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We Are the Church - Bass Clarinet
Violon et Piano
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Scriabin: Prelude Op. 11 No. 2 for Violin & Piano
Violon et Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.549461 Composed by Alexander Scri…
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Piano,Violin - Level 3 - Digital Download SKU: A0.549461 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. 12 pages. Jmsgu3 #3499709. Published by jmsgu3 (A0.549461). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.24 €
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Violon et Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Violin & Piano
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jmsgu3
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SheetMusicPlus
Jeremiah 2 - Lonely City Tone Poem for Violin and Piano by Stephen R Dalrymple
Violon et Piano
Small Ensemble Cello,Clarinet,Euphonium,Flute,Piano,Trumpet,Violin - Digital Download S…
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Small Ensemble Cello,Clarinet,Euphonium,Flute,Piano,Trumpet,Violin - Digital Download SKU: A0.818328 Composed by Stephen R Dalrymple (Dalrymple Designs). Contemporary. Score and parts. 102 pages. Stephen R Dalrymple #6073821. Published by Stephen R Dalrymple (A0.818328). Jeremiah 1 - Broken Cisterns Tone Poem for Violin and Piano by Stephen R Dalrymple sequenced by the composer transcribed for solo flute, clarinet, trumpet, euphonium/trombone, & cello © 2015, Phonogram Copyright 2020 Stephen R Dalrymple The 3 movements of Jeremiah summarize 3 main themes of the prophet's messages: Jeremiah's unwavering warning of coming judgment, the fall of Judah in 586 BC, and the promised restoration of Israel through the New Covenant. This tone poem is written in the genre of contemporary classical music and is intended for the concert stage rather than church preludes and offertories. Originally composed for violin and piano, it can be performed on several other instruments. This is the second movement of the tone poem Jeremiah 2 - Lonely City. It represents Jeremiah's reaction to God's judgment that we read in the book of Lamentations. We spend millions of dollars viewing horror movies every year. These films are filled with eerie music that adds inexpressibly to the emotional content of the movie. The music in Jeremiah 2 Lonely City was created to be deliberately chilling. The wrath of God is the most horror filled image I can imagine. Frankly, Jeremiah 2 Lonely City is frankly not easy to listen to. But this ‘horror’ music belongs between Movement 1 (the majesty of God vs the rebellion of jaded Judah) and Movement 3 (the joy of the New Covenant).Includes 14 scores/parts ♫ Full Score for violin and piano letter size ♫ Cello, Flute, Clarinet, Trumpet, Euphonium (or trombone), and Violin solo parts, ♫ Full Score for violin and small page format for performing from a 10 inch tablet and ♫ the same solo parts for 10 inch tablet. tablet (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)
$6.50
5.94 €
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Violon et Piano
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Stephen R Dalrymple
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Jeremiah 2 - Lonely City Tone Poem for Violin and Piano by Stephen R Dalrymple
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Stephen R Dalrymple
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SheetMusicPlus
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