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--INSTRUMENTS--
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Le Roi S
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14
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Vous avez sélectionné:
Le Roi S
Violon et Piano
Partitions à imprimer
4 partitions trouvées
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Passepied for Violin and Piano from Le roi s'amuse
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Violon et Piano
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INTERMÉDIAIRE
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Leo Delibes
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Shawn Boucke
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Passepied for Violin and Piano
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Shawn Boucke
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.1372321 Composed by Leo Delibes. Arranged by Shawn Boucke. 19th Century,Classical,Contest,Festival,Romantic Period. 6 p...
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Piano,Violin - Level 3 - SKU: A0.1372321 Composed by Leo Delibes. Arranged by Shawn Boucke. 19th Century,Classical,Contest,Festival,Romantic Period. 6 pages. Shawn Boucke #956612. Published by Shawn Boucke (A0.1372321). This is a selection from music Léo Delibes wrote for Le roi s'amuse by Victor HugoThe piece totals around 2 minutes in length and includes some pizzicato, harmonics, and shifting up to 5th position (However, some harmonics could be moved up the fingerboard for effect).
$5.99
Claude Debussy: Sérénade for violin and piano
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Sér&eac
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabri...
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Piano,Violin - Level 4 - SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabrik Music Publishing #4727479. Published by Musik Fabrik Music Publishing (A0.534583). Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and other completions include La Saulaie and the Nocturne and Poème for violin and orchestra as well as Debussy’s other Poe opera Le Diable dans le Beffroi.Préface en français : Au debut des années 1890, Debussy a composé le debut d’une pièce lyrique en Mi majeur pour violon et piano, peut-être pour accompagner la Nocturne pour violon que Debussy a destinée pour le violoniste belge Eugène Ysaÿe. Après la morte de Debussy en 1918, sa deuxième femme Emma avait l’habitude d’offrir ses pages d’esquisses aux intérpètes et compositeurs en souvenir de son regreté mari. Cette page d’esquisse a été offerte aux compositeur et pianiste cubain Joaquin Nin (1879-1949). Cette page a été mise en vente dans la catalogue de l’antiquaire britannique Lisa Cox en 2010 et malgré que cette esquisse est peut-être le début d‘une mélodie pour contralto et piano, l‘idée dynamique dans la douzième mesure suggère la violon, surtout qu‘elle commence sur la.
$12.95
La barque sur l'eau
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Violon et Piano
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DÉBUTANT
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Classique
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Bastien Chevalley
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La barque sur l'eau
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Bastien Chevalley
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SheetMusicPlus
Piano,Violin - Level 1 - SKU: A0.1264997 Composed by Bastien Chevalley. 19th Century,20th Century,Chamber,Classical,Romantic Period. 2 pages. Bastien Ch...
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Piano,Violin - Level 1 - SKU: A0.1264997 Composed by Bastien Chevalley. 19th Century,20th Century,Chamber,Classical,Romantic Period. 2 pages. Bastien Chevalley #857838. Published by Bastien Chevalley (A0.1264997). I'm delighted to present my latest composition, the fruit of my growing passion for the violin! Just three weeks ago, I began this incredible musical adventure, discovering the subtleties of this fascinating instrument. Oh, how I love it already, despite the challenges it presents! Despite my short experience, I already had an irrepressible urge to create music. And so was born this original composition, based on just three modest notes on the violin. However, thanks to a more elaborate piano accompaniment, the piece comes to life and acquires a more captivating musical interest.********************************************************************************************************************Je suis ravi de vous présenter ma toute nouvelle composition, fruit de ma passion grandissante pour le violon ! Il y a tout juste trois semaines, j'ai entamé cette incroyable aventure musicale en découvrant les subtilités de cet instrument fascinant. Oh, que je l'adore déjà , malgré les défis qu'il m'impose ! Malgré ma courte expérience, j'ai déjà une envie irrépressible de créer de la musique. C'est ainsi qu'est née cette composition originale, basée sur seulement trois modestes notes au violon. Cependant, grâce à un accompagnement plus élaboré au piano, la pièce prend vie et acquiert un intérêt musical plus captivant.
$5.00
''Ivresse'' for violin and piano --- Full score and violin part --- JCM 2010
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Violon et Piano
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Contemporain
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Jean-Christophe Masson
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''Ivresse'' for violin and pia
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Jean-Christophe Masson
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SheetMusicPlus
Piano,Violin - SKU: A0.878725 Composed by Jean-Christophe Masson. Contemporary. 17 pages. Jean-Christophe Masson #3056431. Published by Jean-Christophe ...
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Piano,Violin - SKU: A0.878725 Composed by Jean-Christophe Masson. Contemporary. 17 pages. Jean-Christophe Masson #3056431. Published by Jean-Christophe Masson (A0.878725). A neo-tonale piece for violin and piano by Jean-Christophe Masson (2010), Dedicated to Alexia Fouilloux.created July 20, 2010 at the castle of Gevrey - Chambertin (France), by Alexia Fouilloux violin and Livia Naas piano.©Jean-Christophe Masson N° de membre SACEM 00623 9409 sound reproduction rights reserved www.jcmasson.comUne pièce néo-tonale pour violon et piano de Jean-Christophe Masson (2010), dédicacée à Alexia Fouilloux.Création le 20 juillet 2010 au Château de Gevrey-Chambertin (France), par Alexia Fouilloux au violon et Livia Naas au piano. ©Jean-Christophe Masson N° de membre SACEM 00623 9409 Droits de reproduction sonore réservés www.jcmasson.com
$9.99
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