Flûte à bec (duo)
1
Piccolo, Piano
1
Flûte, Violon, Piano
1
Flute, harpe et violon
1
Saxophone et Guitare
1
Instruments en Mib
1
Clarinette, Basson (duo)
1
Clarinette, Orchestre
1
Flûte, Saxophone (duo)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
158
Quatuor de Cuivres : 2 trompettes, trombone, tuba
134
Trombone
59
Quatuor de Cuivres: 2 trompettes, Cor, trombone
44
Ensemble de Trompettes
43
Ensemble de Trombones
39
Trombone et Piano
33
Trombone (partie séparée)
31
Quatuor de Cuivres
22
Trompette
21
Trompette (partie séparée)
15
2 Trombones (duo)
14
Cor et Piano
12
Trompette, Trombone (duo)
12
Tuba
10
Trompette, Piano
9
Euphonium, Piano (duo)
9
Cor
8
Trio de Cuivres
7
2 Trompettes (duo)
6
2 Cors (duo)
6
Ensemble de Cors
5
Cor anglais, Piano
5
2 Euphoniums (duo)
3
Quatuor de cuivres: 4 trombones
3
Tuba et Piano
3
Trompette, Cor (duo)
2
Trompette, Saxophone (duo)
2
2 Tubas (duo)
2
Euphonium
2
2 Euphoniums et 2 Tubas
2
Trombone, Tuba (duo)
2
Trompette, Euphonium (duo)
1
Bass Clef Instruments
1
Trombone basse et Piano
1
2 Cors Anglais Et Pianoforte
1
Quatuor de cuivres: 4 cors
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone basse
1
Cor (partie séparée)
1
Instruments en Sib
1
Tuba (partie séparée)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
240
Violon, Violoncelle (duo)
164
Violon
149
Trio à Cordes: violon, alto, violoncelle
121
Violoncelle
39
Quintette à cordes: 2 violons, alto, violoncelle, basse
33
Violon et Piano
22
Ensemble de Violons
19
Violon, Alto (duo)
19
Harpe
19
Ensemble d'Altos
19
Violoncelle, Piano
15
Alto seul
15
Trio à Cordes: 2 violons, violoncelle
15
2 Violons (duo)
13
Alto, Piano
13
4 Violoncelles
7
2 Violoncelles (duo)
7
Flûte, Contrebasse (duo)
5
Violoncelle, Contrebasse (duo)
5
2 Altos (duo)
5
Contrebasse (partie séparée)
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Alto (partie séparée)
4
Contrebasse, Piano (duo)
3
Contre Basse
3
2 Contrebasses (duo)
3
Trio à Cordes: 2 violons, alto
1
Trio à Cordes: 3 violoncelles
1
Alto et Harpe
1
Quatuor à cordes : 4 altos
1
Alto, Violoncelle (duo)
1
Violoncelle , Guitare (duo)
1
Harpe, Flûte (duo)
1
Piano Trio: Violon, Alto, Piano
1
Quatuor à cordes: 4 violons
1
Ensemble de Violoncelles
1
Trio à cordes: 3 violins
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
106
Orchestre d'harmonie
71
Ensemble Jazz
67
Orchestre
49
Ensemble de cuivres
36
Orchestre de chambre
30
Jazz combo
22
Marimba
19
Fanfare
10
Ensemble de Percussions
8
Cloches
6
Batterie (partie séparée)
5
Batterie
4
Percussion (partie séparée)
2
Xylophone
1
Quintette de Cuivres: autres combinaisons
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
I\'m The One
Violon et Piano
Partitions à imprimer
22 partitions trouvées
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1
I Write The Songs
Violon et Piano
Piano,Violin - Level 2 - Digital Download SKU: A0.549327 By Barry Manilow. By Bruce…
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Piano,Violin - Level 2 - Digital Download SKU: A0.549327 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. 8 pages. Jmsgu3 #3486059. Published by jmsgu3 (A0.549327). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
$39.95
36.34 €
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Violon et Piano
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Barry Manilow
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James M
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I Write The Songs
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jmsgu3
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SheetMusicPlus
I'm Trying to Be like Jesus
Violon et Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.1284398 Composed by Janice Kapp P…
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Piano,Violin - Level 4 - Digital Download SKU: A0.1284398 Composed by Janice Kapp Perry. Arranged by Callie Madson. Children,Praise & Worship,Religious,Sacred. 13 pages. Callie Madson #875569. Published by Callie Madson (A0.1284398). This has always been one of my favorite LDS primary songs. I love the simplicity of the lyrics, and the melody is beautiful as well. When I started arranging primary songs, this is one of the first ones I chose. I hope you enjoy this version of I'm Trying to Be like Jesus, arranged for advanced intermediate violin and piano. This piece is perfect for church meetings or family gatherings.
$4.99
4.54 €
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Violon et Piano
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Janice Kapp Perry
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Callie Madson
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I'm Trying to Be like Jesus
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Callie Madson
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SheetMusicPlus
The First Noel for Violin & Piano
Violon et Piano
Piano,Violin - Level 1 - Digital Download SKU: A0.548506 Composed by Traditional. A…
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Piano,Violin - Level 1 - Digital Download SKU: A0.548506 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. 4 pages. Jmsgu3 #3387409. Published by jmsgu3 (A0.548506). The First Noel arranged for Violin & Piano with new harmony for the final verse. Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Violin Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol.
$24.95
22.69 €
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Violon et Piano
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Traditional
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James M
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The First Noel for Violin & Piano
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jmsgu3
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SheetMusicPlus
LORD, I'M COMING HOME (for Violin and Piano with Score/Part)
Violon et Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.617583 Composed by William J. Kir…
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Piano,Violin - Level 3 - Digital Download SKU: A0.617583 Composed by William J. Kirkpatrick. Arranged by Gary Lanier. Sacred. 13 pages. The Lanier Company #5790601. Published by The Lanier Company (A0.617583). LORD, I'M COMING HOME is an arrangement by Gary Lanier for Violin and Piano of one of our most cherished Hymns. The theme is one of resolve to return to the Lord. This emotionally packed arrangement is perfect for Church or any gathering where hymns of testimony are desired. The score, including cover and instrumental part is 13 pages long.
$6.99
6.36 €
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Violon et Piano
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William J
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Gary Lanier
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LORD, I'M COMING HOME
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The Lanier Company
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SheetMusicPlus
Lord, I'm Coming Home - Violin & Piano
Violon et Piano
Small Ensemble Piano,Violin - Level 3 - Digital Download SKU: A0.573195 Composed by…
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Small Ensemble Piano,Violin - Level 3 - Digital Download SKU: A0.573195 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,Sacred. 8 pages. James M Stevens Music ASCAP #5002035. Published by James M Stevens Music ASCAP (A0.573195). This is an arrangement for Violin and Piano of the classic devotional hymn, Lord, I'm Coming Home, by William J. Kirkpatrick. There is a separate violin part in the score. The piano part as seen can serve as a stand alone solo. The accompaniment track as heard can be found under Lord, I'm Coming Home Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$6.99
6.36 €
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Violon et Piano
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James Michael Stevens
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James Michael Stevens
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Lord, I'm Coming Home - Violin & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
As I Passed the Winter Winds - Violin & Piano
Violon et Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.573323 Composed by James Michael …
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Piano,Violin - Level 4 - Digital Download SKU: A0.573323 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,New Age,Sacred,Wedding. 8 pages. James M Stevens Music ASCAP #5304983. Published by James M Stevens Music ASCAP (A0.573323). This is an original violin & piano composition in the key of E flat major in a flowing style with feelings of hope. There is a separate violin part in the score and the piano part as seen can serve as an stand alone solo. The track as heard is a available under As I Passed the Winter Winds Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$6.99
6.36 €
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Violon et Piano
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James Michael Stevens
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James Michael Stevens
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As I Passed the Winter Winds - Violin & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Super Mario Bros Theme
Violon et Piano
Piano,Violin - Level 1 - Digital Download SKU: A0.1388361 Composed by Koji Kondo. A…
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Piano,Violin - Level 1 - Digital Download SKU: A0.1388361 Composed by Koji Kondo. Arranged by Jhonatan Lucio Viana. Film/TV,Holiday,Multicultural,Thriller,Video Game,World. 4 pages. JLVPartitura #971958. Published by JLVPartitura (A0.1388361). Immerse yourself in this arrangement of Someone Like You by Adele for Violin + Piano + Chords.Key Features: 1) Adaptation smooth transition to your instrument, preserving the original music's magic and emotion; 2) Level Intermediate, suitable for those starting out or at an easy intermediate level; 3) Format professionally edited PDF for effortless study and performance; 4) Genre blends classical elements with whimsical touches, appealing to both adults and children; 5) Melody simple yet enchanting, evoking wonder and curiosity; 6) Key adapted for optimal instrument performance.Unlock the transformative power of music in your life! Purchase the sheet music today and immerse yourself in the beauty of this composition. Elevate your musical experience with every note of this carefully crafted arrangement. Don't hesitate any longer, embark on this unique musical journey and enrich your life with every chord.I'm happy to share this exclusive arrangement to enrich your musical journey. After purchasing the sheet music of your choice, I invite you to explore my extensive collection, accessible on the website under my name: Jhonatan Lucio Viana. Discover a variety of meticulously crafted arrangements for various instruments and voices, all at affordable prices.
$4.99
4.54 €
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Violon et Piano
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Koji Kondo
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Jhonatan Lucio Viana
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Super Mario Bros Theme
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JLVPartitura
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SheetMusicPlus
Super Mario Bros Theme
Violon et Piano
Piano,Violin - Level 1 - Digital Download SKU: A0.1388358 Composed by Koji Kondo. A…
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Piano,Violin - Level 1 - Digital Download SKU: A0.1388358 Composed by Koji Kondo. Arranged by Jhonatan Lucio Viana. Film/TV,Holiday,Multicultural,Thriller,Video Game,World. 4 pages. JLVPartitura #971955. Published by JLVPartitura (A0.1388358). Immerse yourself in this arrangement of Someone Like You by Adele for Violin + Piano.Key Features: 1) Adaptation smooth transition to your instrument, preserving the original music's magic and emotion; 2) Level Intermediate, suitable for those starting out or at an easy intermediate level; 3) Format professionally edited PDF for effortless study and performance; 4) Genre blends classical elements with whimsical touches, appealing to both adults and children; 5) Melody simple yet enchanting, evoking wonder and curiosity; 6) Key adapted for optimal instrument performance.Unlock the transformative power of music in your life! Purchase the sheet music today and immerse yourself in the beauty of this composition. Elevate your musical experience with every note of this carefully crafted arrangement. Don't hesitate any longer, embark on this unique musical journey and enrich your life with every chord.I'm happy to share this exclusive arrangement to enrich your musical journey. After purchasing the sheet music of your choice, I invite you to explore my extensive collection, accessible on the website under my name: Jhonatan Lucio Viana. Discover a variety of meticulously crafted arrangements for various instruments and voices, all at affordable prices.
$4.99
4.54 €
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Violon et Piano
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Koji Kondo
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Jhonatan Lucio Viana
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Super Mario Bros Theme
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JLVPartitura
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SheetMusicPlus
Have You Ever Seen The Rain?
Violon et Piano
Piano,Violin - Level 1 - Digital Download SKU: A0.1096084 By Creedence Clearwater R…
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Piano,Violin - Level 1 - Digital Download SKU: A0.1096084 By Creedence Clearwater Revival. By John Fogerty. Arranged by Josiel Oliveira. Multicultural,Pop,World. 1 pages. M das Melodias #700035. Published by M das Melodias (A0.1096084). Play this beautiful song with your favorite instrument. Sheet music of the song Have You Ever Seen The Rain by Creedence Clearwater Revival for violin. Easy level. Someone told me long ago There's a calm before the storm I know It's been coming for some time When it's over so they say It'll rain a sunny day I know Shining down like water I want to know Have you ever seen the rain I want to know Have you ever seen the rain Coming down on a sunny day Yesterday and days before Sun is cold and rain is hard I know Been that way for all my time 'Til forever on it goes Through the circle, fast and slow I know It can't stop, I wonder I want to know Have you ever seen the rain I want to know Have you ever seen the rain Coming down on a sunny day (Yeeaahh) I want to know Have you ever seen the rain I want to know Have you ever, ever seen the rain Coming down on a sunny day.
$4.99
4.54 €
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Violon et Piano
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Creedence Clearwater Revival
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Josiel Oliveira
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Have You Ever Seen The Rain?
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M das Melodias
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SheetMusicPlus
Sunsets I Almost Missed - Violin & Piano
Violon et Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.573190 Composed by James Michael …
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Piano,Violin - Level 3 - Digital Download SKU: A0.573190 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age,Sacred. 8 pages. James M Stevens Music ASCAP #5001337. Published by James M Stevens Music ASCAP (A0.573190). This is an original composition for violin & piano in a reflective style in the key of D minor. There is a separate violin part in the score. The piano part as seen can be played as a stand alone solo. The track as heard can be found under Sunsets I Almost Missed Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College. Please follow Stevens' music on Spotify, Pandora Radio, and other outlets.
$6.99
6.36 €
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Violon et Piano
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James Michael Stevens
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James Michael Stevens
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Sunsets I Almost Missed - Violin & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Every Song I Play... I Play For You - Violin & Piano
Violon et Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.573287 Composed by James Michael …
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Piano,Violin - Level 3 - Digital Download SKU: A0.573287 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Holiday,New Age,Sacred,Wedding. 8 pages. James M Stevens Music ASCAP #5222351. Published by James M Stevens Music ASCAP (A0.573287). This is an original composition for violin in a lyrical, romantic and nostalgic style in the key of C major. There is a separate violin part in the score and the piano as seen can serve as a stand alone solo. The accompaniment track as heard is available under Every Song I Play... I Play For You Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$6.99
6.36 €
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Violon et Piano
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James Michael Stevens
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James Michael Stevens
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Every Song I Play... I Play For You - Violin & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
It's When I See You Smile - Violin & Piano
Violon et Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.573170 Composed by James Michael …
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Piano,Violin - Level 3 - Digital Download SKU: A0.573170 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Holiday,Jazz,Love,Wedding. 8 pages. James M Stevens Music ASCAP #4967773. Published by James M Stevens Music ASCAP (A0.573170). This is an original composition for Violin and Piano in a relaxing and romantic style in the key of G major. There is a separate violin part in the score and the piano part as seen can serve as a stand alone solo. The track as heard is available under It's When I See Your Smile Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$6.99
6.36 €
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Violon et Piano
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James Michael Stevens
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James Michael Stevens
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It's When I See You Smile - Violin & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Beyond Her Only Dreaming
Violon et Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.1444309 Composed by J. Francis Ba…
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Piano,Violin - Level 3 - Digital Download SKU: A0.1444309 Composed by J. Francis Ball, Mercedes M Yardley. Arranged by J.Francis Ball. Classical,Contemporary. 30 pages. J.Francis Ball #1024223. Published by J.Francis Ball (A0.1444309). Program Notes Mercedes M. Yardley is a dark fantasist who wears poisonous flowers in her hair. She is a two-time Bram Stoker Award winner for Little Dead Red and “Fracture.” She is the author of Darling, the Stabby Award-winning Apocalyptic Montessa and Nuclear Lulu: A Tale of Atomic Love, Pretty Little Dead Girls, and Love is a Crematorium. Mercedes lives in Las Vegas and can be found at mercedesmyardley.com. J. Francis Ball Is a composer, violinist, and guitarist who has performed in multiple bands, in collaborations, in orchestras, and solo projects. He has recorded and released ten studio albums with The Unwieldies and The Psyatics. His classical, jazz, romantic, and punk musical influences can be heard in all his contemporary compositions. J. Francis Ball was born and raised in Pittsburgh, PA, and currently lives and performs in Las Vegas. His Words This collaboration began with a powerful name. I asked Mercedes to listen to and name an early piano composition I wrote. Her reply was “Beyond Her Only Dreaming.” The original composition was ultimately scrapped, but the name stuck with me. It inspired the muses whispering in my haunted ear. I wrote five musical tone poems that were loosely based on a woman’s dream. During the creative process, I asked Mercedes to listen to the tones and use her imagination to create sketches for each section. Her spoken poetry powerfully frames a woman’s dreams, fears, desires, and hope for love. They blend seamlessly with the music and are so masterfully written that they create a picture frame to use as structure but leave the canvas blank. This allows the listener to also take part in this collaboration and paint their own visions of how they experience the music. J.F.B.Her Words I’m a dreamer and writer of words, but I love music. When John asked me to name his original musical piece, I was delighted. I had recently written a story based on Robert Chamber’s famed The King in Yellow collection and, due to the sound and feel of John’s piece, loosely named the composition after my short story. John took this title and created a brilliant new musical composition. After listening to it, I was influenced to create spoken- word pieces that match the emotion of the music while also hearkening back to the original short story. The piece you’ll hear contains poetry influenced by original music inspired by a short story based on a collection written in 1895. Time is a flat circle. This is how art moves and breathes, and I’m truly honored to take part. MMY.
$5.99
5.45 €
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Violon et Piano
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J
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J
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Beyond Her Only Dreaming
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J.Francis Ball
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SheetMusicPlus
South Bay Angle for violin and piano
Violon et Piano
Instrumental Solo,Piano,Violin - Level 5 - Digital Download SKU: A0.987851 Composed…
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Instrumental Solo,Piano,Violin - Level 5 - Digital Download SKU: A0.987851 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 29 pages. Robert M. Greenberg #100609. Published by Robert M. Greenberg (A0.987851). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 6 1/2 minutes Year of composition: 2011 Program Note: Titles, like mold-scum atop month-old cottage cheese, can take on a life of their own. South Bay Angle was originally composed in 1991 during an Astor Piazzolla-inspired fit of tango-madness. While a more appropriate title for the piece would have been something on the lines of I Can Write One of Those! or This Gringo’s Token Tango, circumstances conspired in another titular direction. The piece was originally intended for performance on a program produced by Composers, Inc., a new-music collective in which I was (and remain) an artistic director. Composers Inc. was then in its seventh season. In those days when newspapers still mattered, Composers, Inc. sought to receive as many print reviews as possible. To that end, the organization invited Paul Hertelendy - who was then the music critic for the San Jose Mercury News - to cover its concerts. He said he would do so provided that there was some sort of south-bay angle which addressed the specific needs of his south-bay readership. Thinking myself clever, I thus entitled the piece South Bay Angle. Hertelandy would get his angle and Composers, Inc. would get its coverage. It didn’t work out that way. The piece was never performed; Hertelendy never got his angle; and Composers, Inc. never received a review from the San Jose Mercury News. Instead, twenty years later, I returned to South Bay Angle and rewrote it from the ground up. The piece is cast as a large-scale A-B-A form. The violin is a willing participant in the tango during the A sections, but a rather reluctant tangoista in the B section, during which it tries mightily to turn the music into a waltz. It does not succeed, and the piece ends as it began, in a blaze of rhythmic fury.
$28.00
25.47 €
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Violon et Piano
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Robert M
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South Bay Angle for violin and piano
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Robert M. Greenberg
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Violin & Piano
Violon et Piano
Piano,Violin - Level 2 - Digital Download SKU: A0.549216 Composed by Johann Sebasti…
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Piano,Violin - Level 2 - Digital Download SKU: A0.549216 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. 9 pages. Jmsgu3 #3468006. Published by jmsgu3 (A0.549216). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
29.97 €
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Violon et Piano
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Violin & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Violin & Piano
Violon et Piano
Piano,Violin - Level 2 - Digital Download SKU: A0.550914 Composed by J. S. Bach - G…
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Piano,Violin - Level 2 - Digital Download SKU: A0.550914 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. 12 pages. Jmsgu3 #4888241. Published by jmsgu3 (A0.550914). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
29.97 €
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Violon et Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Violin & Piano
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jmsgu3
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SheetMusicPlus
Prelude in C
Violon et Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.1011686 Composed by Bach & Shaw. …
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Piano,Violin - Level 3 - Digital Download SKU: A0.1011686 Composed by Bach & Shaw. Baroque. 6 pages. Simone Shaw #3536895. Published by Simone Shaw (A0.1011686). It's a beautiful, very beautiful... sorry I'm tearing up.. song. It's very beautiful. Suitable for all audiences. Everyone will LOVE it. This is an original composition of the chorus, verse and bridge for Bach's Prelude in C. I would definitely recommend buying.
$1.99
1.81 €
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Violon et Piano
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Bach & Shaw
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Prelude in C
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Simone Shaw
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SheetMusicPlus
Claude Debussy: Sérénade for violin and piano
Violon et Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.534583 Composed by Claude Debussy…
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Piano,Violin - Level 4 - Digital Download SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabrik Music Publishing #4727479. Published by Musik Fabrik Music Publishing (A0.534583). Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and other completions include La Saulaie and the Nocturne and Poème for violin and orchestra as well as Debussy’s other Poe opera Le Diable dans le Beffroi.Préface en français : Au debut des années 1890, Debussy a composé le debut d’une pièce lyrique en Mi majeur pour violon et piano, peut-être pour accompagner la Nocturne pour violon que Debussy a destinée pour le violoniste belge Eugène Ysaÿe. Après la morte de Debussy en 1918, sa deuxième femme Emma avait l’habitude d’offrir ses pages d’esquisses aux intérpètes et compositeurs en souvenir de son regreté mari. Cette page d’esquisse a été offerte aux compositeur et pianiste cubain Joaquin Nin (1879-1949). Cette page a été mise en vente dans la catalogue de l’antiquaire britannique Lisa Cox en 2010 et malgré que cette esquisse est peut-être le début d‘une mélodie pour contralto et piano, l‘idée dynamique dans la douzième mesure suggère la violon, surtout qu‘elle commence sur la.
$12.95
11.78 €
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Violon et Piano
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for violin and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Transfigured Life - Still Life
Violon et Piano
Violin and piano - Advanced - Digital Download SKU: ZY.DO-1525 Composed by David Br…
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Violin and piano - Advanced - Digital Download SKU: ZY.DO-1525 Composed by David Braid. Score and part. 32 pages. Les Editions Doberman-Yppan (digital) #DO 1525. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1525). J'aime les formes musicales concises telles que le Prélude et la Fugue, où il y a une idée claire et directe, suivie d'une autre plus complexe et développée.Conformément à cette idée, cette œuvre se compose de deux pièces distinctes, la première - Transfigured Life - vise à attirer l'auditeur avec son rythme rapide et dansant et sa partie de violon simple et mélodique. Il se «transfigure» via quelques courts intermèdes au piano solo en seulement deux notes alternées pour terminer - qui sont le cœur de l'idée originale, maintenant clarifiée en effaçant tout le reste.Le deuxième morceau - Still Life - conserve son sentiment de quiétude grâce à une ligne de piano simple qui laisse beaucoup d'espace à la partie contrastée (mais encore une fois simple) du violon. En tant que pièce absolue et non programmatique, le titre fait référence uniquement à la couleur et au rythme atmosphériques ; c'est à l'auditeur de voir la « nature morte » de son choix dans son esprit.Une note sur les performances :Malgré ma référence à des lignes « simples » et l'évitement déterminé par l'œuvre des grincements modernistes traditionnels, l'œuvre présente certains défis d'exécution en termes de phrasé et d'ensemble qui nécessitent des compétences et une musicalité considérables. L'œuvre a eu le privilège d'être récemment enregistrée par le violoniste Ezgi Sarıkcıoğlu et la pianiste Rossitza Stoycheva, et est disponible sur toutes les principales plateformes :https://open.spotify.com/album/6p5YIe17ci0UMuo2RqZgjRhttps://music.apple.com/gb/album/transfigured-life-still-life-world-premiere-recording/1738035953Envoyer des commentairesTransfigured Life - Still Life, Op. 165 (violin & piano) - David BraidI am keen on concise musical forms such as Prelude and Fugue, where there is one clear straightforward idea, followed by another that is more involved & developed. In keeping with that idea, this work consists of two distinct pieces, the first - Transfigured Life - aims to draw in the listener with its quick, dancing rhythm and simple, melodic violin part. It 'transfigures' via a few short solo piano interludes into just two alternating notes to end - which are the core of the original idea, now made clear by clearing everything else out of the way.The second piece - Still Life - retains its sense of stillness through an uncomplicated piano line that gives lots of space for the violin's contrasting (but again simple) part. As an absolute, not programmatic, piece the title refers to the atmospheric colour and pacing only; it's up to the listener to see 'Still life' of their choosing in their own mind.A note on performance: Despite my reference to 'simple' lines, and the work's determined avoidance of mainstream modernist squeak - the work has certain performance challenges of phrasing and ensemble that requires considerable skill and musicianship. The work has had the privilege of being recently recorded by violinist Ezgi Sarıkcıoğlu and pianist Rossitza Stoycheva, and is available on all major platforms:https://open.spotify.com/album/6p5YIe17ci0UMuo2RqZgjRhttps://music.apple.com/gb/album/transfigured-life-still-life-world-premiere-recording/1738035953.
$12.95
11.78 €
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Violon et Piano
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David Braid
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Transfigured Life - Still Life
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Les Editions Doberman-Yppan
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SheetMusicPlus
DEEP RIVER RHAPSODY FOR VIOLIN AND PIANO
Violon et Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.837276 Composed by Garth M. Wilia…
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Piano,Violin - Level 4 - Digital Download SKU: A0.837276 Composed by Garth M. Wiliams (Socan). Arranged by Garth M. Williams (Socan). Sacred,Spiritual. 10 pages. Garth M. Williams (Socan) #3384999. Published by Garth M. Williams (Socan) (A0.837276). Deep River Rhapsody is a collection of three spirituals, very suitable for solo violin. It begins with the spiritual Deep River, followed by Let Us Break Bread Together and finishing with Shall We Gather At The River. The composition is very suitable for the upper intermediate student with some double stops and passages in third and fifth position. It is one of my pieces I enjoy most playing in a worship service.
$9.95
9.05 €
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Violon et Piano
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Garth M
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Garth M
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DEEP RIVER RHAPSODY FOR VIOLIN AND PIANO
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Garth M. Williams
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SheetMusicPlus
Intermezzo Romantique
Violon et Piano
Piano,Violin - Level 5 - Digital Download SKU: A0.1354331 Composed by Lucijan M.Å…
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Piano,Violin - Level 5 - Digital Download SKU: A0.1354331 Composed by Lucijan M.Å kerjanc. Arranged by Zellev. 20th Century,Classical,Contemporary,Opera,Romantic Period. 15 pages. Zellev Music #939049. Published by Zellev Music (A0.1354331). Key Signature: B minorTime Signature: 3/4Tempo: Allegro pateticoDifficulty: AdvancedLucijan Å kerjanc (1900-1973) was a Slovenian Composer.Å kerjanc is one of the most important older composers of contemporary Slovene music and is one of the key Slovene musical personalities of the 20th century. He graduated in Ljubljana and studied music in Prague, Vienna (Joseph Marx), Paris (Schola cantorum) and Basel (Felix Weingartner).He spent many years teaching composition at the Ljubljana Academy of Music, teaching composers such as Nada Ludvig-PeÄar, Zvonimir CigliÄ and Janez MatiÄiÄ whilst serving as a chancellor for a period and was a pianist, conductor, music writer, and director of the Slovenian Philharmonic Orchestra based in the country's capital.His style reflected late romanticism with qualities of expressionism and impressionism in his pieces, often with a hyperbolic artistic temperament, juxtaposing the dark against melodic phrases in his music.Å kerjanc was liberal in his attitude to music and multifaceted in his works. Whilst musically diverse, his opus centred on composition, varying from piano miniatures and solos for beginners, and solo and chamber works to full blown concertos and symphonies. Apart from sonatas, he notably composed a cycle of seven nocturnes, which many consider his greatest piano oriented work, and seven orchestral pieces Gazele (Ghazels). He not only composed for the piano but also the violin, the clarinet and the bassoon in 1952. During his life he also wrote for international composers and composed the film scores for a number of films under Yugoslavia.
$12.00
10.92 €
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Violon et Piano
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Lucijan M
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Zellev
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Intermezzo Romantique
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Zellev Music
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SheetMusicPlus
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