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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CORNET
DEEJAY
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FLUTE TRAVERSI…
FORMATION MUSI…
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HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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SAXOPHONE
SYNTHETISEUR
TROMBONE
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TUBA
UKULELE
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XYLOPHONE
Kéla Béla
Non classifié
56
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Piano seul
217
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1
Piano Facile
1
2 Pianos, 4 mains
1
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4
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23
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16
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14
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10
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8
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4
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3
2 Violons (duo)
2
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2
Contrebasse, Piano (duo)
1
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27
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNET
DEEJAY
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LIVRES
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Vous avez sélectionné:
Kéla Béla
Violon et Piano
Partitions à imprimer
10 partitions trouvées
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1
Deutsches Gemüthsleben, Waltz for Violin and Piano, Op. 88
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Violon et Piano
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Classique
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Bela Keler
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Pavel Burdych
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Deutsches Gemüthsleben, W
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Pavel Burdych
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SheetMusicPlus
Piano,Violin - SKU: A0.933384 Composed by Bela Keler. Arranged by Pavel Burdych. Romantic Period. 22 pages. Pavel Burdych #119401. Published by Pavel Bu...
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Piano,Violin - SKU: A0.933384 Composed by Bela Keler. Arranged by Pavel Burdych. Romantic Period. 22 pages. Pavel Burdych #119401. Published by Pavel Burdych (A0.933384). The violinist, conductor and composer Béla Kéler, by his birth name Albert Paul von Kéler, was born at 13th of February 1820 in the house No. 41 at town hall square of the city of Bartfeld (today´s Slovakian name: Bardejov). After his studies of music in LevoÄa, Debrecen and PreÅ¡ov, he obtained the position of first violinist at the „Theater an der Wien in Vienna. The same time he studied harmony, counterpoint and started to compose. Since 1854 he received the position as conductor of the orchestra of Johann Sommer in Berlin, he already used the name Béla Kéler. Later he became leader of the military band under count Mazzuchelli. The last twenty years of his life he spent as leader of the spa-orchestra in Wiesbaden and was devoted on composing. He performed in all European cultural centres, as London, Manchester, Copenhagen, Amsterdam, Paris, Munich, Dresden, Leipzig etc. Still he often and gladly returned to his home city Bartfeld. Kéler has written 27 big waltzes, 27 marches, 20 csárdás, 18 polkas, 15 songs, 13 galops, 12 overtures, a ballet and several „musical paintings, such as the idyllic Carpathians, his first important composition which praises the Slovakian nature. The most frequently played theme of Kéler´s work are the 32 bars from his csárdás Memory of Bartfeld, op. 31, which were used by Johannes Brahms for his Hungarian dance No. 5 in the original notation of the author. Kéler´s music, in the time of its creation, could hold his own with the Vienna masters Joseph Lanner and „king of waltzes Johann Strauss jun. Already in his lifetime his 138 compositions were edited in 12 European countries. His manuscripts now belong in parts to the collection of the Å ariÅ¡ museum at Bardejov. In the year 2014 the Béla-Kéler-society was founded in Bardejov. The purpose of the society is the presentation of the inheritance of Béla Kéler. More in: www.belakeler.eu
$6.95
Am schönen Rhein gedenk ich dein, Waltz for Violin and Piano, Op. 83
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Violon et Piano
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INTERMÉDIAIRE
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Classique
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Bela Keler
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Pavel Burdych
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Am schönen Rhein gedenk i
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Pavel Burdych
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.933382 Composed by Bela Keler. Arranged by Pavel Burdych. Romantic Period. 25 pages. Pavel Burdych #73859. Published by...
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Piano,Violin - Level 3 - SKU: A0.933382 Composed by Bela Keler. Arranged by Pavel Burdych. Romantic Period. 25 pages. Pavel Burdych #73859. Published by Pavel Burdych (A0.933382). The violinist, conductor and composer Béla Kéler, by his birth name Albert Paul von Kéler, was born at 13th of February 1820 in the house No. 41 at town hall square of the city of Bartfeld (today´s Slovakian name: Bardejov). After his studies of music in LevoÄa, Debrecen and PreÅ¡ov, he obtained the position of first violinist at the „Theater an der Wien in Vienna. The same time he studied harmony, counterpoint and started to compose. Since 1854 he received the position as conductor of the orchestra of Johann Sommer in Berlin, he already used the name Béla Kéler. Later he became leader of the military band under count Mazzuchelli. The last twenty years of his life he spent as leader of the spa-orchestra in Wiesbaden and was devoted on composing. He performed in all European cultural centres, as London, Manchester, Copenhagen, Amsterdam, Paris, Munich, Dresden, Leipzig etc. Still he often and gladly returned to his home city Bartfeld. Kéler has written 27 big waltzes, 27 marches, 20 csárdás, 18 polkas, 15 songs, 13 galops, 12 overtures, a ballet and several „musical paintings, such as the idyllic Carpathians, his first important composition which praises the Slovakian nature. The most frequently played theme of Kéler´s work are the 32 bars from his csárdás Memory of Bartfeld, op. 31, which were used by Johannes Brahms for his Hungarian dance No. 5 in the original notation of the author. Kéler´s music, in the time of its creation, could hold his own with the Vienna masters Joseph Lanner and „king of waltzes Johann Strauss jun. Already in his lifetime his 138 compositions were edited in 12 European countries. His manuscripts now belong in parts to the collection of the Å ariÅ¡ museum at Bardejov. In the year 2014 the Béla-Kéler-society was founded in Bardejov. The purpose of the society is the presentation of the inheritance of Béla Kéler. More in: www.belakeler.eu
$6.95
Vom Rhein zur Donau, Waltz for Violin and Piano, Op. 138
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Violon et Piano
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INTERMÉDIAIRE
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Classique
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Bela Keler
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Pavel Burdych
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Vom Rhein zur Donau, Waltz for
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Pavel Burdych
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.933385 Composed by Bela Keler. Arranged by Pavel Burdych. Romantic Period. 26 pages. Pavel Burdych #119407. Published b...
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Piano,Violin - Level 3 - SKU: A0.933385 Composed by Bela Keler. Arranged by Pavel Burdych. Romantic Period. 26 pages. Pavel Burdych #119407. Published by Pavel Burdych (A0.933385). The violinist, conductor and composer Béla Kéler, by his birth name Albert Paul von Kéler, was born at 13th of February 1820 in the house No. 41 at town hall square of the city of Bartfeld (today´s Slovakian name: Bardejov). After his studies of music in LevoÄa, Debrecen and PreÅ¡ov, he obtained the position of first violinist at the „Theater an der Wien in Vienna. The same time he studied harmony, counterpoint and started to compose. Since 1854 he received the position as conductor of the orchestra of Johann Sommer in Berlin, he already used the name Béla Kéler. Later he became leader of the military band under count Mazzuchelli. The last twenty years of his life he spent as leader of the spa-orchestra in Wiesbaden and was devoted on composing. He performed in all European cultural centres, as London, Manchester, Copenhagen, Amsterdam, Paris, Munich, Dresden, Leipzig etc. Still he often and gladly returned to his home city Bartfeld. Kéler has written 27 big waltzes, 27 marches, 20 csárdás, 18 polkas, 15 songs, 13 galops, 12 overtures, a ballet and several „musical paintings, such as the idyllic Carpathians, his first important composition which praises the Slovakian nature. The most frequently played theme of Kéler´s work are the 32 bars from his csárdás Memory of Bartfeld, op. 31, which were used by Johannes Brahms for his Hungarian dance No. 5 in the original notation of the author. Kéler´s music, in the time of its creation, could hold his own with the Vienna masters Joseph Lanner and „king of waltzes Johann Strauss jun. Already in his lifetime his 138 compositions were edited in 12 European countries. His manuscripts now belong in parts to the collection of the Å ariÅ¡ museum at Bardejov. In the year 2014 the Béla-Kéler-society was founded in Bardejov. The purpose of the society is the presentation of the inheritance of Béla Kéler. More in: www.belakeler.eu
$6.95
Hungarian Dances Nos. 1-5 for Violin and Piano
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Violon et Piano
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INTERMÉDIAIRE
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Classique
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Johannes Brahms
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Diego Marani
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Hungarian Dances Nos. 1-5 for
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Diego Marani
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.528455 Composed by Johannes Brahms. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards...
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Piano,Violin - Level 3 - SKU: A0.528455 Composed by Johannes Brahms. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. 20 pages. Diego Marani #6017593. Published by Diego Marani (A0.528455). The Hungarian Dances (German: Ungarische Tänze) by Johannes Brahms (WoO 1), are a set of 21 lively dance tunes based mostly on Hungarian themes, completed in 1879. They are among Brahms's most popular works and were the most profitable for him. The better-known Hungarian Dances include Nos. 1 and 5, the latter of which was based on the csárdás Bártfai emlék (Memories of Bártfa) by Hungarian composer Béla Kéler, which Brahms mistakenly thought was a traditional folksong.This arrangement for violin with piano accompaniment reflects faithfully the originals.
$14.99
Hungarian Dance No. 5 for Violin and Piano
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Violon et Piano
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INTERMÉDIAIRE
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Classique
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Johannes Brahms
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Diego Marani
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Hungarian Dance No. 5 for Viol
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Diego Marani
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.528436 Composed by Johannes Brahms. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards...
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Piano,Violin - Level 3 - SKU: A0.528436 Composed by Johannes Brahms. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. 9 pages. Diego Marani #6014251. Published by Diego Marani (A0.528436). The Hungarian Dances (German: Ungarische Tänze) by Johannes Brahms (WoO 1), are a set of 21 lively dance tunes based mostly on Hungarian themes, completed in 1879. They are among Brahms's most popular works and were the most profitable for him. The better-known Hungarian Dances include Nos. 1 and 5, the latter of which was based on the csárdás Bártfai emlék (Memories of Bártfa) by Hungarian composer Béla Kéler, which Brahms mistakenly thought was a traditional folksong.This arrangement for violin with piano accompaniment reflects faithfully the original.
$8.90
Two Hungarian Folk Tunes: 2. Scherzando by B la Bart k - Violin Part and Piano Accompaniment
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Violon et Piano
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B la Bart k
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Two Hungarian Folk Tunes: 2. S
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Musicnotes
B la Bart k - Two Hungarian Folk Tunes: 2. Scherzando Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet mu...
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B la Bart k - Two Hungarian Folk Tunes: 2. Scherzando Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Part, instruments: Piano Accompaniment;Violin; 1 pages -- Classical~~20th-Century~~Methods/Studies
$3.99
Two Hungarian Folk Tunes: 1. Allegro by B la Bart k - Violin Part and Piano Accompaniment
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Violon et Piano
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B la Bart k
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Two Hungarian Folk Tunes: 1. A
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Musicnotes
B la Bart k - Two Hungarian Folk Tunes: 1. Allegro Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music...
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B la Bart k - Two Hungarian Folk Tunes: 1. Allegro Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Part, instruments: Piano Accompaniment;Violin; 1 pages -- Classical~~20th-Century~~Methods/Studies
$3.99
Claude Debussy: Sérénade for violin and piano
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Sér&eac
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabri...
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Piano,Violin - Level 4 - SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabrik Music Publishing #4727479. Published by Musik Fabrik Music Publishing (A0.534583). Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and other completions include La Saulaie and the Nocturne and Poème for violin and orchestra as well as Debussy’s other Poe opera Le Diable dans le Beffroi.Préface en français : Au debut des années 1890, Debussy a composé le debut d’une pièce lyrique en Mi majeur pour violon et piano, peut-être pour accompagner la Nocturne pour violon que Debussy a destinée pour le violoniste belge Eugène Ysaÿe. Après la morte de Debussy en 1918, sa deuxième femme Emma avait l’habitude d’offrir ses pages d’esquisses aux intérpètes et compositeurs en souvenir de son regreté mari. Cette page d’esquisse a été offerte aux compositeur et pianiste cubain Joaquin Nin (1879-1949). Cette page a été mise en vente dans la catalogue de l’antiquaire britannique Lisa Cox en 2010 et malgré que cette esquisse est peut-être le début d‘une mélodie pour contralto et piano, l‘idée dynamique dans la douzième mesure suggère la violon, surtout qu‘elle commence sur la.
$12.95
ColorAll Violin Fingering and Piano String Sampler
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Violon et Piano
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FACILE
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Contemporain
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Robin Kay Deverich
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ColorAll Violin Fingering and
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Global Music School String Publications
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SheetMusicPlus
Piano,Violin - Level 2 - SKU: A0.902216 Arranged by Robin Kay Deverich. Contemporary. 255 pages. Global Music School String Publications #5355093. Publi...
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Piano,Violin - Level 2 - SKU: A0.902216 Arranged by Robin Kay Deverich. Contemporary. 255 pages. Global Music School String Publications #5355093. Published by Global Music School String Publications (A0.902216). This combined version of the of the Piano Accompaniment and Violin Online String Sampler: ColorAll Fingering Violin Music is a fun and easy way to actively learn, study and play beautiful violin music from a wide variety of styles and eras. 54 pieces are featured, representing music history periods, cultures and styles such as Medieval, Renaissance, Baroque, Classical, Romantic, 20th Century, Fiddle, Klezmer, Gypsy, Chinese, Greek, Carnatic, Arabic, Mariachi, Ragtime and Blues. These arrangements have been simplified for advanced beginners to intermediate players, and include a representative sampling of most major forms of string music such as concertos, symphonies, sonatas, quartets and trios. If you need help with fingering, this ColorAll Fingering version of Violin Online String Sampler Violin Music is a simple and easy way to quickly begin playing the violin sheet music. ColorAll Fingering is a patented approach to violin playing, and uses colored violin fingering numbers over each note to indicate which string should be used to play the fingered notes: blue fingering numbers, play these notes on the G string; gold fingering numbers, play these notes on the D string; green fingering numbers, play these notes on the A string; purple fingering numbers, play these notes on the E. As an added bonus, sound files of each piece and a study guide are currently available on the website ViolinOnline.com* as a self-guided class specifically designed to accompany this music: https://www.violinonline.com/stringclass.html The study guide explains the history and musical form of the selected pieces, and includes violin technique tips for each piece of music. Let the music begin!*No guarantees are made that these sound files and website will be available indefinitely.Pieces include: Columba aspexit by Hildegard of Bingen; Sixth Royal Estampie from Chansonnier du Roy; Helas Madame; Kemp’s Jigg; Fantasia by Lupo; Minuet from The Fiddle New Model’d by Crome; Rondeau by Purcell; Hornpipe from Water Music by Handel; La Folia medley by Marais, Corelli, and Vivaldi; Double Violin Concerto in A Minor, Op. 3, No. 8, 1st movement by Vivaldi; Prelude from Cello Suite I in G Major by Bach; Allegro from Brandenburg Concerto No. 5 by Bach; Kyrie from Messa a 4 con violini by Cazzati; Medley: He Shall Feed His Flock Like a Shepherd and Hallelujah Chorus from Messiah by Handel; Arioso from Cantata No.156 by Bach; Ave Verum Corpus, K. 618 by Mozart; Adagio from Violin Concerto No. 3 in G by Mozart; Andante from String Quartet No. 13 in Am by Schubert; Andante from Emperor Quartet in C major by Haydn; Surprise Symphony No. 94, 2nd movement by Haydn; Pastoral Symphony No. 6, 1st and 5th movements by Beethoven; Hungarian Dance No. 5 by Brahms; The Moldau from Ma Vlast by Smetana; Halling from 25 Norwegian Folksongs and Dances by Grieg; Emperor Waltz by Strauss; Vieille Chanson by Viardot; Andante from Violin Concerto in E Minor by Mendelssohn; Allegro and Adagio from Cello Concerto in B minor by Dvorak; Notturno from String Quartet No. 2 in D major by Borodin; Elegy Op. 44 for Viola and Piano by Glazunov; Barcarolla from Sonata in Bb for Viola and Piano by Vieuxtemps; Ave Maria from a theme by J.S. Bach by Gounod/Bach; Sicilienne Op. 78 for cello and piano by Fauré; Meditation from Thaïs by Massenet; Habanera from Carmen by Bizet; Reed Flutes from The Nutcracker Suite by Tchaikovsky; Overture from Pulcinella Ballet by Stravinsky; Moderato from Sonata No. 1 in G Major by Gallo; Assez vif from String Quartet in F Major by Ravel; Sehr langsam from 4 Pieces, Op. 7 by Webern; Simple Gifts melody by Brackett; Braul from Romanian Folk Dances by Bartok; The Basso-Gypsy Traditional; Odessa Bulgarish-Klezmer Traditional; Varys Hasapikos-Greek Traditional; El Jar.
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Béla Bartók
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