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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
4 Minutes: Score
Non classifié
716
Piano & claviers
Piano seul
378
Piano, Voix
90
Orgue
31
1 Piano, 4 mains
23
Piano, Voix et Guitare
17
Orgue, Trompette (duo)
11
2 Pianos, 4 mains
7
Piano Trio: piano, violon, violoncelle
7
Piano Quatuor: piano, violon, alto, violoncelle
5
2 Pianos, 8 mains
3
Orgue, Piano (duo)
3
Clavecin
2
Piano Facile
2
Accompagnement Piano
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Ensemble d'Accordéons
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 12 instrumentations
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Guitares
2 Guitares (duo)
12
Ukulele
2
Basse electrique
2
4 Guitares (Quatuor)
2
Piano, Guitare (duo)
1
Guitare
1
3 Guitares (trio)
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
73
Chorale 3 parties
11
Voix Soprano, Piano
6
Voix Tenor, Piano
5
Chorale SSAA
3
Chorale TTBB
3
Voix duo, Piano
2
Voix Baryton, Piano
2
Chorale SSAATTBB
1
+ 4 instrumentations
Retracter
Vents
2 Saxophones (duo)
115
Saxophone Alto et Piano
67
2 Clarinettes (duo)
59
Saxophone, Clarinette (duo)
58
Clarinette et Piano
55
Hautbois, Piano (duo)
52
Flûte traversière et Piano
49
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
49
2 Flûtes traversières (duo)
43
Clarinette, Violon (duo)
39
Saxophone Tenor et Piano
39
Clarinette, Trompette (duo)
32
2 Hautbois (duo)
31
Quatuor de Clarinettes: 4 clarinettes
29
Flûte, Clarinette (duo)
26
Flûte, Violon
23
Quatuor de Saxophones: 4 saxophones
22
Clarinette et Alto
20
Saxophone Soprano et Piano
19
Flûte, Alto (duo)
19
Flûte, Saxophone (duo)
19
Hautbois, Flûte
17
Hautbois, Basson (duo)
17
Flûte, Hautbois, Clarinette, Basson
16
Flûte, Trompette (duo)
16
Hautbois, Clarinette (duo)
16
Clarinette Basse, Piano
11
Ensemble de Flûtes
10
Clarinette
8
Ensemble de Clarinettes
6
Saxophone Baryton, Piano
6
Quatuor de Flûtes : 4 flûtes
6
2 Cors Anglais Et Pianoforte
5
Quintette de Saxophone: 5 saxophones
5
Cor anglais, Piano
5
Flûte traversière
5
Flûte, Clarinette et Basson
4
2 Clarinettes, Piano
3
3 Clarinettes (trio)
3
Flûte traversière, Orgue (duo)
3
3 Saxophones (trio)
3
Ensemble de saxophones
2
Trio de Flûtes: 3 flûtes
2
Flûte et Guitare
2
Quintette de Clarinettes: 5 clarinettes
2
Hautbois (partie séparée)
2
Flûte, Violon et Violoncelle
2
Flûte, Violoncelle
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Clarinette, Basson, Piano (trio)
1
Cor Anglais
1
2 Clarinettes, Basson
1
2 clarinettes, 2 bassons
1
Flûte traversière, Orchestre
1
Flûte, alto et harpe
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Hautbois, Basson
1
Clarinette, Basson (duo)
1
2 Saxophones, Piano
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte, Violon, Violoncelle et Piano
1
Flûte à bec Soprano
1
4 Hautbois
1
Flûte, Clarinette, Violon (trio)
1
Flûte à bec Alto, Piano
1
Flûte, Violon, Piano
1
Flute, harpe et violon
1
3 Flûtes à bec (trio)
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois, Violon, Piano
1
+ 66 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
58
Trompette, Saxophone (duo)
40
Trombone et Piano
36
Quatuor de Cuivres : 2 trompettes, trombone, tuba
29
Cor et Piano
29
2 Trompettes (duo)
28
Trompette, Piano
28
Tuba et Piano
22
2 Trombones (duo)
22
Trompette, Trombone (duo)
21
Euphonium, Piano (duo)
20
Quatuor de cuivres: 4 trombones
17
Trompette
13
Ensemble de Trombones
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
2 Cors (duo)
7
2 Cors Anglais Et Pianoforte
5
Quatuor de cuivres: 4 cors
5
Cor anglais, Piano
5
3 Trombones (trio)
4
Trompette (partie séparée)
3
Cor et Orgue
3
4 Tubas
3
Euphonium
2
Quatuor de Cuivres
2
Ensemble de Cors
2
Trio de Cuivres
2
2 Euphoniums et 2 Tubas
2
Cornet et orchestre
1
Trombone basse et Piano
1
Cor Anglais
1
Euphonium, Tuba (duo)
1
Ensemble de Trompettes
1
Cor
1
3 Trompettes (trio)
1
Quatuor de cuivres: 4 trompettes
1
+ 31 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
103
Violoncelle, Piano
56
Violon, Violoncelle (duo)
52
Violon et Piano
51
Alto, Piano
40
2 Violoncelles (duo)
36
Violon, Alto (duo)
36
2 Altos (duo)
24
Trio à Cordes: violon, alto, violoncelle
14
2 Violons (duo)
12
Alto et Harpe
7
Harpe
7
Harpe, Violoncelle (duo)
6
Alto, Violoncelle (duo)
6
Trio à cordes: 3 violins
6
Harpe, Violon (duo)
5
Trio à Cordes: 3 violoncelles
5
Violoncelle
5
Violon
4
Harpe, Flûte (duo)
3
Violoncelle, Orgue
3
Trio à cordes: 3 altos
2
4 Violoncelles
2
Trio à Cordes: 2 violons, violoncelle
2
Violon, Guitare (duo)
2
Contre Basse
1
Quatuor à cordes : 4 altos
1
Violon, Orgue
1
Alto seul
1
Violon (partie séparée)
1
Trio à cordes
1
+ 26 instrumentations
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Orchestre & Percussions
Orchestre
116
Orchestre à Cordes
92
Ensemble de cuivres
83
Orchestre d'harmonie
79
Orchestre de chambre
63
Ensemble Jazz
23
Cloches
13
Jazz combo
6
Ensemble de Percussions
5
Batterie
2
Fanfare
2
Vibraphone
1
Percussion
1
+ 8 instrumentations
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76
In The Hall Of The Mountain King String Quintet-Score and Parts
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Halloween
#
Edvard Grieg
#
Abraham Maduro
#
In The Hall Of The Mountain Ki
#
Abraham Maduro
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.715641 Composed by Edvard Grieg. Arranged by Abraham Maduro. Classical,Film/TV,Holiday,Romantic Period. Score and p...
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String Orchestra - Level 4 - SKU: A0.715641 Composed by Edvard Grieg. Arranged by Abraham Maduro. Classical,Film/TV,Holiday,Romantic Period. Score and parts. 19 pages. Abraham Maduro #6091295. Published by Abraham Maduro (A0.715641). In The Hall Of The Mountain King of Edvard Grieg String Quintet , in this piece the original melodic elements remain almost the same with some countermelodies and bass line added, all parts are musical, interesting and fun to play B minor, 2 minutes long approx, 4/4, advanced Intermediate Level, special for concerts, recitals or just for have fun at home.
$14.99
Finale (Tema Russo) from Tschaikowsky's String Serenade, op. 48. SCORE & PARTS.
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
P
#
Laura C
#
Finale
#
Laura Quijada
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.805393 Composed by P. I. Tschaikowsky. Arranged by Laura C. Quijada OrtÃz. Romantic Period. Score and parts. 51 ...
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String Orchestra - Level 4 - SKU: A0.805393 Composed by P. I. Tschaikowsky. Arranged by Laura C. Quijada OrtÃz. Romantic Period. Score and parts. 51 pages. Laura Quijada #2967299. Published by Laura Quijada (A0.805393). An exciting approach to this masterpiece! Playable, yet challenging, arrangement for youth string orchestra of the last movement of Tschaikowsky's Serenade for Strings, op. 48. The key and main themes are kept original. Duration: circa 4:20 minutes.
$35.00
Overture for Strings No. 4 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Joseph Bologne, Chevalier de S
#
Robert Debbaut
#
Overture for Strings No. 4 - S
#
ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 34 pages. ROBERT DEBBAUT #783208. Published by ROBERT DEBBAUT (A0.1183535). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Strings & Threads Suite (score - for violin and string orchestra)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Mark O’Connor
Str
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Mark O'Connor
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Strings & Threads Suite
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Mark O'Connor Musik International
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.861800 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 47 pages. Mark O'Connor Musik In...
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String Orchestra - Level 4 - SKU: A0.861800 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 47 pages. Mark O'Connor Musik International #6202123. Published by Mark O'Connor Musik International (A0.861800). Strings & Threads Suite (score - for violin and string orchestra) MO134AScore (violin and string parts available)Music by Mark O’Connor43 pages - 15:00 minutes in length I. Fair Dancer Reel - p. 1II. Sailor’s Jig - p. 6III. Captain’s Jig - p. 9IV. Off To Sea - p. 11V. Pilgim’s Waltz - p. 12VI. Road To Appalachia - p. 15VII. Shine On - p. 18VIII. Cotton Pickin’ Blues - p. 21IX. Pickin’ Parlor Rag - p. 23X. Queen Of The Cumberland - p. 27XI. Texas Dance Hall Blues - p. 30XII. Swing 11:11 - p. 33XIII. Sweet Suzanne - p. 37 Strings & Threads Suite for violin and string orchestra is a piece comprising thirteen tunes composed by Mark O’Connor. In 1986, the Tennessee Dance Theater commissioned the Suite to be performed at Nashville’s Summer Lights Festival. A few years later Edgar Meyer provided the beautiful string orchestra arrangement that is contained in this score. The individual tunes are in various folk styles appearing in a chronological order O’Connor says, not only represents the evolution of American folk music, but also mirrors his own family’s migration from Ireland and Holland to America. It traces the family’s route through the thirteen colonies initially, and then eventually West during WWI nearly 300 hundred years later. O’Connor wrote the pieces in a manner and style he felt his family could have heard along the way. The Suite begins with Irish music, perhaps similar to the music O’Connor’s family brought with them. Then in a thoughtful progression, he reveals music they must have encountered living in early America. Strings & Threads musically describes how folk music styles hundreds of years apart are interconnected – possessing a common thread – from an Irish reel to jazz. The music is suited for advanced and intermediate levels but portions of the piece can be appropriate for beginners. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1986 Composed By Mark O’ConnorString Orchestra arrangement by Edgar MeyerStrings & Threads Suite (violin and string orchestra version) can be heard on American Seasons Sony Classical Mark O’Connor – violin, Metamorphosen Chamber Orchestra, Scott YooCatalogue Number MO134ACopyright © 1986 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$22.50
Surrender The Sword (score – violin and string orchestra)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Mark O'Connor
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Surrender The Sword
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Mark O'Connor Musik International
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.861940 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 28 pages. Mark O'Connor Musik In...
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String Orchestra - Level 4 - SKU: A0.861940 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 28 pages. Mark O'Connor Musik International #6208217. Published by Mark O'Connor Musik International (A0.861940). Surrender The Sword (score – violin and string orchestra) MO136AScore (parts available)Music by Mark O’Connor24 pages - 9:30 minutes in length Surrender The Sword for violin and string orchestra was composed and orchestrated by Mark O’Connor and used as one of the themes for the critically acclaimed PBS documentary, Liberty! The American Revolution. On the companion recording Liberty!, album notes author Thomas Fleming writes, ...something remarkable was taking shape in his imagination – sounds more extraordinary than he had ever experienced. On a trip to Key West, he visited Ernest Hemingway’s house. In the sundrenched garden, music leapt into O’Connor’s mind and in a breathtaking two hours, Surrender the Sword – and its orchestral outline – was on paper. It is unquestionably one of the most passionate orchestral pieces he has ever written. In the A part, the music is busy. You can imagine voices, perhaps in Congress, perhaps in a crowd in New York or Philadelphia, wondering what is going to happen next, as General George Washington is about to resign as commander-in-chief of the American army, O’Connor says. Then comes a long melodic arc, swelling with a triumphant confidence that depicts the great military leader extending his sword to surrender it forever. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1997 Composed by Mark O’ConnorCan be heard on Liberty! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Nashville Symphony, Kenneth Schermerhorn Catalogue Number MO136ACopyright © 1997 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$20.00
Song Of The Liberty Bell (score - violin and string orchestra)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Mark O'Connor
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Song Of The Liberty Bell
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Mark O'Connor Musik International
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.861883 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 17 pages. Mark O'Connor Musik In...
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String Orchestra - Level 4 - SKU: A0.861883 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 17 pages. Mark O'Connor Musik International #6205793. Published by Mark O'Connor Musik International (A0.861883). Song Of The Liberty Bell (score – violin and string orchestra) MO131AScore (parts available)Music by Mark O’Connor13 pages - 5:00 minutes in length Song Of The Liberty Bell for violin and string orchestra was composed and orchestrated by Mark O’Connor and used as the theme song for the critically acclaimed PBS documentary, Liberty! The American Revolution. O’Connor wrote the piece to include three different instrument groupings - unaccompanied solo, folk ensemble, and string orchestra. The Sony Classical album Liberty! features Song Of The Liberty Bell in all three arrangements. Album notes author Thomas Fleming calls the music profoundly moving with exquisite melody. Fleming further describes the orchestral version - O’Connor joins in, and the instruments of the symphony pick up the theme. It is a musical replication of the way the voices of liberty in 1776 began with a lonely defiant few - and then swelled to a tremendous national chorus that has resounded through the world for the next two hundred and thirty-three years. The music is suited for all levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1996 Composed by Mark O’ConnorCan be heard on Liberty! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Yo-Yo Ma – cello, and the Nashville Symphony Orchestra, Kenneth Schermerhorn Catalogue Number MO131ACopyright © 1996 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$18.00
Overture for Strings No. 3 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 3 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 28 pages. ROBERT DEBBAUT #783207. Published by ROBERT DEBBAUT (A0.1183534). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 5 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 5 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 39 pages. ROBERT DEBBAUT #783209. Published by ROBERT DEBBAUT (A0.1183536). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 6 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 6 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 57 pages. ROBERT DEBBAUT #783210. Published by ROBERT DEBBAUT (A0.1183537). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
The Cloud of Unknowing - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Gerard Brophy
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The Cloud of Unknowing - Score
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Gerard Brophy
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1255038 By Gerard Brophy. By Gerard Brophy. 21st Century,Classical,Multicultural,World. 13 pages. Gerard Brophy #84...
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String Orchestra - Level 4 - SKU: A0.1255038 By Gerard Brophy. By Gerard Brophy. 21st Century,Classical,Multicultural,World. 13 pages. Gerard Brophy #848629. Published by Gerard Brophy (A0.1255038). Work for string orchestra commissioned by the Camerata of St John's, Brisbane Australia. Instrumentation: Solo Violin, Violin I, Violin II, Viole, Solo Violoncello, Double Bass.Duration: c. 9 minutesParts are available from the composer at gerard.brophy1@gmail.comRecording available.
$49.99
Overture for Strings No. 2 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 2 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 43 pages. ROBERT DEBBAUT #783206. Published by ROBERT DEBBAUT (A0.1183533). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Beethoven, piano Sonata No. I, Movement I - string orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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Scott Fields Davis
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Beethoven, piano Sonata No. I,
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Scott Fields Davis
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1170336 Composed by Ludwig van Beethoven. Arranged by Scott Fields Davis. Classical. Score and Parts. 35 pages. Sco...
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String Orchestra - Level 4 - SKU: A0.1170336 Composed by Ludwig van Beethoven. Arranged by Scott Fields Davis. Classical. Score and Parts. 35 pages. Scott Fields Davis #770699. Published by Scott Fields Davis (A0.1170336). Ludwig van Beethoven (1770-1827) was a German pianist and composer. He is one of the world's most admired and celebrated composers. Beethoven composed 32 piano sonatas. The first piano sonata has four movements. This is an orchestral arrangement of the first movement of the first sonata. And is orchestrated by Scott Fields Davis.This download contains the conductor’s score and all instrument parts. Approximate performance duration is 4 minutes and 20 seconds (when played with the repeat).More music and contact information can be found at: compositionsbyscottfieldsdavis.com.Find me on Facebook and Youtube.
$14.00
Mr. Thinn, Waltz for Strings (Standard Arrangement)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Geraldine
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Mr. Thinn, Waltz for Strings
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Geraldine
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1298603 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and Parts. 42 pages. Ge...
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String Orchestra - Level 4 - SKU: A0.1298603 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and Parts. 42 pages. Geraldine (Denny) Green at Oakmountmusic #888482. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1298603). ALL PURCHASES COME WITH SCORE AND PARTSSeptember 2011-Duration 4 minutes 30 seconds.  Written for Gary Woolf and the Banda Di Musica.This short waltz is named after an imaginary, childhood character of mine – a magic toy-maker. Its 2 melodies span 36 years. The first tune came to me when I was 8 years old and on holiday in the Co.Donegal town of Buncrana, west Ireland. Back then there was a small shop on Buncrana’s high street that sold everything from milk to DIY tools. And the name of the shop was “John Thinn And Sonâ€. I thought this was an awesome name and I remember the shop owner, the real Mr. Thinn, being a lovely kindly, rather shy and gentle man. And this inspired my childhood mind’s character of Mr.Thinn the magic-toy maker.  The 2nd theme arrived in September 2011 as soon as I had decided that Mr.Thinn’s first tune had waited long enough and now needed to find a permanent home. Once again writing for the wonderful Banda di musica has given me a unique chance to release an old and very special melody that has lain neglected and home-less for over 3 decades. The resulting piece is light hearted, fun and in a simple ABA form.There are 2 arrangements;No. 1 – School Arrangement ; Violins 1, 2 and 3, Cellos 1 and 2No. 2 – Standard Arrangement ; Violins 1 and 2, Viola, Cello and Double BassThere are a few violin and cello solos throughout which are to be played by the section leaders. These are of moderate difficulty.
$25.00
Mr. Thinn, Waltz for Strings (School Arrangement)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Geraldine
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Mr. Thinn, Waltz for Strings
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Geraldine
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1298601 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and Parts. 43 pages. Ge...
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String Orchestra - Level 4 - SKU: A0.1298601 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and Parts. 43 pages. Geraldine (Denny) Green at Oakmountmusic #888480. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1298601). ALL PURCHASES COME WITH SCORE AND PARTSSeptember 2011-Duration 4 minutes 30 seconds.  Written for Gary Woolf and the Banda Di Musica.This short waltz is named after an imaginary, childhood character of mine – a magic toy-maker. Its 2 melodies span 36 years. The first tune came to me when I was 8 years old and on holiday in the Co.Donegal town of Buncrana, west Ireland. Back then there was a small shop on Buncrana’s high street that sold everything from milk to DIY tools. And the name of the shop was “John Thinn And Sonâ€. I thought this was an awesome name and I remember the shop owner, the real Mr. Thinn, being a lovely kindly, rather shy and gentle man. And this inspired my childhood mind’s character of Mr.Thinn the magic-toy maker.  The 2nd theme arrived in September 2011 as soon as I had decided that Mr.Thinn’s first tune had waited long enough and now needed to find a permanent home. Once again writing for the wonderful Banda di musica has given me a unique chance to release an old and very special melody that has lain neglected and home-less for over 3 decades. The resulting piece is light hearted, fun and in a simple ABA form.There are 2 arrangements;No. 1 – School Arrangement ; Violins 1, 2 and 3, Cellos 1 and 2No. 2 – Standard Arrangement ; Violins 1 and 2, Viola, Cello and Double BassThere are a few violin and cello solos throughout which are to be played by the section leaders. These are of a more advanced difficulty.
$25.00
John Field, Sonata I (Movement II) - string orchestra by Scott Fields Davis
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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John Field
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Scott Fields Davis
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John Field, Sonata I
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Scott Fields Davis
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1229707 Composed by John Field. Arranged by Scott Fields Davis. Romantic Period. Score and Parts. 38 pages. Scott F...
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String Orchestra - Level 4 - SKU: A0.1229707 Composed by John Field. Arranged by Scott Fields Davis. Romantic Period. Score and Parts. 38 pages. Scott Fields Davis #825478. Published by Scott Fields Davis (A0.1229707). The name John Field isn't as well-known as Mozart, Beethoven, or Chopin, but it should be. Field was born in Dublin, Ireland in 1782 and died in 1837. He was not only a phenomenal pianist, but a highly skilled composer.This is an arrangement, for string orchestra, of the first of four piano sonatas written by John Field.This download contains the second of the two movements of Field's first piano sonata.Approximate duration is 4 minutes and 10 seconds.This download contains the conductor’s score and all of the parts.More music, including an alternative version of this piece arranged for (strings and woodwinds), and contact information can be found at: compositionsbyscottfieldsdavis.com.Please follow me on Facebook and Youtube.
$14.00
The Headless Rider from "Suite Fantastique: The Legend of Sleepy Hollow"
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Halloween
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Fidelis Zitterbart
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Marc Linwood
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The Headless Rider from "Suite
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RēsFacta Editions
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1436597 Composed by Fidelis Zitterbart. Arranged by Marc Linwood. 19th Century,20th Century,Classical,Halloween,Thr...
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String Orchestra - Level 4 - SKU: A0.1436597 Composed by Fidelis Zitterbart. Arranged by Marc Linwood. 19th Century,20th Century,Classical,Halloween,Thriller. 25 pages. RēsFacta Editions #1016711. Published by RēsFacta Editions (A0.1436597). American composer, Fidelis Zitterbart’s Suite Fantastique in E Minor: The Legend of Sleepy Hollow, inspired by Washington Irving's short story, was originally composed for a chamber ensemble of two violins, viola, flute, and piano. The final movement of the work, The Headless Rider, depicts the spectral figure who roams the night on horseback, searching for something lost and seeking revenge. The music conveys a sense of urgency and intensity, as if the Headless Rider is on a relentless quest through the darkness. This arrangement for string orchestra features a driving ostinato figure by the violas, making it an ideal selection for an orchestra with a strong viola section for a Halloween-themed concert. Score and Parts. Duration: Approx. 4 minutes.
$40.00
MUSSORGSKY Gopak (Sorochinsky Fair) for string orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Modest Petrovich Mussorgsky
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Ian Butterworth
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MUSSORGSKY Gopak
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Ian Butterworth
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.963697 Composed by Modest Petrovich Mussorgsky. Arranged by Ian Butterworth. Romantic Period,Wedding. Score and Par...
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String Orchestra - Level 4 - SKU: A0.963697 Composed by Modest Petrovich Mussorgsky. Arranged by Ian Butterworth. Romantic Period,Wedding. Score and Parts. 14 pages. Ian Butterworth #5896429. Published by Ian Butterworth (A0.963697). This lively dance is very suitable as an opener or encore for a concert.  4 minutes approx.Through his experience of teaching the violin at all levels, and conducting youth orchestras, Ian Butterworth's compositions and arrangements have been enjoyed by youth and amateur players.www.ianbutterworthmusic.co.uk
$7.99
GRIEG Scherzo (Op.54 No.5) for string orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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Ian Butterworth
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GRIEG Scherzo
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Ian Butterworth
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.963633 Composed by Edvard Grieg. Arranged by Ian Butterworth. Romantic Period. Score and Parts. 15 pages. Ian Butte...
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String Orchestra - Level 4 - SKU: A0.963633 Composed by Edvard Grieg. Arranged by Ian Butterworth. Romantic Period. Score and Parts. 15 pages. Ian Butterworth #5207355. Published by Ian Butterworth (A0.963633). The Scherzo, in E minor, has a slow, lyrical middle section in E major.  4 minutes approx.  Copying of individual parts for sole use by the purchaser is permitted. The March of the Trolls (Lyric Piece Op.54 No.3) is also available in an arrangement by Ian Butterworth.
$8.99
Bucolic Songs (parts)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Nick Mazuk
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Bucolic Songs
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Mazuk Music
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.933986 Composed by Nick Mazuk. Contemporary,Folk. Score and parts. 23 pages. Mazuk Music #3030721. Published by Maz...
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String Orchestra - Level 4 - SKU: A0.933986 Composed by Nick Mazuk. Contemporary,Folk. Score and parts. 23 pages. Mazuk Music #3030721. Published by Mazuk Music (A0.933986). Parts for String Orchestra:Violin IViolin IIViolaCelloDouble BassDuration 10 minutes.Score sold separately.For more information about the piece, visit https://nickmazuk.com/Works/BucolicSongs Contact: https://nickmazuk.com/Contact/ .
$89.99
Concerto for Guitar and String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Ron Jones
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Concerto for Guitar and String
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Screenscore
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1029120 Composed by Ron Jones (ASCAP/SACEM). Contemporary. Score and parts. 20 pages. Screenscore #4633011. Publish...
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String Orchestra - Level 4 - SKU: A0.1029120 Composed by Ron Jones (ASCAP/SACEM). Contemporary. Score and parts. 20 pages. Screenscore #4633011. Published by Screenscore (A0.1029120). Few instruments blend better than strings and classical guitar. This concerto was composed in a contemporary classical style with three movements. Inspired by the guitar concertos of Rodrigo this pice evokes the full expressive power of both the guitar as well as the string section. Composed by Ron Jones (Star Trek:TNG, Family Guy and many more) who has scored hundereds of popular TV series. The total duration is about 15 minutes and would fit into just about any concert program. The parts are challenging but not super demanding and could be performed by advanced orchestras as well as college and community ensembles. the composer, Ron Jones can be directly reached for any questions at ron@ronjonesproductions.com. .
$75.00
Furgary, for Solo Flute, Cello and Piano and String Orchestra (Standard Arrangement)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Geraldine Green
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Geraldine Green
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Furgary, for Solo Flute, Cello
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Geraldine
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1297030 By Geraldine Green. By Geraldine (Denny) Green. Arranged by Geraldine Green. 21st Century,Chamber,Children,...
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String Orchestra - Level 4 - SKU: A0.1297030 By Geraldine Green. By Geraldine (Denny) Green. Arranged by Geraldine Green. 21st Century,Chamber,Children,Classical. Score and Parts. 148 pages. Geraldine (Denny) Green at Oakmountmusic #887150. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1297030). ALL PURCHASES COME WITH SCORE AND PARTSDuration – Approx. 8/9 minutesFurgary was written in October 2019 at the request of Flautist Gary Woolf for his junior music school orchestra, the Banda Di Musica, for whom I have written many pieces. It was originally scored for a trio of soloists (flute, cello and piano) and string orchestra, like a kind of concerto grosso. In this form there are two school orchestra arrangements;No. 1 – School Arrangement – Solo flute, cello and piano, Violins 1,2&3, cellos 1&2No. 2 – Standard Arrangement – Solo flute, cello and piano, Violins 1&2, violas, cellos and basses.There are also two further arrangements;No. 3 – Cello and piano – First theme onlyNo. 4 – Violin and Piano – First theme only.
$30.00
Furgary, for Solo Flute, Cello and Piano and String Orchestra (School Arrangement)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Geraldine Green
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Geraldine Green
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Furgary, for Solo Flute, Cello
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Geraldine
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1297018 By Geraldine Green. By Geraldine (Denny) Green. Arranged by Geraldine Green. 21st Century,Chamber,Children,...
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String Orchestra - Level 4 - SKU: A0.1297018 By Geraldine Green. By Geraldine (Denny) Green. Arranged by Geraldine Green. 21st Century,Chamber,Children,Classical. Score and Parts. 148 pages. Geraldine (Denny) Green at Oakmountmusic #887139. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1297018). ALL PURCHASES COME WITH SCORE AND PARTSDuration – Approx. 8/9 minutesFurgary was written in October 2019 at the request of Flautist Gary Woolf for his junior music school orchestra, the Banda Di Musica, for whom I have written many pieces. It was originally scored for a trio of soloists (flute, cello and piano) and string orchestra, like a kind of concerto grosso. In this form there are two school orchestra arrangements;No. 1 – School Arrangement – Solo flute, cello and piano, Violins 1,2&3, cellos 1&2No. 2 – Standard Arrangement – Solo flute, cello and piano, Violins 1&2, violas, cellos and basses.There are also two further arrangements;No. 3 – Cello and piano – First theme onlyNo. 4 – Violin and Piano – First theme only.
$30.00
Antiphon,
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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David Thompson
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Antiphon,
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David M Thompson
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1273464 Composed by David Thompson. 20th Century,21st Century. Score and Parts. 38 pages. David M Thompson #865603....
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String Orchestra - Level 4 - SKU: A0.1273464 Composed by David Thompson. 20th Century,21st Century. Score and Parts. 38 pages. David M Thompson #865603. Published by David M Thompson (A0.1273464). Antiphon is scored for two string orchestras of about equal size and ability. It is a slow, meditative dialogue between the two orchestras, about six minutes in length. Includes score and parts.
$12.95
Concerto for Two English horns in C Major, Op. 9 No. 9 and String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Tomaso Albinoni
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Don Werdick (1946 - )
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II score, English horn I &
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Concerto for Two English horns
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Chamber Ensemble of Minnesota, Inc.
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.955174 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 87 pag...
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String Orchestra - Level 4 - SKU: A0.955174 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 87 pages. Chamber Ensemble of Minnesota, Inc. #6197195. Published by Chamber Ensemble of Minnesota, Inc. (A0.955174). Complete score and parts for the English horn arrangement of the Concerto for Two Oboes in C Major, Op. 9, No. 9 and String Orchestra , composed/first edition in 1722 by T. Albinoni, arranged by D Werdick. Includes English horn I & II score, English horn I & II separate parts and Double Bass part with figured bass notation. Movements: 1. Allegro 2. Adagio Legato 3. Allegro Time: 10 minutes, 35 seconds Full Score + Parts: English horn I & II Parts, English horn Score, Violin I, Violin II, Viola, Cello, Double Bass with figured bass notation. During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. The English horn I & II arrangement part offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2020 Chamber Ensemble of Minnesota, Inc. Publishing.
$17.75
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