Page d'accueil
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Can You Dig It
Non classifié
553
Piano & claviers
Piano seul
747
Piano, Voix et Guitare
273
Instruments en Do
238
Piano, Voix
90
1 Piano, 4 mains
15
Orgue
9
2 Pianos, 4 mains
6
Piano Trio: piano, violon, violoncelle
4
Accordéon
4
Piano Facile
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Accompagnement Piano
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Orgue, Piano (duo)
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
52
Ligne De Mélodie, (Paroles) et Accords
50
Guitare
34
Basse electrique
6
Ukulele
5
Dulcimer
4
4 Guitares (Quatuor)
3
Banjo
1
Piano, Guitare (duo)
1
Ensemble de guitares
1
2 Guitares (duo)
1
Mandoline, Guitare (duo)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
163
Chorale 3 parties
23
Chorale TTBB
20
Chorale SSAA
18
Voix Soprano, Piano
8
Voix duo
5
Chorale 2 parties
5
Voix duo, Piano
4
Voix haute
2
Chorale Unison
2
Voix Tenor, Piano
2
Voix Tenor
2
Voix Baryton, Piano
2
Voix Soprano
1
Chorale
1
Voix moyenne, Piano
1
Voix basse, Piano
1
+ 12 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
36
Quintette de Saxophone: 5 saxophones
32
Saxophone Alto
27
Ensemble de saxophones
25
2 Flûtes traversières, Piano
24
Flûte traversière
24
2 Saxophones (duo)
24
Ensemble de Clarinettes
23
Quatuor de Saxophones: 4 saxophones
19
Clarinette
19
Saxophone Alto et Piano
18
Ensemble de Flûtes
18
Saxophone Tenor
17
Flûte traversière et Piano
16
Saxophone Tenor et Piano
15
Clarinette et Piano
13
Hautbois, Piano (duo)
13
Quatuor de Clarinettes: 4 clarinettes
13
2 Clarinettes (duo)
11
2 Flûtes traversières (duo)
10
Saxophone, Clarinette (duo)
10
Quatuor de Flûtes : 4 flûtes
10
Flûte, Hautbois, Clarinette, Basson
9
Saxophone (partie séparée)
8
Hautbois (partie séparée)
7
Clarinette, Violon (duo)
7
Saxophone Soprano et Piano
6
Flûte, Clarinette (duo)
5
Hautbois, Basson (duo)
5
Clarinette et Alto
5
Clarinette, Trompette (duo)
5
2 Hautbois (duo)
4
Flûte à Bec
4
Saxophone Baryton, Piano
4
Quintette de Flûte : 5 flûtes
4
Quintette de Clarinettes: 5 clarinettes
4
Flûte, Saxophone (duo)
4
Flûte à bec Soprano
4
Flûte, Violon
4
Flûte, Alto (duo)
4
Flûte, Trompette (duo)
3
Trio de Flûtes: 3 flûtes
3
Hautbois, Flûte
3
Flute (partie séparée)
3
Flûte et Guitare
3
Hautbois, Clarinette (duo)
3
Clarinette, Guitare (duo)
3
3 Saxophones (trio)
2
3 Clarinettes (trio)
2
Flûte irlandaise
2
Hautbois, Guitare (duo)
1
Ensemble De Flûte à bec
1
Flûte traversière, Orgue (duo)
1
Flute, harpe et violon
1
Clarinette Basse, Piano
1
Clarinette, Orgue
1
Quatuor de Flûtes à bec
1
Clarinette, Basson (duo)
1
5 Flûtes à bec
1
Flûte, Violoncelle
1
Saxophone
1
+ 56 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
39
Quatuor de Cuivres : 2 trompettes, trombone, tuba
38
Quatuor de cuivres: 4 trombones
22
Trompette
21
Trompette, Piano
15
Trombone et Piano
14
Trombone
14
2 Euphoniums et 2 Tubas
13
Tuba et Piano
12
Cor et Piano
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Cor
9
Ensemble de Trombones
9
Trompette, Saxophone (duo)
8
Trompette (partie séparée)
8
2 Trompettes (duo)
6
Trompette, Trombone (duo)
5
Tuba
5
Ensemble de Trompettes
5
2 Trombones (duo)
5
Trio de Cuivres
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Euphonium
2
Ensemble de Cors
2
Quatuor de cuivres: 4 cors
2
Bass Clef Instruments
1
2 Cors (duo)
1
Quatuor de Cuivres
1
4 Tubas
1
+ 24 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
152
Violon, Violoncelle (duo)
76
Violon et Piano
41
Violon
35
Violoncelle
27
Trio à Cordes: 2 violons, violoncelle
24
Trio à Cordes: violon, alto, violoncelle
21
Harpe
18
Violoncelle, Piano
17
2 Violoncelles (duo)
12
Violon, Alto (duo)
9
2 Violons (duo)
9
Alto, Piano
8
Alto seul
6
Contre Basse
6
Contrebasse, Piano (duo)
5
Ensemble d'Altos
4
Ensemble de Violons
4
2 Altos (duo)
4
Alto (partie séparée)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
4 Violoncelles
3
Violoncelle , Guitare (duo)
2
Trio à Cordes: 2 violons, alto
2
Violoncelle, Orgue
1
2 Harpes (duo)
1
Violon, Tuba (duo)
1
Harpe, Voix
1
Harpe, Flûte (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violon, Guitare (duo)
1
Violon (partie séparée)
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Orchestre
62
Orchestre à Cordes
48
Orchestre d'harmonie
46
Ensemble Jazz
34
Ensemble de cuivres
26
Jazz combo
23
Cloches
19
Orchestre de chambre
16
Fanfare
6
Ensemble de Percussions
5
Batterie
4
Vibraphone
1
+ 7 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Can You Dig It
avancé
Orchestre à Cordes
Partitions à imprimer
48 partitions trouvées
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1
26
Theme From Elvira Madigan. Piano Concerto K. 467 for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Classique
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Wolfgang Amadeus Mozart
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Bud Caputo
#
Theme From Elvira Madigan. Pia
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Bud Caputo
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.826691 Composed by Wolfgang Amadeus Mozart. Arranged by Bud Caputo. Classical,Film/TV,Standards. Score and parts. 2...
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String Orchestra - Level 4 - SKU: A0.826691 Composed by Wolfgang Amadeus Mozart. Arranged by Bud Caputo. Classical,Film/TV,Standards. Score and parts. 22 pages. Bud Caputo #4792837. Published by Bud Caputo (A0.826691). The Swedish acclaimed film, Elvira Madigan, won A Golden Globe Award in 1967, as best foreign picture. The melancholy story of two lovers is set to the beautiful Mozart Piano Concerto K. 467. This string arrangement fills in for the piano and is a standalone work that will entertain your audiences and teach younger students how the movies can adopt traditional music and make use of the subtle drama that is contained. The range for Violin 1 is a Mozart presented it and will require third position..
$15.00
We Wish You A Merry Christmas and a Happy New Year from Around the World for Multi-Level String Orch
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Traditional English
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We Wish You A Merry Christmas
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String Play for All
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.859912 Composed by Traditional English. Arranged by Steven Kruse and Penny Thompson Kruse. Christian,Christmas,Holi...
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String Orchestra - Level 4 - SKU: A0.859912 Composed by Traditional English. Arranged by Steven Kruse and Penny Thompson Kruse. Christian,Christmas,Holiday,Romantic Period,World. Score and parts. 274 pages. String Play for All #3687723. Published by String Play for All (A0.859912). Take a trip around the world with your students, experiencing the music and styles of eight countries and regions: The United States, Italy, Mexico, the Middle East, China, Austria, Russia and France. The popular Christmas carol We Wish You a Merry Christmas and a Happy New Year is set in the style of music representing each of these locations. Your students will enjoy seeing how a familiar melody can be changed into something quite different but still maintain its original identity. This arrangement is for multi-level string orchestra. It contains Twinkle parts for violin, viola and cello which consist mostly of open strings and can be learned by rote. The Violin Book 1 part is intended for students who have completed most of Suzuki Violin School, Book 1. The Advanced Violin part makes extensive use of third position while the Violin I part contains only a few passages extending to third position. Other parts remain in first position. The piece contains key changes, tempo changes, and chromatic passages along with spiccato passages. The work is approximately 8 minutes long. Included are full orchestral score, 4 parts each of the twinkle violin, viola and cello parts, 4 parts each of Advanced Violin, Violin I, Violin II, Violin Book 1, Viola and Cello. Three parts each of Violin III (Viola treble clef, if needed) and Double Bass. Also included is one piano part, intended for rehearsal purposes and optional in performance.
$19.99
God Rest You Merry Gentlemen (STR:UK String Orchestra version)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Tim Crooks
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God Rest You Merry Gentlemen
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STR:UK String Arrangements
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.850384 Arranged by Tim Crooks. Christmas,Jazz. Score and parts. 25 pages. STR:UK String Arrangements #6596271. Publ...
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String Orchestra - Level 4 - SKU: A0.850384 Arranged by Tim Crooks. Christmas,Jazz. Score and parts. 25 pages. STR:UK String Arrangements #6596271. Published by STR:UK String Arrangements (A0.850384). God Rest You Merry Gentlemen, traditional Christmas carol, arranged by Tim Crooks for String Ensemble (ABRSM Beginner - grade 5). This arrangement can be performed by strings alone, or alongside the compatible SSA choir download: https://www.sheetmusicplus.com/title/god-rest-you-merry-gentlemen-str-uk-version-choir-sheet-digital.... This jazzy 7/8 version cranks up the traditional carol into more of a party rendition, but remaining regular enough so it can still be sung by a congregation or school choir. Perfect for ending carol services and Christmas performances. Technical challenges are mostly rhythmic, but 7/8 patterns are strong and repeat so is suitable for good intermediate groups (ABRSM grade 4+). The arrangement also includes an optional easy part for Violin & Viola suitable for ABRSM grade 2+ level players. Piano and percussion parts are included but are optional for performance. Parts included: Score, Violin 1, Violin 2, Viola, Easy Vln/Va, Cello, Double Bass, Piano, Claves About the arranger Tim Crooks trained as a violinist and violist, working professionally in Manchester (UK) for many years. He was a founding member of the Manchester String Quartet and scored many arrangements for the group's recordings. Tim now orchestrates and conducts, working with orchestras including Manchester Camerata, Royal Liverpool Philharmonic, RTÉ Concert Orchestra and the Philharmonia. STR:UK STRINGS - Education String Music, made in the UK We'd love to hear your feedback: strukstrings@gmail.com Subscribe to our social media to get news of all new releases: Facebook @strukstrings Twitter @strukstrings STR:UK Strings - Education String Music ©2021S T Crooks Ltd. All Rights Reserved.
$24.99
YOU CAN'T GET TO HEAVEN FROM HELL
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Ralph Z
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YOU CAN'T GET TO HEAVEN FROM H
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Ralph Z. Bell
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1028477 Composed by Ralph Z. Bell music, arrangement copyright, and lyric. Christian. Score and parts. 15 pages. Ra...
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String Orchestra - Level 4 - SKU: A0.1028477 Composed by Ralph Z. Bell music, arrangement copyright, and lyric. Christian. Score and parts. 15 pages. Ralph Z. Bell #3536957. Published by Ralph Z. Bell (A0.1028477). Lazarus WENT UP THE RICH MAN WENT WAY DOWN THERE AND YELLED, I REPENT BUT WAS TOLD:YOU CAN'T GET TO HEAVEN FROM HELL!!!!!Once you are saved it does not matter at all that you can't get to heaven from HELL!
$2.50
Tchaikovsky: Andante Cantabile for Cello Solo and String Orchestra, Op. posth.
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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Peter Ilyich Tchaikovsky
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Tchaikovsky: Andante Cantabile
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Flavio Regis Cunha
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.597543 By Peter Ilyich Tchaikovsky. By Peter Ilyich Tchaikovsky. Arranged by Piotr Ilyich Tchaikovsky - Edited by F...
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String Orchestra - Level 4 - SKU: A0.597543 By Peter Ilyich Tchaikovsky. By Peter Ilyich Tchaikovsky. Arranged by Piotr Ilyich Tchaikovsky - Edited by Flavio Regis Cunha. Classical,Contemporary,Contest,Easter,Festival,Romantic Period. Score and Parts. 24 pages. Flavio Regis Cunha #6440615. Published by Flavio Regis Cunha (A0.597543). Andante Cantabile for Cello Solo and String Orchestra, Op. posth. · Yo-Yo Ma · Lorin Maazel · Pyotr Ilyich Tchaikovsky · Pittsburgh Symphony Orchestra.Grab the attenttion of church, school and professional musicians, conductors and orchestras with this exquisite arrangement of Tchaikovsky's Andante Cantabile for Cello Solo and String Orchestra (Op. posth) and expertly played by the genius of Yo-Yo Ma, the grace of Lorin Maazel and the brilliance of the Pittsburgh Symphony Orchestra. This unique and captivating piece promises to inspire and mesmerize your audiences. Order your sheet music now and bring the timeless genius of Tchaikovsky to life!Produce the most beautiful performance by utilizing Tchaikovsky's Andante Cantabile for Cello Solo and String Orchestra (Op. posth) as it was performed by world renowned Yo-Yo Ma, acclaimed conductor Lorin Maazel, and the renowned Pittsburgh Symphony Orchestra. Get your professional ensemble together and get ready to create a stunning performance with this extraordinary sheet music. From String Quartet No. 1, Op. 11 in Tchaikovsky's own arrangement for cello and string orchestra. Composed by Peter Ilyich Tchaikovsky (1840-1893). This edition: set of parts.Level: Advanced Intermediate.Format: Concert, 9 x 12 inches.Size: 24 pages.Full Score and Set of PartsDuration: 6:20 min.Notes
$18.99
Let It Snow! Let It Snow! Let It Snow!
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Lady Antebellum
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Tim Crooks
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Let It Snow! Let It Snow! Let
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STR:UK String Arrangements
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.850381 By Lady Antebellum. By Jule Styne. Arranged by Tim Crooks. Contemporary. Score and parts. 23 pages. STR:UK S...
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String Orchestra - Level 4 - SKU: A0.850381 By Lady Antebellum. By Jule Styne. Arranged by Tim Crooks. Contemporary. Score and parts. 23 pages. STR:UK String Arrangements #6591407. Published by STR:UK String Arrangements (A0.850381). Let It Snow! Let It Snow! Let It Snow!, as performed by Dean Martin, arranged by Tim Crooks for String Orchestra (ABRSM Beginner - grade 6). Technical challenges include a mixture of straight and swung 8ths, and key change from D major into Eb, meaning the main parts are best suited to ABRSM Grade 4+ standard players. The arrangement can be mostly played in first position, occasionally requiring 3rd and 4th positions. The arrangement also includes an easy part for Violin & Viola suitable for grade 1-2 level. Parts can be printed multiple times. A piano part is included but is not needed for performance.A version of this arrangement for String Quartet is also available here: https://www.sheetmusicplus.com/title/let-it-snow-let-it-snow-let-it-snow-string-quartet-digital-shee.... About the arranger Tim Crooks trained as a violinist and violist, working professionally in Manchester (UK) for many years. He was a founding member of the Manchester String Quartet and scored many arrangements for the group's recordings. Tim now orchestrates and conducts, working with orchestras including Manchester Camerata, Royal Liverpool Philharmonic, RTÉ Concert Orchestra and the Philharmonia. STR:UK STRINGS - Education String Music, made in the UK We'd love to hear your feedback: strukstrings@gmail.com Subscribe to our social media to get news of all new releases: Facebook @strukstrings Twitter@strukstrings STR:UK Strings - Education String Music
$24.99
I Love You
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Billie Eilish
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Emeric I
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I Love You
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Emeric I. Panyko
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1187783 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Emeric I. Panyko. Hip-Hop,P...
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String Orchestra - Level 4 - SKU: A0.1187783 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Emeric I. Panyko. Hip-Hop,Pop,R & B,Singer/Songwriter. Score and Parts. 18 pages. Emeric I. Panyko #787398. Published by Emeric I. Panyko (A0.1187783). This score is an interpretation of Billie Eilish's i love you for string orchestra (Violin I and II, Viola, Cello, and Bass). It is at a difficulty level appropriate for an advanced high school-level string orchestra.The original song is emotive, heartbreaking, and desperate. My effort to capture this can be seen in the contrast between the bright, dramatic dynamic changes (from fff to ppp) and the humble, nimble pizzicato passages, making for a captivating take on Eilish's masterpiece. I am careful to not allow one instrument to tyrannize the vocals. The resonance of the acoustic guitar in the original is emulated by a synced pizz.-and-arco passage at the end. Playing direction informs the interpreter to the emotional direction of the piece.
$100.00
I.o.u.
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Country
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Lee Greenwood
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Jon Thingvall
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double stops
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I.o.u.
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Jon Thingvall
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.954489 By Lee Greenwood. By Austin Roberts and Kerry Chater. Arranged by Jon Thingvall. Country. Score and parts. 1...
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String Orchestra - Level 4 - SKU: A0.954489 By Lee Greenwood. By Austin Roberts and Kerry Chater. Arranged by Jon Thingvall. Country. Score and parts. 10 pages. Jon Thingvall #4742269. Published by Jon Thingvall (A0.954489). Time: 5 minThis piece contains the following: double stops; triple-, and quadruple-stop broken chords, septuplet octave runs, sul tasto, and solo passages for each instrument.The YouTube video scrolls through the score, so, before you purchase it, you can get a great idea of how suitable this piece would be for your ensemble. In this arrangement, while borrowing something old (sotto voce quotes from Pachelbel's famous Canon in D (here in G)), the something new 80s Pop/Country sound blends with the classical into a timeless tapestry. I've always thought of this classic by Lee Greenwood as the perfect song for a wedding or an anniversary, but, in reality, its lyrics are so grateful and sincere that it could just as well grace a birthday, a memorial, or any other sentimental, friendly gathering.Due to unforeseeable technical problems, parts do not always print to PDF correctly, so please let me know of any problems with printed parts, and I can send you an updated version. My e-mail is klazzkeys@aol.com
$13.00
Mountain Goats And Other Creatures
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Vessela Stoyanova
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Mountain Goats And Other Creat
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Vessela Stoyanova
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1201464 By Vessela Stoyanova. By Vessela Stoyanova. Folk,Multicultural,World. Score and parts. 89 pages. Vessela St...
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String Orchestra - Level 4 - SKU: A0.1201464 By Vessela Stoyanova. By Vessela Stoyanova. Folk,Multicultural,World. Score and parts. 89 pages. Vessela Stoyanova #798931. Published by Vessela Stoyanova (A0.1201464). “Mountain Goats and Other Creatures†was Commissioned by Rachel Jayson and the Lexington High School Symphony Orchestra.It was inspired by the folk music of my native land of Bulgaria, informed by my experience as a rock musician, reimagined through the lense of my place inside of a community of like-minded artists and musicians, where I have made my real home today. The first movement - Mountain Goats - is a sort of celebration of renewal, promise, and hope. It represents the tenacious will of grass growing through the snow of early spring, the powerful longing for human connection, the warmth of the sun against your skin on a bright chilly day. It carries both the pristine optimism of youth, and the nervous energy of trying something for the first time. The second movement - Samodivi - in contrast is dark, heavy and full of passion and desire. According to Balkan myths, Samodivi are gorgeous nymphs who live in the woods and often seduce men with their beautiful song and dance. They are feared and envied at the same time. The music of the second movement represents the mysterious dark forest at night - lower strings create the moss under your feet, higher strings use extended techniques to simulate the noise of branches clicking the wind, a few soloists represent different creatures - both real and imaginary - scurry through the woods above your head. Then you hear the lone song of a Samodiva in the distance, your heart is beating hard, your steps are leading you straight towards the call against your better judgement. It is the ancient story of fear and desire, of self control and complete abandon. You, the listener, become witness to a wild dance, fire in the woods, snakes in their long blond hairs, slender bodies dressed in white clouds dancing to an imaginary beat.  Then it all ends abruptly and you left to wonder: Was it real? Did I see it? Am I safe?The third and final movement of the piece is based on a popular rhythmic folk dance in Bulgaria called Kopanitsa, while the melody creates a fugue between the different voices of the orchestra. The Kids are the little of the mountain goats - free to frolic high above tree line, above any human traces, as close to the clouds as one can get and still be touching the ground below. They are carefree, daring, and somewhat naive, yet safe under the watchful gaze of their parent. The movements ends in cascading repetitions of a musical motif in 5/8 representing the relentless passing of time or at least our perception of it.
$100.00
Filtz Symphony in F major Op. 1 No. 5 for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Anton Filtz
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P
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Filtz Symphony in F major Op.
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MyMusicScores.com
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.736797 Composed by Johann Anton Filtz. Arranged by P. Wood. Classical. Score and parts. 53 pages. MyMusicScores.com...
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String Orchestra - Level 4 - SKU: A0.736797 Composed by Johann Anton Filtz. Arranged by P. Wood. Classical. Score and parts. 53 pages. MyMusicScores.com #6307239. Published by MyMusicScores.com (A0.736797). Johann Anton Filtz (1733 - 1760) was just 26 years old when he died! In his short time on earth, he studied law and theology at the University of Ingolstadt, was a cellist in the Mannheimer Hofkapelle and a composer of at least thirty-four symphonies, thirty concertos and several chamber works. Being a member of the Mannheimer Hofkapelle puts Filtz's compositions clear in the Mannheim school along with fellow composers Franz Xaver Richter, Carl Stamitz, Franz Ignaz Beck, Ignaz Fränzl, and Christian Cannabich. His 6 Symphonies Op. 1 are all scored for strings and continuo and consist of three movements - fast - slow- fast. I can't find a recording of Filtz's Symphony Op.1 No.5 in F major or a modern edition of this work. I do hope that you will find this work interesting enough to play and perform. If you do perform it, I would love to hear your recording.
$14.99
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Visionary Quest Records
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Violin Solo
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Tears from My Eyes: Onward and
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Visionary Quest Records
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.984536 Composed by Visionary Quest Records. Concert,Contemporary. Score and parts. 75 pages. Visionary Quest Record...
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String Orchestra - Level 4 - SKU: A0.984536 Composed by Visionary Quest Records. Concert,Contemporary. Score and parts. 75 pages. Visionary Quest Records #4767739. Published by Visionary Quest Records (A0.984536). STRING ORCHESTRA - Cello Solo; Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 75 pages. Composer: Tito Abeleda (1964 - ) . HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter:
$44.99
Overture for Strings No. 3 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 3 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 28 pages. ROBERT DEBBAUT #783207. Published by ROBERT DEBBAUT (A0.1183534). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 5 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 5 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 39 pages. ROBERT DEBBAUT #783209. Published by ROBERT DEBBAUT (A0.1183536). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 6 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 6 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 57 pages. ROBERT DEBBAUT #783210. Published by ROBERT DEBBAUT (A0.1183537). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 4 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 4 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 34 pages. ROBERT DEBBAUT #783208. Published by ROBERT DEBBAUT (A0.1183535). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 2 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 2 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 43 pages. ROBERT DEBBAUT #783206. Published by ROBERT DEBBAUT (A0.1183533). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Stick Season
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Noah Kahan
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Levi Comstock
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Stick Season
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Viola Fusion
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1491216 By Noah Kahan. By Noah Kahan. Arranged by Levi Comstock. Christmas,Country,Folk,Pop,Singer/Songwriter. 23 p...
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String Orchestra - Level 4 - SKU: A0.1491216 By Noah Kahan. By Noah Kahan. Arranged by Levi Comstock. Christmas,Country,Folk,Pop,Singer/Songwriter. 23 pages. Viola Fusion #1067953. Published by Viola Fusion (A0.1491216). Do you love Vermont? Do people's mom's tend not to remember you? Are you usually the one to get the holliday party started before your friends have even arrived home?If so, or if you just can't get this sticky tune out of your head, this is probably definitely an arrangement you should add to your orchestra's next program.With a driving rhythm and snappy melody that seem destined to be fiddled, this arrangement let's everybody groove and shine in turns. It's the kind of chart you want to throw in to an already long concert because it's just so much fun.This song took Noah Kahan from talented musician only hipsters have heard of to Grammy Nominated artist. Could it do the same for you? Only one way to find out...
$49.99
Rondo in Bb for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Laura Chegwidden
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Rondo in Bb for String Orchest
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Laura Chegwidden
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.812111 Composed by Wolfgang Amadeus Mozart. Arranged by Laura Chegwidden. Classical,Concert,Graduation,Wedding. Sco...
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String Orchestra - Level 4 - SKU: A0.812111 Composed by Wolfgang Amadeus Mozart. Arranged by Laura Chegwidden. Classical,Concert,Graduation,Wedding. Score and Parts. 46 pages. Laura Chegwidden #3558843. Published by Laura Chegwidden (A0.812111). Mozart is one of the most famous composers to have ever lived. His Rondo in Bb for Violin and Orchestra (KV 269) is an energetic work that was requested by violinist Antonio Brunetti. Probably written between 1775 and 1777, Mozart would have been in his early 20s when he wrote this. This arrangement is for String Orchestra, and reflects the textures and voicings of the original orchestration. Rondo in Bb is a fun and vibrant piece that reflects Mozart's youth and vivacity, and would be perfect for weddings, schools, churches and any other performance opportunities that arise for the professional or amateur musician. The arrangement goes for approx. 6 min. This purchase includes a score and parts for all performers; violin 1, violin 2, viola, cello, and double bass. It would work best for players of an intermediate to advanced level. It is set in the key of Bb major, which is the original key. Laura Chegwidden is a pianist, cellist, double bassist and singer from Toowoomba Australia. She recently graduated with distinction from the University of Newcastle with a B.MUS majoring in Cello and Composition. For more arrangements like this one or for any questions you can contact Laura through her facebook page or website: www.facebook.com/lchegmusic/ lchegmusic.com
$14.99
Surrender The Sword (score – violin and string orchestra)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Mark O'Connor
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Surrender The Sword
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Mark O'Connor Musik International
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.861940 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 28 pages. Mark O'Connor Musik In...
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String Orchestra - Level 4 - SKU: A0.861940 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 28 pages. Mark O'Connor Musik International #6208217. Published by Mark O'Connor Musik International (A0.861940). Surrender The Sword (score – violin and string orchestra) MO136AScore (parts available)Music by Mark O’Connor24 pages - 9:30 minutes in length Surrender The Sword for violin and string orchestra was composed and orchestrated by Mark O’Connor and used as one of the themes for the critically acclaimed PBS documentary, Liberty! The American Revolution. On the companion recording Liberty!, album notes author Thomas Fleming writes, ...something remarkable was taking shape in his imagination – sounds more extraordinary than he had ever experienced. On a trip to Key West, he visited Ernest Hemingway’s house. In the sundrenched garden, music leapt into O’Connor’s mind and in a breathtaking two hours, Surrender the Sword – and its orchestral outline – was on paper. It is unquestionably one of the most passionate orchestral pieces he has ever written. In the A part, the music is busy. You can imagine voices, perhaps in Congress, perhaps in a crowd in New York or Philadelphia, wondering what is going to happen next, as General George Washington is about to resign as commander-in-chief of the American army, O’Connor says. Then comes a long melodic arc, swelling with a triumphant confidence that depicts the great military leader extending his sword to surrender it forever. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1997 Composed by Mark O’ConnorCan be heard on Liberty! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Nashville Symphony, Kenneth Schermerhorn Catalogue Number MO136ACopyright © 1997 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$20.00
Surrender The Sword (violin solo part – violin and string orchestra)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Mark O'Connor
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Surrender The Sword
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Mark O'Connor Musik International
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.861941 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pages. Mark O'Connor Musik In...
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String Orchestra - Level 4 - SKU: A0.861941 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pages. Mark O'Connor Musik International #6208223. Published by Mark O'Connor Musik International (A0.861941). Surrender The Sword (violin solo part – violin and string orchestra) MO136BViolin Solo Part (score and parts available)Music by Mark O’Connor7 pages - 9:30 minutes in length Surrender The Sword for violin and string orchestra was composed and orchestrated by Mark O’Connor and used as one of the themes for the critically acclaimed PBS documentary, Liberty! The American Revolution. On the companion recording Liberty!, album notes author Thomas Fleming writes, ...something remarkable was taking shape in his imagination – sounds more extraordinary than he had ever experienced. On a trip to Key West, he visited Ernest Hemingway’s house. In the sundrenched garden, music leapt into O’Connor’s mind and in a breathtaking two hours, Surrender the Sword – and its orchestral outline – was on paper. It is unquestionably one of the most passionate orchestral pieces he has ever written. In the A part, the music is busy. You can imagine voices, perhaps in Congress, perhaps in a crowd in New York or Philadelphia, wondering what is going to happen next, as General George Washington is about to resign as commander-in-chief of the American army, O’Connor says. Then comes a long melodic arc, swelling with a triumphant confidence that depicts the great military leader extending his sword to surrender it forever. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1997 Composed by Mark O’ConnorCan be heard on Liberty! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Nashville Symphony, Kenneth Schermerhorn Catalogue Number MO136BCopyright © 1997 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00
Surrender The Sword (string parts – violin and string orchestra)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Mark O'Connor
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Surrender The Sword
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Mark O'Connor Musik International
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.861942 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 51 pages. Mark O'Connor Musik In...
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String Orchestra - Level 4 - SKU: A0.861942 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 51 pages. Mark O'Connor Musik International #6208225. Published by Mark O'Connor Musik International (A0.861942). Surrender The Sword (string parts – violin and string orchestra) MO136C-GString Parts (parts available)Music by Mark O’Connor51 pages - 9:30 minutes in length Surrender The Sword for violin and string orchestra was composed and orchestrated by Mark O’Connor and used as one of the themes for the critically acclaimed PBS documentary, Liberty! The American Revolution. On the companion recording Liberty!, album notes author Thomas Fleming writes, ...something remarkable was taking shape in his imagination – sounds more extraordinary than he had ever experienced. On a trip to Key West, he visited Ernest Hemingway’s house. In the sundrenched garden, music leapt into O’Connor’s mind and in a breathtaking two hours, Surrender the Sword – and its orchestral outline – was on paper. It is unquestionably one of the most passionate orchestral pieces he has ever written. In the A part, the music is busy. You can imagine voices, perhaps in Congress, perhaps in a crowd in New York or Philadelphia, wondering what is going to happen next, as General George Washington is about to resign as commander-in-chief of the American army, O’Connor says. Then comes a long melodic arc, swelling with a triumphant confidence that depicts the great military leader extending his sword to surrender it forever. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1997 Composed by Mark O’ConnorCan be heard on Liberty! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Nashville Symphony, Kenneth Schermerhorn Catalogue Number MO136C-GCopyright © 1997 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$37.50
MY HEART AT THY SWEET VOICE for String Orchestra (String Quintet) Advanced Intermediate Level for 1s
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Camille Saint Saëns
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Sherry Lewis
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MY HEART AT THY SWEET VOICE fo
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Sherry Lewis Publishing
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.521585 Composed by Camille Saint Saëns. Arranged by Sherry Lewis. Holiday,Opera,Romantic Period,Wedding. Score a...
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String Orchestra - Level 4 - SKU: A0.521585 Composed by Camille Saint Saëns. Arranged by Sherry Lewis. Holiday,Opera,Romantic Period,Wedding. Score and Parts. 33 pages. Sherry Lewis Publishing #6222013. Published by Sherry Lewis Publishing (A0.521585). My Heart At Thy Sweet Voice, String Orchestra (String Quintet), Advanced Intermediate Level for 1st and 2nd violins, viola, cello, string bass Score: 18 pages parts: 12 page time: 5'40 ABOUT THE DEMO....I took a big cut to get to the better-known tune but the actual arrangement is complete from beginning to end. I used the original score and true to form. Such a beautiful piece. Really comes off great in strings. MY QUARTET VERSIONS, in short notice usually work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through stringquartet@hotmail.com and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Thank you for your purchase!
$16.99
Symphony Op. 1 No. 5
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Anton Filtz
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Paul Wood
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Symphony Op. 1 No. 5
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MyMusicScores.com
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.736694 Composed by Johann Anton Filtz. Arranged by Paul Wood. Classical. Score and parts. 44 pages. MyMusicScores.c...
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String Orchestra - Level 4 - SKU: A0.736694 Composed by Johann Anton Filtz. Arranged by Paul Wood. Classical. Score and parts. 44 pages. MyMusicScores.com #1892819. Published by MyMusicScores.com (A0.736694). Johann Anton Filtz (1733 - 1760) was just 26 years old when he died! In his short time on earth, he studied law and theology at the University of Ingolstadt, was a cellist in the Mannheimer Hofkapelle and a composer of at least thirty-four symphonies, thirty concertos and a several chamber works. Being a member of the Mannheimer Hofkapelle puts Filtz's compositions clear in the Mannheim school along with fellow composers Franz Xaver Richter, Carl Stamitz, Franz Ignaz Beck, Ignaz Fränzl, and Christian Cannabich. His 6 Symphonies Op. 1 are all scored for strings and continuo and consist of three movement - fast - slow- fast. I can't find a recording of Filtz's Symphony Op.1 No.5 in F major or a modern edition of this work. I do hope that you will find this work interesting enough to play and perform. If you do perform it, I would love to hear a recording.
$9.99
Andante For Solo Violin and Strings (School Arrangement)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Geraldine Green
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Geraldine Green
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Andante For Solo Violin and St
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Geraldine
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1309761 Composed by Geraldine Green. Arranged by Geraldine Green. 21st Century,Chamber,Children,Classical. 47 pages...
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String Orchestra - Level 4 - SKU: A0.1309761 Composed by Geraldine Green. Arranged by Geraldine Green. 21st Century,Chamber,Children,Classical. 47 pages. Geraldine (Denny) Green at Oakmountmusic #898925. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1309761). ALL PURCHASES COME WITH SCORE AND PARTSAndante For Solo Violin and Strings - School ArrangementDuration – about 8 minutesThere are three arrangements available;School – for Solo Violin, Violins 1, 2 and 3, Cellos 1 and 2.  Standard – for Solo Violin, Violins 1 and 2, Viola, Cello and Double Bass.  Violin and piano.   Andante For Solo Violin And Strings was written in July 2018 for Gary Woolf, flautist and conductor of the Banda Di Musica, the youth string orchestra at the music school in Greven / Emsdetten / Saerbeck in Germany.The piece begins with a beautiful, melodic Andante where the melody alternates between the violin solo and the orchestra and giving out a mood of wistful calm. This soon leads into a lively folk-like Moderato Dance section with a great catchy tune and punchy rhythms. These two different sections compliment one another, adding variety and excitement as they repeat themselves half way through so that both melodies get plenty of work-out! The piece would very much suit young players, although amateurs and professionals alike can enjoy it.
$24.00
Abide With Me - arranged by David Catherwood for String Orchestra (or Quartet) optional Percussion
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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WH Monk
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David Catherwood
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Abide With Me - arranged by Da
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Opus 3 Music
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.739553 Composed by WH Monk. Arranged by David Catherwood. Contemporary. Score and parts. 9 pages. Opus 3 Music #657...
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String Orchestra - Level 4 - SKU: A0.739553 Composed by WH Monk. Arranged by David Catherwood. Contemporary. Score and parts. 9 pages. Opus 3 Music #6575723. Published by Opus 3 Music (A0.739553). Abide with MeThis arrangement will be useful to accompany congregational or choral singing (as it is in suitable keys) or it can be used as a purely instrumental piece. After a short introduction the tune is presented simply - a key change before the final verse leads to a majestic presentation of the tune with an effective descant.This arrangement is suitable for school orchestras and ensembles as well as more experienced players. A full set contains a score and a set of parts (with permission to copy to suit your own requirements) for the following instruments:Part 1 in C Violin 1Part 2 in C Violin 2Part 3 in alto clef ViolaPart 4 in C Cello & Double BassPercussion (optional)
$7.50
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Can You Dig It