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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
About
Non classifié
601
Piano & claviers
Piano, Voix
788
Piano seul
707
Piano, Voix et Guitare
271
Instruments en Do
43
Orgue
36
1 Piano, 4 mains
31
2 Pianos, 4 mains
6
Piano Trio: piano, violon, violoncelle
5
Piano Facile
3
Orgue, Trompette (duo)
3
Accompagnement Piano
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Accordéon
1
+ 9 instrumentations
Retracter
Guitares
Guitare
39
Guitare notes et tablatures
23
Basse electrique
22
Ligne De Mélodie, (Paroles) et Accords
9
2 Guitares (duo)
4
Dulcimer
3
2 Ukuleles
1
4 Guitares (Quatuor)
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
322
Chorale 3 parties
83
Chorale SSAA
50
Chorale TTBB
48
Voix Soprano, Piano
24
Voix duo
10
Voix Tenor, Piano
10
Chorale 2 parties
9
Voix Baryton, Piano
5
Voix haute
4
Voix duo, Piano
4
Chorale Unison
4
Voix Alto, Piano
3
Voix seule
2
Voix Tenor
2
Chorale
2
Voix Soprano
1
Voix Mezzo-Soprano, Piano
1
+ 13 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
72
Quatuor de Saxophones: 4 saxophones
42
Flûte traversière et Piano
42
Clarinette et Piano
37
Hautbois, Piano (duo)
36
Quatuor de Clarinettes: 4 clarinettes
35
Flûte traversière
27
Saxophone Alto et Piano
27
Flûte, Hautbois, Clarinette, Basson
24
Clarinette
23
Saxophone Soprano et Piano
20
Saxophone Tenor et Piano
18
Ensemble de Flûtes
16
Saxophone Tenor
14
2 Flûtes traversières (duo)
14
Ensemble de Clarinettes
14
Saxophone Alto
13
Saxophone Baryton, Piano
11
Quatuor de Flûtes : 4 flûtes
11
Quintette de Saxophone: 5 saxophones
9
Quintette de Clarinettes: 5 clarinettes
8
2 Saxophones (duo)
8
Hautbois (partie séparée)
7
2 Clarinettes (duo)
7
Clarinette Basse, Piano
6
Flûte, Clarinette (duo)
5
3 Clarinettes (trio)
5
3 Saxophones (trio)
5
Saxophone, Clarinette (duo)
4
Trio de Flûtes: 3 flûtes
4
Clarinette, Guitare (duo)
3
Flûte, Clarinette et Basson
3
Clarinette, Violoncelle (duo)
3
Saxophone Soprano
3
Flûte et Guitare
3
Flute (partie séparée)
3
Flûte, Violon
3
Cor anglais, Piano
2
Flûte à Bec
2
Flûte, Hautbois, Clarinette (trio)
2
Saxophone Baryton
2
Flûte, alto et harpe
2
Flûte, Violoncelle, Piano (trio)
2
Ensemble de saxophones
2
Hautbois
2
Hautbois, Basson (duo)
2
Clarinette, Violon (duo)
2
Clarinette, Basson (duo)
2
Clarinette, Trompette (duo)
2
Flûte, Violoncelle
2
Flûte, Alto (duo)
2
Ensemble De Flûte à bec
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Piccolo
1
Clarinette, Trombone (duo)
1
Clarinette et Alto
1
4 Hautbois
1
Flûte, Trombone (duo)
1
Hautbois, Clarinette (duo)
1
Flûte, Trompette (duo)
1
2 Saxophones, Piano
1
Hautbois, Flûte
1
Cor Anglais
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Quintette de Flûte : 5 flûtes
1
Flûte, Violon, Piano
1
Flûte, Violon et Violoncelle
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Saxophone (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
2 Hautbois (duo)
1
Flûte, Hautbois, Basson
1
Clarinette, Violoncelle, Piano (trio)
1
+ 68 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
63
Quatuor de Cuivres : 2 trompettes, trombone, tuba
29
Trombone et Piano
28
Trompette
21
Quatuor de cuivres: 4 trombones
19
Tuba et Piano
17
Cor et Piano
17
Trompette, Piano
17
Euphonium, Piano (duo)
16
Ensemble de Trombones
12
Trombone
12
Cor
10
Trompette (partie séparée)
8
Tuba
7
Quatuor de Cuivres
5
2 Euphoniums et 2 Tubas
5
2 Trompettes (duo)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Quatuor de cuivres: 4 cors
4
Euphonium
4
2 Trombones (duo)
3
Trompette, Saxophone (duo)
3
4 Tubas
3
Trompette, Trombone (duo)
2
Cor anglais, Piano
2
Trombone basse
2
Trombone, Tuba (duo)
1
Ensemble de Cors
1
2 Cors (duo)
1
Cornet et orchestre
1
Euphonium, Tuba (duo)
1
Ensemble de Trompettes
1
Trombone et orchestre
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor Anglais
1
Quatuor de cuivres: 4 trompettes
1
3 Trombones (trio)
1
Bass Clef Instruments
1
+ 33 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
191
Violon et Piano
78
Violoncelle
46
Violoncelle, Piano
44
Violon, Violoncelle (duo)
37
Violon
32
Trio à Cordes: violon, alto, violoncelle
24
Alto, Piano
21
Alto seul
15
Harpe
14
Contrebasse, Piano (duo)
12
2 Violons (duo)
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Contre Basse
6
Violon, Alto (duo)
5
2 Violoncelles (duo)
5
Alto (partie séparée)
5
Trio à Cordes: 2 violons, violoncelle
5
Trio à Cordes: 2 violons, alto
4
Trio à cordes: 3 violins
4
Violon, Guitare (duo)
4
Violoncelle , Guitare (duo)
2
Alto, Violoncelle (duo)
2
2 Contrebasses (duo)
2
Trio à Cordes: 3 violoncelles
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
2 Altos, Piano
1
Alto, Guitare (duo)
1
2 Altos (duo)
1
Harpe, Voix
1
Violoncelle, Contrebasse (duo)
1
Ensemble de Violoncelles
1
Harpe, Violoncelle (duo)
1
Quatuor à cordes: 4 violons
1
Alto et Basson
1
Trio à cordes
1
Alto et Harpe
1
Violon, Clarinette, Piano (trio)
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
186
Orchestre
111
Ensemble de cuivres
71
Ensemble Jazz
66
Orchestre à Cordes
64
Orchestre de chambre
40
Jazz combo
28
Fanfare
11
Batterie
7
Ensemble de Percussions
6
Marimba
2
Cloches
2
Vibraphone
2
+ 8 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
About
avancé
Orchestre à Cordes
Partitions à imprimer
64 partitions trouvées
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1
26
51
We Don't Talk About Bruno
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Carolina Gaitan, Mauro Castill
#
Julie Doubleday
#
We Don't Talk About Bruno
#
Julie Doubleday
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.928335 By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda. Arranged by Julie Doubleday. Broa...
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String Orchestra - Level 4 - SKU: A0.928335 By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda. Arranged by Julie Doubleday. Broadway,Film/TV,Musical/Show,Pop. Score and parts. 23 pages. Julie Doubleday #533160. Published by Julie Doubleday (A0.928335). We Don't Talk About Bruno for String Orchestra.
$49.99
We Don't Talk About Bruno
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Carolina Gaitan, Mauro Castill
#
Caleb Simonds
#
We Don't Talk About Bruno
#
Simonds Music
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1164412 By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda. Arranged by Caleb Simonds. Broad...
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String Orchestra - Level 4 - SKU: A0.1164412 By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda. Arranged by Caleb Simonds. Broadway,Children,Latin,Musical/Show. Score and parts. 22 pages. Simonds Music #764744. Published by Simonds Music (A0.1164412). We Don't Talk About Bruno arranged for a string orchestra. This arrangement utilizes several different string techniques such as tremolo, col legno, and pizzicato. This advanced arrangement will show off some violin soloists and a viola soloist, while also showing off your entire orchestras abilities.
$50.00
We Don't Talk About Bruno
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Film Walt Disney
#
Carolina Gaitan, Mauro Casti
#
Perry Holbrook
#
We Don't Talk About Bruno
#
Windy Ridge Music
#
SheetMusicPlus
String Orchestra - Level 4 - By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda (1980-). Arranged by Perry Holbrook. Film/TV,...
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String Orchestra - Level 4 - By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda (1980-). Arranged by Perry Holbrook. Film/TV, Instructional, Latin. Score and parts. 22 pages. Windy Ridge Music #370781. Published by Windy Ridge Music
$51.50
Scheherazade - I. The Sea and Sinbad's Ship - Pick-A-Part Arrangement for String Orchestra
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Contemporain
#
Nikolay Andreyevich Rimsky-Kor
#
Grant Gilman
#
Scheherazade - I. The Sea and
#
Dr. Grant Gilman
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.799741 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Grant Gilman. 20th Century,Romantic Period. Sco...
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String Orchestra - Level 4 - SKU: A0.799741 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Grant Gilman. 20th Century,Romantic Period. Score and parts. 147 pages. Dr. Grant Gilman #3511981. Published by Dr. Grant Gilman (A0.799741). Nikolai Rimsky-Korsakov Scheherazade - I. The Sea and Sinbad’s Ship Pick-A-Part Arrangement for String Orchestra by Dr. Grant Gilman String Orchestra Parts in This Pick-A-Part Arrangement Violin 1A Violin 1B Violin 1C Violin 2A Violin 2B Violin 2C Viola A Viola B Viola C Cello A Cello B Cello C Bass A Bass B Bass C Harp/Keyboard (optional)About Pick-A-Part Arrangement This arrangement system employs simultaneous, multi-level difficulty parts for each string section. The goal is to accommodate all levels of playing in the preparation and performance of a symphonic masterwork. In this arrangement, there are 3 difficulty levels for each individual string section, labeled A, B, and C, respectively. Each level is a decreasing level of technical and musical difficulty, level A being the highest level of difficulty. The A level is close to, if not exactly the same as, the original string part, plus the integration of wind parts when applicable. B and C follow in a proportional reduction of difficulty level. For this solution to be most effective, some students should be encouraged to play the most challenging parts simultaneously with those playing the simpler parts. This presents the opportunity to participate in a performance that includes most of the original material. The B and C parts cover enough of the surface material while maintaining a modicum of independence from the A part. In other words, the B and C parts are able to hold their own in performance without the A parts. For example, let’s say you have a couple of talented violinists and a few more that are well below their playing level, only two violists that need a great deal of help, a plethora of cellists with a wide range of abilities, and one single bass player that is a beginner. Your distribution of parts may look something like this: Violin 1 - two on Violin 1A, one on Violin 1C, and the rest on Violin 1B Violin 2 - one on Violin 2B, the rest on Violin 2C Viola - both on Viola C Cello - three on Cello A, one on Cello B, and the rest on Cello C Bass - one on Bass C This potential setup will challenge each player at their current level of development while creating the context for a moving experience with a major orchestral work. A Note about the Score and Printing The full score is designed to be printed in portrait orientation on 17x11 tabloid size paper. Even at this size, the score can be confusing to read, especially if you are not covering every difficulty level part. If you would like a custom score showing only the parts you are using, please email me: conductor@grantgilman.com. I will be happy to work with you!www.grantgilman.comwww.americanmusepodcast.com
$29.99
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
A Dark Goddess for violin solo and string orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
David Warin Solomons
#
A Dark Goddess for violin solo
#
David Warin Solomons
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.578777 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 25 pages. David Warin Solomons...
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String Orchestra - Level 4 - SKU: A0.578777 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 25 pages. David Warin Solomons #4966233. Published by David Warin Solomons (A0.578777). An eery and atmospheric tune about a prophecy from the time of the Pharaohs about ecological disaster, inspired by a poem by Melissanthi.
$17.00
Jewels and Treasures (for String Orchestra)
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
John R
#
Jewels and Treasures
#
John R. Daniels
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.503421 Composed by John R. Daniels. Classical,Folk,Pop. Score and parts. 14 pages. John R. Daniels #115555. Publish...
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String Orchestra - Level 4 - SKU: A0.503421 Composed by John R. Daniels. Classical,Folk,Pop. Score and parts. 14 pages. John R. Daniels #115555. Published by John R. Daniels (A0.503421). Jewels and Treasures started as a folk song about friendship and has matured into this splendid piece for String Orchestra as a tribute to enduring friendship. There are high spots and low spots, just like any friendship, but it rallies jubilantly in the end. The tension is created using juxtaposed rhythms (3 against 2), alternate rhythms for the melody and a venture into a minor key variation of the tune.IF YOU WOULD LIKE YOUR ENSEMBLE TO GAIN MORE MEDIA EXPOSURE, please record your performance of this piece and email it to CustomMusic@Salt-Cellar-Creations.com. It will be included in my social media postings and website samples with any contact info you may want to provide. If you need help with recording technique or email transfer, etc. please contact me. For more information about the composer / arranger and other services, go to www.Salt-Cellar-Creations.com.
$25.00
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Viola True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792379. Published by Aaron Meier (A0.922639). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Double Bass True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit.
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Violin II
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792367. Published by Aaron Meier (A0.922636). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin II True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Antiphon,
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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David Thompson
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Antiphon,
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David M Thompson
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1273464 Composed by David Thompson. 20th Century,21st Century. Score and Parts. 38 pages. David M Thompson #865603....
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String Orchestra - Level 4 - SKU: A0.1273464 Composed by David Thompson. 20th Century,21st Century. Score and Parts. 38 pages. David M Thompson #865603. Published by David M Thompson (A0.1273464). Antiphon is scored for two string orchestras of about equal size and ability. It is a slow, meditative dialogue between the two orchestras, about six minutes in length. Includes score and parts.
$12.95
Olga-Polka, Op. 196 (arr. for string orchestra): Cello
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792373. Published by Aaron Meier (A0.922637). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Cello True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
A Dark Goddess for viola solo and string orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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A Dark Goddess for viola solo
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David Warin Solomons
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.580500 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 25 pages. David Warin Solomons...
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String Orchestra - Level 4 - SKU: A0.580500 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 25 pages. David Warin Solomons #4966231. Published by David Warin Solomons (A0.580500). An eery and atmospheric tune about a prophecy from the time of the Pharaohs about ecological disaster, inspired by a poem by Melissanthi.
$17.00
Concerto for Guitar and String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Ron Jones
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Concerto for Guitar and String
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Screenscore
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1029120 Composed by Ron Jones (ASCAP/SACEM). Contemporary. Score and parts. 20 pages. Screenscore #4633011. Publish...
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String Orchestra - Level 4 - SKU: A0.1029120 Composed by Ron Jones (ASCAP/SACEM). Contemporary. Score and parts. 20 pages. Screenscore #4633011. Published by Screenscore (A0.1029120). Few instruments blend better than strings and classical guitar. This concerto was composed in a contemporary classical style with three movements. Inspired by the guitar concertos of Rodrigo this pice evokes the full expressive power of both the guitar as well as the string section. Composed by Ron Jones (Star Trek:TNG, Family Guy and many more) who has scored hundereds of popular TV series. The total duration is about 15 minutes and would fit into just about any concert program. The parts are challenging but not super demanding and could be performed by advanced orchestras as well as college and community ensembles. the composer, Ron Jones can be directly reached for any questions at ron@ronjonesproductions.com. .
$75.00
Adirondack Spring for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Kim Diehnelt
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Viola 1, Viola 2
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Adirondack Spring for String O
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Kim Diehnelt
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1306194 Composed by Kim Diehnelt. 21st Century,Classical. Score and Parts. 41 pages. Kim Diehnelt #895577. Publishe...
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String Orchestra - Level 4 - SKU: A0.1306194 Composed by Kim Diehnelt. 21st Century,Classical. Score and Parts. 41 pages. Kim Diehnelt #895577. Published by Kim Diehnelt (A0.1306194). For Violin 1, Violin 2, Violin 3; Viola 1, Viola 2; Cello 1, Cello 2; Bass. The work also has a section using solo violin, solo viola, and solo cello. All parts are essential; parts 2 and 3 are less complex.About 7 -8 minutes.This includes Score and Parts. $28.00 Program note: The work opens with the majestic scene of spring’s first daybreak as the morning light shines on the snow-covered peaks of the Adirondacks. The sun, finally high enough in the sky to meet the snowy slopes and valley treetops, sets them ablaze.  And then it begins. Joyfully, a world comes back to life. Rivers thaw and unbound streams of fresh-melted water bounce, gurgle and surge. Animals stir, birds reappear, all rushing through the days, now relieved of the weight of winter. Hesitantly, bright-green sprouts, fuzzy buds, and flowers emerge. The springtime world dances. And all the while, the sun continues to rise, earlier and earlier, frantically, like a hound dashing to overtake its shadow. This galloping energy brings us to the majestic and final sunrise of spring, for summer will now insist on its turn. And as the morning fades into brilliant day, we are left with only a memory. A memory guaranteed to return. Next spring.
$28.00
Surrender The Sword (score – violin and string orchestra)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Mark O'Connor
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Surrender The Sword
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Mark O'Connor Musik International
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.861940 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 28 pages. Mark O'Connor Musik In...
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String Orchestra - Level 4 - SKU: A0.861940 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 28 pages. Mark O'Connor Musik International #6208217. Published by Mark O'Connor Musik International (A0.861940). Surrender The Sword (score – violin and string orchestra) MO136AScore (parts available)Music by Mark O’Connor24 pages - 9:30 minutes in length Surrender The Sword for violin and string orchestra was composed and orchestrated by Mark O’Connor and used as one of the themes for the critically acclaimed PBS documentary, Liberty! The American Revolution. On the companion recording Liberty!, album notes author Thomas Fleming writes, ...something remarkable was taking shape in his imagination – sounds more extraordinary than he had ever experienced. On a trip to Key West, he visited Ernest Hemingway’s house. In the sundrenched garden, music leapt into O’Connor’s mind and in a breathtaking two hours, Surrender the Sword – and its orchestral outline – was on paper. It is unquestionably one of the most passionate orchestral pieces he has ever written. In the A part, the music is busy. You can imagine voices, perhaps in Congress, perhaps in a crowd in New York or Philadelphia, wondering what is going to happen next, as General George Washington is about to resign as commander-in-chief of the American army, O’Connor says. Then comes a long melodic arc, swelling with a triumphant confidence that depicts the great military leader extending his sword to surrender it forever. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1997 Composed by Mark O’ConnorCan be heard on Liberty! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Nashville Symphony, Kenneth Schermerhorn Catalogue Number MO136ACopyright © 1997 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$20.00
Overture for Strings No. 3 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 3 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 28 pages. ROBERT DEBBAUT #783207. Published by ROBERT DEBBAUT (A0.1183534). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Not Your Traditional Muse
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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M
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Not Your Traditional Muse
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M. L. Daniels
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.834154 Composed by M. L. Daniels. 20th Century,Contemporary. Score and parts. 20 pages. M. L. Daniels #5735861. Pub...
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String Orchestra - Level 4 - SKU: A0.834154 Composed by M. L. Daniels. 20th Century,Contemporary. Score and parts. 20 pages. M. L. Daniels #5735861. Published by M. L. Daniels (A0.834154). About a grade 4. This mostly abandons the traditional tertian harmony, with mostly chords built in 4ths and 5ths. Some viola in treble clef, and some cello in tenor clef. If you have a really good string orchestra, and are ready to try something new and exciting, listen to this and view the score. Have fun!
$15.00
Goldberg – Sonata for 2 violins, viola and continuo in C minor
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Johann Gottlieb Goldberg
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Sneakwood Editions
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Goldberg – Sonata for 2
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Sneakwood Editions
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.890774 Composed by Johann Gottlieb Goldberg. Arranged by Sneakwood Editions. Contemporary. Score and parts. 34 page...
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String Orchestra - Level 4 - SKU: A0.890774 Composed by Johann Gottlieb Goldberg. Arranged by Sneakwood Editions. Contemporary. Score and parts. 34 pages. Sneakwood Editions #5321919. Published by Sneakwood Editions (A0.890774). ohann Gottlieb Goldberg (1727-1756)[Quartet for two violins, viola and continuo in C minor DürG 14]Sonata per 2 Violini, Viola e Basso .Based on manuscript Staatsbibliothek zu Berlin Mus.ms. 7920. ca. 1750Score and parts: Violin I. Violin II. Viola. Basso (continuo with numbers) and extra basso part without numbers.Goldberg was born in Danzig (Gdańsk), Royal Prussia (a part of the Crown of Poland), and was baptized there on March 14, 1727 at St. Mary’s Church, Gdańsk. Little is known for certain about his childhood, other than that he was an exceptionally talented performer, attracting the attention of Hermann Karl von Keyserlingk, the Russian ambassador to Saxony, around 1737. Goldberg was reported to have studied with both J.S. Bach and Wilhelm Friedemann Bach, J.S. Bach’s eldest son, though the periods of study are not known; Goldberg may have studied with J.S. Bach as early as 1737, shortly after Keyserlingk recognized his talent in Danzig, and Goldberg may have studied with W.F. Bach at any time before 1745. [Wikipedia]
$16.00
Die Fledermaus - Overture Johann Strauss - String Orchestra - A
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Opera
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Classique
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Johann Strauss
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Thomas Graf
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Die Fledermaus - Overture Joha
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1239900 By Johann Strauss. By Johann Strauss. Arranged by Thomas Graf. Classical,Opera. Score and Parts. 34 pages. ...
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String Orchestra - Level 4 - SKU: A0.1239900 By Johann Strauss. By Johann Strauss. Arranged by Thomas Graf. Classical,Opera. Score and Parts. 34 pages. Thomas Graf - the-hit-factory.com #835295. Published by Thomas Graf - the-hit-factory.com (A0.1239900). Johann Strauss- classic masterpiece in a playable and exciting arrangement. A challenge for your ensemble.About this arrangement:Â Composed by: Johann StraussArranged by: Thomas H. GrafInstrumentation:Â Full Score and Parts as listed below:Violin 1Violin 2ViolaVioloncelloContrabassAny individual arrangement and substitute parts are available on request.Call +49 (0) 172 2515987 Â E-Mail: info@the-hit-factory.com. Â www.the-hit-factory.comfacebook: https://www.facebook.com/hitfactorymusic
$29.00
Let It Snow! Let It Snow! Let It Snow!
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Lady Antebellum
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Tim Crooks
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Let It Snow! Let It Snow! Let
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STR:UK String Arrangements
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.850381 By Lady Antebellum. By Jule Styne. Arranged by Tim Crooks. Contemporary. Score and parts. 23 pages. STR:UK S...
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String Orchestra - Level 4 - SKU: A0.850381 By Lady Antebellum. By Jule Styne. Arranged by Tim Crooks. Contemporary. Score and parts. 23 pages. STR:UK String Arrangements #6591407. Published by STR:UK String Arrangements (A0.850381). Let It Snow! Let It Snow! Let It Snow!, as performed by Dean Martin, arranged by Tim Crooks for String Orchestra (ABRSM Beginner - grade 6). Technical challenges include a mixture of straight and swung 8ths, and key change from D major into Eb, meaning the main parts are best suited to ABRSM Grade 4+ standard players. The arrangement can be mostly played in first position, occasionally requiring 3rd and 4th positions. The arrangement also includes an easy part for Violin & Viola suitable for grade 1-2 level. Parts can be printed multiple times. A piano part is included but is not needed for performance.A version of this arrangement for String Quartet is also available here: https://www.sheetmusicplus.com/title/let-it-snow-let-it-snow-let-it-snow-string-quartet-digital-shee.... About the arranger Tim Crooks trained as a violinist and violist, working professionally in Manchester (UK) for many years. He was a founding member of the Manchester String Quartet and scored many arrangements for the group's recordings. Tim now orchestrates and conducts, working with orchestras including Manchester Camerata, Royal Liverpool Philharmonic, RTÉ Concert Orchestra and the Philharmonia. STR:UK STRINGS - Education String Music, made in the UK We'd love to hear your feedback: strukstrings@gmail.com Subscribe to our social media to get news of all new releases: Facebook @strukstrings Twitter@strukstrings STR:UK Strings - Education String Music
$24.99
Farandole from Bizet's L'Arlesiene Suite No. 2, for Multi-Level String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Georges Bizet
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Steven Kruse
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Farandole from Bizet's L'Arles
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String Play for All
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.859858 Composed by Georges Bizet. Arranged by Steven Kruse. Christmas,Romantic Period,World. Score and parts. 59 pa...
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String Orchestra - Level 4 - SKU: A0.859858 Composed by Georges Bizet. Arranged by Steven Kruse. Christmas,Romantic Period,World. Score and parts. 59 pages. String Play for All #2929163. Published by String Play for All (A0.859858). String Play for All offers arrangements of the great classics for violin and string ensembles of mixed levels and abilities. Your students will be challenged and enjoy learning this majestic and energetic work which is a Christmas-time favorite. Designed for a mixed-level of abilities, your beginners will be able to make music with your older players. The twinkle parts consist entirely of open strings, and introduces col legno. The Advanced Violin part (optional) extends to 5th position. There are six violin parts, viola, cello, bass (optional), piano (optional) and twinkle parts for viola and cello, along with violin. Included are score and one copy of each part. Extra string parts are available for purchase. This is an rousing selection, about 3 minutes in length. 
$12.99
Fairytale Of New York
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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The Pogues featuring Kirsty Ma
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Tim Crooks
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wild.
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Fairytale Of New York
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STR:UK String Arrangements
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.850382 By The Pogues featuring Kirsty MacColl. By Jeremy Finer and Shane MacGowan. Arranged by Tim Crooks. Contempo...
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String Orchestra - Level 4 - SKU: A0.850382 By The Pogues featuring Kirsty MacColl. By Jeremy Finer and Shane MacGowan. Arranged by Tim Crooks. Contemporary. Score and parts. 32 pages. STR:UK String Arrangements #6593297. Published by STR:UK String Arrangements (A0.850382). Fairytale of New York, by The Pogues, arranged by Tim Crooks for String EOrchestra (ABRSM Beginner - grade 5).An all-time Christmas classic, this arrangement is fun to play and translates well to strings. Great for groups that love playing fast & wild. Multiple parts can be printed.The arrangement also includes an easy part for Violin & Viola suitable for grade 1-2 level.A piano part is included but is not needed for performance. The string quartet parts can be performed alone and are also available as a separate download here: https://www.sheetmusicplus.com/title/fairytale-of-new-york-digital-sheet-music/22107506About the arrangerTim Crooks trained as a violinist and violist, working professionally in Manchester (UK) for many years. He was a founding member of the Manchester String Quartet and scored many arrangements for the group's recordings. Tim now orchestrates and conducts, working with orchestras including Manchester Camerata, Royal Liverpool Philharmonic, RTÉ Concert Orchestra and the Philharmonia.STR:UK STRINGS - Education String Music, made in the UKWe'd love to hear your feedback: strukstrings@gmail.comSubscribe to our social media to get news of all new releases: Facebook@strukstrings - Twitter@strukstringsSTR:UK Strings - Education String Music
$24.99
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