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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
But I Do
Non classifié
90
Piano & claviers
Piano seul
39
Instruments en Do
27
Piano, Voix
21
Piano, Voix et Guitare
10
Orgue
3
Piano Facile
3
Accompagnement Piano
2
Piano (partie séparée)
1
+ 3 instrumentations
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Guitares
Basse electrique
7
Guitare
5
Guitare notes et tablatures
3
Ukulele
2
4 Guitares (Quatuor)
2
Mandoline
1
Ligne De Mélodie, (Paroles) et Accords
1
Paroles et Accords
1
Piano, Guitare (duo)
1
+ 4 instrumentations
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Voix
Chorale SATB
30
Chorale TTBB
12
Chorale 3 parties
11
Voix duo, Piano
6
Chorale SSAA
6
Chorale Unison
3
Voix Alto, Piano
3
Voix Baryton, Piano
2
Voix Tenor, Piano
2
Voix duo
2
Voix Soprano, Piano
2
Chorale 2 parties
2
Voix moyenne, Piano
1
Voix Tenor
1
Voix seule
1
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
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7
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6
Hautbois, Piano (duo)
5
Quatuor de Clarinettes: 4 clarinettes
4
Quintette de Saxophone: 5 saxophones
4
Flûte traversière et Piano
4
Clarinette, Guitare (duo)
3
Flûte, Hautbois, Clarinette, Basson
3
Cor anglais, Guitare (duo)
3
Ensemble de Clarinettes
3
3 Saxophones (trio)
2
Quintette de Flûte : 5 flûtes
2
Saxophone Soprano et Piano
2
Hautbois, Guitare (duo)
2
Clarinette et Piano
2
3 Clarinettes (trio)
2
2 Flûtes traversières (duo)
1
Saxophone Tenor et Piano
1
Flûte, Hautbois, Basson
1
Flûte, Clarinette, Piano (trio)
1
Flûte, trombone et piano
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette Basse, Piano
1
Clarinette, Alto et Piano (trio)
1
Flûte, Violon et Violoncelle
1
Flûte irlandaise
1
Flûte traversière
1
Flûte, Basson et Piano
1
Clarinette, Violon (duo)
1
Flûte, Alto et Piano
1
Quatuor de Saxophones: 4 saxophones
1
Quintette de Clarinettes: 5 clarinettes
1
+ 28 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Trombone et Piano
4
Trompette, Piano
3
Cor anglais, Guitare (duo)
3
Trompette
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Quatuor de Cuivres
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Trompette, Euphonium (duo)
1
2 Trompettes (duo)
1
Ensemble de Trompettes
1
Trompette, Trombone (duo)
1
Quatuor de cuivres: 4 trombones
1
Trompette (partie séparée)
1
Trio de Cuivres
1
Ensemble de Trombones
1
+ 11 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
14
Alto, Piano
4
Harpe
3
Violon et Piano
3
Violon, Violoncelle (duo)
2
Ensemble de Violons
2
Violoncelle , Guitare (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
2 Violons (duo)
2
Violon
2
Trio à cordes: 3 violins
1
Ensemble d'Altos
1
Trio à Cordes: 2 violons, violoncelle
1
Quatuor à cordes: 4 violons
1
Violoncelle
1
Violoncelle, Piano
1
Contrebasse, Piano (duo)
1
Harpe et Piano
1
4 Violoncelles
1
+ 14 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
7
Orchestre à Cordes
6
Orchestre d'harmonie
6
Jazz combo
5
Batterie
3
Orchestre de chambre
3
Orchestre
3
Ensemble de cuivres
1
Ensemble de Percussions
1
+ 4 instrumentations
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ACCORDEON
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BATTERIE
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
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LUTH, THEOR…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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Vous avez sélectionné:
But I Do
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Orchestre à Cordes
Partitions à imprimer
6 partitions trouvées
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1
Mati
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.885555 Composed by Cesar Avil…
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String Orchestra - Level 3 - Digital Download SKU: A0.885555 Composed by Cesar Aviles. Contemporary,Film/TV,Instructional,Standards. Score and parts. 25 pages. Cesar Aviles #2072143. Published by Cesar Aviles (A0.885555). I first performed Siegfried's Idyll as an undergrad, and when I learned that Wagner wrote it for his wife after the birth of their son, I knew I'd do something similar when it was my turn. In the same spirit, Mati is a lullaby for my firstborn Mateo. The piece took me a bit over a month to write and it resembles the tenderness and innocence of our young Mateo. Mati should be graded lower than 4, but because of the independent lines--and some high positions--I decided to grade it higher. Preview the score and check if it's adequate for your students. I haven't heard Mati live because my string orchestra is not at the level yet--but I look forward to it Thanks for reading!
$9.99
9.21 €
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Orchestre à Cordes
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Cesar Aviles
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Mati
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Cesar Aviles
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SheetMusicPlus
Barók - Concerto para Violino e Orquestra de Cordas
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.809297 Composed by Betsuel Ue…
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String Orchestra - Level 3 - Digital Download SKU: A0.809297 Composed by Betsuel Uesile Prado. Contemporary. Score and parts. 27 pages. BETSUEL UESILE DO PRADO #6489675. Published by BETSUEL UESILE DO PRADO (A0.809297). É com imenso prazer que apresento Barók, o primeiro concerto que escrevi quando ainda estudava violino no conservatório de música. Por muito tempo essa peça ficou guardada na gaveta, até que decidi trazê-la à luz. A inspiração par a essa peça, como o próprio nome diz, vem do vasto repertório da música barroca. Isso pode ser observado no formato do concerto desde o primeiro movimento. O segundo movimento também trás um toque do perÃodo clássico enquanto que o terceiro busca elementos vistos nos dois primeiros, mas terminando em um finale pomposo e majestoso.It is with great pleasure that I present Barók, the first concert I wrote when I was still studying violin at the music conservatory. For a long time this piece was kept in the drawer, until I decided to bring it ti light. The inspiration for this piece, as the name implies, comes from the vast repertoire of baroque music. This can be seen in the format of the concerto from the firts to last movements. The second movement also brings a touch of the classical period while the third moves towards elements seen in the first two, but ending in a po,pous and majestic finale.
$39.99
36.87 €
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Orchestre à Cordes
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Betsuel Uesile Prado
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Barók - Concerto para Violino e Orquestra de Cordas
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BETSUEL UESILE DO PRADO
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SheetMusicPlus
The Abduction of Persephone (for String Orchestra)
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.998356 Composed by Aaron Fonz…
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String Orchestra - Level 3 - Digital Download SKU: A0.998356 Composed by Aaron Fonzi. Children,Contemporary,Rock,Standards. Score and parts. 27 pages. Aaron Fonzi #3367893. Published by Aaron Fonzi (A0.998356). This piece tells the epic story of Hades' abduction of his niece, Persephone. According to the legend, Hades came up through a crack in the ground and snatched the girl while she was playing. In the Underworld, he tried to seduce her in a variety of ways, but to no avail. Finally, Hades is said to have tricked her into staying by offering her a tempting pomegranate. As Persephone ate 6 seeds, she was to stay in the Underworld for six months each year. It is said that while Persphone is in the Underworld, the plants wither and die, and when she comes back to the surface she brings rebirth to growing things. This piece begins with playful pizzicato lines that build upon each other. These represent Persphone at play, but forebodes the dark forces that are encircling her. When the orchestra goes to arco, Persphone is being dragged into the Underworld. A mournful violin solo signifies her arrival, but this mournful theme is quickly replace by the devious seductions of Hades in the form of a humorous waltz. Finally, Hades offers the pomegranate to Persephone and she eats 6 seeds (represented by the six beats of the B major chord in measures 76 and 77). The main theme then takes over once again, modulating to F# minor to represent Hades' victory. With relentless energy, catchy ostinati and opportunities to work on shifting, pizzicato and arco throughout, this piece will not dissapoint for audiences and students alike. A FEW NOTES: 1. I'd recommend rehearsing the rhythms of recurring ostinati together- first pizzicato then arco. You may get creative and incorporate scales with these rhythms. However you do it, it'll be important that each ostinato is played with precision and confidence. 2. Have fun with the waltz section! It's meant to portray the strange, whimsical nature of Hades' attempts to woo Persephone, so the awkwardness in delivery is encouraged! 3. All ritardandos should be exaggerated for the sake of drama. 4. Encourage your drumset player to explore different ways of accompanying the orchestra- the drumset part is a blueprint, not definitive instructions. 5. Be sure to practice shifting into 2nd position for the modulation. I hope you and your students have a great time putting this epic piece together! I had a ton of fun writing it! ~Aaron Fonzi
$20.00
18.44 €
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Orchestre à Cordes
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Aaron Fonzi
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The Abduction of Persephone
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Aaron Fonzi
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SheetMusicPlus
GLOBAL ADVENTURES BOOK III for string orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1396564 Composed by Tradition…
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String Orchestra - Level 3 - Digital Download SKU: A0.1396564 Composed by Traditional. Arranged by Steven Paxton. Contest,Festival,Folk,Multicultural,Traditional,World. 96 pages. Creative Spirit #979905. Published by Creative Spirit (A0.1396564). These arrangements for Grade 3—3.5 string orchestra are designed with young musicians in mind, but have carefully detailed dynamics, articulation and phrasing that will challenge young players while also bringing the songs to life.Ah Ya Zain (Oh Beautiful One) from Lebanon, Nguoi o dung ve(Oh My Loved Ones, Do Not Leave) from Vietnam, and Arirang(Gangwondo & Bonjo) from Korea.DURATIONS—2:00, 3:30, 5:00The GLOBAL ADVENTURES series presents folk and traditional music from around the world arranged for young string orchestra, with optional parts for percussion, guitar, and piano. The series is also available for 5-part flex ensemble.BOOK I: Old Spanish California, Mexico, USABOOK II: Haiti, Java, UgandaBOOK III: Lebanon, Vietnam, Korea.
$50.00
46.1 €
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Orchestre à Cordes
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Traditional
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Steven Paxton
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Bonjo) from Korea
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GLOBAL ADVENTURES BOOK III for string orchestra
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Creative Spirit
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SheetMusicPlus
Bill
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1017599 Composed by Jerome Ke…
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String Orchestra - Level 3 - Digital Download SKU: A0.1017599 Composed by Jerome Kern. Arranged by Robert Renshaw. Contemporary. Score and Parts. 21 pages. Taggart Press #6167729. Published by Taggart Press (A0.1017599). The groundbreaking Broadway Musical Showboat arguably changed the Broadway theater forever when it premiered in 1927. With music by Jerome Kern and a book and lyrics by Oscar Hammerstein II, the show deals with themes of racism, alcoholism, and spousal desertion at a time when social ills were not even a remote part of the typical Broadway fare. Kern's score was well received and contains many familiar songs like Ol' Man River. Make Believe, and Why do I love you?. But after Ol' Man River, It is probably the charming and poignant Bill that is most familiar to modern audiences. This arrangement gives the melody to a solo Alto Saxophone with a string accompaniment that preserves the early 20th-century feel of the original. It will work great on a pops concert, or as a lighter encore to a more serious saxophone concerto.
$49.99
46.09 €
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Orchestre à Cordes
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Jerome Kern
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Robert Renshaw
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Bill
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Taggart Press
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SheetMusicPlus
Irish National Anthem (Unofficial) for String Orchestra
Orchestre à Cordes
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Ke…
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related ScoresLondonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related Scores
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Orchestre à Cordes
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Irish National Anthem
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