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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
any other Rhythm instrument
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450
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53
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20
Piano Facile
15
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8
2 Pianos, 4 mains
7
1 Piano, 4 mains
5
Piano, Voix
5
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3
Orgue
1
Piano Quatuor: piano, violon, alto, violoncelle
1
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59
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52
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34
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31
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30
2 Clarinettes (duo)
27
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17
Clarinette et Alto
16
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16
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16
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15
Flûte traversière et Piano
13
Hautbois, Basson (duo)
13
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12
Flûte, Trompette (duo)
12
Flûte, Alto (duo)
12
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10
Clarinette
9
Hautbois (partie séparée)
9
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8
2 Hautbois (duo)
8
Clarinette et Piano
8
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6
Saxophone Tenor et Piano
6
Hautbois, Piano (duo)
6
Saxophone Alto et Piano
6
Saxophone Soprano et Piano
4
Clarinette Basse, Piano
4
Cor anglais, Piano
4
Flûte, Hautbois, Clarinette, Basson
3
Ensemble de Clarinettes
3
Quintette de Clarinettes: 5 clarinettes
3
Saxophone Baryton, Piano
3
Quintette de Flûte : 5 flûtes
2
3 Clarinettes (trio)
2
Quatuor de Clarinettes: 4 clarinettes
2
Flûte à bec Soprano
2
3 Saxophones (trio)
2
Clarinette, Harpe (duo)
1
Flûte, Violon, Piano
1
2 Saxophones, Piano
1
Hautbois
1
Flûte et Guitare
1
Ensemble de saxophones
1
Piccolo, Piano
1
Flûte traversière
1
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Trompette, Saxophone (duo)
34
Trompette, Trombone (duo)
18
2 Trombones (duo)
9
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
2 Trompettes (duo)
7
Euphonium, Piano (duo)
7
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Cor anglais, Piano
4
Trombone et Piano
4
Cor et Piano
3
Trompette, Piano
3
Trompette
3
Ensemble de Trompettes
2
Trombone
2
Ensemble de Trombones
2
Euphonium, Tuba (duo)
1
Trombone, Orgue
1
Trombone, Tuba (duo)
1
2 Tubas (duo)
1
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Cordes
Violon, Violoncelle (duo)
77
Trio à Cordes: 2 violons, violoncelle
39
Violon, Alto (duo)
20
2 Violons (duo)
17
2 Violoncelles (duo)
16
Quatuor à cordes: 2 violons, alto, violoncelle
11
Trio à Cordes: violon, alto, violoncelle
10
2 Altos (duo)
8
Violon et Piano
8
Alto, Piano
3
Violon
3
Ensemble de Violons
2
Violoncelle, Piano
2
Violoncelle
1
Violon, Guitare (duo)
1
Piano Trio: Violon, Alto, Piano
1
Autoharp
1
Contrebasse, Piano (duo)
1
Violoncelle , Guitare (duo)
1
Violoncelle, Contrebasse (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
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Orchestre & Percussions
Orchestre à Cordes
22
Orchestre d'harmonie
16
Ensemble de cuivres
12
Ensemble Jazz
9
Orchestre
8
Ensemble d'École
5
Orchestre de chambre
4
Ensemble de Percussions
2
Cloches
2
Jazz combo
2
Fanfare
1
Marimba, Piano (duo)
1
Piano et Orchestre
1
Percussion
1
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Autres
Théorie de la musique
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Instruments
ACCORDEON
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
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LATIN - BOSSA - WORL…
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METHODE : TECHNIQUES
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OLD TIME - EARLY ROC…
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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Vous avez sélectionné:
any other Rhythm instrument
Violon et Piano
Partitions à imprimer
8 partitions trouvées
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1
The Spear of Destiny
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Violon et Piano
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AVANCÉ
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Contemporain
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Jesus J
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The Spear of Destiny
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Jesus Martinez Music
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Violin - Level 5 - SKU: A0.1030742 Composed by Jesus J. Martinez. Contemporary. Score and parts. 1 pages. Jesu...
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Instrumental Duet Instrumental Duet,Piano,Violin - Level 5 - SKU: A0.1030742 Composed by Jesus J. Martinez. Contemporary. Score and parts. 1 pages. Jesus Martinez Music #2019881. Published by Jesus Martinez Music (A0.1030742). PROGRAM NOTES: The Spear of Destiny is titled and inspired by the supposed spear that was used to kill Jesus Christ. The spear is said to have extraordinary powers. He who possesses it will rule the world and he who loses it thereafter will die an untimely death. The last person recorded to have had it was Adolf Hitler. This musical composition journeys through the time of Hitler and his obsession to obtain the spear, his atrocious acts during his tenure of the spear, and the loss of the spear. The spears main thematic motions are the glissandos in the violin that represent the spears anger and tortuous ways. I. Spear Found takes place during his times as an understudy of Dietrich Eckart, a dedicated satanist and figure in the Occult Thule Society and founding member of the Nazi party. Dietrich said: Follow Hitler! He will dance, but it is I who have called the tune! I have initiated him into the Secret Doctrine' opened his centres in vision and given him the means to communicate with the Powers. Do not morn for me; I shall have influenced history more than any other German. Hitler became enamored with the Spear of Destiny, which claimed it called to him. Spear Found, is Hitler's journey to capturing the spear to rule the world. II. Spear Possessed begins with no time meter or key signature. It is ad liberty of the performers and is a musical representation of the spears possessive powers towards evil. This movement takes place during the time of the Holocaust and the actions committed during Hitler's reign of world domination. The movement infers a jewish folk song titled, Dayeinu, a jewish Passover song meaning it would have been enough. This song is set in context of freedom. The movement goes through variations of Dayeinu and the spears version of a possessed Dayeinu. The violin has fast and rapid rhythms with small thematic material of the folk tune. At the end of the movement, the piano strikes the low end of the piano with a soft yarn mallet to symbolize the bombs dropping and the start of World War II. III. Spear Lost takes place during WWII and the Marines efforts to take down Hitler's reign. During the 3rd movement, the Marine Corps music comes to life as they take control of the spear and ultimately end the war. The Spear however, takes its last stand as the spears motif soars over the possessed marine tune. At the end of the movement, the spear is once again screeching as it survives and goes missing once again.
$32.99
Mixed Bag and Transport Collection for Violin Pupil Book Volume 5 in Collections for Violin
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Violon et Piano
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DÉBUTANT
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Julian Carlick
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Mixed Bag and Transport Collec
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Oval Music Edition
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SheetMusicPlus
Piano,Violin - Level 1 - SKU: A0.1134452 Composed by Julian Carlick. Instructional,Traditional. 16 pages. Oval Music Edition #734545. Published by Oval ...
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Piano,Violin - Level 1 - SKU: A0.1134452 Composed by Julian Carlick. Instructional,Traditional. 16 pages. Oval Music Edition #734545. Published by Oval Music Edition (A0.1134452). Two Collections in one: Mixed Bag Collection introduces varied dynamics and some more rhythms. Transport Collection introduces slurs and ties with some familiar tunes. 14 easy pieces with varying ideas. All have separate accompaniment for the teacher playing a keyboard or the violin. This is Volume 5 in the nine volume series. All the music can be played with Viola players, Cellists and Double Bass players. This makes for sociable learning. All the Volumes in the Collections series can be used for individual or group tuition. The pieces are to stimulate the imagination. The download format is easy to read with larger note-printing than many other books for beginners. The set of nine volumes (one is scales only), can also be bought together as a whole (66 pages) or in two parts. In the beginning the violin books concentrate more on the lower strings to enable compatibility across the instruments and it can sound less shrill to the worried parent!
$4.00
Daily Collection for Violin: Pupil Book - Volume 8 in Collections for Violin
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Violon et Piano
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FACILE
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Julian Carlick
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Daily Collection for Violin: P
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Oval Music Edition
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SheetMusicPlus
Piano,Violin - Level 2 - SKU: A0.1134483 Composed by Julian Carlick. Classical,Comedy,Traditional. 14 pages. Oval Music Edition #734577. Published by Ov...
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Piano,Violin - Level 2 - SKU: A0.1134483 Composed by Julian Carlick. Classical,Comedy,Traditional. 14 pages. Oval Music Edition #734577. Published by Oval Music Edition (A0.1134483). Beginner Violinists can now explore compound time. These 6, longer pieces, begin to present more variety in rhythms with imaginative titles that are expressed through the music. These pieces will take longer to learn unless used for sight reading for the more developed learner! All have an accompaniment part in a separate book for the teacher playing a keyboard or the violin (or both !!!). This is Volume 8 in the nine volume series, Volume 9 is only scales. All the music can be played with viola players and cellists. This makes for sociable learning. All the Volumes in the Collections series can be used for individual or group tuition. The pieces are to stimulate the imagination by making 'music' right from the start. The download format is easy to read with larger print than many other books for beginners. The volumes can also be bought together as a whole (66 pages) or in two parts. In the beginning, the violin books concentrate more on the lower strings to enable compatibility across the instruments and it can sound less shrill to the worried parent!
$4.00
Bach: Bist du bei mir BWV 508 for Violin & Piano
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Violon et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 2 - SKU: A0.549216 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. 9 pag...
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Piano,Violin - Level 2 - SKU: A0.549216 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. 9 pages. Jmsgu3 #3468006. Published by jmsgu3 (A0.549216). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Violin & Piano
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Violon et Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 2 - SKU: A0.550914 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. 12 ...
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Piano,Violin - Level 2 - SKU: A0.550914 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. 12 pages. Jmsgu3 #4888241. Published by jmsgu3 (A0.550914). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
I Love You Truly-violin/piano
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Violon et Piano
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FACILE
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Phil Beaman
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I Love You Truly-violin/piano
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Phil Beaman
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SheetMusicPlus
Piano,Violin - Level 2 - SKU: A0.844637 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. 9 pages. Phil Beaman #4414779. Published by P...
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Piano,Violin - Level 2 - SKU: A0.844637 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. 9 pages. Phil Beaman #4414779. Published by Phil Beaman (A0.844637). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century. With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods. Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.
$5.99
Noel Nouvelet
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Evelyn R
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Evelyn Larter Music
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Noel Nouvelet
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Evelyn R Larter
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.749846 Composed by Evelyn R. Larter, ASCAP. Arranged by Evelyn Larter Music. Christian,Christmas,Concert. 8 pages. Evel...
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Piano,Violin - Level 4 - SKU: A0.749846 Composed by Evelyn R. Larter, ASCAP. Arranged by Evelyn Larter Music. Christian,Christmas,Concert. 8 pages. Evelyn R Larter #3876783. Published by Evelyn R Larter (A0.749846). The charming French carol is given lively treatment in this version for solo violin and piano, suitable for advanced intermediate performers. With a middle section in waltz rhythm, and an extended coda, it is suitable for any Christmas concert or church service. The setting comes from my two volume clarinet collection, Carols For The King From Around The World, (available at Sheet Music Press) which I am gradually rearranging for different performers. There is already a version for solo flute and other instrumentation will be offered eventually. The melody is also associated with the Easter carol, Now The Green Blade Riseth. More information about my music may be found at www.evelynlartermusic.com and on my Facebook page for Evelyn Larter Music. Feedback always welcome!
$6.99
South Bay Angle for violin and piano
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Violon et Piano
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AVANCÉ
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Contemporain
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Robert M
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South Bay Angle for violin and
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Robert M. Greenberg
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SheetMusicPlus
Instrumental Solo,Piano,Violin - Level 5 - SKU: A0.987851 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 29 page...
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Instrumental Solo,Piano,Violin - Level 5 - SKU: A0.987851 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 29 pages. Robert M. Greenberg #100609. Published by Robert M. Greenberg (A0.987851). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 6 1/2 minutes Year of composition: 2011 Program Note: Titles, like mold-scum atop month-old cottage cheese, can take on a life of their own. South Bay Angle was originally composed in 1991 during an Astor Piazzolla-inspired fit of tango-madness. While a more appropriate title for the piece would have been something on the lines of I Can Write One of Those! or This Gringo’s Token Tango, circumstances conspired in another titular direction. The piece was originally intended for performance on a program produced by Composers, Inc., a new-music collective in which I was (and remain) an artistic director. Composers Inc. was then in its seventh season. In those days when newspapers still mattered, Composers, Inc. sought to receive as many print reviews as possible. To that end, the organization invited Paul Hertelendy - who was then the music critic for the San Jose Mercury News - to cover its concerts. He said he would do so provided that there was some sort of south-bay angle which addressed the specific needs of his south-bay readership. Thinking myself clever, I thus entitled the piece South Bay Angle. Hertelandy would get his angle and Composers, Inc. would get its coverage. It didn’t work out that way. The piece was never performed; Hertelendy never got his angle; and Composers, Inc. never received a review from the San Jose Mercury News. Instead, twenty years later, I returned to South Bay Angle and rewrote it from the ground up. The piece is cast as a large-scale A-B-A form. The violin is a willing participant in the tango during the A sections, but a rather reluctant tangoista in the B section, during which it tries mightily to turn the music into a waltz. It does not succeed, and the piece ends as it began, in a blaze of rhythmic fury.
$28.00
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