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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
It Was You
Non classifié
693
Piano & claviers
Piano seul
366
Piano, Voix et Guitare
252
Instruments en Do
219
Piano, Voix
104
Orgue
18
1 Piano, 4 mains
9
2 Pianos, 4 mains
8
Piano Trio: piano, violon, violoncelle
4
Accompagnement Piano
3
Piano Facile
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Orgue, Piano (duo)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 9 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
37
Guitare
33
Guitare notes et tablatures
22
4 Guitares (Quatuor)
2
Ukulele
1
Mandoline, Guitare (duo)
1
Basse electrique
1
Piano, Guitare (duo)
1
2 Guitares (duo)
1
Mandoline
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
114
Chorale SSAA
20
Chorale 3 parties
16
Chorale TTBB
16
Voix duo, Piano
5
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3
Voix Baryton, Piano
3
Voix haute
3
Chorale 2 parties
2
Voix moyenne, Piano
2
Chorale Unison
2
Voix Tenor
2
Voix seule
1
Voix basse
1
Voix Tenor, Piano
1
Voix duo
1
+ 11 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
65
Ensemble de saxophones
63
Quintette de Saxophone: 5 saxophones
50
2 Saxophones (duo)
35
Ensemble de Clarinettes
27
2 Flûtes traversières, Piano
24
Clarinette et Piano
22
Quatuor de Saxophones: 4 saxophones
18
2 Clarinettes (duo)
18
Ensemble de Flûtes
18
Saxophone, Clarinette (duo)
17
Flûte traversière et Piano
17
Quatuor de Clarinettes: 4 clarinettes
16
Flûte, Hautbois, Clarinette, Basson
16
Clarinette, Violon (duo)
13
Flûte, Clarinette (duo)
12
Quatuor de Flûtes : 4 flûtes
12
Clarinette, Trompette (duo)
11
Hautbois, Piano (duo)
11
Saxophone Alto et Piano
11
2 Flûtes traversières (duo)
10
Saxophone Tenor et Piano
9
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8
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7
Flûte traversière
7
Clarinette et Alto
7
Flûte, Saxophone (duo)
6
Flûte, Violon
6
Hautbois, Basson (duo)
6
2 Hautbois (duo)
6
Saxophone Alto
6
Quintette de Flûte : 5 flûtes
6
Quintette de Clarinettes: 5 clarinettes
6
Flûte, Trompette (duo)
5
Hautbois, Clarinette (duo)
5
Clarinette
5
Hautbois, Flûte
5
Saxophone Tenor
4
Hautbois (partie séparée)
4
Clarinette, Guitare (duo)
4
Clarinette, Basson (duo)
3
Flute (partie séparée)
3
Cor anglais, Piano
3
Clarinette Basse, Piano
3
Flûte et Guitare
2
Trio de Flûtes: 3 flûtes
2
3 Saxophones (trio)
2
Flûte à bec Soprano
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Clarinette, Trombone (duo)
1
Saxophone (partie séparée)
1
3 Clarinettes (trio)
1
Flûte à bec Alto, Piano
1
Saxophone et Harpe
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Violon et Violoncelle
1
Clarinette, Violoncelle (duo)
1
Quatuor de Flûtes à bec
1
Flute, harpe et violon
1
Hautbois, Guitare (duo)
1
Saxophone
1
+ 56 instrumentations
Retracter
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
75
Quatuor de Cuivres : 2 trompettes, trombone, tuba
54
Quatuor de Cuivres: 2 trompettes, Cor, trombone
20
Ensemble de Trombones
19
Trombone et Piano
18
Quatuor de cuivres: 4 trombones
16
Quatuor de Cuivres
16
2 Euphoniums et 2 Tubas
14
Trompette, Saxophone (duo)
13
Ensemble de Trompettes
12
Trompette, Piano
8
Trompette, Trombone (duo)
8
Trompette
7
2 Trompettes (duo)
7
Tuba et Piano
7
Trio de Cuivres
6
Cor
6
2 Trombones (duo)
6
Cor et Piano
6
Ensemble de Cors
5
Trompette (partie séparée)
4
Trombone
3
Euphonium, Piano (duo)
3
Cor anglais, Piano
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Cor et Orgue
2
Quatuor de cuivres: 4 cors
2
Tuba
2
Cor et Harpe
1
Trombone basse et Piano
1
Bass Clef Instruments
1
+ 26 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
114
Violon, Violoncelle (duo)
51
Violon et Piano
38
Trio à Cordes: violon, alto, violoncelle
27
Trio à Cordes: 2 violons, violoncelle
26
Violoncelle, Piano
23
Harpe
20
Violon
17
Alto, Piano
16
Violoncelle
16
2 Violoncelles (duo)
13
2 Violons (duo)
8
Ensemble de Violons
7
Ensemble d'Altos
7
2 Altos (duo)
7
Violon, Alto (duo)
7
2 Harpes (duo)
5
Contrebasse, Piano (duo)
4
Alto (partie séparée)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Contre Basse
3
Alto seul
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Harpe, Voix
2
Harpe, Flûte (duo)
2
Violoncelle , Guitare (duo)
2
Trio à Cordes: 2 violons, alto
2
Alto, Violoncelle (duo)
2
Violoncelle, Orgue
2
4 Contrebasses
2
Harpe, Violoncelle (duo)
1
Harpe, Violon (duo)
1
Violon, Tuba (duo)
1
Harpe et mandoline
1
Ensemble de Violoncelles
1
Alto et Basson
1
Violon (partie séparée)
1
+ 32 instrumentations
Retracter
Orchestre & Percussions
Orchestre
72
Orchestre à Cordes
51
Orchestre d'harmonie
48
Ensemble Jazz
39
Ensemble de cuivres
34
Orchestre de chambre
23
Jazz combo
7
Fanfare
6
Cloches
4
Ensemble de Percussions
4
Vibraphone
1
Batterie
1
Marimba
1
+ 8 instrumentations
Retracter
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51 partitions trouvées
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51
God Rest You Merry Gentlemen (STR:UK String Orchestra version)
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Noël
#
Tim Crooks
#
God Rest You Merry Gentlemen
#
STR:UK String Arrangements
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.850384 Arranged by Tim Crooks. Christmas,Jazz. Score and parts. 25 pages. STR:UK String Arrangements #6596271. Publ...
(+)
String Orchestra - Level 4 - SKU: A0.850384 Arranged by Tim Crooks. Christmas,Jazz. Score and parts. 25 pages. STR:UK String Arrangements #6596271. Published by STR:UK String Arrangements (A0.850384). God Rest You Merry Gentlemen, traditional Christmas carol, arranged by Tim Crooks for String Ensemble (ABRSM Beginner - grade 5). This arrangement can be performed by strings alone, or alongside the compatible SSA choir download: https://www.sheetmusicplus.com/title/god-rest-you-merry-gentlemen-str-uk-version-choir-sheet-digital.... This jazzy 7/8 version cranks up the traditional carol into more of a party rendition, but remaining regular enough so it can still be sung by a congregation or school choir. Perfect for ending carol services and Christmas performances. Technical challenges are mostly rhythmic, but 7/8 patterns are strong and repeat so is suitable for good intermediate groups (ABRSM grade 4+). The arrangement also includes an optional easy part for Violin & Viola suitable for ABRSM grade 2+ level players. Piano and percussion parts are included but are optional for performance. Parts included: Score, Violin 1, Violin 2, Viola, Easy Vln/Va, Cello, Double Bass, Piano, Claves About the arranger Tim Crooks trained as a violinist and violist, working professionally in Manchester (UK) for many years. He was a founding member of the Manchester String Quartet and scored many arrangements for the group's recordings. Tim now orchestrates and conducts, working with orchestras including Manchester Camerata, Royal Liverpool Philharmonic, RTÉ Concert Orchestra and the Philharmonia. STR:UK STRINGS - Education String Music, made in the UK We'd love to hear your feedback: strukstrings@gmail.com Subscribe to our social media to get news of all new releases: Facebook @strukstrings Twitter @strukstrings STR:UK Strings - Education String Music ©2021S T Crooks Ltd. All Rights Reserved.
$24.99
Let It Snow! Let It Snow! Let It Snow!
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Lady Antebellum
#
Tim Crooks
#
Let It Snow! Let It Snow! Let
#
STR:UK String Arrangements
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.850381 By Lady Antebellum. By Jule Styne. Arranged by Tim Crooks. Contemporary. Score and parts. 23 pages. STR:UK S...
(+)
String Orchestra - Level 4 - SKU: A0.850381 By Lady Antebellum. By Jule Styne. Arranged by Tim Crooks. Contemporary. Score and parts. 23 pages. STR:UK String Arrangements #6591407. Published by STR:UK String Arrangements (A0.850381). Let It Snow! Let It Snow! Let It Snow!, as performed by Dean Martin, arranged by Tim Crooks for String Orchestra (ABRSM Beginner - grade 6). Technical challenges include a mixture of straight and swung 8ths, and key change from D major into Eb, meaning the main parts are best suited to ABRSM Grade 4+ standard players. The arrangement can be mostly played in first position, occasionally requiring 3rd and 4th positions. The arrangement also includes an easy part for Violin & Viola suitable for grade 1-2 level. Parts can be printed multiple times. A piano part is included but is not needed for performance.A version of this arrangement for String Quartet is also available here: https://www.sheetmusicplus.com/title/let-it-snow-let-it-snow-let-it-snow-string-quartet-digital-shee.... About the arranger Tim Crooks trained as a violinist and violist, working professionally in Manchester (UK) for many years. He was a founding member of the Manchester String Quartet and scored many arrangements for the group's recordings. Tim now orchestrates and conducts, working with orchestras including Manchester Camerata, Royal Liverpool Philharmonic, RTÉ Concert Orchestra and the Philharmonia. STR:UK STRINGS - Education String Music, made in the UK We'd love to hear your feedback: strukstrings@gmail.com Subscribe to our social media to get news of all new releases: Facebook @strukstrings Twitter@strukstrings STR:UK Strings - Education String Music
$24.99
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Viola True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792379. Published by Aaron Meier (A0.922639). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Double Bass True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit.
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Violin II
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792367. Published by Aaron Meier (A0.922636). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin II True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Cello
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Classique
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Johann Strauss Jr
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Aaron Meier
#
Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792373. Published by Aaron Meier (A0.922637). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Cello True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
YOU CAN'T GET TO HEAVEN FROM HELL
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Ralph Z
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YOU CAN'T GET TO HEAVEN FROM H
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Ralph Z. Bell
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1028477 Composed by Ralph Z. Bell music, arrangement copyright, and lyric. Christian. Score and parts. 15 pages. Ra...
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String Orchestra - Level 4 - SKU: A0.1028477 Composed by Ralph Z. Bell music, arrangement copyright, and lyric. Christian. Score and parts. 15 pages. Ralph Z. Bell #3536957. Published by Ralph Z. Bell (A0.1028477). Lazarus WENT UP THE RICH MAN WENT WAY DOWN THERE AND YELLED, I REPENT BUT WAS TOLD:YOU CAN'T GET TO HEAVEN FROM HELL!!!!!Once you are saved it does not matter at all that you can't get to heaven from HELL!
$2.50
Mountain Goats And Other Creatures
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Vessela Stoyanova
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Mountain Goats And Other Creat
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Vessela Stoyanova
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1201464 By Vessela Stoyanova. By Vessela Stoyanova. Folk,Multicultural,World. Score and parts. 89 pages. Vessela St...
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String Orchestra - Level 4 - SKU: A0.1201464 By Vessela Stoyanova. By Vessela Stoyanova. Folk,Multicultural,World. Score and parts. 89 pages. Vessela Stoyanova #798931. Published by Vessela Stoyanova (A0.1201464). “Mountain Goats and Other Creatures†was Commissioned by Rachel Jayson and the Lexington High School Symphony Orchestra.It was inspired by the folk music of my native land of Bulgaria, informed by my experience as a rock musician, reimagined through the lense of my place inside of a community of like-minded artists and musicians, where I have made my real home today. The first movement - Mountain Goats - is a sort of celebration of renewal, promise, and hope. It represents the tenacious will of grass growing through the snow of early spring, the powerful longing for human connection, the warmth of the sun against your skin on a bright chilly day. It carries both the pristine optimism of youth, and the nervous energy of trying something for the first time. The second movement - Samodivi - in contrast is dark, heavy and full of passion and desire. According to Balkan myths, Samodivi are gorgeous nymphs who live in the woods and often seduce men with their beautiful song and dance. They are feared and envied at the same time. The music of the second movement represents the mysterious dark forest at night - lower strings create the moss under your feet, higher strings use extended techniques to simulate the noise of branches clicking the wind, a few soloists represent different creatures - both real and imaginary - scurry through the woods above your head. Then you hear the lone song of a Samodiva in the distance, your heart is beating hard, your steps are leading you straight towards the call against your better judgement. It is the ancient story of fear and desire, of self control and complete abandon. You, the listener, become witness to a wild dance, fire in the woods, snakes in their long blond hairs, slender bodies dressed in white clouds dancing to an imaginary beat.  Then it all ends abruptly and you left to wonder: Was it real? Did I see it? Am I safe?The third and final movement of the piece is based on a popular rhythmic folk dance in Bulgaria called Kopanitsa, while the melody creates a fugue between the different voices of the orchestra. The Kids are the little of the mountain goats - free to frolic high above tree line, above any human traces, as close to the clouds as one can get and still be touching the ground below. They are carefree, daring, and somewhat naive, yet safe under the watchful gaze of their parent. The movements ends in cascading repetitions of a musical motif in 5/8 representing the relentless passing of time or at least our perception of it.
$100.00
Whistling Away The Dark - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Julie Andrews
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Whistling Away The Dark - Scor
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JT publishing
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1425192 By Julie Andrews. By Henry Mancini and Johnny Mercer. Arranged by Nelson Riddle and Joe Tamosaitis. 20th Ce...
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String Orchestra - Level 4 - SKU: A0.1425192 By Julie Andrews. By Henry Mancini and Johnny Mercer. Arranged by Nelson Riddle and Joe Tamosaitis. 20th Century. 28 pages. JT publishing #1006010. Published by JT publishing (A0.1425192). I transcribed Nelson Riddle arrangement on soundtrack by ear. I transposed it to an easy key for young ensembles and added to the celeste figuration. The second half is entirely original- a 60's swing style groove. I tacked on a Peter Gunn influenced finale. It was put together to honor Henry Mancini's centennial. The audience loved it.Here's the youtube link to the April 18th performance by tge younger orchestra at Stuyvesant High School where I conduct the orchestra.
$10.00
Victoria's Secret
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Jax
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Andrew Gavin
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Victoria's Secret
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Andrew J Gavin
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1162161 By Jax. By Dan Henig, Jacqueline Miskanic, and Mark Nilan Jr. Arranged by Andrew Gavin. Contemporary,Pop,Si...
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String Orchestra - Level 4 - SKU: A0.1162161 By Jax. By Dan Henig, Jacqueline Miskanic, and Mark Nilan Jr. Arranged by Andrew Gavin. Contemporary,Pop,Singer/Songwriter. Score and Parts. 22 pages. Andrew J Gavin #762501. Published by Andrew J Gavin (A0.1162161). Pssst. Wanna hear a secret?Jax's TikTok smash hit has been arranged for strings by your favorite arranger! Bring your audience crashing into the 21st century with this fun pop song. Up a half step (G) for playability, this arrangement has a modulation for the final chorus to bring you back to the original key of F#. However, all of the guts, glory, glamour, and girl power are still preserved for optimal enjoyability. If I could go back and tell myself when I was younger, I'd say 'make sure to perform this piece. Everyone will love it!'
$49.99
Zen Zen Zense
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Film/TV
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Youjirou Noda
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Julie Doubleday
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Zen Zen Zense
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Julie Doubleday
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1223486 Composed by Youjirou Noda. Arranged by Julie Doubleday. Film/TV,Pop. Score and Parts. 30 pages. Julie Doubl...
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String Orchestra - Level 4 - SKU: A0.1223486 Composed by Youjirou Noda. Arranged by Julie Doubleday. Film/TV,Pop. Score and Parts. 30 pages. Julie Doubleday #819679. Published by Julie Doubleday (A0.1223486). Zenzenzense (Japanese: å‰å‰å‰ä¸–, Past Past Past Life) is a song by Japanese rock band Radwimps. It was used as one of the four theme songs to the animated film Your Name, and was one of 26 songs the band composed for the film's soundtrack. It reached number-one on the Billboard Japan Hot 100.It also received a digital download song certification of Million from the Recording Industry Association of Japan for sales of 1,000,000.
$49.99
Coronation March (Db) (String Orchestra - 3 Violins, 2 Violas, 2 Cellos, 1 Bass)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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Regis Bookshar
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Coronation March
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Regis Bookshar
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1087401 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,...
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String Orchestra - Level 4 - SKU: A0.1087401 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. Score and parts. 26 pages. Regis Bookshar #691621. Published by Regis Bookshar (A0.1087401). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. String Orchestra - Advanced/Intermediate - . This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (26 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a String Orchestra, with parts for 3 Violins, 2 Violas, 2 Violoncellos and 1 Double Bass. In addition to this arrangement of Tchaikovsky's Coronation March for a String Orchestra, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.
$26.00
Machinations for string orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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the same token, it was clear t
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Paul Sweet
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Machinations for string orches
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Paul Sweet Music
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.940136 Composed by Paul Sweet. 20th Century,Contemporary,Standards. Score and parts. 29 pages. Paul Sweet Music #57...
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String Orchestra - Level 4 - SKU: A0.940136 Composed by Paul Sweet. 20th Century,Contemporary,Standards. Score and parts. 29 pages. Paul Sweet Music #5771341. Published by Paul Sweet Music (A0.940136). Machinations, a 4 minute concert piece perfect for advanced high school or college level players, opens in a sort of rhythmic and tonal gridlock. Short sequences of notes in each part overlap and struggle to break free from the others, sometimes shifting slightly upward or downward. Slowly, new harmonies and dissonances are created by these shifts, taking the music to a breaking point where a new theme finally pushes through. A more outgoing middle section surges ahead relentlessly, each of the parts working now more as a group than before. Eventually, though, it becomes clear that the gridlock of the beginning must return. The third and final section seems at first to be a repeat of the opening material, but the appearance of music from the middle section lets the listener know this is not the case. Themes from all over the work soon blend and overlap, growing in intensity until the climax implodes and the work comes to a quiet and uneasy end. Machinations, by definition, are plots or schemes. I imagined, as I wrote the work, that each instrumental part was scheming about how it would break free from the rigid and meticulous pattern of the opening measures. By the same token, it was clear that some undefined force was plotting ways to keep the music in this form. Imagine these secret plots and maneuvers as you play or conduct the work for maximum effectiveness.
$24.99
Concerto for Treble Recorder and string Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Dell Wade
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Concerto for Treble Recorder a
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Strings and Jazz
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1354706 Composed by Dell Wade. 21st Century,Classical,Jazz. 98 pages. Strings and Jazz #939402. Published by String...
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String Orchestra - Level 4 - SKU: A0.1354706 Composed by Dell Wade. 21st Century,Classical,Jazz. 98 pages. Strings and Jazz #939402. Published by Strings and Jazz (A0.1354706). This is a three movement concerto written in a jazz style. The YouTube link is of the computer soundfile. It was composed for Viki Beockman.
$29.99
Tchaikovsky: Andante Cantabile for Cello Solo and String Orchestra, Op. posth.
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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Peter Ilyich Tchaikovsky
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Tchaikovsky: Andante Cantabile
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Flavio Regis Cunha
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.597543 By Peter Ilyich Tchaikovsky. By Peter Ilyich Tchaikovsky. Arranged by Piotr Ilyich Tchaikovsky - Edited by F...
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String Orchestra - Level 4 - SKU: A0.597543 By Peter Ilyich Tchaikovsky. By Peter Ilyich Tchaikovsky. Arranged by Piotr Ilyich Tchaikovsky - Edited by Flavio Regis Cunha. Classical,Contemporary,Contest,Easter,Festival,Romantic Period. Score and Parts. 24 pages. Flavio Regis Cunha #6440615. Published by Flavio Regis Cunha (A0.597543). Andante Cantabile for Cello Solo and String Orchestra, Op. posth. · Yo-Yo Ma · Lorin Maazel · Pyotr Ilyich Tchaikovsky · Pittsburgh Symphony Orchestra.Grab the attenttion of church, school and professional musicians, conductors and orchestras with this exquisite arrangement of Tchaikovsky's Andante Cantabile for Cello Solo and String Orchestra (Op. posth) and expertly played by the genius of Yo-Yo Ma, the grace of Lorin Maazel and the brilliance of the Pittsburgh Symphony Orchestra. This unique and captivating piece promises to inspire and mesmerize your audiences. Order your sheet music now and bring the timeless genius of Tchaikovsky to life!Produce the most beautiful performance by utilizing Tchaikovsky's Andante Cantabile for Cello Solo and String Orchestra (Op. posth) as it was performed by world renowned Yo-Yo Ma, acclaimed conductor Lorin Maazel, and the renowned Pittsburgh Symphony Orchestra. Get your professional ensemble together and get ready to create a stunning performance with this extraordinary sheet music. From String Quartet No. 1, Op. 11 in Tchaikovsky's own arrangement for cello and string orchestra. Composed by Peter Ilyich Tchaikovsky (1840-1893). This edition: set of parts.Level: Advanced Intermediate.Format: Concert, 9 x 12 inches.Size: 24 pages.Full Score and Set of PartsDuration: 6:20 min.Notes
$18.99
Modus Operandi
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Daniel Burwasser
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Modus Operandi
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Head and Stem
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1021131 Composed by Daniel Burwasser. 20th Century,Contemporary. Score and Parts. 36 pages. Head and Stem #5853635....
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String Orchestra - Level 4 - SKU: A0.1021131 Composed by Daniel Burwasser. 20th Century,Contemporary. Score and Parts. 36 pages. Head and Stem #5853635. Published by Head and Stem (A0.1021131). Modus Operandi is a latin phrase meaning method or way of doing something. The work was composed in various stages beginning in 2016 and completed in 2019. It is scored for strings only and begins with a slow, lyrical introduction followed by a faster section made up of a series of lively, rhythmical figures which get passed around each section of the orchestra. Modus Operandi was premiered on December 15, 2021 by the Jackson Heights Orchestra, Patricia Glunt, music director and conductor. For more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60.
$20.00
Tears for a Dying Planet
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Daniel Burwasser
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Tears for a Dying Planet
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Head and Stem
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1394384 Composed by Daniel Burwasser. 21st Century,Contemporary. 19 pages. Head and Stem #977866. Published by Head...
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String Orchestra - Level 4 - SKU: A0.1394384 Composed by Daniel Burwasser. 21st Century,Contemporary. 19 pages. Head and Stem #977866. Published by Head and Stem (A0.1394384). NOTES on Tears for a Dying PlanetTears for a Dying Planet paints a musical picture of a troubled world. It broadly expresses all of my pent-up fears, anger and frustrations which continue to lay heavily on my mind as our world descends into unsavory and uncharted territory. These problems run the gamut; endless military conflicts, threats of nuclear war, xenophobia, racism, anti-Semitism, science denial, steep political divisions, mass shootings, and not least by any means, climate change leading to extreme weather conditions across the globe.Tears for a Dying Planet is in a softly-played free form and contains several episodes which culminate into a forceful nine-note “death†chord representing grief and anger.  A single bar of recovery silence is offered honoring all who have suffered and continue to do so. --Daniel Burwasser NYC, February, 2024You can contact the composer directly at: danielburwasser9@gmail.comWebsite: https://www.danielburwasser.com/Youtube channel: https://www.youtube.com/channel/UCrCnkSRO-XOjUu7bMB8tzCg?view_as=subscriber
$20.00
Andante For Solo Violin and Strings (School Arrangement)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Geraldine Green
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Geraldine Green
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Andante For Solo Violin and St
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Geraldine
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1309761 Composed by Geraldine Green. Arranged by Geraldine Green. 21st Century,Chamber,Children,Classical. 47 pages...
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String Orchestra - Level 4 - SKU: A0.1309761 Composed by Geraldine Green. Arranged by Geraldine Green. 21st Century,Chamber,Children,Classical. 47 pages. Geraldine (Denny) Green at Oakmountmusic #898925. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1309761). ALL PURCHASES COME WITH SCORE AND PARTSAndante For Solo Violin and Strings - School ArrangementDuration – about 8 minutesThere are three arrangements available;School – for Solo Violin, Violins 1, 2 and 3, Cellos 1 and 2.  Standard – for Solo Violin, Violins 1 and 2, Viola, Cello and Double Bass.  Violin and piano.   Andante For Solo Violin And Strings was written in July 2018 for Gary Woolf, flautist and conductor of the Banda Di Musica, the youth string orchestra at the music school in Greven / Emsdetten / Saerbeck in Germany.The piece begins with a beautiful, melodic Andante where the melody alternates between the violin solo and the orchestra and giving out a mood of wistful calm. This soon leads into a lively folk-like Moderato Dance section with a great catchy tune and punchy rhythms. These two different sections compliment one another, adding variety and excitement as they repeat themselves half way through so that both melodies get plenty of work-out! The piece would very much suit young players, although amateurs and professionals alike can enjoy it.
$24.00
Surrender The Sword (score – violin and string orchestra)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Mark O'Connor
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Surrender The Sword
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Mark O'Connor Musik International
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.861940 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 28 pages. Mark O'Connor Musik In...
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String Orchestra - Level 4 - SKU: A0.861940 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 28 pages. Mark O'Connor Musik International #6208217. Published by Mark O'Connor Musik International (A0.861940). Surrender The Sword (score – violin and string orchestra) MO136AScore (parts available)Music by Mark O’Connor24 pages - 9:30 minutes in length Surrender The Sword for violin and string orchestra was composed and orchestrated by Mark O’Connor and used as one of the themes for the critically acclaimed PBS documentary, Liberty! The American Revolution. On the companion recording Liberty!, album notes author Thomas Fleming writes, ...something remarkable was taking shape in his imagination – sounds more extraordinary than he had ever experienced. On a trip to Key West, he visited Ernest Hemingway’s house. In the sundrenched garden, music leapt into O’Connor’s mind and in a breathtaking two hours, Surrender the Sword – and its orchestral outline – was on paper. It is unquestionably one of the most passionate orchestral pieces he has ever written. In the A part, the music is busy. You can imagine voices, perhaps in Congress, perhaps in a crowd in New York or Philadelphia, wondering what is going to happen next, as General George Washington is about to resign as commander-in-chief of the American army, O’Connor says. Then comes a long melodic arc, swelling with a triumphant confidence that depicts the great military leader extending his sword to surrender it forever. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1997 Composed by Mark O’ConnorCan be heard on Liberty! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Nashville Symphony, Kenneth Schermerhorn Catalogue Number MO136ACopyright © 1997 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$20.00
Surrender The Sword (violin solo part – violin and string orchestra)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Mark O'Connor
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Surrender The Sword
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Mark O'Connor Musik International
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.861941 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pages. Mark O'Connor Musik In...
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String Orchestra - Level 4 - SKU: A0.861941 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pages. Mark O'Connor Musik International #6208223. Published by Mark O'Connor Musik International (A0.861941). Surrender The Sword (violin solo part – violin and string orchestra) MO136BViolin Solo Part (score and parts available)Music by Mark O’Connor7 pages - 9:30 minutes in length Surrender The Sword for violin and string orchestra was composed and orchestrated by Mark O’Connor and used as one of the themes for the critically acclaimed PBS documentary, Liberty! The American Revolution. On the companion recording Liberty!, album notes author Thomas Fleming writes, ...something remarkable was taking shape in his imagination – sounds more extraordinary than he had ever experienced. On a trip to Key West, he visited Ernest Hemingway’s house. In the sundrenched garden, music leapt into O’Connor’s mind and in a breathtaking two hours, Surrender the Sword – and its orchestral outline – was on paper. It is unquestionably one of the most passionate orchestral pieces he has ever written. In the A part, the music is busy. You can imagine voices, perhaps in Congress, perhaps in a crowd in New York or Philadelphia, wondering what is going to happen next, as General George Washington is about to resign as commander-in-chief of the American army, O’Connor says. Then comes a long melodic arc, swelling with a triumphant confidence that depicts the great military leader extending his sword to surrender it forever. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1997 Composed by Mark O’ConnorCan be heard on Liberty! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Nashville Symphony, Kenneth Schermerhorn Catalogue Number MO136BCopyright © 1997 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00
Surrender The Sword (string parts – violin and string orchestra)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Mark O'Connor
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Surrender The Sword
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Mark O'Connor Musik International
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.861942 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 51 pages. Mark O'Connor Musik In...
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String Orchestra - Level 4 - SKU: A0.861942 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 51 pages. Mark O'Connor Musik International #6208225. Published by Mark O'Connor Musik International (A0.861942). Surrender The Sword (string parts – violin and string orchestra) MO136C-GString Parts (parts available)Music by Mark O’Connor51 pages - 9:30 minutes in length Surrender The Sword for violin and string orchestra was composed and orchestrated by Mark O’Connor and used as one of the themes for the critically acclaimed PBS documentary, Liberty! The American Revolution. On the companion recording Liberty!, album notes author Thomas Fleming writes, ...something remarkable was taking shape in his imagination – sounds more extraordinary than he had ever experienced. On a trip to Key West, he visited Ernest Hemingway’s house. In the sundrenched garden, music leapt into O’Connor’s mind and in a breathtaking two hours, Surrender the Sword – and its orchestral outline – was on paper. It is unquestionably one of the most passionate orchestral pieces he has ever written. In the A part, the music is busy. You can imagine voices, perhaps in Congress, perhaps in a crowd in New York or Philadelphia, wondering what is going to happen next, as General George Washington is about to resign as commander-in-chief of the American army, O’Connor says. Then comes a long melodic arc, swelling with a triumphant confidence that depicts the great military leader extending his sword to surrender it forever. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1997 Composed by Mark O’ConnorCan be heard on Liberty! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Nashville Symphony, Kenneth Schermerhorn Catalogue Number MO136C-GCopyright © 1997 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$37.50
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Visionary Quest Records
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Violin Solo
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Tears from My Eyes: Onward and
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Visionary Quest Records
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.984536 Composed by Visionary Quest Records. Concert,Contemporary. Score and parts. 75 pages. Visionary Quest Record...
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String Orchestra - Level 4 - SKU: A0.984536 Composed by Visionary Quest Records. Concert,Contemporary. Score and parts. 75 pages. Visionary Quest Records #4767739. Published by Visionary Quest Records (A0.984536). STRING ORCHESTRA - Cello Solo; Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 75 pages. Composer: Tito Abeleda (1964 - ) . HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter:
$44.99
Rondo in Bb for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Laura Chegwidden
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Rondo in Bb for String Orchest
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Laura Chegwidden
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.812111 Composed by Wolfgang Amadeus Mozart. Arranged by Laura Chegwidden. Classical,Concert,Graduation,Wedding. Sco...
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String Orchestra - Level 4 - SKU: A0.812111 Composed by Wolfgang Amadeus Mozart. Arranged by Laura Chegwidden. Classical,Concert,Graduation,Wedding. Score and Parts. 46 pages. Laura Chegwidden #3558843. Published by Laura Chegwidden (A0.812111). Mozart is one of the most famous composers to have ever lived. His Rondo in Bb for Violin and Orchestra (KV 269) is an energetic work that was requested by violinist Antonio Brunetti. Probably written between 1775 and 1777, Mozart would have been in his early 20s when he wrote this. This arrangement is for String Orchestra, and reflects the textures and voicings of the original orchestration. Rondo in Bb is a fun and vibrant piece that reflects Mozart's youth and vivacity, and would be perfect for weddings, schools, churches and any other performance opportunities that arise for the professional or amateur musician. The arrangement goes for approx. 6 min. This purchase includes a score and parts for all performers; violin 1, violin 2, viola, cello, and double bass. It would work best for players of an intermediate to advanced level. It is set in the key of Bb major, which is the original key. Laura Chegwidden is a pianist, cellist, double bassist and singer from Toowoomba Australia. She recently graduated with distinction from the University of Newcastle with a B.MUS majoring in Cello and Composition. For more arrangements like this one or for any questions you can contact Laura through her facebook page or website: www.facebook.com/lchegmusic/ lchegmusic.com
$14.99
Minuet For Margaret, for Strings. (School Arrangement)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Geraldine
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Minuet For Margaret, for Strin
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Geraldine
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1298412 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and Parts. 52 pages. Ge...
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String Orchestra - Level 4 - SKU: A0.1298412 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and Parts. 52 pages. Geraldine (Denny) Green at Oakmountmusic #888401. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1298412). ALL PURCHASES COME WITH SCORE AND PARTSWhen I was a young child and I would ask my mother for something she would often, in the midst of all her busy jobs, say to me, “Oh, give me a minuet!â€, meaning jokingly a minute, of course, before she could tend to my wishes.  This meant that I grew up believing that a minuet and a minute meant the same thing and could be equally interchanged. You can then imagine my amazement and amusement at around 13/14 years of age when I discovered through my music studies that a minuet was in fact a type of musical form and dance! Therefore, it went without saying that at some point in my music writing life I just HAD to write my Mum a minuet! So, here is the minuet she so often unwittingly asked me for throughout our lives! She attended the premiere of the Flute, violin and piano arrangement in Bolton, UK, and was highly amused (and not a little chuffed) by the story behind the piece!Naturally, the piece is dedicated to my mother, Margaret (Pearl) Denny, and was finally written in June 2015 for Gary Woolf and the Banda Di Musica in Germany.Its duration is about 7/8 minutes long and it is intended for junior strings. Violins 1 and 2 are of moderate difficulty, while the Violin 3/violas, cellos/basses are simpler.There is a violin solo throughout (moderate difficulty), to be played by the Leader, but is not a concerto-style solo, but rather one that weaves in and out of the texture throughout the piece.The piece is in a minuet and Trio style and is light, tuneful and fun. There are 3 arrangements available:No.1 – School Arrangement: Violins 1, 2 and 3, Cellos 1 and 2No.2 – Standard Arrangement: Violins 1 and 2, violas, cellos, Double bassesNo.3 – Violin, flute and piano.  This arrangement is of a more advanced standard than the string orchestra arrangements and would suit players of approximately grade 7 upwards.
$25.00
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It Was You