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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLARINETTE
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COR
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CORNET
DEEJAY
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FORMATION MUSI…
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HAUTBOIS
LIVRES
LUTH
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MARIMBA
OCARINA
ORCHESTRE
ORGUE
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SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Into The Open Air
Non classifié
68
Piano & claviers
Piano seul
33
Piano Facile
7
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6
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5
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4
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2
1 Piano, 4 mains
1
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1
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1
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1
+ 5 instrumentations
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Guitares
Guitare
26
Guitare notes et tablatures
13
Voix
Chorale SATB
13
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5
Chorale SSAA
2
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1
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1
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1
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6
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6
Clarinette
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1
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7
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6
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2
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2
Cor
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1
Tuba
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Trompette
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2 Trompettes (duo)
1
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7
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5
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4
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2
Alto, Piano
2
4 Contrebasses
1
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10
Orchestre à Cordes
7
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7
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4
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1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
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HARMONICA
HARPE
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LIVRES
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MANDOLINE
MARIMBA
OCARINA
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Vous avez sélectionné:
Into The Open Air
Violon et Piano
Partitions à imprimer
4 partitions trouvées
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Joy Has Dawned
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Keith Getty and Stuart Townend
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Kristin Campbell
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Joy Has Dawned
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Horsehair Music
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.596371 Composed by Keith Getty and Stuart Townend. Arranged by Kristin Campbell. Celtic,Christmas,Contemporary,Irish,Sa...
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Piano,Violin - Level 4 - SKU: A0.596371 Composed by Keith Getty and Stuart Townend. Arranged by Kristin Campbell. Celtic,Christmas,Contemporary,Irish,Sacred. 10 pages. Horsehair Music #3859705. Published by Horsehair Music (A0.596371). Looking for a upbeat and lively violin solo for Christmas? Here is a violin solo with piano accompaniment that would fit for both a church service or a Christmas recital. The opening has the piano playing soft clanging chords to imitate distant bells while the violin has the opening melody. The arrangement then moves the theme into a rhythmically  and joyfully syncopated pattern for the piano and violin to pass between them. The third stanza will explore the melody in a minor key with seventh, ninth and eleventh chords in the accompaniment. The final stanza brings the melody with quadruple stops using open strings and some double stops. The accompaniment fills in with big chords imitating joyful church bells.
$4.99
O Holy Night for Violin & Piano
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Violon et Piano
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FACILE
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Noël
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Adam
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James M
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O Holy Night for Violin &
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 2 - SKU: A0.548680 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. 10 pages. Jmsgu3 #3410445. Published...
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Piano,Violin - Level 2 - SKU: A0.548680 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. 10 pages. Jmsgu3 #3410445. Published by jmsgu3 (A0.548680). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg. Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Transfigured Life - Still Life
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Violon et Piano
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AVANCÉ
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David Braid
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Transfigured Life - Still Life
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Les Editions Doberman-Yppan
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SheetMusicPlus
Violin and piano - Advanced - SKU: ZY.DO-1525 Composed by David Braid. Score and part. 32 pages. Les Editions Doberman-Yppan (digital) #DO 1525. Publish...
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Violin and piano - Advanced - SKU: ZY.DO-1525 Composed by David Braid. Score and part. 32 pages. Les Editions Doberman-Yppan (digital) #DO 1525. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1525). J'aime les formes musicales concises telles que le Prélude et la Fugue, où il y a une idée claire et directe, suivie d'une autre plus complexe et développée.Conformément à cette idée, cette œuvre se compose de deux pièces distinctes, la première - Transfigured Life - vise à attirer l'auditeur avec son rythme rapide et dansant et sa partie de violon simple et mélodique. Il se «transfigure» via quelques courts intermèdes au piano solo en seulement deux notes alternées pour terminer - qui sont le cœur de l'idée originale, maintenant clarifiée en effaçant tout le reste.Le deuxième morceau - Still Life - conserve son sentiment de quiétude grâce à une ligne de piano simple qui laisse beaucoup d'espace à la partie contrastée (mais encore une fois simple) du violon. En tant que pièce absolue et non programmatique, le titre fait référence uniquement à la couleur et au rythme atmosphériques ; c'est à l'auditeur de voir la « nature morte » de son choix dans son esprit.Une note sur les performances :Malgré ma référence à des lignes « simples » et l'évitement déterminé par l'œuvre des grincements modernistes traditionnels, l'œuvre présente certains défis d'exécution en termes de phrasé et d'ensemble qui nécessitent des compétences et une musicalité considérables. L'œuvre a eu le privilège d'être récemment enregistrée par le violoniste Ezgi Sarıkcıoğlu et la pianiste Rossitza Stoycheva, et est disponible sur toutes les principales plateformes :https://open.spotify.com/album/6p5YIe17ci0UMuo2RqZgjRhttps://music.apple.com/gb/album/transfigured-life-still-life-world-premiere-recording/1738035953Envoyer des commentairesTransfigured Life - Still Life, Op. 165 (violin & piano) - David BraidI am keen on concise musical forms such as Prelude and Fugue, where there is one clear straightforward idea, followed by another that is more involved & developed. In keeping with that idea, this work consists of two distinct pieces, the first - Transfigured Life - aims to draw in the listener with its quick, dancing rhythm and simple, melodic violin part. It 'transfigures' via a few short solo piano interludes into just two alternating notes to end - which are the core of the original idea, now made clear by clearing everything else out of the way.The second piece - Still Life - retains its sense of stillness through an uncomplicated piano line that gives lots of space for the violin's contrasting (but again simple) part. As an absolute, not programmatic, piece the title refers to the atmospheric colour and pacing only; it's up to the listener to see 'Still life' of their choosing in their own mind.A note on performance: Despite my reference to 'simple' lines, and the work's determined avoidance of mainstream modernist squeak - the work has certain performance challenges of phrasing and ensemble that requires considerable skill and musicianship. The work has had the privilege of being recently recorded by violinist Ezgi Sarıkcıoğlu and pianist Rossitza Stoycheva, and is available on all major platforms:https://open.spotify.com/album/6p5YIe17ci0UMuo2RqZgjRhttps://music.apple.com/gb/album/transfigured-life-still-life-world-premiere-recording/1738035953.
$12.95
O Come, O Come Emmanuel for Solo Violin
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Violon et Piano
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INTERMÉDIAIRE
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Traditional
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Lawrence H
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O Come, O Come Emmanuel for So
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Lawrence H Underwood
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.967533 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Christmas,Jazz,Sacred. 10 pages. Lawrence ...
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Piano,Violin - Level 3 - SKU: A0.967533 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Christmas,Jazz,Sacred. 10 pages. Lawrence H Underwood #6140985. Published by Lawrence H Underwood (A0.967533). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the seventh installment in his A Christmas Portfolio series, this brand new setting of O Come, O Come Emmanuel brings a breath of fresh air into this ancient melody. Set against a driving mid-tempo montuno in the opening, the piece shifts into a double-time tumbao before once again bringing back the opening groove. This arrangement it a surefire way to spice up the holiday season! Suitable for performance in church or any holiday setting.
$5.99
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Into The Open Air
