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AUTRES INST…
BALALAIKA
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CHANT - CHO…
CHARANGO
CITHARE
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CONTREBASSE
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COR ANGLAIS
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DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
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SYNTHE
TROMBONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
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JEUX VIDEOS
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LATIN - BOSSA - WORL…
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MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
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POLKA
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POP ROCK - ROCK MODE…
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expert
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avec vidéo
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Non classifié
128
PIANO & CLAVIERS
Piano seul
201
Accompagnement Piano
42
Piano, Voix et Guitare
32
Piano, Voix
31
Piano Facile
22
Orgue
5
1 Piano, 4 mains
3
Instruments en Do
3
Piano Trio: piano, violon, violoncelle
2
Piano grosses notes
2
2 Pianos, 4 mains
1
Piano (partie séparée)
1
Accordéon
1
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GUITARES
Guitare notes et tablatures
10
Ligne De Mélodie, (Paroles) et Accords
5
Guitare
5
Ukulele
5
Basse electrique
4
Dulcimer
1
Ensemble de guitares
1
Guitare (partie séparée)
1
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VOIX
Chorale SATB
35
Chorale 3 parties
10
Chorale 2 parties
8
Chorale Unison
5
Voix seule
4
Chorale TTBB
3
Voix duo, Piano
3
Chorale SSAA
2
Voix Soprano, Piano
1
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VENTS
Saxophone
24
Saxophone Alto et Piano
16
Clarinette
16
Flûte traversière
14
Saxophone (partie séparée)
12
Flûte traversière et Piano
10
Ensemble de saxophones
9
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
Quintette de Saxophone: 5 saxophones
8
Saxophone Alto
8
Saxophone Soprano et Piano
5
Hautbois (partie séparée)
5
Hautbois, Piano (duo)
5
Flûte à bec Soprano
4
Flûte, Hautbois, Clarinette, Basson
4
Clarinette et Piano
4
Saxophone Tenor et Piano
4
Quatuor de Saxophones: 4 saxophones
3
Ensemble de Clarinettes
3
2 Saxophones (duo)
2
Quintette de Flûte : 5 flûtes
2
Cor anglais, Piano
2
Ensemble de Flûtes
2
Quatuor de Clarinettes: 4 clarinettes
2
3 Clarinettes (trio)
2
Clarinette, Harpe (duo)
2
Quatuor de Flûtes : 4 flûtes
2
Flûte, Basson et Piano
1
3 Saxophones (trio)
1
Saxophone Baryton, Piano
1
Flûte et Trio à cordes
1
Flûte, Violoncelle, Piano (trio)
1
Trio de Flûtes: 3 flûtes
1
Flûte, Clarinette (duo)
1
Clarinette Basse, Piano
1
Hautbois, Harpe
1
Instruments en Mib
1
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CUIVRES
Trompette
17
Trombone
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
Trombone et Piano
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Euphonium, Piano (duo)
4
Cor
4
Cor et Piano
4
Trompette, Piano
4
Euphonium
3
Ensemble de Trompettes
3
Ensemble de Trombones
2
Cor anglais, Piano
2
Tuba
2
Trombone basse et Piano
1
Tuba et Piano
1
Quatuor de Cuivres
1
2 Trompettes (duo)
1
Bass Clef Instruments
1
Quatuor de cuivres: 4 cors
1
Instruments en Sib
1
Ensemble de Tubas
1
Trompette, Trombone (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
32
Violon
18
Trio à Cordes: violon, alto, violoncelle
11
Alto, Piano
10
Violon et Piano
10
Alto seul
10
Violoncelle
8
Violon, Violoncelle (duo)
8
Violoncelle, Piano
7
Harpe
6
Violoncelle (partie séparée)
5
Trio à Cordes: 2 violons, alto
5
Trio à Cordes: 3 violoncelles
2
Alto (partie séparée)
2
Trio à Cordes: 2 violons, violoncelle
2
2 Violoncelles (duo)
2
Ensemble d'Altos
1
Harpe, Flûte (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Ensemble de Violons
1
4 Violoncelles
1
Harpe, Violon (duo)
1
Alto et Basson
1
Contrebasse, Piano (duo)
1
2 Violons (duo)
1
Contrebasse (partie séparée)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
13
Batterie
10
Cloches
7
Orchestre à Cordes
7
Ensemble de cuivres
7
Orchestre
7
Marimba
6
Ensemble de Percussions
3
Orchestre de chambre
3
Percussion
1
Ensemble Jazz
1
Piano et Orchestre
1
Fanfare
1
Batterie (partie séparée)
1
Instrumentations suivantes
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AUTRES
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Sign of the Times
Violon et Piano
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Sign Of The Times
Violon et Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.1038691 By Harry Styles. By Alex …
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Piano,Violin - Level 3 - Digital Download SKU: A0.1038691 By Harry Styles. By Alex Salibian, Harry Styles, Jeff Bhasker, Mitch Rowland, Ryan Nasci, and Tyler Johnson. Arranged by Cadenza Editions. Pop. 9 pages. Cadenza Editions #643677. Published by Cadenza Editions (A0.1038691). Harry Styles - Sign Of The Times for Violin and Piano (with chords).
$4.99
4.57 €
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Violon et Piano
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Harry Styles
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Cadenza Editions
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Sign Of The Times
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Cadenza Editions
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SheetMusicPlus
Three Impressions of Northern Arizona Violin Version
Violon et Piano
Piano,Violin - Digital Download SKU: A0.981188 Composed by Judith Cloud (b. 1954). …
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Piano,Violin - Digital Download SKU: A0.981188 Composed by Judith Cloud (b. 1954). 20th Century,Contemporary,World. 32 pages. Judith Cloud #4621701. Published by Judith Cloud (A0.981188). <!-- /* Font Definitions */ @font-face {font-family:Cambria; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:0; mso-generic-font-family:auto; mso-font-pitch:variable; mso-font-signature:3 0 0 0 1 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-parent:; margin:0in; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:Times New Roman; mso-ascii-font-family:Cambria; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:Cambria; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Cambria; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:Times New Roman; mso-bidi-theme-font:minor-bidi;} @page Section1 {size:8.5in 11.0in; margin:1.0in 1.25in 1.0in 1.25in; mso-header-margin:.5in; mso-footer-margin:.5in; mso-paper-source:0;} div.Section1 {page:Section1;} --> Program notes: Three Impressions of Northern Arizona for flute (or violin) and piano The three movements of this piece were composed in the summer of 2007 for Emily McKay, flute and Rita Borden, piano. I chose places and themes that were compelling for me for a variety of reasons. The first movement, Wupatki, is based on the feeling of expanse and solitude I experience when I am visiting this ancient pueblo and the stunning vistas of the Painted Desert. The Song of Friendship, a charming and simple tune was introduced to me by Gary Gorman, a Native American student of mine in the early 1990’s. I fashioned a simple arrangement and composed some original tunes to accompany it. This movement is dedicated to my colleague, clarinetist Michael Sullivan, who was dying from a rare form of cancer during the days I was finishing this movement. The day I finished the piece, I realized that it needed to end as if it never had a chance to finish, much like Michael’s life that was so tragically cut short. Quite by chance, the music ends at bar 43-the exact number of years of Michael’s brief life. Wind, title of the third movement, was composed to give musical interpretation to this element of relentless fury we experience during several months out of the year in this region. It springs up then dies down, only to resurface with more force and resilience.
$15.00
13.72 €
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Violon et Piano
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Judith Cloud
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panose-1:2 4 5 3 5 4 6 3 2 4
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Three Impressions of Northern Arizona Violin Version
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Judith Cloud
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SheetMusicPlus
The Spear of Destiny
Violon et Piano
Instrumental Duet Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.1…
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Instrumental Duet Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.1030742 Composed by Jesus J. Martinez. Contemporary. Score and parts. 1 pages. Jesus Martinez Music #2019881. Published by Jesus Martinez Music (A0.1030742). PROGRAM NOTES: The Spear of Destiny is titled and inspired by the supposed spear that was used to kill Jesus Christ. The spear is said to have extraordinary powers. He who possesses it will rule the world and he who loses it thereafter will die an untimely death. The last person recorded to have had it was Adolf Hitler. This musical composition journeys through the time of Hitler and his obsession to obtain the spear, his atrocious acts during his tenure of the spear, and the loss of the spear. The spears main thematic motions are the glissandos in the violin that represent the spears anger and tortuous ways. I. Spear Found takes place during his times as an understudy of Dietrich Eckart, a dedicated satanist and figure in the Occult Thule Society and founding member of the Nazi party. Dietrich said: Follow Hitler! He will dance, but it is I who have called the tune! I have initiated him into the Secret Doctrine' opened his centres in vision and given him the means to communicate with the Powers. Do not morn for me; I shall have influenced history more than any other German. Hitler became enamored with the Spear of Destiny, which claimed it called to him. Spear Found, is Hitler's journey to capturing the spear to rule the world. II. Spear Possessed begins with no time meter or key signature. It is ad liberty of the performers and is a musical representation of the spears possessive powers towards evil. This movement takes place during the time of the Holocaust and the actions committed during Hitler's reign of world domination. The movement infers a jewish folk song titled, Dayeinu, a jewish Passover song meaning it would have been enough. This song is set in context of freedom. The movement goes through variations of Dayeinu and the spears version of a possessed Dayeinu. The violin has fast and rapid rhythms with small thematic material of the folk tune. At the end of the movement, the piano strikes the low end of the piano with a soft yarn mallet to symbolize the bombs dropping and the start of World War II. III. Spear Lost takes place during WWII and the Marines efforts to take down Hitler's reign. During the 3rd movement, the Marine Corps music comes to life as they take control of the spear and ultimately end the war. The Spear however, takes its last stand as the spears motif soars over the possessed marine tune. At the end of the movement, the spear is once again screeching as it survives and goes missing once again.
$32.99
30.18 €
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Violon et Piano
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Jesus J
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The Spear of Destiny
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Jesus Martinez Music
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SheetMusicPlus
Sign Of The Times
Violon et Piano
By Harry Styles. By Alex Salibian, Jeff Bhasker, Mitch Rowland, Ryan Nasci, Tyler Jo…
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By Harry Styles. By Alex Salibian, Jeff Bhasker, Mitch Rowland, Ryan Nasci, Tyler Johnson, and Harry Styles. Arranged by John Rudolph. Pop, Wedding. 21 pages. Music and Music #375244. Published by Music and Music
$6.99
6.4 €
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Violon et Piano
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Harry Styles
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John Rudolph
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Sign Of The Times
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Music and Music
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SheetMusicPlus
Arirang Two Times (아리랑)
Violon et Piano
Piano,Violin - Level 2 - Digital Download SKU: A0.1129516 Composed by Traditional. …
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Piano,Violin - Level 2 - Digital Download SKU: A0.1129516 Composed by Traditional. Arranged by Christian Morris. Folk. 5 pages. Hoopla Sheet Music #729964. Published by Hoopla Sheet Music (A0.1129516). “Arirang†(아리랑) is a popular folk song in both North and South Korea. It is estimated to be more than 600 years old. There are about 3,600 variations of 60 different versions of the song. This arrangement juxtaposes a refrain in a different time signature (4/4) which is then played against the original tune in its original time (3/4).
$5.99
5.48 €
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Violon et Piano
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Traditional
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Christian Morris
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Arirang Two Times
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Hoopla Sheet Music
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Violin & Piano
Violon et Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.549461 Composed by Alexander Scri…
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Piano,Violin - Level 3 - Digital Download SKU: A0.549461 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. 12 pages. Jmsgu3 #3499709. Published by jmsgu3 (A0.549461). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.25 €
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Violon et Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Violin & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Violin & Piano
Violon et Piano
Piano,Violin - Level 2 - Digital Download SKU: A0.549836 Composed by Johann Sebasti…
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Piano,Violin - Level 2 - Digital Download SKU: A0.549836 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. 12 pages. Jmsgu3 #3554469. Published by jmsgu3 (A0.549836). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.83 €
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Violon et Piano
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Violin & Piano
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jmsgu3
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SheetMusicPlus
Three Psalms (Movement 3) Psalm 148 Hallelujah!
Violon et Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.818260 By Stephen R Dalrymple. By…
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Piano,Violin - Level 4 - Digital Download SKU: A0.818260 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Classical,Contemporary. 75 pages. Stephen R Dalrymple #3628773. Published by Stephen R Dalrymple (A0.818260). Three Psalms (Movement 3) Psalm 148 Hallelujah! ♫ Tone Poem for Violin and Piano by Stephen R Dalrymple♫ transcribed for solo flute, clarinet, trumpet, euphonium/trombone, & cello ♫ music © 2015 Stephen R Dalrymple♫ recording ℗ 2020 Stephen R Dalrymple♫ presentation © 2023 Stephen R Dalrymple  ♫ sequenced by the composer ♫ The movements of the tone poem Three Psalms are written using contemporary classical music composition techniques.♫ The English text “Praise the LORD†here is actually the English of the Hebrew term “Hallelujah.†Hallelujah is a special, holy word made of 2 parts. The “Hallel†signifies the praise; the Jah (Yah) is part of God’s covenant name Yahweh. This name was and is so holy that it is not uttered by Jews lest they violate the 4th Commandment.♫ There is an interesting sequence in the Psalm. Three times we see a progression of high to low, from the heavens to the earth, from the clouds to the insects, from kings to children. The tone poem begins in the highest range of the piano and solo instrument, and gradually moves down to the lower ones.♫ The 3 themes are set in the Lydian, Dorian, and Phrygian modes.♫ This .pdf file includes 14 score choices • Letter size score for Violin & piano • Letter size solo parts for Flute, Clarinet, Trumpet, Euphonium (or trombone), & Cello • 10 inch tablet size score for violin & piano • 10 inch tablet size score for the same solo parts. ♫ (Tell your computer which pages you want to print. Programs online that will allow you to split pdf files so that you can choose which pages to print.)
$6.50
5.95 €
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Violon et Piano
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Stephen R Dalrymple
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Three Psalms
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Stephen R Dalrymple
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SheetMusicPlus
AT LAST - ETTA JAMES - FOR VIOLIN AND PIANO (WITH BONUS EASY VIOLIN PART)
Violon et Piano
Piano Accompaniment, Violin - Advanced Intermediate - Digital Download By Etta James.…
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Piano Accompaniment, Violin - Advanced Intermediate - Digital Download By Etta James. Arranged by Helen Marple-Horvat. Score, Set of Parts. 12 pages. Published by Helen Marple- Horvat
https://www.youtube.com/watch?v=8SYROYYYOc8<br> <br> <br> ‘At Last’ was composed by Mack Gordon and Harry Warren for the musical ‘Sun Valley Serenade’ in 1941. It was recorded by Glenn Miller and his orchestra, becoming a chart hit in 1942, and in 1960 by Etta James, who was subsequently inducted into the Grammy Hall of Fame. The song is a frequent wedding favourite for quartets.<br> <br> Why chose my arrangement?<br> <br> This is a song from my gig repertoire, and as such I have spent a long time on the piano part to make sure that it lies under the fingers. I have assigned the opening to the piano as it is tricky, even for very experienced violin players, and I shortened the introduction to make it more appropriate for concerts, wedding venues and pub gigs. I have also made the piano notation slightly smaller so that it falls onto two pages. It’s very important for a live performance to be able to see it easily. And unlike some sheet music that you can buy, I make sure the treble and bass clefs are easy to read….very few horrible ledger lines!<br> <br> The violin part has difficult rhythms but I enclose a midi version to help you. (Watch the video) Having said that, although the pianist needs to hold a steady pulse, the violin part can be extremely varied and you can play around with the tune as much as you like. I have included a cadenza that my daughter sings in live performances, but feel free to change it, or miss it out altogether.<br> <br> I have also included an Easy Violin version for your pupils, or as a way in to working on the more difficult version.<br> <br> My tips for the performance.<br> <br> The first piano chord is tricky, but works if you do a glissando in the left hand, and land on the A on the first beat of the bar. I tried many different spacings of the chord but this is the one that sounded best. I have largely written a quaver accompaniment throughout the song, but sometimes I hint at it rather than playing it literally. There are some fingerings that I have found helpful, but feel free to change them, of course! The same goes for my bowing. Take as many bows as you need to feel comfortable.
$10.00
9.15 €
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Violon et Piano
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Etta James
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Helen Marple-Horvat
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AT LAST - ETTA JAMES - FOR VIOLIN AND PIANO
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Helen Marple- Horvat
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SheetMusicPlus
Brave
Violon et Piano
Piano,Violin - Digital Download SKU: A0.796768 By Josh Groban. By Chantal Kreviazuk…
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Piano,Violin - Digital Download SKU: A0.796768 By Josh Groban. By Chantal Kreviazuk, Josh Groban, and Thomas Salter. Arranged by Gary D. Belshaw (ASCAP). Contemporary,Pop. 17 pages. DR GARY D BELSHAW #5981783. Published by DR GARY D BELSHAW (A0.796768). For the Intermediate Violinist. 15 pages. Duration: 4 minutes. In the key of D Major.First released as a single in 2012, Brave was included in Josh's sixth album, All That Echoes and included in the All That Echoes World Tour. Groban says the song is about about rejuvenation. It is an anthem in the style of You Raise Me Up.Josh Groban's musical style is often placed in the classical category, so it was perfectly natural to take this tune a step further and design it for recitals, seminars, recruiting tours, and for the advanced players in one's studio. Your accompanist will like the way the pizzicato rhythmic figures in the string section have been fleshed out with notes on strong beats to help make the rhythm fit the hand better and easier for you to stay with.Arranged in the key of D major, this is an intermediate work for violins. While some technical challenges may cause concern in the middle section, everything keeps your fingers in comfortable positions on the neck. Most of your time will be spent on the middle pair of strings. You might take a look at this same arrangement of mine in the original key of E Major; even in that key, this is still an intermediate work. This is one of those times when nothing beats the songwriter's original key.This would be a phenomenal closer for recitals or concerts. A great show-piece for social and civic events, its inspiring message would even serve in church-related functions. Keep your eye open for performance opportunities for social groups tackling issues like depression and self-image. As the song says, Wake up, wake up! Reach out, reach out!Thank you for considering my work. I welcome your reviews or comments about it; I will honor any and all suggestions for improvement. Follow me on Facebook (Gary D. Belshaw Music) and Twitter (@GaryDBelshawMus) - I'll follow you back!
$7.99
7.31 €
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Violon et Piano
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Josh Groban
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Gary D
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Brave
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DR GARY D BELSHAW
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SheetMusicPlus
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