English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
1
Partitions
Numériques
13
Librairie
Musicale
5
Matériel
de Musique
20
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
202
PIANO & CLAVIERS
Piano, Voix et Guitare
168
Piano seul
162
Piano, Voix
114
Piano Facile
53
Instruments en Do
12
Piano grosses notes
10
Piano (partie séparée)
5
1 Piano, 4 mains
4
Accordéon
3
Orgue
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Trio: piano, violon, violoncelle
2
Ligne De Mélodie, Piano
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Instrument seul et Orgue
1
Accompagnement Piano
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
61
Ligne De Mélodie, (Paroles) et Accords
34
Paroles et Accords
22
Guitare
21
Basse electrique
12
Ukulele
11
Guitare (partie séparée)
5
Basse électrique (partie séparée)
2
3 Guitares (trio)
2
2 Guitares (duo)
1
Ukulele Baryton
1
4 Guitares (Quatuor)
1
Banjo
1
Instrumentations suivantes
Retracter
VOIX
Chorale 2 parties
94
Chorale SATB
55
Chorale 3 parties
28
Chorale SSAA
22
Chorale TTBB
19
Chorale Unison
8
Voix duo, Piano
4
Chorale
3
Voix seule
2
Voix duo
2
Voix Soprano, Piano
2
Voix Tenor
1
Voix Alto, Piano
1
Instrumentations suivantes
Retracter
VENTS
Saxophone (partie séparée)
26
Flûte traversière et Piano
18
Clarinette
14
Saxophone Alto
14
Flûte traversière
11
Saxophone Alto et Piano
10
Clarinette et Piano
9
Clarinette (partie séparée)
8
Hautbois, Piano (duo)
7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
Flûte, Hautbois, Clarinette, Basson
7
Saxophone Tenor
7
Saxophone Tenor et Piano
7
Hautbois (partie séparée)
7
Quatuor de Saxophones: 4 saxophones
7
Quatuor de Clarinettes: 4 clarinettes
6
Cor anglais, Piano
6
Saxophone Baryton, Piano
5
Saxophone Soprano et Piano
5
Clarinette Basse, Piano
4
Quatuor de Flûtes : 4 flûtes
3
3 Saxophones (trio)
3
2 Flûtes traversières (duo)
3
Flute (partie séparée)
3
Ensemble de Flûtes
2
Piccolo, Piano
2
Trio de Flûtes: 3 flûtes
2
Flûte à Bec
2
Ensemble de saxophones
1
Flûte à bec Alto
1
3 Clarinettes (trio)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte et Guitare
1
Clarinette, Guitare (duo)
1
Hautbois
1
2 Clarinettes (duo)
1
Cornemuse
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette
19
Trompette (partie séparée)
18
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
16
Trombone
14
Trombone (partie séparée)
12
Cor
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Euphonium, Piano (duo)
7
Trombone et Piano
6
Cor anglais, Piano
6
2 Euphoniums et 2 Tubas
5
Cor et Piano
4
Trio de Cuivres
3
Quatuor de Cuivres
3
Cor (partie séparée)
3
Tuba (partie séparée)
3
Tuba
2
Trompette, Trombone (duo)
2
Trompette, Piano
2
Tuba et Piano
2
Bass Clef Instruments
1
Quatuor de cuivres: 4 cors
1
Quatuor de cuivres: 4 trombones
1
Ensemble de Trombones
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
48
Violon
23
Violon et Piano
13
Alto seul
13
Violoncelle (partie séparée)
11
Alto, Piano
9
Violoncelle
9
Violoncelle, Piano
8
Trio à Cordes: violon, alto, violoncelle
8
Harpe
7
Contrebasse (partie séparée)
6
Trio à Cordes: 2 violons, violoncelle
4
Alto (partie séparée)
3
Violon, Guitare (duo)
3
2 Violons (duo)
3
2 Altos (duo)
3
Violon (partie séparée)
3
Piano Trio: Violon, Alto, Piano
2
Violoncelle, Contrebasse (duo)
2
Violon, Violoncelle (duo)
2
Violon, Alto (duo)
2
4 Violoncelles
1
Trio à Cordes: 2 violons, alto
1
Trio à cordes
1
3 Harpes
1
Alto, Violoncelle (duo)
1
Contre Basse
1
2 Violoncelles (duo)
1
Harpe, Flûte (duo)
1
Ensemble de Violoncelles
1
2 Contrebasses (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
20
Orchestre
19
Ensemble de cuivres
17
Ensemble Jazz
14
Orchestre à Cordes
12
Jazz combo
11
Fanfare
8
Batterie (partie séparée)
7
Batterie
7
Orchestre de chambre
6
Percussion (partie séparée)
6
Cloches
5
Ensemble de Percussions
3
Quintette à Vent
1
Xylophone
1
Quintette de Cuivres: autres combinaisons
1
Caisse Claire
1
Percussion
1
Timbales (partie séparée)
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Maybe
Violon et Piano
Partitions à imprimer
13 partitions trouvées
<
1
The Sleeping Beauty Waltz for Violin and Piano
Violon et Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.1410723 Composed by P. I. Tchaiko…
(+)
Piano,Violin - Level 3 - Digital Download SKU: A0.1410723 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Film/TV,Instructional,Romantic Period,Standards. 15 pages. Diego Marani #993119. Published by Diego Marani (A0.1410723). The Sleeping Beauty is a ballet in a prologue and three acts, first performed in 1890. The music was composed by Pyotr Ilyich Tchaikovsky (his opus 66). The score was completed in 1889, and is the second of his three ballets.This arrangement for violin with piano accompaniment of the marvelous Grande valse villageoise (a.k.a. The Garland Waltz) is maybe one of the most famous composition of Tchaikovsky used also in the Disney's film Sleeping Beauty.It suitable for any occasion: repertoire, recital, classroom or also for an outstanding and beautiful encore.
$8.99
8.26 €
#
Violon et Piano
#
P
#
Diego Marani
#
The Sleeping Beauty Waltz for Violin and Piano
#
Diego Marani
#
SheetMusicPlus
Romanze in A minor
Violon et Piano
Piano,Violin - Level 5 - Digital Download SKU: A0.1363025 Composed by Claudio Porst…
(+)
Piano,Violin - Level 5 - Digital Download SKU: A0.1363025 Composed by Claudio Porstmann. 19th Century,Chamber,Classical,Romantic Period. 11 pages. Claudio Porstmann #947411. Published by Claudio Porstmann (A0.1363025). A beautiful introspective piece in the romantic classical style of the late 19th century. It is a melodious piece composed for the classical combination of piano and violin in a fashion maybe comparable a bit to the sound of Franz Schubert. The recording is done with synthetic instruments, as there was no violinist available, and sounds a little forced, but with a real player performing the composition and expressing the melody, the piece acquires a magnificent color and tone.
$9.99
9.17 €
#
Violon et Piano
#
Claudio Porstmann
#
Romanze in A minor
#
Claudio Porstmann
#
SheetMusicPlus
Suo Gân
Violon et Piano
Piano,Violin - Level 2 - Digital Download SKU: A0.731833 Composed by Welsh Traditio…
(+)
Piano,Violin - Level 2 - Digital Download SKU: A0.731833 Composed by Welsh Traditional. Arranged by Thomas Quigley. Concert,Folk. 4 pages. Thomas Quigley #3396813. Published by Thomas Quigley (A0.731833). In this simple but beautiful arrangement the serene, soothing Welsh lullaby is allowed to sing out clearly above a very sympathetic and supporting piano accompaniment. In performance, it would maybe suit two students, as both parts are kept fairly manageable. In the 2nd verse the melody soars up the octave adding to the expressiveness of the arrangement. The choice of harmonies for the piano is quite lush, and the overall effect is one of peace and tranquility.
$3.99
3.66 €
#
Violon et Piano
#
Welsh Traditional
#
Thomas Quigley
#
Suo Gân
#
Thomas Quigley
#
SheetMusicPlus
Bach: Wachet auf for Violin & Piano
Violon et Piano
Piano,Violin - Level 2 - Digital Download SKU: A0.549836 Composed by Johann Sebasti…
(+)
Piano,Violin - Level 2 - Digital Download SKU: A0.549836 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. 12 pages. Jmsgu3 #3554469. Published by jmsgu3 (A0.549836). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.91 €
#
Violon et Piano
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Violin & Piano
#
jmsgu3
#
SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Violin & Piano
Violon et Piano
Piano,Violin - Level 2 - Digital Download SKU: A0.549216 Composed by Johann Sebasti…
(+)
Piano,Violin - Level 2 - Digital Download SKU: A0.549216 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. 9 pages. Jmsgu3 #3468006. Published by jmsgu3 (A0.549216). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
30.26 €
#
Violon et Piano
#
Johann Sebastian Bach
#
James M
#
Bach: Bist du bei mir BWV 508 for Violin & Piano
#
jmsgu3
#
SheetMusicPlus
The First Noel for Violin & Piano
Violon et Piano
Piano,Violin - Level 1 - Digital Download SKU: A0.548506 Composed by Traditional. A…
(+)
Piano,Violin - Level 1 - Digital Download SKU: A0.548506 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. 4 pages. Jmsgu3 #3387409. Published by jmsgu3 (A0.548506). The First Noel arranged for Violin & Piano with new harmony for the final verse. Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Violin Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol.
$24.95
22.91 €
#
Violon et Piano
#
Traditional
#
James M
#
The First Noel for Violin & Piano
#
jmsgu3
#
SheetMusicPlus
Sullivan: The Lost Chord for Violin & Piano
Violon et Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.549439 Composed by Sir Arthur Sey…
(+)
Piano,Violin - Level 3 - Digital Download SKU: A0.549439 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. 14 pages. Jmsgu3 #3494667. Published by jmsgu3 (A0.549439). Score: 9 pages, solo part: 2 pages, piano part: 4 pages. Duration: 4:18. Suitable for a recital of church meditation. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.75 €
#
Violon et Piano
#
Sir Arthur Seymour Sullivan
#
James M
#
Sullivan: The Lost Chord for Violin & Piano
#
jmsgu3
#
SheetMusicPlus
Under the moon
Violon et Piano
Piano,Violin - Digital Download SKU: A0.1023169 Composed by Albert Dadykin. 20th Ce…
(+)
Piano,Violin - Digital Download SKU: A0.1023169 Composed by Albert Dadykin. 20th Century,Contemporary. 12 pages. Albert Dadykin #4840903. Published by Albert Dadykin (A0.1023169). This light, airy and romantic improvisation on the theme of the first date! Maybe not the first...In music, I tried to describe the feelings of tenderness and love between people who are a little shy of each other, but eventually take each other's hands and make the first kiss. I wish you pleasant music playing!
$9.95
9.14 €
#
Violon et Piano
#
Albert Dadykin
#
Under the moon
#
Albert Dadykin
#
SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Violin & Piano
Violon et Piano
Piano,Violin - Level 2 - Digital Download SKU: A0.550914 Composed by J. S. Bach - G…
(+)
Piano,Violin - Level 2 - Digital Download SKU: A0.550914 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. 12 pages. Jmsgu3 #4888241. Published by jmsgu3 (A0.550914). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.26 €
#
Violon et Piano
#
J
#
James M
#
Bach-Gounod: Ave Maria, Schwencke version for Violin & Piano
#
jmsgu3
#
SheetMusicPlus
Zdes' khorosho - Serghei Rachmaninov
Violon et Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.948808 Composed by Serghei Rachma…
(+)
Piano,Violin - Level 4 - Digital Download SKU: A0.948808 Composed by Serghei Rachmaninov. Arranged by Adrian F. Pipas. 20th Century. 7 pages. Adrian F. Pipas #6642575. Published by Adrian F. Pipas (A0.948808). ЗдеÑÑŒ хорошо (Zdes' khorosho, How nice is here) was written in April 1902, in a sweet moment in the composer's life: he had overcome a creative block and had just married his cousin Natalia Sarina. Zdes' khorosho is n. 7 from Twelve Romances, op. 21, a beautiful song that talks about the bond between man, nature and God. It’s also a love song; One of the things I like the most is the balance between contemplation and passion that Rachmaninov accomplishes. The poem, by the Countess Glafira Adolfovna Einerling, a contemporary writer of the composer who wrote under the pseudonym of Galina, simply describes a sunset. I don't know if the landscape portrayed is similar to what Rachmaninov could see from his home but no doubt he felt it part of his own; he even changed the beginning of the poem so he said that the nice place was here. Zdes' khorosho is a song full of lyricism, seemingly simple but demanding for the singer (please pay attention to the pianissimo at the last verse, which seems to arise from nowhere), with an exquisite accompaniment. Some scholars think that the true essence of Rachmaninov is found in songs like that, rather than in his athletic piano concerts.In 1963, the Russian composer Vladimir Michailovich Jurowski (father and grandfather of conductors) orchestrated ten songs by Rachmaninov, including Zdes' khorosho, and there is a later orchestration of this song by Michael Rot. You know that I usually find it difficult to renounce the original piano versions, especially when the composer didn't orchestrated them, but I recommend you to listen to Anna Netrebko singing this song with the Mariinsky Theatre Orchestra conducted by Valery Gergiev.You might wonder why I don't share this version here, there are two reasons: first, I can’t do without that beautiful piano; two, I chose my version months ago (something that lately happens quite often). I said before that Zdes' khorosho is between contemplation and passion; Most of singers enhance the most contemplative perspective, that's the case of the lovely performance by Anna Netrebko. Others sing the most passionate version, like the one we’re listening today. Its tempo is faster than usual, it lasts about a minute and a half; maybe it would surprise you if you're used to slower versions. I hope you enjoy this song as much as me; I think this performance by Nicolai Gedda and Gerald Moore, recorded live in 1966, is wonderful.Source: Liederabend.cathttps://www.liederabend.cat/en/bloc/entrades/400-how-nice-it-is-here
$9.99
9.17 €
#
Violon et Piano
#
Serghei Rachmaninov
#
Adrian F
#
Zdes' khorosho - Serghei Rachmaninov
#
Adrian F. Pipas
#
SheetMusicPlus
Royal Serenity
Violon et Piano
Small Ensemble,Strings Harp,Piano,Violin - Level 4 - Digital Download SKU: A0.1022586
(+)
Small Ensemble,Strings Harp,Piano,Violin - Level 4 - Digital Download SKU: A0.1022586 Composed by EStheMusicSides. Contemporary,Film/TV,Spiritual. Score and parts. 10 pages. EStheMusicSides #62491. Published by EStheMusicSides (A0.1022586). People are leaving the movie theater when this type of music comes on at the end and the credits begin to roll. But for those who appreciate classical music wont mind sitting through and listening. This is a orchestral classic music short will ambient choir voice and string combinations with beautiful harmonized melodies. Sett a relaxing & soothing mood for the listener or maybe even other moods. Nonetheless it is a enjoyable short composition.
$1.99
1.83 €
#
Violon et Piano
#
EStheMusicSides
#
Royal Serenity
#
EStheMusicSides
#
SheetMusicPlus
"Hellenic Suite" for violin and piano
Violon et Piano
Piano,Violin - Level 5 - Digital Download SKU: A0.886697 Composed by Panagiotis The…
(+)
Piano,Violin - Level 5 - Digital Download SKU: A0.886697 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. 76 pages. Panagiotis Theodossiou #3575309. Published by Panagiotis Theodossiou (A0.886697). Hellenic Suite, for violin and piano (2010) I.Seashore Procession, Thalassaki (traditional tune from Dodekanisos) II.Dance of the Youngsters, Pentozalis (traditional tune from Crete) III.Litany in Spring, Egomia (from the Evening Service of Holly Epitaph) IV.Dance of the Elders, Matoklada (rebetiko carsilama tune by Markos Vamvakaris) V.Ancient Ritual, Orestes Stasimon (from Orestes Tragedy by Euripides) VI.Dance of the Past, Dance (traditional tune from Heipiros) VII.Homelands Lost, Mia Smyrnia stoPapathyri (traditional tune from Asia Minor) VIII.Dance of the Future, Pyrihios (traditonal dances from Sera and Shereanit'sa from Pontos) Four laments, four dances. Eight scenes depicting Hellenic History from 6th century B.C., or even earlier, up to our days, based on fragments of ancient Greek music, folk and byzantine tradition and rebetiko song tunes as well. From Greece of the distand past, to Greece of the present and, maybe, to Greece of the years to come, Hellas of the Future. The work is dedicated to the Greek Composer Giannis Konstantinidis. It has been performed by Andrea Hemmenway and Konstantinos Papadakis in Fall Arts Concert organised by Hellenic University Club of Philadelphia in The Ethical Society Hall of Philadelphia in 2010. The same artists perfomed the work at Kendal Concert Hall in Kendal, Pennsylvania in 2011. Version for viola and piano available. Excerpts of violin - piano version has been performed by Tania Sikelianou and Timos Gennatos at : Ellinikon Eidyllion, Selianitika, Aigion in 2011.
$28.00
25.71 €
#
Violon et Piano
#
Panagiotis Theodossiou
#
#
"Hellenic Suite" for violin and piano
#
Panagiotis Theodossiou
#
SheetMusicPlus
Tutte dormono sulla collina
Violon et Piano
Small Ensemble,Strings Cello,Organ,Pan Pipe,Piano,Violin - Digital Download SKU: A0.976…
(+)
Small Ensemble,Strings Cello,Organ,Pan Pipe,Piano,Violin - Digital Download SKU: A0.976835 Composed by Monica Bergo. Spiritual. Score and parts. 35 pages. Monica Bergo #3235427. Published by Monica Bergo (A0.976835). 2017 Holiday Contest EntryALL SLEEPING ON THE HILL While it flowing words and pictures All are sleeping on the hill They are so many, so beautiful and pale They are waiting on the hill Princesses looking frail That pose themselves unnecessary questions They are died and now are free but they wonder why If I Had been more yielding, if I had been a little 'more docile He is always so unstable, maybe it was my fault If I Had known take him, and learned not to respond If I always said yes, I would be alive and still there They are women of all nationalities And girls who never bloom While the seasons and the years pass Their face is ageless And they are mothers, daughters or lovers Prostitutes, holy or wives No heaven or hell They are waiting for you Tonight the sky is brighter They will be shining Shooting stars now that you do not have a sky Tell me where you flee Do you feel guilty But you're not you that you have sinned Hide the signs And the secret inside you Everybody knows but it is more comfortable silence As long as you lie to yourself I had a dream, a nightmare, but I was awake On the hill expecting me Princess, sleeps in the trash Your Prince control no longer has And a tear remains motionless Witness of this' atrocities You Follow the avenue of pain and tears And walking on the hill and reach the motionless companions Waiting for you on the hill unites them by horrible fate Different stories with the same ending And as avenging goddesses expect The man who defiled And it is a black angels army their choir is high is unstoppable resonates loud, an echo that is relentless haunt your sleep and a thousand ways to beat you know; Hide the world what you really are the last image behind those eyes the blind fury inside you while in the sky it appears lightning I launch myself on the hill I put a flower and remain motionless And and I fall asleep here , on the hill ......... .. Monica Bergo
$3.99
3.66 €
#
Violon et Piano
#
Monica Bergo
#
it
#
Tutte dormono sulla collina
#
Monica Bergo
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
