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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Think of One
Sheetmusicplus
Non classifié
321
Piano & claviers
Piano seul
232
Piano, Voix
85
Piano, Voix et Guitare
45
Piano Facile
14
Instruments en Do
10
2 Pianos, 4 mains
7
Accompagnement Piano
4
Orgue
4
Piano grosses notes
3
1 Piano, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Trio: piano, violon, violoncelle
1
Piano (partie séparée)
1
+ 8 instrumentations
Retracter
Guitares
Guitare
26
Guitare notes et tablatures
15
Basse electrique
4
Ligne De Mélodie, (Paroles) et Accords
3
Paroles et Accords
2
Mandoline
1
Guitare (partie séparée)
1
Ukulele
1
3 Guitares (trio)
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
97
Chorale 3 parties
21
Chorale TTBB
13
Chorale 2 parties
10
Chorale SSAA
5
Voix seule
4
Voix duo
3
Voix Soprano, Piano
2
Chorale Unison
2
Voix duo, Piano
2
Chorale SSATTB
1
Voix basse
1
Voix Baryton
1
Voix haute
1
Voix Alto, Piano
1
+ 10 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
39
Saxophone (partie séparée)
37
Quintette de Saxophone: 5 saxophones
25
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
20
2 Saxophones (duo)
19
Saxophone Alto
18
Saxophone Tenor
17
Ensemble de saxophones
17
Saxophone Alto et Piano
15
Flûte traversière et Piano
11
Ensemble de Clarinettes
10
Flûte, Hautbois, Clarinette, Basson
9
Saxophone Tenor et Piano
9
Flûte traversière
9
Hautbois, Piano (duo)
9
Clarinette
9
Clarinette et Piano
9
2 Flûtes traversières (duo)
7
Quatuor de Clarinettes: 4 clarinettes
7
Ensemble de Flûtes
7
Clarinette, Trompette (duo)
6
Saxophone, Clarinette (duo)
6
2 Clarinettes (duo)
5
Flûte à bec Soprano
5
3 Saxophones (trio)
5
Saxophone Soprano et Piano
5
Clarinette, Violon (duo)
4
Cor Anglais
4
Flûte et Guitare
4
Quintette de Flûte : 5 flûtes
4
Hautbois, Basson (duo)
3
Flûte, Saxophone (duo)
3
2 Hautbois (duo)
3
Flûte, Clarinette (duo)
3
Flûte, Violon
3
Flûte, Alto (duo)
3
Flûte, Trompette (duo)
3
Hautbois, Flûte
3
Hautbois, Clarinette (duo)
3
Hautbois (partie séparée)
3
Clarinette, Harpe (duo)
2
Quatuor de Flûtes : 4 flûtes
2
Saxophone Baryton, Piano
2
3 Clarinettes (trio)
2
Clarinette et Alto
2
Clarinette Basse, Piano
2
Cor anglais, Piano
1
Saxophone, Tuba (duo)
1
Saxophone Soprano
1
Quintette de Clarinettes: 5 clarinettes
1
Hautbois, Violon, Piano
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Hautbois, Clarinette (trio)
1
Saxophone
1
Trio de Flûtes: 3 flûtes
1
Saxophone et Orgue
1
Flute (partie séparée)
1
Clarinette, Guitare (duo)
1
+ 53 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
45
Quatuor de Cuivres : 2 trompettes, trombone, tuba
31
Trombone (partie séparée)
19
Trombone
12
Trompette (partie séparée)
11
Trombone et Piano
10
Ensemble de Trompettes
9
Trompette
8
Ensemble de Trombones
8
Trompette, Saxophone (duo)
6
Cor Anglais
4
2 Trompettes (duo)
4
Cor et Piano
4
2 Euphoniums et 2 Tubas
3
Quatuor de Cuivres
3
2 Trombones (duo)
3
Trompette, Piano
3
Trompette, Trombone (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Euphonium
2
Euphonium, Piano (duo)
2
Quatuor de cuivres: 4 trombones
2
Tuba et Piano
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Tuba
2
Cor anglais, Piano
1
3 Trombones (trio)
1
Euphonium, Tuba (duo)
1
Trombone basse
1
Ensemble de Cors
1
Tuba et Orgue
1
Quatuor de cuivres: 4 cors
1
+ 27 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
43
Violon et Piano
17
Violon
16
Violoncelle
16
Harpe
6
2 Violons (duo)
5
Violoncelle, Piano
5
Alto, Piano
5
Violon, Violoncelle (duo)
5
Alto seul
4
Trio à Cordes: violon, alto, violoncelle
4
2 Violoncelles (duo)
4
Ensemble d'Altos
4
Violon, Alto (duo)
4
Ensemble de Violons
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Contrebasse (partie séparée)
2
Harpe, Flûte (duo)
2
2 Altos (duo)
2
4 Violoncelles
2
Violon, Guitare (duo)
2
Violon (partie séparée)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Contrebasse, Piano (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Contre Basse
1
Harpe, Voix
1
Alto (partie séparée)
1
Trio à Cordes: 3 violoncelles
1
4 Contrebasses
1
+ 25 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
91
Ensemble Jazz
32
Orchestre
21
Orchestre à Cordes
21
Ensemble de cuivres
14
Orchestre de chambre
12
Batterie
8
Jazz combo
7
Ensemble de Percussions
3
Cloches
3
Piano et Orchestre
2
Percussion (partie séparée)
1
Xylophone
1
Fanfare
1
Batterie (partie séparée)
1
+ 10 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
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Vous avez sélectionné:
Think of One
SheetMusicPlus
Partitions à imprimer
17 partitions trouvées
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1
His Memory
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Robert Daniel
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His Memory
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RDMusicStudios
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.1261681 Composed by Robert Daniel. Broadway,Classical,Film/TV,Musical/Show. 25 pages. RDMusicStudios #854759. Published...
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Piano,Violin - Level 4 - SKU: A0.1261681 Composed by Robert Daniel. Broadway,Classical,Film/TV,Musical/Show. 25 pages. RDMusicStudios #854759. Published by RDMusicStudios (A0.1261681). On April 19, 2019, I started writing my first composition, His Memory, on my first album, Show Your Pride. The Show Your Pride album was influenced by my best friend, Nigel Shelby, who tragically passed away by suicide after experiencing bullying for being outed as gay. It has been a few years since his death turned a national spotlight on the issue of LGBTQIA+ mental health and bullying. He was 15 years old at the time of his passing. I feel like I've been stabbed in the heart when I found he was gone. It was the first time I had lost anybody that I was close to. I was in a lot of pain at the time. Losing my best friend is one of the most difficult and heartbreaking experiences I have had in my life. This album is telling a coming-out story about a bisexual musician going on a self-discovery journey to find his true authentic self. I first met Nigel in mid-2018 when I was nervous, struggling with depression, and coming out as bisexual, so I gathered enough strength and confidence to come out to him. He's very kind and supportive of me. He was brave enough to come out to me as well. He has been a really good friend and my spirit guide as long as I've known him. He was understanding, thoughtful, and had a maturity about him that I admired. I feel happy and honored to have known him and had the best friends with him. I truly believe he is watching over me every day. In this inspirational, heartbreaking piece, His Memory, I will share a coming-out story about two boys who came out to each other, spending their friendship together until one of them passes away. This piece is based on a true story of how I coped with grief, dealing with depression about my best friend's passing, and how I found happiness within myself after his memorial service. It drew inspiration from many compositions and soundtracks, including Where The Sky Has No Stars by Katahj Copley, Lose You Now by Lindsey Stirling (feat. Mako), You Will Be Found from Dear Evan Hansen by Benj Pasek & Justin Paul, April Sky by Lin Chin Cheng, and Avatar The Last Airbender by Jeremy Zuckerman. These compositions I mentioned express hope and spark memories of lost loved ones. This piece is in 3 Acts: Friendship, I Lost You. and His Memory Lives On. Each one was inspired by actual events. Act I: Friendship Act II: I Lost You Act III: His Memory Lives On While you are listening to this piece, I want you to think about someone you love who is no longer with you. If you're one of those people who lost someone special to you, I am so sorry for your loss. Just know that you are not alone. Don't try to run and hide from your grief. Whatever your grief experience, it's important to be patient with yourself and allow the process to naturally unfold. You will grieve for as long as you need to, but you are a strong person and will find your way through this. Life is so precious. Cherish every moment with your loved ones. Coming out is one of the most difficult things a person can do, but if you are having difficulty or are unsure about it, just know that there are people out there who do love you for who you are. Learn to embrace your authentic self. Don't let your sexual orientation define who you are. The right people will accept you and those are the only people who matter. Be yourself, be happy, and do what you feel. Don't care so much about what others think and enjoy your life! Keep following your heart and don't be afraid to stand out!
$24.00
"Home" A Modern Folk Tune for Violin and Piano- Intermediate
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Violon et Piano
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INTERMÉDIAIRE
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Grant Horsley
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"Home" A Modern Folk
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Grant Horsley
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.785697 Composed by Grant Horsley. 20th Century,Celtic,Folk,Instructional,Irish,Wedding. 16 pages. Grant Horsley #571822...
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Piano,Violin - Level 3 - SKU: A0.785697 Composed by Grant Horsley. 20th Century,Celtic,Folk,Instructional,Irish,Wedding. 16 pages. Grant Horsley #5718227. Published by Grant Horsley (A0.785697). Homeis an original modern folk tune composed for Violin and piano ( also available is flute, clarinet, oboe and as a piano solo) It is intended to be a reflective piece to think of one's homeland or place they love. It is written in concert D major a traditional song format, with verses, choruses and middle eight. It is a slow sentimental contemplative piece written with the intermediate player in mind- the violin range is one and a half octaves with the lowest note F sharp. Bowing has been left to the performer. Full score is nine pages long, violin 3 pages, Piano 6 and around six minutes in length. The youtube link has the full score for you to assess suitability. It would be particularly suitable for a concerts, small gatherings, family occasions, weddings, church services, incidental music etc.
$5.50
Romanesca
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Violon et Piano
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Hans Sitt
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Romanesca
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Schott Music - Digital
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SheetMusicPlus
Violin and piano - SKU: S9.Q41080 Composed by Hans Sitt. This edition: Sheet music. Downloadable. Op. 13/1. Schott Music - Digital #Q41080. Published by...
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Violin and piano - SKU: S9.Q41080 Composed by Hans Sitt. This edition: Sheet music. Downloadable. Op. 13/1. Schott Music - Digital #Q41080. Published by Schott Music - Digital (S9.Q41080). Any violinist who hears the name Sitt nowadays will probably just think of the author of studies and exercises that have long been a familiar feature in instrumental lessons. Of course the Prague violinist, music teacher and composer Hans Sitt (1850–1922) made a significant impact on methods of violin teaching, but he also wrote a whole series of other works worth listening to: concertos for violin, viola and cello and chamber music for various combinations of instruments. Sitt studied the violin in Prague and was then appointed first as leader of the orchestra and then as musical director in Breslau (now called Wrocław).After posts as director of music in Prague, Chemnitz – where he championed the work of Smetana – and Nice, he was eventually appointed professor of violin, orchestral playing and score reading at the Leipzig Conservatoire from 1884–1921. Besides this he also played viola in the Brodsky Quartet, organised concerts and was conductor of the Bach Society. The composers Franco Alfano - who completed Puccini’s unfinished opera Turandot– and Frederick Delius studied with Sitt, as did the conductor Václav Talich. Three Album Leaves op. 13 were also composed during his time in Leipzig, published by Bosworth & Co in 1894. Romanesca, No. 1 in that collection, is a pretty, slightly melancholy piece of music with romantic appeal that draws out lyrical and expressive playing and is thus eminently suitable for tuition purposes and concert performances.
$9.99
Gentility, 24 original pieces for Piano and Violin
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Violon et Piano
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INTERMÉDIAIRE
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New Age
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Contemporain
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Cindy Blevins
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Gentility, 24 original pieces
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Cindy Blevins
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.543542 Composed by Cindy Blevins. Contemporary,New Age. 160 pages. Cindy Blevins #3466964. Published by Cindy Blevins (...
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Piano,Violin - Level 3 - SKU: A0.543542 Composed by Cindy Blevins. Contemporary,New Age. 160 pages. Cindy Blevins #3466964. Published by Cindy Blevins (A0.543542). This book is a collection of 24 original pieces for piano and violin. With this eBook, you receive the scores, the piano parts and the violin parts. There are several score samples for you to view. The audio sample is an excerpt from Reflections On the Water. The songs included in the book are: Alanna's Daughters, Falling to Heaven, Gentle Rain, Heaven Sent, In the Morning, Lullaby, Pieces of Heaven, Quiet in Six-Four Time, Rainbow, Reflections on the Water, Remember Me, Remembrance, Still Waters, Summer Aire, Summer Solstice, The Aspen Tree, The Blue Heron, The Quiet One, The Summer of Mars, Thinking of You, Water's Edge, Whispers, Winter Whispers and Winter White.My website: https://www.blevinsmusic.com
$24.95
Waltz for Martha for Violin (with optional Clarinet)
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Philip R Buttall
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Waltz for Martha for Violin
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PRB Music
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.1382422 Composed by Philip R Buttall. Children,Classical,Romantic Period,Traditional. 9 pages. PRB Music #742662. Publi...
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Piano,Violin - Level 4 - SKU: A0.1382422 Composed by Philip R Buttall. Children,Classical,Romantic Period,Traditional. 9 pages. PRB Music #742662. Published by PRB Music (A0.1382422). After being locked down by Covid, I had almost lost the will to live, let alone go on holiday again outside the UK. Two years before I had had a lovely time in Italy, visiting Rome, Pisa, Puccini's House, Florence, Sienna, and more. Almost at the end of the trip I stayed a couple of days with my dear musical friends in Perugia, where their then 8-year-old daughter, Martha, was making great strides forward on the violin (mum is a concert pianist and teacher, similarly dad, but on the clarinet. I had booked to stay in Cesena where they had moved two, and I had a lovely time here, two, adding Bologna, Rossini's Museum, Rimini and some of the Adriatic coast to my list of places visited. They, too, had had lockdowns, and cancellations, but quite by chance, the weekend I had planned to be in Cesena, was the rearranged date of a special outside concert in the imposing surroundings of Rocca Malatestiana, a medieval fortress than dominates the town. Martha was going to be performing a violin concerto by Rode, and her dad had adapted the orchestral accompaniment, so that the large clarinet ensemble could take its place on the night. It was a wonderful, moving evening, and Martha played so well. I don't think there was a dry eye in the house! When I knew I was visiting them this year, I wrote Martha a little fun piece, with piano accompaniment, that she might have been able to play while I was there. But because of the rescheduled concerto performance, there just wasn't enough time for her to learn and practise the piece with her violin teacher in Bologna. I even added an optional part for clarinet, so dad would not feel left out. Hopefully, one day, I might still hear Waltz for Martha played by its dedicatees! It's a kind of schmalzy Viennese Waltz, in the style of Kreisler and others! You can purchase the piano score and violin part here. The optional clarinet part is available FREE OF CHARGE - by emailing info@philiprbuttall.co.uk.
$10.95
Zdes' khorosho - Serghei Rachmaninov
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Serghei Rachmaninov
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Adrian F
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Zdes' khorosho - Serghei Rachm
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Adrian F. Pipas
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.948808 Composed by Serghei Rachmaninov. Arranged by Adrian F. Pipas. 20th Century. 7 pages. Adrian F. Pipas #6642575. P...
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Piano,Violin - Level 4 - SKU: A0.948808 Composed by Serghei Rachmaninov. Arranged by Adrian F. Pipas. 20th Century. 7 pages. Adrian F. Pipas #6642575. Published by Adrian F. Pipas (A0.948808). ЗдеÑÑŒ хорошо (Zdes' khorosho, How nice is here) was written in April 1902, in a sweet moment in the composer's life: he had overcome a creative block and had just married his cousin Natalia Sarina. Zdes' khorosho is n. 7 from Twelve Romances, op. 21, a beautiful song that talks about the bond between man, nature and God. It’s also a love song; One of the things I like the most is the balance between contemplation and passion that Rachmaninov accomplishes. The poem, by the Countess Glafira Adolfovna Einerling, a contemporary writer of the composer who wrote under the pseudonym of Galina, simply describes a sunset. I don't know if the landscape portrayed is similar to what Rachmaninov could see from his home but no doubt he felt it part of his own; he even changed the beginning of the poem so he said that the nice place was here. Zdes' khorosho is a song full of lyricism, seemingly simple but demanding for the singer (please pay attention to the pianissimo at the last verse, which seems to arise from nowhere), with an exquisite accompaniment. Some scholars think that the true essence of Rachmaninov is found in songs like that, rather than in his athletic piano concerts.In 1963, the Russian composer Vladimir Michailovich Jurowski (father and grandfather of conductors) orchestrated ten songs by Rachmaninov, including Zdes' khorosho, and there is a later orchestration of this song by Michael Rot. You know that I usually find it difficult to renounce the original piano versions, especially when the composer didn't orchestrated them, but I recommend you to listen to Anna Netrebko singing this song with the Mariinsky Theatre Orchestra conducted by Valery Gergiev.You might wonder why I don't share this version here, there are two reasons: first, I can’t do without that beautiful piano; two, I chose my version months ago (something that lately happens quite often). I said before that Zdes' khorosho is between contemplation and passion; Most of singers enhance the most contemplative perspective, that's the case of the lovely performance by Anna Netrebko. Others sing the most passionate version, like the one we’re listening today. Its tempo is faster than usual, it lasts about a minute and a half; maybe it would surprise you if you're used to slower versions. I hope you enjoy this song as much as me; I think this performance by Nicolai Gedda and Gerald Moore, recorded live in 1966, is wonderful.Source: Liederabend.cathttps://www.liederabend.cat/en/bloc/entrades/400-how-nice-it-is-here
$9.99
1. Violinkonzert, Opus 11 - Piano / Violin Score
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Violon et Piano
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Emil Mlynarski
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1. Violinkonzert, Opus 11 - Pi
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Bisel Classics - Digital
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SheetMusicPlus
Violin and piano - SKU: BQ.979-0-50179-133-0 Composed by Emil Mlynarski. Edited by Stephen Begley. This edition: softcover. Bisel Classics. Score. With ...
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Violin and piano - SKU: BQ.979-0-50179-133-0 Composed by Emil Mlynarski. Edited by Stephen Begley. This edition: softcover. Bisel Classics. Score. With Text Language: English / German. Opus 11. 58 pages. Published by Bisel Classics - Digital (BQ.979-0-50179-133-0). ISBN 9790501791330.Composed when he was just eighteen years old, this violin concerto from the Polish composer Emil Mlynarski is a masterpiece of Romantic feeling and form. Destined to become a cornerstone piece of the repertoire from this composer, before he took up a career conducting some of the finest orchestras in Europe, the opus 11 violin concerto won one of the major prizes in the Paderewski Composition Competition in Leipzig in 1898 though in tone and form, one could be forgiven for thinking it belongs to a much later period.
$21.95
O Come All Ye Faithful for Violin & Piano
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Violon et Piano
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DÉBUTANT
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Noël
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Wade
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James M
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O Come All Ye Faithful for Vio
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 1 - SKU: A0.548518 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 4 pages. Jmsgu3 #3388143. Published by jmsgu3 ...
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Piano,Violin - Level 1 - SKU: A0.548518 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 4 pages. Jmsgu3 #3388143. Published by jmsgu3 (A0.548518). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page.O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841 wrote the English translation. This translation is probably the most common in the English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built a very large music library. Unfortunately, the massive earthquake of Lisbon ruined the library in 1755. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass.
$26.95
Sicilienne and Rigaudon for Solo Violin & Pianoforte
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Violon et Piano
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AVANCÉ
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Friedrich Fritz Kreisler
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Keith Terrett
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Pianoforte
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Sicilienne and Rigaudon for So
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Keith Terrett
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SheetMusicPlus
Piano,Violin - Level 5 - SKU: A0.1446730 By Friedrich Fritz Kreisler (February 2, 1875 – January 29, 1962). By Fritz Kreisler. Arranged by Keith Terre...
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Piano,Violin - Level 5 - SKU: A0.1446730 By Friedrich Fritz Kreisler (February 2, 1875 – January 29, 1962). By Fritz Kreisler. Arranged by Keith Terrett. Classical,Contest,Festival,Historic,Multicultural,Romantic Period,World. 15 pages. Keith Terrett #1026496. Published by Keith Terrett (A0.1446730). Sicilienne and Rigaudon for Solo Violin & Pianoforte.The Sicilienne and Rigaudon is one of the many pieces that violin virtuoso Fritz Kreisler composed in the style of other composers. When he first presented and published these pieces, he offered them as recently discovered works by those other composers, newly adapted and arranged by himself. In the case of Sicilienne and Rigaudon, it is eighteenth-century French violinist/composer François Francoeur whose name is on the title sheet, though the piece really has nothing to do with Francoeur's style.The piece is a simple and a charming one, however. The Sicilienne is a binary-form miniature that sweeps along on a characteristic dotted rhythm, with a rather melancholy melody. Think old French ballet. The constant 16th notes of the Rigaudon, give it a character quite unlike that of a traditional rigaudon-a cheerful Baroque dance movement in duple meter.
$8.99
Pensandoti
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Violon et Piano
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INTERMÉDIAIRE
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Ulrich Lehensteiner
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Pensandoti
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Ulrich Lehensteiner
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.1355641 Composed by Ulrich Lehensteiner. 21st Century,Chamber,Classical,Contemporary. 7 pages. Ulrich Lehensteiner #940...
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Piano,Violin - Level 3 - SKU: A0.1355641 Composed by Ulrich Lehensteiner. 21st Century,Chamber,Classical,Contemporary. 7 pages. Ulrich Lehensteiner #940368. Published by Ulrich Lehensteiner (A0.1355641). Composed in the first days of Lockdown back in 2020, with the then predominant sense of people longing for their loved ones who they weren't allowed to see during that time, the Pensandoti depicts the nostalgic longing for a beloved person who is not around, when the only thing one can do about is solely thinking about that person.
$10.90
Rachmaninoff: Zdes' Khorosho, Op. 21, No. 7 (as played by Yo Yo Ma and Kathryn Stott) for VIOLIN and
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Violon et Piano
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INTERMÉDIAIRE
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Jazz
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YO YO MA and Kathryn Stott
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Flavio Regis Cunha
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Rachmaninoff: Zdes' Khorosho,
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Flavio Regis Cunha
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SheetMusicPlus
Small Ensemble Piano,Violin - Level 3 - SKU: A0.601828 By YO YO MA and Kathryn Stott. By Sergei Rachmaninoff. Arranged by Flavio Regis Cunha. 20th Centu...
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Small Ensemble Piano,Violin - Level 3 - SKU: A0.601828 By YO YO MA and Kathryn Stott. By Sergei Rachmaninoff. Arranged by Flavio Regis Cunha. 20th Century,Classical,Contemporary,Contest,Festival,Instructional. 8 pages. Flavio Regis Cunha #6669111. Published by Flavio Regis Cunha (A0.601828). Rachmaninoff: Zdes' Khorosho, Op. 21, No. 7 (as played by Yo Yo Ma and Kathryn Stott) ARRANGED for VIOLIN and Piano.___________________________________________ЗдеÑÑŒ хорошо (Zdes' khorosho, How nice is here) was written in April 1902, in a sweet moment in the composer's life: he had overcome a creative block and had just married his cousin Natalia Sarina. Zdes' khorosho is n. 7 from Twelve Romances, op. 21, a beautiful song that talks about the bond between man, nature and God. It’s also a love song; One of the things I like the most is the balance between contemplation and passion that Rachmaninov accomplishes. The poem, by the Countess Glafira Adolfovna Einerling, a contemporary writer of the composer who wrote under the pseudonym of Galina, simply describes a sunset. I don't know if the landscape portrayed is similar to what Rachmaninov could see from his home but no doubt he felt it part of his own; he even changed the beginning of the poem so he said that the nice place was here. Zdes' khorosho is a song full of lyricism, seemingly simple but demanding for the singer (please pay attention to the pianissimo at the last verse, which seems to arise from nowhere), with an exquisite accompaniment. Some scholars think that the true essence of Rachmaninov is found in songs like that, rather than in his athletic piano concerts.Songs of Comfort and Hope is inspired by the series of recorded-at-home musical offerings that Ma began sharing in the first days of the COVID-19 lockdown in the United States. Over the course of the last year, Yo-Yo Ma’s #SongsofComfort grew from a self-shot video of AntonÃn Dvořák’s Goin’ Home into a worldwide effort that has reached more than 20 million people. Ma and Stott marked the next chapter in the project with this album, offering consolation and connection in the face of fear and isolation. The album includes 21 new recordings, which span modern arrangements of traditional folk tunes, canonical pop songs, jazz standards, and mainstays from the western classical repertoire.Official Video by Yo-Yo Ma and Kathryn Stott, performing Rachmaninoff 'Zdes' khorosho' from Songs of Comfort and Hopehttps://youtu.be/bcBcXV3lmKs 8 pages.
$7.99
I Write The Songs
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Violon et Piano
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FACILE
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Barry Manilow
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James M
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I Write The Songs
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 2 - SKU: A0.549327 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. 8 pages. Jmsgu3 #34...
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Piano,Violin - Level 2 - SKU: A0.549327 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. 8 pages. Jmsgu3 #3486059. Published by jmsgu3 (A0.549327). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
$39.95
This Is My Father's World
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Violon et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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tune: TERRA BEATA by Franklin
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Jacqueline Hill
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This Is My Father's World
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Jacqueline Hill
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.977581 Composed by tune: TERRA BEATA by Franklin L. Sheppard, 1915. Arranged by Jacqueline Hill. Sacred. 3 pages. Jacqu...
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Piano,Violin - Level 3 - SKU: A0.977581 Composed by tune: TERRA BEATA by Franklin L. Sheppard, 1915. Arranged by Jacqueline Hill. Sacred. 3 pages. Jacqueline Hill #5733135. Published by Jacqueline Hill (A0.977581). In the midst of the CoViD-19 period, I was inspired to reflect upon the beauty of the earth and it's Creator andthere is no better way than to add a violin to this beautiful melody. It is not a difficult piece to master and requires only 2 people to perform. This arrangement includes a gentle flow contrasted with sections of more intense quarter notes reflecting the gentleness of the earth in contrast with harsh realities of our experiences in life. I think everyone will enjoy it and be blessed.
$3.99
Schön
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Kayla Hewan
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Schön
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Kayla Hewan
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 4 - SKU: A0.1208993 Composed by Kayla Hewan. Blues,Classical,Film/TV. 2 pages. Kayla Hewa...
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 4 - SKU: A0.1208993 Composed by Kayla Hewan. Blues,Classical,Film/TV. 2 pages. Kayla Hewan #807102. Published by Kayla Hewan (A0.1208993). Schon (the o is supposed to be accented but my keyboard won't allow me to do so) is German for beautiful. For me, I think that A major is one of the most beautiful keys and when I play, it just sounds soothing and I want to share that with the world. Likewise the language German. People consider the language to sound aggressive but once you learn the language, it sounds beautiful in a strange way, hence the title being Schon.
$10.99
The LORD is in His Holy Temple with I Surrender All
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Violon et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Stephen R Dalrymple and Jim Ja
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Stephen R
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The LORD is in His Holy Temple
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Stephen R Dalrymple
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SheetMusicPlus
Small Ensemble Piano,Violin - Level 3 - SKU: A0.818339 By Stephen R Dalrymple and Jim Jansen. By George F Root, Winifield S Weeden, Judson W VanDeVenter...
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Small Ensemble Piano,Violin - Level 3 - SKU: A0.818339 By Stephen R Dalrymple and Jim Jansen. By George F Root, Winifield S Weeden, Judson W VanDeVenter. Arranged by Stephen R. Dalrymple (Dalrymple Designs). Sacred. 34 pages. Stephen R Dalrymple #6212881. Published by Stephen R Dalrymple (A0.818339). The LORD is in His Holy Temple with I Surrender All arranged for violin and piano by Stephen R Dalrymple performed by Jim Jansen and Stephen R Dalrympletranscribed for flute, clarinet, trumpet, emphonium/trombone and cello  The Lord is in His Holy Temple by George F. Root 1872 tune – QUAM DILECTA based on Habakkuk 2:19-20  I Surrender All lyrics - Judson W. VanDeVenter 1896 melody - Winfield S. Weeden 1896     The context of the song The LORD is in His Holy Temple is often overlooked in singing this song. Worship in the OT is a rather noisy affair with instruments, singing, shouting, dancing, and public praise. In the Old Testament, quiet in the Temple of God is an ominous, frightening thing, because God’s judgment is to be pronounced! I Surrender All is paired here with The LORD is in His Holy Temple thinking back to Isaiah 6 where Isaiah’s reaction to encountering the presence of God is surrender to Him. Yielding to God is, not only the prerequisite for avoiding God’s judgment, it is the path to peace and joy.     Without the doublestops of the violin part, the wind parts may not seem very challenging at first sight, but to play a beautiful legato with a full tone at piano and pianissimo (slowly, too) is much harder than it sounds. The phrasing and the intensity of the music is critical to the message of the piece. It will take considerable attention between the soloist and the pianist to communicate the moody rubato basic to the best performance of the arrangement.     This .pdf includes 14 score choices ♫ Full Score for violin and piano letter size ♫ Flute, Oboe, Clarinet, Trumpet, Euphonium (or trombone), Violin, and Cello solo parts, ♫ Full Score for violin and small page format for performing from a 10 inch tablet and ♫ the same solo parts for 10 inch tablet. tablet (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)
$4.50
South Bay Angle for violin and piano
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Violon et Piano
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AVANCÉ
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Contemporain
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Robert M
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South Bay Angle for violin and
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Robert M. Greenberg
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SheetMusicPlus
Instrumental Solo,Piano,Violin - Level 5 - SKU: A0.987851 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 29 page...
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Instrumental Solo,Piano,Violin - Level 5 - SKU: A0.987851 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 29 pages. Robert M. Greenberg #100609. Published by Robert M. Greenberg (A0.987851). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 6 1/2 minutes Year of composition: 2011 Program Note: Titles, like mold-scum atop month-old cottage cheese, can take on a life of their own. South Bay Angle was originally composed in 1991 during an Astor Piazzolla-inspired fit of tango-madness. While a more appropriate title for the piece would have been something on the lines of I Can Write One of Those! or This Gringo’s Token Tango, circumstances conspired in another titular direction. The piece was originally intended for performance on a program produced by Composers, Inc., a new-music collective in which I was (and remain) an artistic director. Composers Inc. was then in its seventh season. In those days when newspapers still mattered, Composers, Inc. sought to receive as many print reviews as possible. To that end, the organization invited Paul Hertelendy - who was then the music critic for the San Jose Mercury News - to cover its concerts. He said he would do so provided that there was some sort of south-bay angle which addressed the specific needs of his south-bay readership. Thinking myself clever, I thus entitled the piece South Bay Angle. Hertelandy would get his angle and Composers, Inc. would get its coverage. It didn’t work out that way. The piece was never performed; Hertelendy never got his angle; and Composers, Inc. never received a review from the San Jose Mercury News. Instead, twenty years later, I returned to South Bay Angle and rewrote it from the ground up. The piece is cast as a large-scale A-B-A form. The violin is a willing participant in the tango during the A sections, but a rather reluctant tangoista in the B section, during which it tries mightily to turn the music into a waltz. It does not succeed, and the piece ends as it began, in a blaze of rhythmic fury.
$28.00
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