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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
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COR
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Paris - Score Only
Non classifié
38
Piano & claviers
Piano, Voix et Guitare
64
Piano, Voix
38
Instruments en Do
5
Piano (partie séparée)
2
Piano seul
1
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Guitare
5
Guitare (partie séparée)
4
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3
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2
Voix
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5
Pack Instrumental pour Chorale
4
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4
Voix duo, Piano
2
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1
Vents
Saxophone (partie séparée)
10
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3
Flûte traversière et Piano
3
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2
Instruments en Mib
2
Flûte traversière
2
2 Saxophones (duo)
1
Flûte, Clarinette et Basson
1
Clarinette Basse
1
Flute (partie séparée)
1
Quatuor de Clarinettes: 4 clarinettes
1
Flûte à bec Soprano
1
Flûte, Hautbois, Clarinette (trio)
1
Saxophone Alto
1
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Retracter
Cuivres
Trombone (partie séparée)
7
Trompette (partie séparée)
7
Tuba (partie séparée)
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
Bass Clef Instruments
1
Cor (partie séparée)
1
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Ensemble de Trompettes
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Violon et Piano
7
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2
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LUTH, THEOR…
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OUD
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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PIANO
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Vous avez sélectionné:
Paris - Score Only
Violon et Piano
Partitions à imprimer
7 partitions trouvées
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Saint-Saens: The Swan for Violin and Piano
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Violon et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saens: The Swan for Viol
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.1254029 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,His...
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Piano,Violin - Level 3 - SKU: A0.1254029 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 9 pages. Jmsgu3 #847642. Published by jmsgu3 (A0.1254029). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95
Le berger fidèle (The Faithful Shepherd)
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Violon et Piano
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INTERMÉDIAIRE
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Louise Farrenc
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Robert Debbaut
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Le berger fidèle
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ROBERT DEBBAUT
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.1181373 Composed by Louise Farrenc. Arranged by Robert Debbaut. 19th Century,Classical,Contest,Festival,Multicultural,R...
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Piano,Violin - Level 3 - SKU: A0.1181373 Composed by Louise Farrenc. Arranged by Robert Debbaut. 19th Century,Classical,Contest,Festival,Multicultural,Romantic Period,World. 6 pages. ROBERT DEBBAUT #781215. Published by ROBERT DEBBAUT (A0.1181373). Louise Farrenc (1804-1875) was the only woman to hold a professorship at a European Conservatory (Paris) in the 19th Century. Â They would only allow her to teach piano, not composition, because she was inarguably a virtuoso pianist. Â During her lifetime she mainly composed for piano, but also wrote works for the orchestra, including three symphonies, and a great deal of mixed chamber music. Â This short, lovely melody, is certainly characteristic of the Romantic Era and would make a lovely recital work. Â If you purchase, please write to the arranger at debbaut@gmail.com, subject Farrenc and a copy of the solo part will be sent to you at no charge. Â Thank you.
$4.99
Melodie for Violin and Piano
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Louise Farrenc
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Robert Debbaut
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Melodie for Violin and Piano
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ROBERT DEBBAUT
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.1170607 Composed by Louise Farrenc. Arranged by Robert Debbaut. 19th Century,Contest,Festival,Romantic Period. 4 pages....
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Piano,Violin - Level 4 - SKU: A0.1170607 Composed by Louise Farrenc. Arranged by Robert Debbaut. 19th Century,Contest,Festival,Romantic Period. 4 pages. ROBERT DEBBAUT #770978. Published by ROBERT DEBBAUT (A0.1170607). Louise Farrenc (1804-1875) was the only woman to hold a professorship at a European Conservatory (Paris) in the 19th Century. They would only allow her to teach piano, because she was a virtuoso pianist. During her lifetime she mainly composed for piano, but also wrote works for the orchestra, including three symphonies, and a great deal of mixed chamber music. This short, lovely melody, is certainly characteristic of the Romantic Era and would make a lovely recital work.  If you purchase, please write to the arranger at debbaut@gmail.com, subject Farrenc and I will send you a copy of the solo part at no charge.
$4.99
Sonata for Fortepiano & Violin in C (VB 162)
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Violon et Piano
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INTERMÉDIAIRE
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Classique
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Joseph Martin Kraus
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Bertil van Boer
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Sonata for Fortepiano & Vi
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Artaria Editions
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.1488842 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 42 pages. Artaria Editions #1065696. P...
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Piano,Violin - Level 3 - SKU: A0.1488842 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 42 pages. Artaria Editions #1065696. Published by Artaria Editions (A0.1488842). Artaria Editions AE436Joseph Martin Kraus was one of the most gifted and unusual composers of the 18th century, whose talent for thematic development, colourful orchestration and theatrical flair caused Haydn to proclaim him one of only two 'geniuses' he knew (Mozart being the other one). Although Kraus's focus as a composer was mainly upon works written for the stage, he had occasion and opportunity to write a variety of works for chamber setting, including this sonata for violin and fortepiano. It is not known for whom this work was written, but the sole surviving source, a set of parts in Uppsala University Library in the hand of Fredrik Silverstolpe, Kraus's first biographer and assiduous collector of his music, dates it to Kraus's grand tour; he notes that it was written in Paris in 1785. This sonata is the most virtuosic and imposing work in this genre that the composer wrote. Of particular interest is the use of a slow introduction with lyrical violin solo, the long Adagio with its alternating solo passages, and the playful final Scherzo which bears a thematic similarity to the now-lost original third movement of Kraus's Violin Concerto (VB 151). Indeed, this complex work merits the rubric Great C major.Allan Badley.
$30.00
Sonata for Fortepiano & Violin in E-flat (VB 161)
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Violon et Piano
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INTERMÉDIAIRE
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Classique
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Joseph Martin Kraus
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Bertil van Boer
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Sonata for Fortepiano & Vi
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Artaria Editions
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.1488840 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 36 pages. Artaria Editions #1065694. P...
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Piano,Violin - Level 3 - SKU: A0.1488840 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 36 pages. Artaria Editions #1065694. Published by Artaria Editions (A0.1488840). Artaria Editions AE435Joseph Martin Kraus was one of the most gifted and unusual composers of the 18th century, whose talent for thematic development, colourful orchestration and theatrical flair caused Haydn to proclaim him one of only two 'geniuses' he knew (Mozart being the other one). Although Kraus's focus as a composer was mainly upon works written for the stage, he had occasion and opportunity to write a variety of works for chamber setting, including this sonata for violin and fortepiano. It is not known for whom this work was written, but the sole surviving source, a set of parts in Uppsala University Library in the hand of Fredrik Silverstolpe, Kraus's first biographer and assiduous collector of his music, dates it to Kraus's grand tour; he notes that it was written in Paris in 1785. The sonata received its final form for keyboard alone as part of the Due Sonata per il Forte Piano published by Olof Åhlstrm some three years later in 1788. This sonata differs from the solo pianoforte version (also published by Artaria Editions as AE398) in that it is shorter (particularly in the slow movement) and less elaborate for both instruments. Nonetheless, it is an impressive sonata and among the most interesting works of its kind composed in the 1780s.Allan Badley.
$30.00
Perpetuum mobile
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Violon et Piano
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AVANCÉ
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Franz Ries
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Perpetuum mobile
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Schott Music - Digital
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SheetMusicPlus
Violin and piano - advanced - SKU: S9.Q7069 Composed by Franz Ries. This edition: Sheet music. Violin Library. Wie ein Wirbelwind fegt das kleine Virtuo...
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Violin and piano - advanced - SKU: S9.Q7069 Composed by Franz Ries. This edition: Sheet music. Violin Library. Wie ein Wirbelwind fegt das kleine Virtuosenstück vorüber, raubt aber hoffentlich nur dem Publikum, nicht den geigenden Interpreten den Atem! Downloadable. Op. 34/5. Schott Music - Digital #Q7069. Published by Schott Music - Digital (S9.Q7069). As a musician, Franz Ries (1846-1932) is almost forgotten today: the composer, violinist and 'Königl. Sächs. Hofmusikalienhändler' studied at the famous Paris Conservatoire to be a violinist. Then, the nephew of Beethoven's pupil and friend Ferdinand Ries started a glittering solo career which he had to end soon after for health reasons. From then on, he turned his whole attention to the music publishing business and occasionally even contributed little compositions, such as 'La Capricciosa' or the newly published 'Perpetuum mobile' Op. 34, to the programme of his publishing house. This is the fifth movement from his Suite No. 3 for violin and orchestra (or piano), created around 1870. The little virtuoso piece sweeps by like a whirlwind, hopefully taking only the listeners', not the violin playing performers' breath away!
$13.99
La Paloma
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Sebastian de Yradier
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Otto Langey
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La Paloma
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Schott Music - Digital
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SheetMusicPlus
Violin and piano - intermediate to advanced - SKU: S9.Q53339 Sérénade espagnole. Composed by Sebastian de Yradier. Edited by Wolfgang Birte...
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Violin and piano - intermediate to advanced - SKU: S9.Q53339 Sérénade espagnole. Composed by Sebastian de Yradier. Edited by Wolfgang Birtel. Arranged by Otto Langey. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. 7 pages. Schott Music - Digital #Q53339. Published by Schott Music - Digital (S9.Q53339). English • German.On the occasion of the 100th anniversary of the German performing rights society GEMA in 2003 La Paloma von Sebastián de Yradier was chosen as the ‘song of the century’. The Spanish composer began his career as an organist and then taught singing in Madrid before moving to Paris. In 1857 he travelled to the Caribbean, developing an interest in the Habañera form and Creole music. Drawing inspiration from this experience he composed numerous pieces with Spanish influence which were published individually by Schott in 1870 in the series Fleurs d’Espagne, 2me collection. Of these, only No. 14 has survived: The Dove (in Spanish La Paloma) is possibly the most often played, arranged and recorded piece of all time. Otto Langey added a pretty introduction to his arrangement for violin (1890). It is a popular piece for domestic music-making. More recent recordings featuring Hans Albers, Freddy Quinn, Elvis Presley and many others, have made this Spanish serenade with its typical Habañera accompaniment famous, and it can readily be played at home, too. Edition based on plate no. 02567, first published in 1890 as plate no. 24490.
$3.99
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