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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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37
2 Altos (duo)
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2 Violoncelles (duo)
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2 Contrebasses (duo)
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Violon et Piano
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Contre Basse
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Alto seul
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Alto (partie séparée)
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Trio à Cordes: violon, alto, violoncelle
3
Contrebasse (partie séparée)
2
Violoncelle, Piano
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Harpe (partie séparée)
1
Piano Trio: Violon, Alto, Piano
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Quintette à cordes: 2 violons, alto, violoncelle, basse
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Violon, Alto (duo)
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Harpe, Flûte (duo)
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Cloches
19
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17
Orchestre
13
Orchestre à Cordes
6
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5
Orchestre de chambre
3
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Batterie
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AUTRES
Vous avez sélectionné:
May H
Violon et Piano
Partitions à imprimer
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Glory to His Name (Violin Duet with Piano Accompaniment)
Violon et Piano
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU…
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU: A0.616145 By Sharon Wilson. By Elisha Albright Hoffman and John H. Stockton. Arranged by Sharon Wilson. Children,Easter,Instructional,Praise & Worship,Sacred. 13 pages. Sharon Wilson #225288. Published by Sharon Wilson (A0.616145). Here is a fun and upbeat instrumental trio arrangement (for two VIOLINS with PIANO accompaniment) of the Gospel hymn Glory to His Name by John H. Stockton. This quick-paced arrangement will brighten the hearts of the listeners as they are reminded of the lyrics penned by Elisha A. Hoffman: Down at the cross where my Savior died, Down where for cleansing from sin I cried, There to my heart was the blood applied; Glory to His name!VIOLIN 1 plays the melody for the first verse and then the two VIOLINS alternate leading with the melody for the second verse. All notes for both VIOLINS are playable in the first position making this arrangement an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player. The purchase price includes a 6-page combined score (grand staff) with all three parts on each page (VIOLIN 1, VIOLIN 2, and PIANO) plus separate 1-staff scores for each VIOLIN part (1 page each) and also a PIANO only score (3 pages). This arrangement is written in the key of G major with ranges as follows: VIOLIN 1 ~ D4 to B5; VIOLIN 2 ~ B3 to B5. This arrangement is also available (separate purchase) as a FLUTE and VIOLIN duet in the key of C major with a slightly narrower range for each instrument which may be slightly easier for the two instruments.This arrangement is one of the 10 songs in the collection Praise Him with Stringed Instruments, Book 1 (Collection of 10 Hymns for Violin Duet with Piano).Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
5.46 €
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Violon et Piano
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Sharon Wilson
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Sharon Wilson
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Glory to His Name
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Sharon Wilson
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SheetMusicPlus
Violin Concerto in a minor F1 #183
Violon et Piano
Instrumental Duet,Piano,Violin - Level 3 - Digital Download SKU: A0.933394 Composed…
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Instrumental Duet,Piano,Violin - Level 3 - Digital Download SKU: A0.933394 Composed by Antonio Vivaldi. Arranged by Philip Clark. Baroque,Instructional. 16 pages. Philip H Clark #2016327. Published by Philip H Clark (A0.933394). Edited, and with a piano accompaniment by Philip Clark, this work is a challenging and refreshing change from the well-known Vivaldi concerto used in the Suzuki method. Score and parts for performance with string orchestra may be obtained through pclarkmusic.com. A separate violin part is published with Sheet Music Plus.
$10.00
9.12 €
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Violon et Piano
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Antonio Vivaldi
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Philip Clark
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Violin Concerto in a minor F1 #183
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Philip H Clark
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SheetMusicPlus
Brighten the Corner Where You Are (Violin Duet with Piano Accompaniment)
Violon et Piano
Small Ensemble Piano Accompaniment,Violin - Level 2 - Digital Download SKU: A0.1046275
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Small Ensemble Piano Accompaniment,Violin - Level 2 - Digital Download SKU: A0.1046275 By Charles H. Gabriel and Sharon Wilson. By Charles Hutchinson Gabriel and Ina Duley Ogdon. Arranged by Sharon Wilson. Children,Folk,Praise & Worship,Romantic Period,Sacred. Score and parts. 17 pages. Sharon Wilson #650781. Published by Sharon Wilson (A0.1046275). Here is a fun and upbeat instrumental trio arrangement (for two VIOLINS with PIANO accompaniment) of the familiar Gospel song Brighten the Corner Where You Are by Charles H. Gabriel. This quick-paced arrangement will lift the spirits of the listeners as they are reminded of the lyrics penned by Ina D. Ogdon: Do not wait until some deed of greatness you may do, Do not wait to shed your light afar… Both VIOLINS get to lead with the melody at times making this a fun and equally challenging piece for both instruments while adding variety for the listeners. This cheerful and uplifting instrumental arrangement is an ideal selection for a church setting and a valuable addition to your sacred worship repertoire. Duration 2:00. The range for each part is as follows: VIOLIN 1 – F#4 to A5; VIOLIN 2 – D4 to D5. All notes for both VIOLINS are playable in the first position making this arrangement an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player. The purchase price includes these printing options: 1. a grand staff (6 pages) with all parts on each page2. separate scores for each VIOLIN part (2 pages each) and PIANO (3 pages)3. a combined VIOLIN 1 and VIOLIN 2 score (2 pages) This hymn represents GOODNESS and is one of the 10 songs in the collection inspired by Galatians 5:22-23: The Fruit of the Spirit (10 Hymns for Violin Duet with Piano Accompaniment) Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
5.46 €
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Violon et Piano
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Charles H
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Sharon Wilson
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VIOLIN 2 – D4 to D5
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Brighten the Corner Where You Are
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Sharon Wilson
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SheetMusicPlus
Best Part
Violon et Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.874140 By Daniel Caesar. By Ashto…
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Piano,Violin - Level 3 - Digital Download SKU: A0.874140 By Daniel Caesar. By Ashton Simmonds, Gabriella Wilson, Jordan DC Evans, Jordan Evans, Matthew Burnett, Matthew Burnette, and Riley Bell. Arranged by Miles K. Contemporary. 6 pages. Miles Kang #5353591. Published by Miles Kang (A0.874140). A duet arrangement of Best Part by Daniel Caesar/H.E.R.This sheet music is perfect for piano and violin, but violin may substituted for any C instrument of the appropriate range if desired.
$4.99
4.55 €
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Violon et Piano
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Daniel Caesar
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Miles K
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Best Part
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Miles Kang
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SheetMusicPlus
Bach: Wachet auf for Violin & Piano
Violon et Piano
Piano,Violin - Level 2 - Digital Download SKU: A0.549836 Composed by Johann Sebasti…
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Piano,Violin - Level 2 - Digital Download SKU: A0.549836 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. 12 pages. Jmsgu3 #3554469. Published by jmsgu3 (A0.549836). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.75 €
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Violon et Piano
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Violin & Piano
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jmsgu3
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SheetMusicPlus
Sullivan: The Lost Chord for Violin & Piano
Violon et Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.549439 Composed by Sir Arthur Sey…
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Piano,Violin - Level 3 - Digital Download SKU: A0.549439 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. 14 pages. Jmsgu3 #3494667. Published by jmsgu3 (A0.549439). Score: 9 pages, solo part: 2 pages, piano part: 4 pages. Duration: 4:18. Suitable for a recital of church meditation. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.58 €
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Violon et Piano
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Sir Arthur Seymour Sullivan
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James M
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Sullivan: The Lost Chord for Violin & Piano
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jmsgu3
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SheetMusicPlus
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