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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
composer
Non classifié
7 167
Piano & claviers
Piano seul
6 127
Piano Facile
1 175
Piano, Voix
995
Orgue
854
Piano, Voix et Guitare
379
1 Piano, 4 mains
192
Instruments en Do
185
Accompagnement Piano
134
Piano Trio: piano, violon, violoncelle
124
2 Pianos, 4 mains
77
Piano Quintette: piano, 2 violons, alto, violoncelle
30
Piano Quatuor: piano, violon, alto, violoncelle
29
Orgue, Piano (duo)
23
Accordéon
21
Clavecin
14
Orgue, Trompette (duo)
14
Piano (partie séparée)
12
Piano Quatuor: piano, 2 violons, violoncelle
8
1 Piano, 6 mains
6
2 Pianos, 8 mains
4
2 Accordéons
2
Fake Book
2
Accordéon, Piano
1
Ensemble de Pianos
1
Clavier
1
+ 20 instrumentations
Retracter
Guitares
Guitare
587
Ukulele
286
Guitare notes et tablatures
271
Ligne De Mélodie, (Paroles) et Accords
136
Piano, Guitare (duo)
128
2 Guitares (duo)
105
Guitare (partie séparée)
24
4 Guitares (Quatuor)
22
Mandoline
19
Basse electrique
14
3 Guitares (trio)
11
Guitare, Violon, Violoncelle (trio)
9
Mandoline, Guitare (duo)
7
Ensemble de guitares
5
Dulcimer
4
Ukulele Baryton
3
Paroles et Accords
2
2 Ukuleles
1
Guitare, Quatuor à cordes
1
Banjo
1
Mandoline, Piano (duo)
1
2 Mandolines (duo)
1
Luth
1
Guitare, Orchestre
1
Orchestre à Plectres
1
+ 20 instrumentations
Retracter
Voix
Chorale SATB
2 052
Chorale 3 parties
486
Chorale 2 parties
211
Chorale Unison
196
Chorale TTBB
113
Voix Soprano, Piano
104
Voix haute
102
Chorale SSAA
84
Voix duo
62
Voix Alto, Piano
61
Voix Baryton, Piano
61
Voix Tenor, Piano
60
Voix moyenne, Piano
45
Voix duo, Piano
36
Voix seule
31
Chorale SSAATTBB
23
Voix basse, Piano
15
Voix Tenor
12
Voix Mezzo-Soprano, Piano
10
Voix basse
10
Chorale SSATTB
8
Voix Soprano
5
Soli, choeur mixte et accompagnement
3
Chorale SSATB
3
Chorale
2
Chorale SSAATB
1
Voix Baryton
1
Chorale SAATB A Cappella
1
Chorale SSAB, Piano
1
Chorale SATBB
1
Voix, Guitare
1
Chorale SSAB a cappella
1
+ 27 instrumentations
Retracter
Vents
Flûte traversière et Piano
1 114
Clarinette et Piano
782
Hautbois, Piano (duo)
651
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
621
Saxophone Alto et Piano
594
Quatuor de Saxophones: 4 saxophones
429
2 Flûtes traversières (duo)
320
Quatuor de Clarinettes: 4 clarinettes
307
Saxophone Tenor et Piano
305
2 Saxophones (duo)
285
Flûte, Hautbois, Clarinette, Basson
244
Clarinette
233
Flûte traversière
227
Saxophone Soprano et Piano
205
Quintette de Saxophone: 5 saxophones
203
Quatuor de Flûtes : 4 flûtes
180
2 Clarinettes (duo)
173
Ensemble de Clarinettes
169
Saxophone Alto
146
Ensemble de Flûtes
136
Ensemble de saxophones
116
Saxophone (partie séparée)
115
Cor anglais, Piano
109
Flûte et Guitare
95
Flûte, Violon, Piano
95
Quintette de Clarinettes: 5 clarinettes
95
Saxophone Baryton, Piano
86
3 Clarinettes (trio)
86
Saxophone Tenor
82
3 Saxophones (trio)
77
Hautbois (partie séparée)
77
Clarinette, Guitare (duo)
67
Quintette de Flûte : 5 flûtes
66
2 Hautbois (duo)
49
Clarinette Basse, Piano
44
Flûte, Clarinette (duo)
43
Trio de Flûtes: 3 flûtes
40
Quatuor de Flûtes à bec
38
Flûte à bec Soprano
35
2 Flûte à bec (duo)
35
Ensemble De Flûte à bec
34
Saxophone, Clarinette (duo)
33
Hautbois, Basson (duo)
33
Clarinette, Violon (duo)
28
Flûte, Violon
26
Clarinette, Basson (duo)
25
Clarinette, Violoncelle (duo)
23
Flute (partie séparée)
22
Flûte, Violoncelle
19
Flûte à bec Tenor
19
Flûte, Violoncelle, Piano (trio)
18
Hautbois, Flûte
17
Flûte à Bec
17
Clarinette, Trompette (duo)
17
Flûte à bec Alto
16
Hautbois
15
Flûte, Hautbois, Clarinette (trio)
15
Hautbois, Clarinette (duo)
15
Clarinette et Alto
15
5 Flûtes à bec
14
Flûte, Alto (duo)
14
Saxophone Soprano
13
Flûte, Saxophone (duo)
13
Hautbois, Clarinette, Basson (trio d'anches)
13
Cor Anglais
12
Flûte, Clarinette, Piano (trio)
12
3 Flûtes à bec (trio)
11
Hautbois, Violoncelle
11
Clarinette (partie séparée)
10
Flûte, Hautbois, Piano (trio)
10
Flûte, Clarinette et Basson
10
Piccolo, Piano
10
2 Clarinettes, Piano
10
Flûte à bec, Guitare (duo)
9
Clarinette, Harpe (duo)
9
2 Flûtes traversières, Piano
9
Ocarina
9
Flûte, Trompette (duo)
9
Harmonica
8
Flûte à bec Soprano, Piano
8
Clarinette, Violoncelle, Piano (trio)
7
Flûte à bec Alto, Piano
7
Saxophone et Guitare
7
Saxophone Baryton
7
Flûte, Hautbois (duo)
7
Flûte, Alto et Piano
6
2 Clarinettes, Basson
6
Piccolo
6
2 Saxophones, Piano
5
Flûte à Bec, Piano
5
Saxophone et Harpe
5
Cor anglais, Guitare (duo)
5
Flûte, Violon, Violoncelle et Piano
5
Flûte, Violon et Violoncelle
4
Flûte, Violoncelle, Guitare
4
Flûte, Hautbois, Basson
4
2 Cors Anglais Et Pianoforte
4
Hautbois, Harpe
3
Flûte, Basson et Piano
3
Saxophone
3
4 Hautbois
3
Flûte, Clarinette, Cor, Basson (Quartet)
3
Cor anglais et Harpe (duo)
3
Saxophone et Orgue
3
Flûte traversière, Orgue (duo)
2
Hautbois, Guitare (duo)
2
Flûte à bec Alto, Basse continue
2
2 Hautbois, Piano
2
3 Hautbois
2
Flûte, Trombone (duo)
2
Flûte à bec, Harpe
2
Flûte, alto et harpe
2
Hautbois, Clarinette et Piano (Trio)
2
Saxophone et Piano
2
Flûte, Clarinette, Violon (trio)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Clarinette, Basson, Piano (trio)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, Harpe et Violoncelle
1
2 Flûtes traversières, Harpe
1
Hautbois, Violon, Piano
1
Clarinette Basse
1
Clarinette, Orchestre
1
Flûte et Trio à cordes
1
Clarinette, Orgue
1
Clarinette, Alto et Piano (trio)
1
2 Flûtes, Basse continue
1
Ensemble de Hautbois
1
Flûte irlandaise
1
Flute, harpe et violon
1
Hautbois, Violoncelle et Piano
1
Cornemuse
1
Flûte et Quatuor à Cordes
1
+ 128 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
761
Trombone et Piano
423
Trompette, Piano
343
Quatuor de Cuivres : 2 trompettes, trombone, tuba
335
Trompette
310
Cor et Piano
243
Trombone
144
Tuba et Piano
124
Quatuor de Cuivres: 2 trompettes, Cor, trombone
115
Cor anglais, Piano
109
Euphonium, Piano (duo)
108
Ensemble de Trombones
87
Quatuor de Cuivres
82
Trompette (partie séparée)
76
Trombone (partie séparée)
68
Quatuor de cuivres: 4 trombones
68
2 Trompettes (duo)
65
2 Cors (duo)
61
Cor
60
Ensemble de Trompettes
57
2 Trombones (duo)
50
Tuba
42
Quatuor de cuivres: 4 cors
35
Trompette, Trombone (duo)
31
Trompette, Saxophone (duo)
23
Quatuor de cuivres: 4 trompettes
20
Cor (partie séparée)
19
Ensemble de Cors
18
Tuba (partie séparée)
13
Cor Anglais
12
2 Euphoniums et 2 Tubas
11
3 Trombones (trio)
10
4 Tubas
10
2 Tubas (duo)
9
3 Tubas (trio)
8
Trio de Cuivres
8
Trombone basse et Piano
8
Euphonium
7
Trombone basse
7
Trompette, Cor (duo)
7
Euphonium, Tuba (duo)
6
2 Euphoniums (duo)
6
Trombone, Cor (duo)
5
Cor anglais, Guitare (duo)
5
Cor et Harpe
5
Cor, Violoncelle (duo)
4
2 Cors Anglais Et Pianoforte
4
Trompette, Basson (duo)
3
3 Cors (trio)
3
Trombone et orchestre
3
Trompette, Harpe
3
Trompette, violon (duo)
3
3 Trompettes (trio)
3
Trombone, Tuba (duo)
3
Tuba et Orgue
3
Cor anglais et Harpe (duo)
3
Trombone, Orgue
2
Cor, Tuba (duo)
2
Trompette et Guitare
2
Trompette, Violoncelle (duo)
2
3 Euphoniums
2
Cor et Orgue
1
Cor et Basson (duo)
1
Clarinette, Cor (duo)
1
Cornet et orchestre
1
Trompette, Violoncelle et Piano
1
Ensemble de Tubas
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Trompettes, Clavier (piano ou orgue)
1
+ 64 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 448
Violon et Piano
1 293
Violoncelle, Piano
718
Alto, Piano
669
Violon
320
Violoncelle
235
Trio à Cordes: violon, alto, violoncelle
172
2 Violons (duo)
153
Harpe
150
Violon, Violoncelle (duo)
135
Alto seul
109
Violon, Guitare (duo)
108
2 Violoncelles (duo)
100
2 Altos (duo)
87
Violon, Alto (duo)
80
Violoncelle , Guitare (duo)
69
Contrebasse, Piano (duo)
65
Alto, Guitare (duo)
64
Trio à Cordes: 2 violons, violoncelle
48
Quintette à cordes: 2 violons, 2 altos, violoncelle
47
4 Violoncelles
45
Trio à cordes: 3 violins
40
Quintette à cordes: 2 violons, alto, violoncelle, basse
39
Violon (partie séparée)
38
Alto, Violoncelle (duo)
37
Alto (partie séparée)
32
Harpe, Flûte (duo)
29
Contre Basse
28
Contrebasse (partie séparée)
22
2 Harpes (duo)
21
Trio à Cordes: 3 violoncelles
19
Harpe, Violon (duo)
17
Quatuor à cordes : 4 altos
15
Piano Trio: Violon, Alto, Piano
15
Violoncelle, Contrebasse (duo)
15
Trio à cordes: 3 altos
14
Trio à Cordes: 2 violons, alto
14
Quatuor à cordes: 4 violons
12
Ensemble de Violons
11
Harpe, Violoncelle (duo)
11
Ensemble d'Altos
9
Quintette à cordes : 2 violons, alto et 2 violoncelles
9
Violon, Basson (duo)
8
Violoncelle, Orgue
7
2 Contrebasses (duo)
7
Alto et Harpe
6
Violoncelle (partie séparée)
4
Flûte, Contrebasse (duo)
4
Alto et Basson
4
Harpe, Trombone (duo)
4
Ensemble de Violoncelles
4
Violon, Clarinette, Piano (trio)
4
Harpe et Piano
3
3 Harpes
3
Harpe, Violon, Violoncelle
2
Harpe et Orgue
2
4 Contrebasses
2
Violon, Basse continue
2
Violoncelle, Orchestre
2
Alto, Orgue
2
Harpe et mandoline
2
Violoncelle, Basse continue
2
4 Harpes
1
2 Violons, Piano
1
2 Violoncelles, Piano
1
Violon, Orgue
1
+ 61 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 801
Orchestre
791
Orchestre à Cordes
667
Orchestre de chambre
355
Ensemble de cuivres
278
Cloches
269
Ensemble Jazz
200
Ensemble de Percussions
74
Jazz combo
73
Fanfare
65
Marimba
28
Batterie
17
Vibraphone
15
Batterie (partie séparée)
13
Piano et Orchestre
8
Percussion (partie séparée)
5
Xylophone, Piano
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Xylophone
2
Orchestre, Violon
2
Marimba et Orgue
1
Marimba, Piano (duo)
1
Ensemble d'École
1
2 Marimbas
1
Vibraphone et Marimba
1
+ 20 instrumentations
Retracter
Autres
Formation musicale - Solfège
9
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
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difficulté (tous)
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Violon et Piano
Partitions à imprimer
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1276
Sérgio Varalonga - Declaração de amor (Love proposal) - Violin & Piano by the composer
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Violon et Piano
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Contemporain
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Sérgio Varalonga
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Sérgio Varalonga
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Sérgio Varalonga - Decl
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Sérgio Varalonga
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SheetMusicPlus
Piano,Violin - SKU: A0.977711 Composed by Sérgio Varalonga. Arranged by Sérgio Varalonga. 20th Century,Contemporary. 7 pages. Sérgio Varalonga ...
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Piano,Violin - SKU: A0.977711 Composed by Sérgio Varalonga. Arranged by Sérgio Varalonga. 20th Century,Contemporary. 7 pages. Sérgio Varalonga #4795965. Published by Sérgio Varalonga (A0.977711).
$5.00
Night Vision for Violin and Piano
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Violon et Piano
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INTERMÉDIAIRE
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Sabrina Pena Young
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Night Vision for Violin and Pi
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Sabrina Peña Young
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.976937 Composed by Sabrina Pena Young. 20th Century,Contemporary,Standards. 4 pages. Sabrina Peña Young #3432525. Pu...
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Piano,Violin - Level 3 - SKU: A0.976937 Composed by Sabrina Pena Young. 20th Century,Contemporary,Standards. 4 pages. Sabrina Peña Young #3432525. Published by Sabrina Peña Young (A0.976937). Short lively rhythmic work for violin and piano in a late 20th century style. Early work from award-winning composer. Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerAward-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$1.99
Espelhos
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Violon et Piano
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Sergio Roberto de Oliveira
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Espelhos
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Sergio Roberto de Oliveira
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Vibraphone - SKU: A0.962352 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Score and...
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Instrumental Duet Instrumental Duet,Piano,Vibraphone - SKU: A0.962352 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Score and parts. 20 pages. Sergio Roberto de Oliveira #4832373. Published by Sergio Roberto de Oliveira (A0.962352). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$13.80
Eucalyptus
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Violon et Piano
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Contemporain
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Sergio Roberto de Oliveira
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Eucalyptus
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Sergio Roberto de Oliveira
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SheetMusicPlus
Piano,Violin - SKU: A0.962295 Composed by Sergio Roberto de Oliveira (1970 - 2017). 20th Century,Contemporary. 28 pages. Sergio Roberto de Oliveira #261...
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Piano,Violin - SKU: A0.962295 Composed by Sergio Roberto de Oliveira (1970 - 2017). 20th Century,Contemporary. 28 pages. Sergio Roberto de Oliveira #2613333. Published by Sergio Roberto de Oliveira (A0.962295). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$5.96
The Fiddle Concerto (violin solo part – violin and piano)
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Violon et Piano
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AVANCÉ
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Mark O'Connor
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The Fiddle Concerto
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Mark O'Connor Musik International
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SheetMusicPlus
Piano,Violin - Level 5 - SKU: A0.861952 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. 23 pages. Mark O'Connor Musik International #6209125....
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Piano,Violin - Level 5 - SKU: A0.861952 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. 23 pages. Mark O'Connor Musik International #6209125. Published by Mark O'Connor Musik International (A0.861952). The Fiddle Concerto (piano score – violin and piano) MO119BViolin Solo Part - adapted for violin and piano (piano reduction)Music by Mark O’Connor19 pages - 45:00 minutes in length The FIDDLE CONCERTO adapted for violin and piano is from Mark O’Connor’s first orchestral score, composed when he was 31 years old in 1992-93. A few years later it was recorded for Warner Bros. The recording featured the Concordia Orchestra with Marin Alsop conducting and the composer as violin soloist. The recording was named by the BMG Classical Catalog as one of the top ten classical recordings of 1995. The composition was reviewed by a distinguished panel of composers and was awarded a Meet The Composer grant for another original concerto by O’Connor. Beginning with the premiers in 1993, and including the subsequent performances into 1999, the year of this publication, The FIDDLE CONCERTO has received more performances with orchestra than any other violin concerto composed in the last 50 years. O’Connor has prepared this adaption for violin and piano from his score. The music is suited for advanced levels and the slow second movement can be appropriate for intermediate. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1992-93 Composed by Mark O’ConnorCommissioned by the Santa Fe Symphony OrchestraCan be heard on The Fiddle Concerto! Warner Bros. RecordsMark O’Connor - violin, Concordia Symphony, Marin Alsop Catalogue Number MO119BCopyright © 1992 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00
The Fiddle Concerto (piano score – violin and piano)
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Violon et Piano
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AVANCÉ
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Mark O'Connor
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The Fiddle Concerto
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Mark O'Connor Musik International
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SheetMusicPlus
Piano,Violin - Level 5 - SKU: A0.861950 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. 56 pages. Mark O'Connor Musik International #6209121....
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Piano,Violin - Level 5 - SKU: A0.861950 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. 56 pages. Mark O'Connor Musik International #6209121. Published by Mark O'Connor Musik International (A0.861950). The Fiddle Concerto (piano score – violin and piano) MO119APiano Score adapted for violin and piano (piano reduction)Music by Mark O’Connor52 pages - 45:00 minutes in length The FIDDLE CONCERTO adapted for violin and piano is from Mark O’Connor’s first orchestral score, composed when he was 31 years old in 1992-93. A few years later it was recorded for Warner Bros. The recording featured the Concordia Orchestra with Marin Alsop conducting and the composer as violin soloist. The recording was named by the BMG Classical Catalog as one of the top ten classical recordings of 1995. The composition was reviewed by a distinguished panel of composers and was awarded a Meet The Composer grant for another original concerto by O’Connor. Beginning with the premiers in 1993, and including the subsequent performances into 1999, the year of this publication, The FIDDLE CONCERTO has received more performances with orchestra than any other violin concerto composed in the last 50 years. O’Connor has prepared this adaption for violin and piano from his score. The music is suited for advanced levels and the slow second movement can be appropriate for intermediate. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1992-93 Composed by Mark O’ConnorCommissioned by the Santa Fe Symphony OrchestraCan be heard on The Fiddle Concerto! Warner Bros. RecordsMark O’Connor - violin, Concordia Symphony, Marin Alsop Catalogue Number MO119ACopyright © 1992 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$20.00
Schubert: Ave Maria for Violin & Piano
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Violon et Piano
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DÉBUTANT
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Classique
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Franz Schubert
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James M
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Schubert: Ave Maria for Violin
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 1 - SKU: A0.548703 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. 4 pages. Jmsgu3 #34...
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Piano,Violin - Level 1 - SKU: A0.548703 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. 4 pages. Jmsgu3 #3411155. Published by jmsgu3 (A0.548703). A Violin Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Violin part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95
Claude Debussy: Sérénade for violin and piano
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Sér&eac
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabri...
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Piano,Violin - Level 4 - SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabrik Music Publishing #4727479. Published by Musik Fabrik Music Publishing (A0.534583). Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and other completions include La Saulaie and the Nocturne and Poème for violin and orchestra as well as Debussy’s other Poe opera Le Diable dans le Beffroi.Préface en français : Au debut des années 1890, Debussy a composé le debut d’une pièce lyrique en Mi majeur pour violon et piano, peut-être pour accompagner la Nocturne pour violon que Debussy a destinée pour le violoniste belge Eugène Ysaÿe. Après la morte de Debussy en 1918, sa deuxième femme Emma avait l’habitude d’offrir ses pages d’esquisses aux intérpètes et compositeurs en souvenir de son regreté mari. Cette page d’esquisse a été offerte aux compositeur et pianiste cubain Joaquin Nin (1879-1949). Cette page a été mise en vente dans la catalogue de l’antiquaire britannique Lisa Cox en 2010 et malgré que cette esquisse est peut-être le début d‘une mélodie pour contralto et piano, l‘idée dynamique dans la douzième mesure suggère la violon, surtout qu‘elle commence sur la.
$12.95
Fauré: Élégie Op. 24 for Violin & Piano
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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James M
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Fauré: Élé
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.549723 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Stand...
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Piano,Violin - Level 4 - SKU: A0.549723 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. 22 pages. Jmsgu3 #3531355. Published by jmsgu3 (A0.549723). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
Kaldalóns: Ave Maria for Violin and Piano
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Violon et Piano
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INTERMÉDIAIRE
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Sigvaldi Kaldalóns and Flav
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Flavio Regis Cunha
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Kaldalóns: Ave Maria fo
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Flavio Regis Cunha
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.1244274 By Sigvaldi Kaldalóns and Flavio Regis Cunha. By Sigvaldi Kaldalóns. Arranged by Flavio Regis Cunha. Clas...
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Piano,Violin - Level 3 - SKU: A0.1244274 By Sigvaldi Kaldalóns and Flavio Regis Cunha. By Sigvaldi Kaldalóns. Arranged by Flavio Regis Cunha. Classical,Contest,Easter,Festival,Sacred,Wedding. 7 pages. Flavio Regis Cunha #839256. Published by Flavio Regis Cunha (A0.1244274). Kaldalóns: Ave Maria for Violin and Piano.This is a beautiful melody by the composer Sigvaldi Kaldalóns. This is a catchy, melancholy and very sentimental melody. Sigvaldi Kaldalóns (Stefánsson) (13 January 1881 - 28 July 1946) was an Icelandic composer and doctor. Unlike the avant-garde composers of his day, he wrote in a traditional romantic style and composed many of Iceland's most famous and widely performed songs, many of which are now wrongly assumed to be folk songs. His particular skill was in capturing the spirit of poems in his melodies, making him Iceland's foremost lyric composer.The arrangement written here for violin and piano was based on VÃkingur Ólafsson's beautiful interpretation. Now, you can play it in a variety of settings, from weddings to religious services to recitals. This wonderful piece by Kaldalóns is a must-have in your duo repertoire, and you will be enchanted by the beauty of the music and the intense emotions it can evoke. I hope you enjoy the arrangement, designed exclusively for violin solo and piano accompaniment. The Piano is based exactly on VÃkingur Ólafsson's interpretation.Advanced Intermediate.Format: Concert, 9 x 12 inches7 pages.
$5.99
Bach-Gounod: Ave Maria, Schwencke version for Violin & Piano
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Violon et Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 2 - SKU: A0.550914 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. 12 ...
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Piano,Violin - Level 2 - SKU: A0.550914 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. 12 pages. Jmsgu3 #4888241. Published by jmsgu3 (A0.550914). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Vivaldi: Sonata No. 4 for Violin & Piano
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Violon et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 4 for Viol
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.550469 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. 21 pages. ...
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Piano,Violin - Level 3 - SKU: A0.550469 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. 21 pages. Jmsgu3 #4640595. Published by jmsgu3 (A0.550469). Sonata da Chiesa No. 4 in Bb Major for Violin & Piano by Antonio Vivaldi in Four movements. Duration: ca. 14:41. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 3 for Violin & Piano
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Violon et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 3 for Viol
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.550443 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. 21 pages. ...
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Piano,Violin - Level 3 - SKU: A0.550443 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. 21 pages. Jmsgu3 #4634589. Published by jmsgu3 (A0.550443). Sonata da Chiesa No. 3 in A Minor for Violin & Piano by Antonio Vivaldi in Four movements. Duration: ca. 15:38. Score: 15 pages. 206 measures.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 6 for Violin & Piano
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Violon et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 6 for Viol
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.550519 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. 23 pages. ...
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Piano,Violin - Level 3 - SKU: A0.550519 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. 23 pages. Jmsgu3 #4719649. Published by jmsgu3 (A0.550519). Sonata da Chiesa No. 6 in Bb Major for Violin & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:10. Score: 16 pages.  Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 1 for Violin & Piano
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Violon et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 1 for Viol
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.550395 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. 33 pages. Jmsgu3 #46...
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Piano,Violin - Level 3 - SKU: A0.550395 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. 33 pages. Jmsgu3 #4628281. Published by jmsgu3 (A0.550395). Sonata da Chiesa in Bb for Violin & Piano by Antonio Vivaldi in Four movements. Duration: ca. 11:45. Score: 14 pages. 205 measures.Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 5 for Violin & Piano
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Violon et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 5 for Viol
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.550494 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. 21 pages. ...
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Piano,Violin - Level 3 - SKU: A0.550494 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. 21 pages. Jmsgu3 #4715615. Published by jmsgu3 (A0.550494). Sonata da Chiesa No. 5 in E Minor for Violin & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:16. Score: 15 pages.  Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 2 for Violin & Piano
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Violon et Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 2 for Viol
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.550417 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. 30 pages. Jmsgu3 #46...
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Piano,Violin - Level 3 - SKU: A0.550417 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. 30 pages. Jmsgu3 #4632249. Published by jmsgu3 (A0.550417). Sonata No. 2 by Antonio Vivaldi - a four-movement Sonata da Chiesa. Duration: ca. 12:00, Score: 12 pages.Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Journeying (for Violin Solo)
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Violon et Piano
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INTERMÉDIAIRE
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Contemporain
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Adam Lenhart
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Journeying
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Adam Lenhart
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.949370 Composed by Adam Lenhart. Contemporary. 6 pages. Adam Lenhart #5214717. Published by Adam Lenhart (A0.949370).
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Piano,Violin - Level 3 - SKU: A0.949370 Composed by Adam Lenhart. Contemporary. 6 pages. Adam Lenhart #5214717. Published by Adam Lenhart (A0.949370). Journeying is a new and original composition designed around a long and exciting travel. This piece modulates constantly to show the changing environments of the journey, yet maintains the walking and bouncy pace of the adventurer. This solo is designed to show off the player's ability to perform accurate and clean arpeggios in 10 different major keys, as well as their ability keep the constant walking pace throughout the entire song.Journeying was selected as the winner for the University of Toledo Young Composers Competition in 2020.Includes full score and individual solo part.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$3.99
Sonata for Fortepiano & Violin in C (VB 162)
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Violon et Piano
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INTERMÉDIAIRE
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Classique
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Joseph Martin Kraus
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Bertil van Boer
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Sonata for Fortepiano & Vi
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Artaria Editions
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.1488842 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 42 pages. Artaria Editions #1065696. P...
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Piano,Violin - Level 3 - SKU: A0.1488842 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 42 pages. Artaria Editions #1065696. Published by Artaria Editions (A0.1488842). Artaria Editions AE436Joseph Martin Kraus was one of the most gifted and unusual composers of the 18th century, whose talent for thematic development, colourful orchestration and theatrical flair caused Haydn to proclaim him one of only two 'geniuses' he knew (Mozart being the other one). Although Kraus's focus as a composer was mainly upon works written for the stage, he had occasion and opportunity to write a variety of works for chamber setting, including this sonata for violin and fortepiano. It is not known for whom this work was written, but the sole surviving source, a set of parts in Uppsala University Library in the hand of Fredrik Silverstolpe, Kraus's first biographer and assiduous collector of his music, dates it to Kraus's grand tour; he notes that it was written in Paris in 1785. This sonata is the most virtuosic and imposing work in this genre that the composer wrote. Of particular interest is the use of a slow introduction with lyrical violin solo, the long Adagio with its alternating solo passages, and the playful final Scherzo which bears a thematic similarity to the now-lost original third movement of Kraus's Violin Concerto (VB 151). Indeed, this complex work merits the rubric Great C major.Allan Badley.
$30.00
Italian Polka for Violin & Piano
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Violon et Piano
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INTERMÉDIAIRE
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Sergei Rachmaninoff
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Diego Marani
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Italian Polka for Violin &
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Diego Marani
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.669243 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romantic Period,...
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Piano,Violin - Level 3 - SKU: A0.669243 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romantic Period,Standards. 8 pages. Diego Marani #278239. Published by Diego Marani (A0.669243). Sergei Vasilyevich Rachmaninoff was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music. Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a thoroughly personal idiom notable for its song-like melodicism, expressiveness and rich orchestral colours. The Polka Italienne (Italian Polka) is originally a piano work for two pianos. This arrangement for violin with piano accompaniment is suitable for classroom, repertoire, recital and for a funny encore.
$7.99
Bach: Wachet auf for Violin & Piano
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Violon et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Violin &a
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 2 - SKU: A0.549836 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards....
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Piano,Violin - Level 2 - SKU: A0.549836 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. 12 pages. Jmsgu3 #3554469. Published by jmsgu3 (A0.549836). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
La fille aux cheveux de lin / The girl with the flaxen hair for violin and piano
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy
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Klas Krantz
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La fille aux cheveux de lin /
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Amadeus Music
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.532340 Composed by Claude Debussy. Arranged by Klas Krantz. 19th Century,Classical. 5 pages. Amadeus Music #6019655. Pu...
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Piano,Violin - Level 4 - SKU: A0.532340 Composed by Claude Debussy. Arranged by Klas Krantz. 19th Century,Classical. 5 pages. Amadeus Music #6019655. Published by Amadeus Music (A0.532340). Claude Debussy (1862 – 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries.
$4.95
Lascia Ch'io Pianga - Violin and Piano (Full Score)
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Violon et Piano
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FACILE
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Classique
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George Frideric Handel
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César Madeira
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Lascia Ch'io Pianga - Violin a
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Violin - Level 2 - SKU: A0.1223967 Composed by George Frideric Handel. Arranged by César Madeira. Baroque,Children,Early Music,Film/TV,Multicul...
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Piano,Violin - Level 2 - SKU: A0.1223967 Composed by George Frideric Handel. Arranged by César Madeira. Baroque,Children,Early Music,Film/TV,Multicultural,World. 3 pages. Sheet Music To Play Editions #820083. Published by Sheet Music To Play Editions (A0.1223967). Lascia Ch'Io Pianga by Handel for Violin and Piano. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Georg Friedrich Händel (1685 –1759) was a German-born Baroque composer becoming well known for his operas, oratorios, anthems, concerti grossi and organ concertos. Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$4.99
Bach: Bist du bei mir BWV 508 for Violin & Piano
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Violon et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 2 - SKU: A0.549216 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. 9 pag...
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Piano,Violin - Level 2 - SKU: A0.549216 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. 9 pages. Jmsgu3 #3468006. Published by jmsgu3 (A0.549216). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
Mendelssohn: Song Without Words Op. 109 for Violin & Piano
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Violon et Piano
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.549485 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic P...
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Piano,Violin - Level 3 - SKU: A0.549485 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. 20 pages. Jmsgu3 #3500555. Published by jmsgu3 (A0.549485). VIOLIN & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
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