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Slow Nature
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8
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Tuba
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12
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7
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4
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3
Violoncelle, Piano
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2 Violons (duo)
3
Contrebasse, Piano (duo)
2
Violon, Clarinette, Piano (trio)
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Alto (partie séparée)
1
Trio à Cordes: 2 violons, violoncelle
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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CORNET
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Vous avez sélectionné:
Slow Nature
Violon et Piano
Partitions à imprimer
7 partitions trouvées
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1
Violin Sonata No.2
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Violon et Piano
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AVANCÉ
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Han-Ki Kim
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Violin Sonata No.2
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Han-Ki Kim
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SheetMusicPlus
Piano,Violin - Level 5 - SKU: A0.518940 Composed by Han-Ki Kim. 20th Century,Classical,Contemporary,Instructional,Traditional. 34 pages. Han-Ki Kim #129...
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Piano,Violin - Level 5 - SKU: A0.518940 Composed by Han-Ki Kim. 20th Century,Classical,Contemporary,Instructional,Traditional. 34 pages. Han-Ki Kim #129612. Published by Han-Ki Kim (A0.518940). Violin Sonata Sonata No.2 “Ong Hye Ya†The first movement is in 3/4 time, and in normal sonata form, there are two contrasting themes. In this movement, there is a contrast between the oriental and western characteristics. The first theme is oriental and the second theme is characterized by a Western character. The second movement is in 4/4 time, and it is composed in ABA format in which the theme of a slow nature is exchanged between instruments. The third movement is in 3/8 time, and the lively and humorous theme A and the slow B theme are written in ABA format. The 4th movement is in the form of a variation in which the theme of “Ong Heaâ€, the nickname of the sonata seen in 4/4/time, is cited. An exciting conversation continues. The colorful arpeggio and colorful bariolage are used to heighten the musical atmosphere. This theme originated in Kungsangdo province, south Korea. The meanning of “Ong Hye Ya†is the sound of peoples harvesting barleys. Excited reaction word of on old Korean mostly used in traditional folk songs to uplift the hard work of harvesting. Dedicated to prof. Siyeon Ryu. Music file is 1st movement only, just for a reference.
$14.99
Away in a Manger
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Violon et Piano
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FACILE
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Noël
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James R
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Wesley S
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Away in a Manger
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Wesley S. Silva
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SheetMusicPlus
Piano,Violin - Level 2 - SKU: A0.1501283 Composed by James R. Murray. Arranged by Wesley S. SIlva. Christmas. 3 pages. Wesley S. Silva #1077244. Publish...
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Piano,Violin - Level 2 - SKU: A0.1501283 Composed by James R. Murray. Arranged by Wesley S. SIlva. Christmas. 3 pages. Wesley S. Silva #1077244. Published by Wesley S. Silva (A0.1501283). Away in a Manger is a classic Christmas carol that is perfect for beginner musicians. The song features a simple and gentle melody with a steady, slow tempo, making it easy to learn and play. Its repetitive structure allows beginners to quickly pick up the tune and focus on basic musical skills, such as timing and expression. With its calm and soothing nature, Away in a Manger is an excellent choice for anyone looking to perform a beloved, easy-level Christmas song that captures the peaceful spirit of the holiday season.
$5.99
What Wondrous Love is This
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Christopher Alexander and Kels
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Christopher Alexander
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What Wondrous Love is This
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Christopher Alexander
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.1260161 By Christopher Alexander and Kelsei Peppars. By Southern Harmony, 1835. Arranged by Christopher Alexander. Chri...
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Piano,Violin - Level 4 - SKU: A0.1260161 By Christopher Alexander and Kelsei Peppars. By Southern Harmony, 1835. Arranged by Christopher Alexander. Christian,Religious,Sacred. 12 pages. Christopher Alexander #852679. Published by Christopher Alexander (A0.1260161). This Dorian mode melody may have a haunting quality, but it also brings a sense of hope to its listeners. Â Its simplistic nature in the first verse, with arpeggios in the piano and the melody performed by the violin. Â A slow Irish feel encapsulates the second verse noted by the violin's embellishments and of the melody. Â The end of the work makes one final statement that embodies the hopefulness of the original hymn. Â This will be a strong performance and worshipping experience for you and your audience alike.
$2.50
Fauré: Élégie Op. 24 for Violin & Piano
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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James M
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Fauré: Élé
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.549723 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Stand...
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Piano,Violin - Level 4 - SKU: A0.549723 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. 22 pages. Jmsgu3 #3531355. Published by jmsgu3 (A0.549723). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
Carson Cooman - Sonata No. 3 for Violin and Piano (2012)
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Violon et Piano
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AVANCÉ
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Carson Cooman
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Carson Cooman - Sonata No. 3 f
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Solo,Piano - Level 5 - SKU: A0.775977 Composed by Carson Cooman. Contemporary,Standards. Score and individual part. 44 pages. Musik Fabrik ...
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Instrumental Solo,Piano - Level 5 - SKU: A0.775977 Composed by Carson Cooman. Contemporary,Standards. Score and individual part. 44 pages. Musik Fabrik Music Publishing #2034877. Published by Musik Fabrik Music Publishing (A0.775977). Sonata No. 3 for Violin and Piano (2012) was written for violinist Warren Davidson and pianist Donna Amato, superb musicians for whose advocacy on behalf of my music I am very grateful. The first movement, Canto, is an extended song that develops through a variety of textures. The second movement, Lamento, is a fierce lament in the tradition of an old Irish caoine. The thirdmovement, Variazioni, is structured as two presentations of the theme surrounding five free variations. The theme serves both as the basis of the musical material for each variation as well as the structural template. Each variation also contains material referring back specifically to the previous variation. The opening theme is declamatory. The first variation is fast and limber. The second variation is introspective and stratified. The third variation is fleeting. The fourth variation is distant and spare. The fifth variation is fast and driving. The final theme begins whispered and slowly regains its declamatory nature before an intense coda ends the work.
$29.85
Meditation, (Opus 18), for Violin and Piano
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Violon et Piano
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INTERMÉDIAIRE
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Cesar Auguste Franck
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Nigel Williams
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Meditation,
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Nigel Williams
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.763427 Composed by Cesar Auguste Franck. Arranged by Nigel Williams. Multicultural,Standards,World. 12 pages. Nigel Wil...
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Piano,Violin - Level 3 - SKU: A0.763427 Composed by Cesar Auguste Franck. Arranged by Nigel Williams. Multicultural,Standards,World. 12 pages. Nigel Williams #5363269. Published by Nigel Williams (A0.763427). This beautiful haunting melody by Cesar Franck forms part of a larger piece for organ, and it is ideal material for an arrangement for violin and piano. The gentle rocking nature of the melody is supported by the piano accompaniment throughout, and phrasing is suggested to encourage a legato performance with some rubato. The tempo can be a little slower or a little quicker than the sound file suggests. This arrangement is excellent repertoire for High School students working at home, and equally it would make an excellent prelude in any service of worship where Cesar Franck's music is admired. The performance duration is four minutes and the full score comes with individual parts attached. Enjoy browsing my many instrumental solos, duets and ensemble arrangements on SMP.
$4.99
Zdes' khorosho - Serghei Rachmaninov
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Serghei Rachmaninov
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Adrian F
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Zdes' khorosho - Serghei Rachm
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Adrian F. Pipas
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.948808 Composed by Serghei Rachmaninov. Arranged by Adrian F. Pipas. 20th Century. 7 pages. Adrian F. Pipas #6642575. P...
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Piano,Violin - Level 4 - SKU: A0.948808 Composed by Serghei Rachmaninov. Arranged by Adrian F. Pipas. 20th Century. 7 pages. Adrian F. Pipas #6642575. Published by Adrian F. Pipas (A0.948808). ЗдеÑÑŒ хорошо (Zdes' khorosho, How nice is here) was written in April 1902, in a sweet moment in the composer's life: he had overcome a creative block and had just married his cousin Natalia Sarina. Zdes' khorosho is n. 7 from Twelve Romances, op. 21, a beautiful song that talks about the bond between man, nature and God. It’s also a love song; One of the things I like the most is the balance between contemplation and passion that Rachmaninov accomplishes. The poem, by the Countess Glafira Adolfovna Einerling, a contemporary writer of the composer who wrote under the pseudonym of Galina, simply describes a sunset. I don't know if the landscape portrayed is similar to what Rachmaninov could see from his home but no doubt he felt it part of his own; he even changed the beginning of the poem so he said that the nice place was here. Zdes' khorosho is a song full of lyricism, seemingly simple but demanding for the singer (please pay attention to the pianissimo at the last verse, which seems to arise from nowhere), with an exquisite accompaniment. Some scholars think that the true essence of Rachmaninov is found in songs like that, rather than in his athletic piano concerts.In 1963, the Russian composer Vladimir Michailovich Jurowski (father and grandfather of conductors) orchestrated ten songs by Rachmaninov, including Zdes' khorosho, and there is a later orchestration of this song by Michael Rot. You know that I usually find it difficult to renounce the original piano versions, especially when the composer didn't orchestrated them, but I recommend you to listen to Anna Netrebko singing this song with the Mariinsky Theatre Orchestra conducted by Valery Gergiev.You might wonder why I don't share this version here, there are two reasons: first, I can’t do without that beautiful piano; two, I chose my version months ago (something that lately happens quite often). I said before that Zdes' khorosho is between contemplation and passion; Most of singers enhance the most contemplative perspective, that's the case of the lovely performance by Anna Netrebko. Others sing the most passionate version, like the one we’re listening today. Its tempo is faster than usual, it lasts about a minute and a half; maybe it would surprise you if you're used to slower versions. I hope you enjoy this song as much as me; I think this performance by Nicolai Gedda and Gerald Moore, recorded live in 1966, is wonderful.Source: Liederabend.cathttps://www.liederabend.cat/en/bloc/entrades/400-how-nice-it-is-here
$9.99
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