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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
To His Love - Choir and Orchestra
Non classifié
223
Piano & claviers
Piano seul
300
Piano, Voix et Guitare
31
Accordéon
30
Accompagnement Piano
21
Piano, Voix
11
Instruments en Do
5
Piano Quatuor: piano, violon, alto, violoncelle
3
2 Pianos, 4 mains
3
Piano Facile
3
Orgue
1
Piano Trio: piano, violon, violoncelle
1
Piano grosses notes
1
Orgue, Trompette (duo)
1
+ 8 instrumentations
Retracter
Guitares
Guitare
27
Guitare notes et tablatures
15
Ligne De Mélodie, (Paroles) et Accords
4
4 Guitares (Quatuor)
3
Basse electrique
1
Ukulele
1
+ 1 instrumentations
Retracter
Voix
Voix seule
18
Chorale Unison
8
Chorale 3 parties
5
Chorale SATB
4
Chorale 2 parties
2
Voix Baryton, Piano
1
Voix duo
1
Chorale TTBB
1
+ 3 instrumentations
Retracter
Vents
Clarinette (partie séparée)
32
Hautbois (partie séparée)
14
Flûte traversière et Piano
10
2 Saxophones (duo)
8
Saxophone Tenor et Piano
7
Clarinette et Piano
7
Flute (partie séparée)
6
Hautbois, Piano (duo)
5
Saxophone (partie séparée)
5
2 Flûtes traversières (duo)
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Clarinette
4
Saxophone Alto et Piano
4
Saxophone Soprano et Piano
3
Quatuor de Clarinettes: 4 clarinettes
3
Quatuor de Saxophones: 4 saxophones
3
Flûte, Hautbois, Clarinette, Basson
3
Quatuor de Flûtes : 4 flûtes
2
Saxophone Alto
2
Saxophone, Clarinette (duo)
2
2 Clarinettes (duo)
2
Clarinette, Violon (duo)
1
Flûte, Violon
1
Hautbois, Clarinette (duo)
1
Clarinette, Trompette (duo)
1
Flûte traversière
1
Ensemble de Clarinettes
1
Quintette de Saxophone: 5 saxophones
1
Hautbois, Flûte
1
Saxophone Tenor
1
Clarinette et Alto
1
2 Hautbois (duo)
1
Flûte, Trompette (duo)
1
Hautbois, Basson (duo)
1
Ensemble de saxophones
1
Saxophone Baryton, Piano
1
+ 31 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
24
Trombone (partie séparée)
20
Cor (partie séparée)
13
Tuba (partie séparée)
11
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
Trombone et Piano
8
Cor et Piano
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Trompette, Piano
3
2 Trompettes (duo)
2
Trompette, Saxophone (duo)
2
Ensemble de Tubas
1
Cornet et orchestre
1
Tuba
1
Tuba et Piano
1
Euphonium, Piano (duo)
1
2 Trombones (duo)
1
Trombone
1
2 Euphoniums (duo)
1
2 Cors (duo)
1
Trompette
1
+ 16 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
147
Violon (partie séparée)
75
Violon, Violoncelle (duo)
54
Trio à Cordes: 2 violons, violoncelle
43
Violoncelle
25
Contrebasse (partie séparée)
25
Alto (partie séparée)
25
Trio à Cordes: violon, alto, violoncelle
17
Violon et Piano
16
Violoncelle (partie séparée)
16
Violon
15
Violon, Alto (duo)
14
Violoncelle, Piano
10
2 Violoncelles (duo)
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Alto, Piano
6
Violon, Guitare (duo)
4
2 Violons (duo)
4
Trio à cordes: 3 altos
4
Harpe
3
Harpe, Violon (duo)
3
2 Altos (duo)
2
4 Violoncelles
1
Contrebasse, Piano (duo)
1
Contre Basse
1
Trio à Cordes: 3 violoncelles
1
+ 21 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
427
Orchestre
289
Orchestre de chambre
80
Orchestre d'harmonie
48
Percussion (partie séparée)
20
Ensemble Jazz
9
Cloches
4
Ensemble de Percussions
4
Ensemble de cuivres
2
Jazz combo
2
Batterie (partie séparée)
2
Orchestre, Violon
1
Ensemble d'École
1
+ 8 instrumentations
Retracter
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Vous avez sélectionné:
To His Love - Choir and Orchestra
Violon et Piano
Partitions à imprimer
16 partitions trouvées
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1
Claude Debussy: Sérénade for violin and piano
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Sér&eac
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabri...
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Piano,Violin - Level 4 - SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabrik Music Publishing #4727479. Published by Musik Fabrik Music Publishing (A0.534583). Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and other completions include La Saulaie and the Nocturne and Poème for violin and orchestra as well as Debussy’s other Poe opera Le Diable dans le Beffroi.Préface en français : Au debut des années 1890, Debussy a composé le debut d’une pièce lyrique en Mi majeur pour violon et piano, peut-être pour accompagner la Nocturne pour violon que Debussy a destinée pour le violoniste belge Eugène Ysaÿe. Après la morte de Debussy en 1918, sa deuxième femme Emma avait l’habitude d’offrir ses pages d’esquisses aux intérpètes et compositeurs en souvenir de son regreté mari. Cette page d’esquisse a été offerte aux compositeur et pianiste cubain Joaquin Nin (1879-1949). Cette page a été mise en vente dans la catalogue de l’antiquaire britannique Lisa Cox en 2010 et malgré que cette esquisse est peut-être le début d‘une mélodie pour contralto et piano, l‘idée dynamique dans la douzième mesure suggère la violon, surtout qu‘elle commence sur la.
$12.95
The Time Has Come, for Love to Last - Violin & Piano
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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James Michael Stevens
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James Michael Stevens
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The Time Has Come, for Love to
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James M Stevens Music ASCAP
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SheetMusicPlus
Full Orchestra Piano,Violin - Level 4 - SKU: A0.573004 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,New Age,Pop,Sa...
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Full Orchestra Piano,Violin - Level 4 - SKU: A0.573004 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,New Age,Pop,Sacred,Wedding. Score and Parts. 10 pages. James M Stevens Music ASCAP #4764613. Published by James M Stevens Music ASCAP (A0.573004). This is an original composition for Solo Violin and Piano in a relaxed and romantic style in the key of B flat major. There is a separate violin part in the score. The track as heard is available under The Time Has Come, for Love to Last Accompaniment Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department of Welch College. Listen to his music on Spotify: https://tinyurl.com/y2g9sgd5
$6.99
Romance in F for Violin and Piano
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Violon et Piano
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INTERMÉDIAIRE
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Classique
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L
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Diego Marani
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Romance in F for Violin and Pi
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Diego Marani
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.528176 Composed by L. v. Beethoven. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards...
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Piano,Violin - Level 3 - SKU: A0.528176 Composed by L. v. Beethoven. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. 12 pages. Diego Marani #5042637. Published by Diego Marani (A0.528176). Beethoven’s two romances for violin are the closest of siblings: No. 2 is in F Major, while No. 1 is in G Major. Both were dedicated to the same violin virtuoso, Ignaz Schuppanzigh. Musically, No. 2 shares the stately pace and singing quality of No. 1, as well as its rondo structure, which allows Beethoven to repeat the theme with additional material at each iteration. Some listeners hear the melancholy of lost love in this romance’s languorous melody, while others hear a more philosophical musing, poetic and contemplative.Originally composed for violin and orchestra, this arrangement is a faithful transcription for violin and piano.
$9.99
The Wedding Album, for Solo Violin and Piano
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Violon et Piano
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INTERMÉDIAIRE
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Film Walt Disney
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Various
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David McKeown
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The Wedding Album, for Solo Vi
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David McKeown
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.587635 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. 24 pages. Dav...
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Piano,Violin - Level 3 - SKU: A0.587635 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. 24 pages. David McKeown #4594713. Published by David McKeown (A0.587635). The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Violin with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.These four arrangements are also available as single titles for $3.99 each. You can find these along with many more top quality arrangements and compositions by David McKeown at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
The Holly and the Ivy (STR:UK Violin Solo)
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Violon et Piano
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FACILE
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Noël
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Tim Crooks
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Tim Crooks
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The Holly and the Ivy
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STR:UK String Arrangements
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SheetMusicPlus
Piano,Violin - Level 2 - SKU: A0.850418 Composed by Tim Crooks. Arranged by Tim Crooks. Christmas. 8 pages. STR:UK String Arrangements #6621275. Publish...
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Piano,Violin - Level 2 - SKU: A0.850418 Composed by Tim Crooks. Arranged by Tim Crooks. Christmas. 8 pages. STR:UK String Arrangements #6621275. Published by STR:UK String Arrangements (A0.850418). The Holly and the Ivy, arranged for Solo Violin & Piano with easy second part by Tim Crooks (STR:UK Strings).FREE backing track with this download - just click the YouTube link!This old English carol is an essential addition to any Christmas collection. With a hint of Satie's 'Gymnopédie No.1' and 'Blackbird' by the Beatles, this beautiful arrangement suitable for ABRSM Grade 1 - 3 players. Parts included (can be printed multiple times):- Violin 1, Easy Violin, Violin Duet- Piano About the arrangerTim Crooks trained as a violinist and violist, working professionally in Manchester (UK) for many years. He was a founding member of the Manchester String Quartet and scored many arrangements for the group's recordings. Tim now orchestrates and conducts, working with orchestras including Manchester Camerata, Royal Liverpool Philharmonic, RTÉ Concert Orchestra and the Philharmonia.STR:UK STRINGS - String Music, made in the UKWe'd love to hear your feedback: strukstrings@gmail.com
$2.50
Melodie for Violin and Piano
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Louise Farrenc
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Robert Debbaut
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Melodie for Violin and Piano
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ROBERT DEBBAUT
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.1170607 Composed by Louise Farrenc. Arranged by Robert Debbaut. 19th Century,Contest,Festival,Romantic Period. 4 pages....
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Piano,Violin - Level 4 - SKU: A0.1170607 Composed by Louise Farrenc. Arranged by Robert Debbaut. 19th Century,Contest,Festival,Romantic Period. 4 pages. ROBERT DEBBAUT #770978. Published by ROBERT DEBBAUT (A0.1170607). Louise Farrenc (1804-1875) was the only woman to hold a professorship at a European Conservatory (Paris) in the 19th Century. They would only allow her to teach piano, because she was a virtuoso pianist. During her lifetime she mainly composed for piano, but also wrote works for the orchestra, including three symphonies, and a great deal of mixed chamber music. This short, lovely melody, is certainly characteristic of the Romantic Era and would make a lovely recital work.  If you purchase, please write to the arranger at debbaut@gmail.com, subject Farrenc and I will send you a copy of the solo part at no charge.
$4.99
Sadness And Sorrow
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Violon et Piano
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FACILE
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Purojekuto Musashi
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Brooks Holmes
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Sadness And Sorrow
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Brooks Holmes
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SheetMusicPlus
Piano,Violin - Level 2 - SKU: A0.1268581 Composed by Purojekuto Musashi. Arranged by Brooks Holmes. Film/TV,Instructional. 4 pages. Brooks Holmes #86110...
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Piano,Violin - Level 2 - SKU: A0.1268581 Composed by Purojekuto Musashi. Arranged by Brooks Holmes. Film/TV,Instructional. 4 pages. Brooks Holmes #861103. Published by Brooks Holmes (A0.1268581). From the Japanese Television Series, Naruto - this beautiful melody has been arranged with piano accompaniment in an easy to perform key (e minor). Suitable to play by younger musicians, this solo compliments Larry Moore's Orchestra arrangement of the same title. Students will love developing phrasing and tone quality while learning to play this popular song.
$5.99
Beyond Her Only Dreaming
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Violon et Piano
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INTERMÉDIAIRE
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Contemporain
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Classique
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J
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J
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Beyond Her Only Dreaming
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J.Francis Ball
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.1444309 Composed by J. Francis Ball, Mercedes M Yardley. Arranged by J.Francis Ball. Classical,Contemporary. 30 pages. ...
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Piano,Violin - Level 3 - SKU: A0.1444309 Composed by J. Francis Ball, Mercedes M Yardley. Arranged by J.Francis Ball. Classical,Contemporary. 30 pages. J.Francis Ball #1024223. Published by J.Francis Ball (A0.1444309). Program Notes Mercedes M. Yardley is a dark fantasist who wears poisonous flowers in her hair. She is a two-time Bram Stoker Award winner for Little Dead Red and “Fracture.” She is the author of Darling, the Stabby Award-winning Apocalyptic Montessa and Nuclear Lulu: A Tale of Atomic Love, Pretty Little Dead Girls, and Love is a Crematorium. Mercedes lives in Las Vegas and can be found at mercedesmyardley.com. J. Francis Ball Is a composer, violinist, and guitarist who has performed in multiple bands, in collaborations, in orchestras, and solo projects. He has recorded and released ten studio albums with The Unwieldies and The Psyatics. His classical, jazz, romantic, and punk musical influences can be heard in all his contemporary compositions. J. Francis Ball was born and raised in Pittsburgh, PA, and currently lives and performs in Las Vegas. His Words This collaboration began with a powerful name. I asked Mercedes to listen to and name an early piano composition I wrote. Her reply was “Beyond Her Only Dreaming.” The original composition was ultimately scrapped, but the name stuck with me. It inspired the muses whispering in my haunted ear. I wrote five musical tone poems that were loosely based on a woman’s dream. During the creative process, I asked Mercedes to listen to the tones and use her imagination to create sketches for each section. Her spoken poetry powerfully frames a woman’s dreams, fears, desires, and hope for love. They blend seamlessly with the music and are so masterfully written that they create a picture frame to use as structure but leave the canvas blank. This allows the listener to also take part in this collaboration and paint their own visions of how they experience the music. J.F.B.Her Words I’m a dreamer and writer of words, but I love music. When John asked me to name his original musical piece, I was delighted. I had recently written a story based on Robert Chamber’s famed The King in Yellow collection and, due to the sound and feel of John’s piece, loosely named the composition after my short story. John took this title and created a brilliant new musical composition. After listening to it, I was influenced to create spoken- word pieces that match the emotion of the music while also hearkening back to the original short story. The piece you’ll hear contains poetry influenced by original music inspired by a short story based on a collection written in 1895. Time is a flat circle. This is how art moves and breathes, and I’m truly honored to take part. MMY.
$5.99
Zdes' khorosho - Serghei Rachmaninov
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Serghei Rachmaninov
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Adrian F
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Zdes' khorosho - Serghei Rachm
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Adrian F. Pipas
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.948808 Composed by Serghei Rachmaninov. Arranged by Adrian F. Pipas. 20th Century. 7 pages. Adrian F. Pipas #6642575. P...
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Piano,Violin - Level 4 - SKU: A0.948808 Composed by Serghei Rachmaninov. Arranged by Adrian F. Pipas. 20th Century. 7 pages. Adrian F. Pipas #6642575. Published by Adrian F. Pipas (A0.948808). ЗдеÑÑŒ хорошо (Zdes' khorosho, How nice is here) was written in April 1902, in a sweet moment in the composer's life: he had overcome a creative block and had just married his cousin Natalia Sarina. Zdes' khorosho is n. 7 from Twelve Romances, op. 21, a beautiful song that talks about the bond between man, nature and God. It’s also a love song; One of the things I like the most is the balance between contemplation and passion that Rachmaninov accomplishes. The poem, by the Countess Glafira Adolfovna Einerling, a contemporary writer of the composer who wrote under the pseudonym of Galina, simply describes a sunset. I don't know if the landscape portrayed is similar to what Rachmaninov could see from his home but no doubt he felt it part of his own; he even changed the beginning of the poem so he said that the nice place was here. Zdes' khorosho is a song full of lyricism, seemingly simple but demanding for the singer (please pay attention to the pianissimo at the last verse, which seems to arise from nowhere), with an exquisite accompaniment. Some scholars think that the true essence of Rachmaninov is found in songs like that, rather than in his athletic piano concerts.In 1963, the Russian composer Vladimir Michailovich Jurowski (father and grandfather of conductors) orchestrated ten songs by Rachmaninov, including Zdes' khorosho, and there is a later orchestration of this song by Michael Rot. You know that I usually find it difficult to renounce the original piano versions, especially when the composer didn't orchestrated them, but I recommend you to listen to Anna Netrebko singing this song with the Mariinsky Theatre Orchestra conducted by Valery Gergiev.You might wonder why I don't share this version here, there are two reasons: first, I can’t do without that beautiful piano; two, I chose my version months ago (something that lately happens quite often). I said before that Zdes' khorosho is between contemplation and passion; Most of singers enhance the most contemplative perspective, that's the case of the lovely performance by Anna Netrebko. Others sing the most passionate version, like the one we’re listening today. Its tempo is faster than usual, it lasts about a minute and a half; maybe it would surprise you if you're used to slower versions. I hope you enjoy this song as much as me; I think this performance by Nicolai Gedda and Gerald Moore, recorded live in 1966, is wonderful.Source: Liederabend.cathttps://www.liederabend.cat/en/bloc/entrades/400-how-nice-it-is-here
$9.99
Intermezzo Romantique
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Violon et Piano
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AVANCÉ
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Opera
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Classique
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Lucijan M
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Zellev
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Intermezzo Romantique
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Zellev Music
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SheetMusicPlus
Piano,Violin - Level 5 - SKU: A0.1354331 Composed by Lucijan M.Å kerjanc. Arranged by Zellev. 20th Century,Classical,Contemporary,Opera,Romantic Perio...
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Piano,Violin - Level 5 - SKU: A0.1354331 Composed by Lucijan M.Å kerjanc. Arranged by Zellev. 20th Century,Classical,Contemporary,Opera,Romantic Period. 15 pages. Zellev Music #939049. Published by Zellev Music (A0.1354331). Key Signature: B minorTime Signature: 3/4Tempo: Allegro pateticoDifficulty: AdvancedLucijan Å kerjanc (1900-1973) was a Slovenian Composer.Å kerjanc is one of the most important older composers of contemporary Slovene music and is one of the key Slovene musical personalities of the 20th century. He graduated in Ljubljana and studied music in Prague, Vienna (Joseph Marx), Paris (Schola cantorum) and Basel (Felix Weingartner).He spent many years teaching composition at the Ljubljana Academy of Music, teaching composers such as Nada Ludvig-PeÄar, Zvonimir CigliÄ and Janez MatiÄiÄ whilst serving as a chancellor for a period and was a pianist, conductor, music writer, and director of the Slovenian Philharmonic Orchestra based in the country's capital.His style reflected late romanticism with qualities of expressionism and impressionism in his pieces, often with a hyperbolic artistic temperament, juxtaposing the dark against melodic phrases in his music.Å kerjanc was liberal in his attitude to music and multifaceted in his works. Whilst musically diverse, his opus centred on composition, varying from piano miniatures and solos for beginners, and solo and chamber works to full blown concertos and symphonies. Apart from sonatas, he notably composed a cycle of seven nocturnes, which many consider his greatest piano oriented work, and seven orchestral pieces Gazele (Ghazels). He not only composed for the piano but also the violin, the clarinet and the bassoon in 1952. During his life he also wrote for international composers and composed the film scores for a number of films under Yugoslavia.
$12.00
DOWNTON ABBEY FOR VIOLIN AND PIANO
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Violon et Piano
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INTERMÉDIAIRE
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Film/TV
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John Lunn
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Helen Marple-Horvat
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DOWNTON ABBEY FOR VIOLIN AND P
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Helen Marple- Horvat
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SheetMusicPlus
Violin - Intermediate - By John Lunn. Arranged by Helen Marple-Horvat. 9 pages. Published by Helen Marple- Horvat...
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Violin - Intermediate - By John Lunn. Arranged by Helen Marple-Horvat. 9 pages. Published by Helen Marple- Horvat
Downton Abbey was a much loved TV series that ran for six seasons capturing the hearts of many across the world. The composer of the music, John Lunn, won two Primetime Emmys for the hauntingly beautiful score. I have arranged this wonderful piece for violin and piano, as well as for cello and piano, and string quartet/string orchestra. The 30 sec clip is done on Sibelius software as I have not yet been able to record this piece live, but if you search my Youtube Channel, Skinny Black Dogs, Capriccio Quartet, you can see and hear the live version. The harmony and structure is exactly the same.
The piece is suitable for a young violist and could make use of open strings, though more experienced players will be able to play in different positions with longer bows and vibrato. At Bars 11-13 the violinist will need to change the bow discreetly when it runs out. This was great fun to arrange so I hope you enjoy playing it!
$12.99
O Holy Night for Violin & Piano
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Violon et Piano
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FACILE
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Noël
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Adam
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James M
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O Holy Night for Violin &
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 2 - SKU: A0.548680 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. 10 pages. Jmsgu3 #3410445. Published...
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Piano,Violin - Level 2 - SKU: A0.548680 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. 10 pages. Jmsgu3 #3410445. Published by jmsgu3 (A0.548680). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg. Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Hymne à Sainte Cécile
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Charles Francois Gounod
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Adolphe Herman
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Hymne à Sainte Cé
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Schott Music - Digital
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SheetMusicPlus
Violin and piano - intermediate to advanced - SKU: S9.Q53343 Méditation religieuse. Composed by Charles Francois Gounod. Edited by Wolfgang Bi...
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Violin and piano - intermediate to advanced - SKU: S9.Q53343 Méditation religieuse. Composed by Charles Francois Gounod. Edited by Wolfgang Birtel. Arranged by Adolphe Herman. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. 11 pages. Schott Music - Digital #Q53343. Published by Schott Music - Digital (S9.Q53343). English • German.Certainly the famous Méditation over the first prelude from Bach’s Well-tempered Clavichord – with the subsequent addition of the words to Ave Maria – has become Charles Gounod’s best-known piece. In the 19th Century, however, one of his other compositions was also very popular: Hymne à Sainte Cécile, a ‘Méditation religieuse’ – in the original version with orchestra (1865) dedicated to his friend Jean Delphin Alard. Gounod had already written one work in honour of the Blessed Cecilia, patron saint of church music, a Mass that became very popular. In contrast, this Hymne is instrumental, with the violin ‘singing’ a lovely melody over a harp-like accompaniment of arpeggios. (Gounod subsequently wrote another setting with the text ‘Ave verum’.) Plate no. 19323, published in 1868.
$3.99
Le berger fidèle (The Faithful Shepherd)
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Violon et Piano
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INTERMÉDIAIRE
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Louise Farrenc
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Robert Debbaut
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Le berger fidèle
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ROBERT DEBBAUT
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.1181373 Composed by Louise Farrenc. Arranged by Robert Debbaut. 19th Century,Classical,Contest,Festival,Multicultural,R...
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Piano,Violin - Level 3 - SKU: A0.1181373 Composed by Louise Farrenc. Arranged by Robert Debbaut. 19th Century,Classical,Contest,Festival,Multicultural,Romantic Period,World. 6 pages. ROBERT DEBBAUT #781215. Published by ROBERT DEBBAUT (A0.1181373). Louise Farrenc (1804-1875) was the only woman to hold a professorship at a European Conservatory (Paris) in the 19th Century. Â They would only allow her to teach piano, not composition, because she was inarguably a virtuoso pianist. Â During her lifetime she mainly composed for piano, but also wrote works for the orchestra, including three symphonies, and a great deal of mixed chamber music. Â This short, lovely melody, is certainly characteristic of the Romantic Era and would make a lovely recital work. Â If you purchase, please write to the arranger at debbaut@gmail.com, subject Farrenc and a copy of the solo part will be sent to you at no charge. Â Thank you.
$4.99
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To His Love - Choir and Orchestra
