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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Word Up
Non classifié
270
Piano & claviers
Piano grosses notes
3 297
Orgue
1 534
Piano Facile
155
Piano seul
126
Piano, Voix
109
Clavier
59
Piano, Voix et Guitare
47
Accompagnement Piano
10
Instruments en Do
10
2 Pianos, 4 mains
9
Piano (partie séparée)
1
Piano Trio: piano, violon, violoncelle
1
1 Piano, 4 mains
1
+ 8 instrumentations
Retracter
Guitares
Guitare notes et tablatures
12
Basse electrique
12
Guitare
7
Ligne De Mélodie, (Paroles) et Accords
7
Guitare (partie séparée)
2
Ukulele
2
Banjo
1
4 Guitares (Quatuor)
1
Guitare, Violon, Violoncelle (trio)
1
Basse électrique (partie séparée)
1
Paroles et Accords
1
Dulcimer
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
162
Chorale 3 parties
33
Chorale Unison
27
Chorale 2 parties
17
Chorale TTBB
15
Chorale SSAA
14
Voix duo, Piano
5
Voix Soprano
3
Voix Soprano, Piano
2
Voix duo
2
Voix seule
1
Voix Alto, Piano
1
Chorale SSATTB
1
Voix Tenor, Piano
1
+ 9 instrumentations
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Vents
Flûte traversière et Piano
11
Flûte et Guitare
10
Cor anglais, Piano
9
Clarinette, Guitare (duo)
8
Saxophone (partie séparée)
6
Clarinette et Piano
5
Flûte, Hautbois, Clarinette, Basson
5
Cor anglais, Guitare (duo)
4
Hautbois, Piano (duo)
4
Clarinette (partie séparée)
4
Flûte à bec Soprano
4
Quatuor de Clarinettes: 4 clarinettes
4
Quatuor de Flûtes : 4 flûtes
3
2 Clarinettes (duo)
3
Saxophone Alto et Piano
3
Quatuor de Saxophones: 4 saxophones
3
2 Flûtes traversières (duo)
2
Quintette de Saxophone: 5 saxophones
2
Clarinette, Violon (duo)
2
Saxophone Tenor et Piano
2
Ensemble de Clarinettes
2
Saxophone Soprano et Piano
2
Saxophone Baryton, Piano
2
Saxophone Alto
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Flute (partie séparée)
2
Flûte traversière
2
Ensemble de Flûtes
2
Hautbois (partie séparée)
2
Saxophone Tenor
1
Saxophone et Orgue
1
Flûte à bec Alto, Piano
1
Hautbois, Guitare (duo)
1
Clarinette Basse, Piano
1
Flûte, Basson et Piano
1
Flûte à bec Soprano, Piano
1
2 Saxophones (duo)
1
+ 32 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
9
Cor anglais, Piano
9
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
Trompette (partie séparée)
8
Cor anglais, Guitare (duo)
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Trombone
4
Trompette
4
Tuba
3
Cor
3
Cor et Piano
2
Tuba (partie séparée)
2
Trombone et Piano
2
Trompette, Piano
2
Euphonium, Piano (duo)
2
Cor (partie séparée)
2
Quatuor de cuivres: 4 trombones
1
Trompette, Trombone (duo)
1
Trombone basse et Piano
1
Ensemble de Trombones
1
Quatuor de Cuivres
1
Tuba ou Euphonium ou Saxhorn
1
2 Trompettes (duo)
1
+ 18 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
18
Violon et Piano
7
Harpe
6
Violon (partie séparée)
5
Violon
4
Violoncelle, Piano
3
Violoncelle
3
Trio à Cordes: violon, alto, violoncelle
3
Alto (partie séparée)
2
Harpe, Voix
2
Contrebasse (partie séparée)
2
Alto, Piano
2
Violoncelle , Guitare (duo)
2
Violon, Violoncelle (duo)
2
Alto seul
1
Alto, Violoncelle (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
2 Violons (duo)
1
Flûte, Contrebasse (duo)
1
Harpe, Flûte (duo)
1
Violoncelle (partie séparée)
1
+ 16 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
57
Orchestre
23
Orchestre à Cordes
19
Batterie
12
Ensemble de cuivres
12
Ensemble Jazz
10
Fanfare
10
Orchestre de chambre
9
Cloches
3
Percussion
2
Batterie (partie séparée)
2
Ensemble de Percussions
1
Jazz combo
1
Percussion (partie séparée)
1
+ 9 instrumentations
Retracter
Autres
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ACCORDEON
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Vous avez sélectionné:
Word Up
Violon et Piano
Partitions à imprimer
7 partitions trouvées
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Stand Up, Stand Up for Jesus, Gospel Hymn for Violin and Piano
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Violon et Piano
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FACILE
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Musique Sacrée
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Gospel Spirituel
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George Duffield Jr
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David McKeown
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Stand Up, Stand Up for Jesus,
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David McKeown
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SheetMusicPlus
Piano,Violin - Level 2 - SKU: A0.593234 Composed by George Duffield Jr. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. 3...
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Piano,Violin - Level 2 - SKU: A0.593234 Composed by George Duffield Jr. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. 3 pages. David McKeown #6417859. Published by David McKeown (A0.593234). Stand Up, Stand Up for Jesus is a beautiful gospel song arranged here for Solo Violin and Piano.Stand Up, Stand Up for Jesus was written by George Duffield Jr in 1858, reportedly based on the last words on his friend and anti-slavery campaigner, Dudley Atkins Tyng. The hymn was popular with soldiers on both sides of the American Civil War.
$2.49
Dimensión [violin + piano]
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Juan MarÃa Solare
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Dimensión [violin + pia
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Juan Maria Solare
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.596563 Composed by Juan MarÃa Solare. 20th Century,Concert,Jazz,World. 18 pages. Juan Maria Solare #4624367. Publish...
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Piano,Violin - Level 4 - SKU: A0.596563 Composed by Juan MarÃa Solare. 20th Century,Concert,Jazz,World. 18 pages. Juan Maria Solare #4624367. Published by Juan Maria Solare (A0.596563). Juan MarÃa Solare: Dimensión Dimensión is a neolassical tango that was composed based on two simple piano pieces destined to young pianists: the first theme is Langostango and the second one Continuando. When joining to build up Dimensión, additional elements came into the game, such as an important secondary melody and a few transitions. Dimensión is therefore a clear example of a successful composition: a couple of good ideas and a lot of work to achieve that nobody notices how much work lies behind it. About the title, it obeys to my (slightly excessive) concern towards finding names that can be understood in any language of the places I usually am related to (i.e. in Spanish, English and German). In the case of dimensión it is a transparent word, understanding as such the words that are practically identical in any language while keeping their meaning (there exist words that are quite similar in different languages, but mean different things, in Linguistics these are called false friends.) Among my titles one finds several of such transparent words. In September 2002 I startd conducting the Orquesta No TÃpica at the University of Bremen, Germany, a chamber group of variable instrumentation devoted to tango music. Dimensión was the first piece that I composed especially for this group, in January / February 2003. The original version of Dimensión is therefore for Sextet: flute, clarinet, violin, guitar, bass, piano.Since that first version (performed several times in Germany and Argentina) I wrote a long dozen of arrangements for different instrumental groups.
$4.00
Claude Debussy: Sérénade for violin and piano
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Sér&eac
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabri...
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Piano,Violin - Level 4 - SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabrik Music Publishing #4727479. Published by Musik Fabrik Music Publishing (A0.534583). Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and other completions include La Saulaie and the Nocturne and Poème for violin and orchestra as well as Debussy’s other Poe opera Le Diable dans le Beffroi.Préface en français : Au debut des années 1890, Debussy a composé le debut d’une pièce lyrique en Mi majeur pour violon et piano, peut-être pour accompagner la Nocturne pour violon que Debussy a destinée pour le violoniste belge Eugène Ysaÿe. Après la morte de Debussy en 1918, sa deuxième femme Emma avait l’habitude d’offrir ses pages d’esquisses aux intérpètes et compositeurs en souvenir de son regreté mari. Cette page d’esquisse a été offerte aux compositeur et pianiste cubain Joaquin Nin (1879-1949). Cette page a été mise en vente dans la catalogue de l’antiquaire britannique Lisa Cox en 2010 et malgré que cette esquisse est peut-être le début d‘une mélodie pour contralto et piano, l‘idée dynamique dans la douzième mesure suggère la violon, surtout qu‘elle commence sur la.
$12.95
Shadowed Pieces
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Violon et Piano
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AVANCÉ
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John Casken
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Shadowed Pieces
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Schott Music - Digital
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SheetMusicPlus
Violin and piano - difficult - SKU: S9.Q6405 For violin and piano. Composed by John Casken. This edition: score and parts. Downloadable, score an...
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Violin and piano - difficult - SKU: S9.Q6405 For violin and piano. Composed by John Casken. This edition: score and parts. Downloadable, score and parts. Duration 16 minutes. Schott Music - Digital #Q6405. Published by Schott Music - Digital (S9.Q6405). These six short pieces might more readily be described as fantasies, each with its own sound-world but linked by shared material. The mood of each of these short movements is guided by an imaginary landscape, one shadowed by the blackened tree, a far-away song, shadows past, a quickening moon, forgotten voices, and by the harrowed land. The title of the last movement plays on the word harrow, something that is used to break up the soil, but also bringing with it suggestions of a land both pained and wounded.
$19.99
A gentle answer
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Violon et Piano
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FACILE
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Musique Sacrée
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Yu Chuen SHIU
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Yu Chuen SHIU
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A gentle answer
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Shiu yu chuen
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SheetMusicPlus
Cello,Clarinet,Flute,Horn,Organ,Piano,Violin - Level 2 - SKU: A0.1213441 Composed by Yu Chuen SHIU. Arranged by Yu Chuen SHIU. Praise & Worship. 12 page...
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Cello,Clarinet,Flute,Horn,Organ,Piano,Violin - Level 2 - SKU: A0.1213441 Composed by Yu Chuen SHIU. Arranged by Yu Chuen SHIU. Praise & Worship. 12 pages. Shiu yu chuen #810626. Published by Shiu yu chuen (A0.1213441). But a harsh word stirs up anger.
$6.00
CASSANDRA'S VISION
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Violon et Piano
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Contemporain
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Monica Bergo
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CASSANDRA'S VISION
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Moni Bergo
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Violin - SKU: A0.1012704 Composed by Monica Bergo. Contemporary. Score and parts. 30 pages. Moni Bergo #574289...
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Instrumental Duet Instrumental Duet,Piano,Violin - SKU: A0.1012704 Composed by Monica Bergo. Contemporary. Score and parts. 30 pages. Moni Bergo #5742893. Published by Moni Bergo (A0.1012704). Music and song composed by me about Borderline♫ * ´¨` * • .¸¸. ♫ Cassandra's vision ♫ * ´¨` * • .¸¸. ♫ I don't want to open that door, I shouldn't ... but it's the wind that brings me ... And I sing in a low voice, Until the pain passes and turn, turn-round, how bad the world is Between thoughts and tears, words and music There is Cassandra's vision And I don't know if he can do it, to write about you, you left quickly, And you're perfect in my mind Cassandra is locked up in that room, He hugs himself, tells an existence: Look there, my father and his glass, look at me, the victim of drinking purple bruises, always alone at school, violence continues in indifference, my mother knew but hid everything, the mind that does not hold, and the borderline destroys the spark that was in me, all those dreams of mine and that love that I will never have, I would like to run away but I am chained here, uncontrolled rituals, repeated gestures and a monster closed inside me In Cassandra's vision, she no longer has bars in this room no longer has a body, sex, it is ageless It's a vision but she doesn't know it In harmony with creation, forget the present and the past And the pain comes up and will disappear, It's a vision but she doesn't know it Cassandra does not know, who is about to lose our reality Worn threads Of a fragile puppet He hangs in the balance, embraces a nightmare In his labyrinths, he never finds a way out And pass the margin, cross that limit You feel a flower that Needs no longer has And the wind will follow In front of the mirror, The long hair, Reflect flashes of a thousand crystals You comb them slowly ,, With infinite care, You have been waiting for your love for a lifetime And a carillon that resounds far away, The brush suddenly falls from your hand Because the black man is here, he is already back, He breaks your dream, the charm is broken Cassandra runs among the stars and tattooes them on her skin Bruises and scars no longer has, It's a vision but she doesn't know it In dimensions to explore, How birds can fly Breathe sun, love and freedom And no one will harm you here ... Cassandra stop, Cassandra help me not to regret you Now you can't chain me to you, to your memory that will burn forever Cassandra doesn't know that wings don't, she doesn't Tragic angel who takes flight and then A puppet with broken threads now And time stands still here, like your beat But the vision is mine or Cassandra's, I don't remember anymore, This time changes my perception of the past Faces and names that Time has faded by now And I dance to the ticking of what has been lost souls who are left behind always inside me with their story an eternal tattoo in my memory I shouldn't open that door, I don't want to, but it's the wind that brings me…. and I sing in a low voice until the pain passes and round, round-round how bad the world is ... .. Monica Bergo
$5.00
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