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7
Cor et Piano
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Cor anglais, Piano
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2 Trompettes (duo)
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2 Trombones (duo)
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4
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2 Euphoniums (duo)
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Quatuor à cordes: 2 violons, alto, violoncelle
14
Violon et Piano
10
Violon
10
Violoncelle, Piano
7
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6
Violon, Violoncelle (duo)
5
Violoncelle
4
2 Violoncelles (duo)
3
Violon, Alto (duo)
3
Alto seul
3
Harpe
3
2 Violons, Piano
2
Alto (partie séparée)
2
Trio à Cordes: violon, alto, violoncelle
2
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2
2 Violons (duo)
2
2 Altos (duo)
2
Contrebasse, Piano (duo)
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4 Violoncelles
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Orchestre d'harmonie
32
Orchestre
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Orchestre à Cordes
6
Cloches
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The Fiddle Concerto (violin solo part – violin and piano)
Violon et Piano
Piano,Violin - Level 5 - Digital Download SKU: A0.861952 Composed by Mark O'Connor.…
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Piano,Violin - Level 5 - Digital Download SKU: A0.861952 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. 23 pages. Mark O'Connor Musik International #6209125. Published by Mark O'Connor Musik International (A0.861952). The Fiddle Concerto (piano score – violin and piano) MO119BViolin Solo Part - adapted for violin and piano (piano reduction)Music by Mark O’Connor19 pages - 45:00 minutes in length The FIDDLE CONCERTO adapted for violin and piano is from Mark O’Connor’s first orchestral score, composed when he was 31 years old in 1992-93. A few years later it was recorded for Warner Bros. The recording featured the Concordia Orchestra with Marin Alsop conducting and the composer as violin soloist. The recording was named by the BMG Classical Catalog as one of the top ten classical recordings of 1995. The composition was reviewed by a distinguished panel of composers and was awarded a Meet The Composer grant for another original concerto by O’Connor. Beginning with the premiers in 1993, and including the subsequent performances into 1999, the year of this publication, The FIDDLE CONCERTO has received more performances with orchestra than any other violin concerto composed in the last 50 years. O’Connor has prepared this adaption for violin and piano from his score. The music is suited for advanced levels and the slow second movement can be appropriate for intermediate. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1992-93 Composed by Mark O’ConnorCommissioned by the Santa Fe Symphony OrchestraCan be heard on The Fiddle Concerto! Warner Bros. RecordsMark O’Connor - violin, Concordia Symphony, Marin Alsop Catalogue Number MO119BCopyright © 1992 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00
13.75 €
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Violon et Piano
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Mark O'Connor
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The Fiddle Concerto
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Mark O'Connor Musik International
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SheetMusicPlus
The Fiddle Concerto (piano score – violin and piano)
Violon et Piano
Piano,Violin - Level 5 - Digital Download SKU: A0.861950 Composed by Mark O'Connor.…
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Piano,Violin - Level 5 - Digital Download SKU: A0.861950 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. 56 pages. Mark O'Connor Musik International #6209121. Published by Mark O'Connor Musik International (A0.861950). The Fiddle Concerto (piano score – violin and piano) MO119APiano Score adapted for violin and piano (piano reduction)Music by Mark O’Connor52 pages - 45:00 minutes in length The FIDDLE CONCERTO adapted for violin and piano is from Mark O’Connor’s first orchestral score, composed when he was 31 years old in 1992-93. A few years later it was recorded for Warner Bros. The recording featured the Concordia Orchestra with Marin Alsop conducting and the composer as violin soloist. The recording was named by the BMG Classical Catalog as one of the top ten classical recordings of 1995. The composition was reviewed by a distinguished panel of composers and was awarded a Meet The Composer grant for another original concerto by O’Connor. Beginning with the premiers in 1993, and including the subsequent performances into 1999, the year of this publication, The FIDDLE CONCERTO has received more performances with orchestra than any other violin concerto composed in the last 50 years. O’Connor has prepared this adaption for violin and piano from his score. The music is suited for advanced levels and the slow second movement can be appropriate for intermediate. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1992-93 Composed by Mark O’ConnorCommissioned by the Santa Fe Symphony OrchestraCan be heard on The Fiddle Concerto! Warner Bros. RecordsMark O’Connor - violin, Concordia Symphony, Marin Alsop Catalogue Number MO119ACopyright © 1992 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$20.00
18.34 €
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Violon et Piano
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Mark O'Connor
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The Fiddle Concerto
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Mark O'Connor Musik International
#
SheetMusicPlus
South Bay Angle for violin and piano
Violon et Piano
Instrumental Solo,Piano,Violin - Level 5 - Digital Download SKU: A0.987851 Composed…
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Instrumental Solo,Piano,Violin - Level 5 - Digital Download SKU: A0.987851 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 29 pages. Robert M. Greenberg #100609. Published by Robert M. Greenberg (A0.987851). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 6 1/2 minutes Year of composition: 2011 Program Note: Titles, like mold-scum atop month-old cottage cheese, can take on a life of their own. South Bay Angle was originally composed in 1991 during an Astor Piazzolla-inspired fit of tango-madness. While a more appropriate title for the piece would have been something on the lines of I Can Write One of Those! or This Gringo’s Token Tango, circumstances conspired in another titular direction. The piece was originally intended for performance on a program produced by Composers, Inc., a new-music collective in which I was (and remain) an artistic director. Composers Inc. was then in its seventh season. In those days when newspapers still mattered, Composers, Inc. sought to receive as many print reviews as possible. To that end, the organization invited Paul Hertelendy - who was then the music critic for the San Jose Mercury News - to cover its concerts. He said he would do so provided that there was some sort of south-bay angle which addressed the specific needs of his south-bay readership. Thinking myself clever, I thus entitled the piece South Bay Angle. Hertelandy would get his angle and Composers, Inc. would get its coverage. It didn’t work out that way. The piece was never performed; Hertelendy never got his angle; and Composers, Inc. never received a review from the San Jose Mercury News. Instead, twenty years later, I returned to South Bay Angle and rewrote it from the ground up. The piece is cast as a large-scale A-B-A form. The violin is a willing participant in the tango during the A sections, but a rather reluctant tangoista in the B section, during which it tries mightily to turn the music into a waltz. It does not succeed, and the piece ends as it began, in a blaze of rhythmic fury.
$28.00
25.67 €
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Violon et Piano
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Robert M
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South Bay Angle for violin and piano
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Robert M. Greenberg
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Violin & Piano
Violon et Piano
Piano,Violin - Level 2 - Digital Download SKU: A0.549216 Composed by Johann Sebasti…
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Piano,Violin - Level 2 - Digital Download SKU: A0.549216 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. 9 pages. Jmsgu3 #3468006. Published by jmsgu3 (A0.549216). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
30.21 €
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Violon et Piano
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Violin & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Violin & Piano
Violon et Piano
Piano,Violin - Level 2 - Digital Download SKU: A0.550914 Composed by J. S. Bach - G…
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Piano,Violin - Level 2 - Digital Download SKU: A0.550914 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. 12 pages. Jmsgu3 #4888241. Published by jmsgu3 (A0.550914). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.21 €
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Violon et Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Violin & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Violin & Piano
Violon et Piano
Piano,Violin - Level 2 - Digital Download SKU: A0.549836 Composed by Johann Sebasti…
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Piano,Violin - Level 2 - Digital Download SKU: A0.549836 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. 12 pages. Jmsgu3 #3554469. Published by jmsgu3 (A0.549836). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.88 €
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Violon et Piano
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Violin & Piano
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jmsgu3
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SheetMusicPlus
Dance of the Blessed Spirits - Violin and Piano
Violon et Piano
Small Ensemble Flute,Oboe,Piano,Violin - Level 4 - Digital Download SKU: A0.735238 …
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Small Ensemble Flute,Oboe,Piano,Violin - Level 4 - Digital Download SKU: A0.735238 Composed by Christoph Willibald Von Gluck. Arranged by Andrew Middleton. Baroque. Score and parts. 7 pages. Andrew Middleton #4109589. Published by Andrew Middleton (A0.735238). From Gluck's opera, Orfeo, The Dance of the Blessed Spirits is more common repertoire for the intermediate flautist, however, this arrangement for violin and piano is ideal for the advanced intermediate violinist. This arrangement would also be ideal for oboe (with some ad lib on the higher registers.For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$4.99
4.58 €
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Violon et Piano
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Christoph Willibald Von Gluck
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Andrew Middleton
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Dance of the Blessed Spirits - Violin and Piano
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Andrew Middleton
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SheetMusicPlus
A Million Dreams
Violon et Piano
Small Ensemble Piano,Violin - Level 2 - Digital Download SKU: A0.847121 By Pink. By…
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Small Ensemble Piano,Violin - Level 2 - Digital Download SKU: A0.847121 By Pink. By Benj Pasek and Justin Paul. Arranged by Susie Winkworth winkmusic.co.uk. Pop. 5 pages. Winkmusic.co.uk #4593035. Published by winkmusic.co.uk (A0.847121). A Million Dreams, a track from the hit musical film The Greatest Showman, arranged for easy violin solo and easy piano. Straightforward to play and put together, but satisfyingly close to the original track in performance.Winkmusic.co.uk produces the highest quality arrangements. Tried and tested at 5* venues and concert halls, only the best make the cut. Previous commissions have appeared on Sunday Times Top 100 Albums of 2016, and are played by Classic FM chart-toppers and at festivals across the world. Educational arrangements have received excellent reviews.
$10.00
9.17 €
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Violon et Piano
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Pink
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Susie Winkworth winkmusic
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A Million Dreams
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winkmusic.co.uk
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SheetMusicPlus
Saving All My Love For You
Violon et Piano
Piano,Violin - Level 2 - Digital Download SKU: A0.1313120 By Whitney Houston. By Ge…
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Piano,Violin - Level 2 - Digital Download SKU: A0.1313120 By Whitney Houston. By Gerry Goffin and Michael Masser. Arranged by Kevin P Holdgate. 20th Century,Broadway,Film/TV,Musical/Show,Pop,Wedding. 6 pages. Kevin P Holdgate #901952. Published by Kevin P Holdgate (A0.1313120). Saving All My Love for You is a song written by Michael Masser and Gerry Goffin. American singer Whitney Houston recorded it for her self-titled debut studio album (1985). It was released on August 13, 1985, by Arista Records, as the second single from the album in the United States, and third worldwide. Whitney Houston's version of Saving All My Love for You garnered positive critical response, with reviewers praising its melodious production and her vocal performance, and picked it as one of the album's highlights. The song became a global success and represented a commercial breakthrough for her, topping the charts in four countries and reaching the top 10 in various other regions. It became her first song to top the US Billboard Hot 100, and was certified Platinum by the RIAA for sales of over 1 million copies. At the 28th Annual Grammy Awards, it won for Best Female Pop Vocal Performance.
$5.99
5.49 €
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Violon et Piano
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Whitney Houston
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Kevin P Holdgate
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Saving All My Love For You
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Kevin P Holdgate
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SheetMusicPlus
Gymnopedie No. 1
Violon et Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.636016 By Christopher Parkening. …
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Piano,Violin - Level 3 - Digital Download SKU: A0.636016 By Christopher Parkening. By Christopher Parkening, Erik Alfredi Leslie (Dp) Satie, and Erik Satie. Arranged by Fishel Pustilnik. Christian,Classical. 6 pages. F & N Enterprise #6133211. Published by F & N Enterprise (A0.636016). An excellent arrangement of the famous Song Gymnopedie #1 for Violin and Piano-Jazz/Pop Version. The video for Violin and Piano: https://youtu.be/ubhiBAXe-Vc The composition is easy to read, fun to play, and sound professional when performed. Arranged by Fishel Pustilnik, a very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands of books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia, and the UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from the review in The Canadian Music Teacher) Yesterday I spent at least two pleasure-filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), Ph.D. (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
4.58 €
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Violon et Piano
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Christopher Parkening
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Fishel Pustilnik
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Gymnopedie No. 1
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F & N Enterprise
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SheetMusicPlus
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