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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Live And Die
Non classifié
123
Piano & claviers
Piano seul
56
Piano, Voix
11
1 Piano, 4 mains
6
Piano, Voix et Guitare
4
Instruments en Do
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Orgue
1
+ 2 instrumentations
Retracter
Guitares
Guitare
11
Ligne De Mélodie, (Paroles) et Accords
4
Guitare notes et tablatures
4
4 Guitares (Quatuor)
3
Piano, Guitare (duo)
2
Basse electrique
1
2 Guitares (duo)
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
55
Chorale TTBB
10
Chorale SSAA
4
Chorale 2 parties
1
Voix Tenor, Piano
1
Voix Mezzo-Soprano, Piano
1
Voix haute
1
Chorale 3 parties
1
+ 3 instrumentations
Retracter
Vents
2 Flûtes traversières, Piano
24
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
18
Flûte, Hautbois, Clarinette, Basson
10
Ensemble de Clarinettes
9
Quatuor de Saxophones: 4 saxophones
9
2 Flûtes traversières (duo)
9
Quatuor de Flûtes : 4 flûtes
9
Quintette de Saxophone: 5 saxophones
8
Quatuor de Clarinettes: 4 clarinettes
8
2 Saxophones (duo)
6
Saxophone Alto et Piano
4
Saxophone, Clarinette (duo)
3
2 Clarinettes (duo)
3
Hautbois, Piano (duo)
3
Clarinette
2
Ensemble de saxophones
2
Clarinette et Piano
2
Clarinette, Trompette (duo)
2
Clarinette, Violon (duo)
2
Saxophone Tenor et Piano
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte, Clarinette (duo)
2
Ensemble de Flûtes
2
5 Flûtes à bec
1
Flûte, Trompette (duo)
1
Hautbois (partie séparée)
1
Clarinette, Alto et Piano (trio)
1
Piccolo, Piano
1
2 Hautbois (duo)
1
Flûte traversière et Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Saxophone (duo)
1
Hautbois, Basson (duo)
1
Clarinette, Guitare (duo)
1
Saxophone Alto
1
Hautbois, Clarinette (duo)
1
Flûte, Clarinette et Basson
1
Flûte, Violon
1
Clarinette et Alto
1
Flûte traversière
1
Trio de Flûtes: 3 flûtes
1
Clarinette Basse, Piano
1
Flûte, Violon et Violoncelle
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Alto (duo)
1
Hautbois, Flûte
1
Quintette de Flûte : 5 flûtes
1
Ocarina
1
+ 43 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
19
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Trompette, Piano
5
Ensemble de Trombones
4
Trombone et Piano
3
Trompette, Saxophone (duo)
2
2 Euphoniums et 2 Tubas
2
Trompette
2
Cor et Piano
2
Ensemble de Trompettes
2
Trombone et orchestre
1
Ensemble de Cors
1
Quatuor de cuivres: 4 cors
1
Trompette, Trombone (duo)
1
2 Trompettes (duo)
1
Euphonium, Piano (duo)
1
Quatuor de cuivres: 4 trombones
1
Euphonium, Tuba (duo)
1
2 Trombones (duo)
1
Tuba et Piano
1
Quatuor de Cuivres
1
+ 17 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
41
Violon et Piano
13
Trio à Cordes: violon, alto, violoncelle
7
Alto, Piano
6
Violoncelle, Piano
6
Violon
4
2 Violons (duo)
4
Violoncelle
3
Trio à Cordes: 2 violons, violoncelle
3
Violon, Violoncelle (duo)
3
Harpe
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Contrebasse, Piano (duo)
2
Harpe, Voix
2
Violon, Alto (duo)
2
2 Altos (duo)
1
Ensemble d'Altos
1
Trio à Cordes: 3 violoncelles
1
Alto seul
1
Ensemble de Violons
1
2 Violoncelles (duo)
1
+ 16 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
41
Orchestre à Cordes
33
Orchestre
19
Ensemble de cuivres
12
Ensemble Jazz
10
Orchestre de chambre
7
Fanfare
6
Cloches
5
Jazz combo
3
Marimba
1
Batterie
1
+ 6 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Note4Piano
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Vous avez sélectionné:
Live And Die
avancé
Orchestre à Cordes
Partitions à imprimer
33 partitions trouvées
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1
26
Under the Wide and Starry Sky
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Robert Steadman
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Under the Wide and Starry Sky
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Robert Steadman
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1308645 Composed by Robert Steadman. 21st Century,Classical. Score and Parts. 10 pages. Robert Steadman #897885. Pu...
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String Orchestra - Level 4 - SKU: A0.1308645 Composed by Robert Steadman. 21st Century,Classical. Score and Parts. 10 pages. Robert Steadman #897885. Published by Robert Steadman (A0.1308645). Originally for SATB choir, here is Under the Wide and Starry Sky by Robert Steadman in his own adaptation for string orchestra.The piece is inspired by Robert Louis Stevenson's poem, Requiem.Under the wide and starry sky,Dig the grave and let me lie.Glad did I live and gladly die,And I laid me down with a willThis be the verse you grave for me:Here he lies where he longed to be;Home is the sailor, home from sea,And the hunter home from the hill.The piece lasts around 5 minutes.The pdf includes full score and the 5 separate parts.
$18.00
Andante For Solo Violin and Strings (School Arrangement)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Geraldine Green
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Geraldine Green
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Andante For Solo Violin and St
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Geraldine
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1309761 Composed by Geraldine Green. Arranged by Geraldine Green. 21st Century,Chamber,Children,Classical. 47 pages...
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String Orchestra - Level 4 - SKU: A0.1309761 Composed by Geraldine Green. Arranged by Geraldine Green. 21st Century,Chamber,Children,Classical. 47 pages. Geraldine (Denny) Green at Oakmountmusic #898925. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1309761). ALL PURCHASES COME WITH SCORE AND PARTSAndante For Solo Violin and Strings - School ArrangementDuration – about 8 minutesThere are three arrangements available;School – for Solo Violin, Violins 1, 2 and 3, Cellos 1 and 2.  Standard – for Solo Violin, Violins 1 and 2, Viola, Cello and Double Bass.  Violin and piano.   Andante For Solo Violin And Strings was written in July 2018 for Gary Woolf, flautist and conductor of the Banda Di Musica, the youth string orchestra at the music school in Greven / Emsdetten / Saerbeck in Germany.The piece begins with a beautiful, melodic Andante where the melody alternates between the violin solo and the orchestra and giving out a mood of wistful calm. This soon leads into a lively folk-like Moderato Dance section with a great catchy tune and punchy rhythms. These two different sections compliment one another, adding variety and excitement as they repeat themselves half way through so that both melodies get plenty of work-out! The piece would very much suit young players, although amateurs and professionals alike can enjoy it.
$24.00
Mountain Goats And Other Creatures
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Vessela Stoyanova
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Mountain Goats And Other Creat
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Vessela Stoyanova
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1201464 By Vessela Stoyanova. By Vessela Stoyanova. Folk,Multicultural,World. Score and parts. 89 pages. Vessela St...
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String Orchestra - Level 4 - SKU: A0.1201464 By Vessela Stoyanova. By Vessela Stoyanova. Folk,Multicultural,World. Score and parts. 89 pages. Vessela Stoyanova #798931. Published by Vessela Stoyanova (A0.1201464). “Mountain Goats and Other Creatures†was Commissioned by Rachel Jayson and the Lexington High School Symphony Orchestra.It was inspired by the folk music of my native land of Bulgaria, informed by my experience as a rock musician, reimagined through the lense of my place inside of a community of like-minded artists and musicians, where I have made my real home today. The first movement - Mountain Goats - is a sort of celebration of renewal, promise, and hope. It represents the tenacious will of grass growing through the snow of early spring, the powerful longing for human connection, the warmth of the sun against your skin on a bright chilly day. It carries both the pristine optimism of youth, and the nervous energy of trying something for the first time. The second movement - Samodivi - in contrast is dark, heavy and full of passion and desire. According to Balkan myths, Samodivi are gorgeous nymphs who live in the woods and often seduce men with their beautiful song and dance. They are feared and envied at the same time. The music of the second movement represents the mysterious dark forest at night - lower strings create the moss under your feet, higher strings use extended techniques to simulate the noise of branches clicking the wind, a few soloists represent different creatures - both real and imaginary - scurry through the woods above your head. Then you hear the lone song of a Samodiva in the distance, your heart is beating hard, your steps are leading you straight towards the call against your better judgement. It is the ancient story of fear and desire, of self control and complete abandon. You, the listener, become witness to a wild dance, fire in the woods, snakes in their long blond hairs, slender bodies dressed in white clouds dancing to an imaginary beat.  Then it all ends abruptly and you left to wonder: Was it real? Did I see it? Am I safe?The third and final movement of the piece is based on a popular rhythmic folk dance in Bulgaria called Kopanitsa, while the melody creates a fugue between the different voices of the orchestra. The Kids are the little of the mountain goats - free to frolic high above tree line, above any human traces, as close to the clouds as one can get and still be touching the ground below. They are carefree, daring, and somewhat naive, yet safe under the watchful gaze of their parent. The movements ends in cascading repetitions of a musical motif in 5/8 representing the relentless passing of time or at least our perception of it.
$100.00
Minuet For Margaret, for Strings. (Standard Arrangement)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Geraldine
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Minuet For Margaret, for Strin
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Geraldine
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1298413 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and Parts. 53 pages. Ge...
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String Orchestra - Level 4 - SKU: A0.1298413 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and Parts. 53 pages. Geraldine (Denny) Green at Oakmountmusic #888402. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1298413). ALL PURCHASES COME WITH SCORE AND PARTSWhen I was a young child and I would ask my mother for something she would often, in the midst of all her busy jobs, say to me, “Oh, give me a minuet!â€, meaning jokingly a minute, of course, before she could tend to my wishes.  This meant that I grew up believing that a minuet and a minute meant the same thing and could be equally interchanged. You can then imagine my amazement and amusement at around 13/14 years of age when I discovered through my music studies that a minuet was in fact a type of musical form and dance! Therefore, it went without saying that at some point in my music writing life I just HAD to write my Mum a minuet! So, here is the minuet she so often unwittingly asked me for throughout our lives! She attended the premiere of the Flute, violin and piano arrangement in Bolton, UK, and was highly amused (and not a little chuffed) by the story behind the piece!Naturally, the piece is dedicated to my mother, Margaret (Pearl) Denny, and was finally written in June 2015 for Gary Woolf and the Banda Di Musica in Germany.Its duration is about 7/8 minutes long and it is intended for junior strings. Violins 1 and 2 are of moderate difficulty, while the Violin 3/violas, cellos/basses are simpler.There is a violin solo throughout (moderate difficulty), to be played by the Leader, but is not a concerto-style solo, but rather one that weaves in and out of the texture throughout the piece.The piece is in a minuet and Trio style and is light, tuneful and fun. There are 3 arrangements available:No.1 – School Arrangement: Violins 1, 2 and 3, Cellos 1 and 2No.2 – Standard Arrangement: Violins 1 and 2, violas, cellos, Double bassesNo.3 – Violin, flute and piano.  This arrangement is of a more advanced standard than the string orchestra arrangements and would suit players of approximately grade 7 upwards.
$25.00
Bamboula, from 24 Negro Melodies
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Samuel Coleridge-Taylor
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Bamboula, from 24 Negro Melodi
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String Play for All
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.859954 Composed by Samuel Coleridge-Taylor. Arranged by Steven Kruse, Penny Thompson Kruse. 20th Century,African,Sp...
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String Orchestra - Level 4 - SKU: A0.859954 Composed by Samuel Coleridge-Taylor. Arranged by Steven Kruse, Penny Thompson Kruse. 20th Century,African,Spiritual,Standards. Score and parts. 71 pages. String Play for All #5983473. Published by String Play for All (A0.859954). Samuel Coleridge-Taylor (1875-1912) was one of the leading black composers from England during his time. His most famous work is The Song of Hiawatha. He wrote 24 Negro Melodies, Op. 59 for piano solo. This movement, Bamboulais the first one to be arranged for string orchestra. Bamboula was a lively syncopated dance the first appeared in the US inNew Orleans. Your students will love the lively rhythms and harmonies of this arrangement which is Grade 3.5 level. Approximate length is 2 1/2 minutes
$15.99
5 Spirituals and Dances from "24 Negro Melodies" by Samuel Coleridge-Taylor for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Samuel Coleridge-Taylor
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5 Spirituals and Dances from &
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String Play for All
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.859956 Composed by Samuel Coleridge-Taylor. Arranged by Steven Kruse, Penny Thompson Kruse. African,Folk,Gospel,Spi...
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String Orchestra - Level 4 - SKU: A0.859956 Composed by Samuel Coleridge-Taylor. Arranged by Steven Kruse, Penny Thompson Kruse. African,Folk,Gospel,Spiritual. Score and parts. 276 pages. String Play for All #6079061. Published by String Play for All (A0.859956). This is an arrangement for String Orchestra with optional harp of the most beloved Black Spirituals: Wade in the Water, Sometimes I Feel Like a Motherless Child, Deep River, My Lord Delivered Daniel, and Bamboula. This instrumental setting preserves the energy and warmth of the original. Expose your students to this important style of American Music. Each work contains a brief description as well as illustration. The work is demanding technically and would be appropriate for advanced high school or college students. All five movements total about 12 1/2 minutes. Grade 3.5.
$19.99
Arirang (For Violin and S.Orchestra)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Han-Ki Kim
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Arirang
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Han-Ki Kim
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.511810 Composed by Han-Ki Kim. Classical,Contemporary,Instructional,Multicultural,Standards,World. Score and parts....
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String Orchestra - Level 4 - SKU: A0.511810 Composed by Han-Ki Kim. Classical,Contemporary,Instructional,Multicultural,Standards,World. Score and parts. 23 pages. Han-Ki Kim #6437561. Published by Han-Ki Kim (A0.511810). Arirang for Violin and String Orchestra Op.154(Dedicated to the late professor Emeritus Nam-Yun Kim) “Arirang†is a representative folk song of Korea and a famous song widely known around the world. This concerto was composed to give value as an artistic literature to such a familiar theme. In this concerto “Arirangâ€, I want both the performers and the audience to feel “musical sympathyâ€. Following the short and fast introduction in 3/4 time, it is connected in the form of 5 variations in 6/8 time. Each variation expresses a different musical atmosphere, performance speed, or change in composition. In general, the main melody is mainly played by the first violin, but as far as the main melody is concerned, in this music, high-pitched instruments and low-pitched instruments intersect and cycle in equal positions, not in a melodicline relationship. After the fourth variation, a virtuosic solo of the movement alone is connected, and after the finale with a broad and majestic atmosphere, it ends with a short and lively coda with the same character as the beginning. Attached file is played by S.Orchestra just for a reference.
$14.90
Vecsey Valse Triste for Violin and String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Franz de Vecsey
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Paul Wood
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Vecsey Valse Triste for Violin
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MyMusicScores.com
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1245852 Composed by Franz de Vecsey. Arranged by Paul Wood. Romantic Period. Score and Parts. 21 pages. MyMusicScor...
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String Orchestra - Level 4 - SKU: A0.1245852 Composed by Franz de Vecsey. Arranged by Paul Wood. Romantic Period. Score and Parts. 21 pages. MyMusicScores.com #840684. Published by MyMusicScores.com (A0.1245852). Vecsey's piece, Valse Triste in C minor, composed in 1913 and dedicated to Princesse Elena Lante della Rovere, serves as a poignant reminder of Vecsey's musical genius. Through its haunting melodies and evocative harmonies, the composition encapsulates the depth of his emotions and the profound beauty of his art. Though his life was cut tragically short, Franz de Vecsey's legacy lives on.The PDF file contains the score and all instrumental parts.
$14.99
Farnaby: Fantasia CXXIX for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Giles Farnaby
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James M
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Farnaby: Fantasia CXXIX for St
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1298252 Composed by Giles Farnaby. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,...
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String Orchestra - Level 4 - SKU: A0.1298252 Composed by Giles Farnaby. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 33 pages. Jmsgu3 #888225. Published by jmsgu3 (A0.1298252). Giles Farnaby was an English composer and virginalist during the late 16th and early 17th centuries. He is known for his contributions to Elizabethan and Jacobean music. He was born around 1560 and lived during the reigns of Queen Elizabeth I and King James I. He was a contemporary of other notable English composers such as William Byrd and John Dowland. Farnaby's compositions are known for their variety of styles. He wrote pieces that ranged from lively dance tunes to more intricate and introspective works. His music often featured elements of English folk melodies and dance rhythms.Giles Farnaby's Fantasias are significant for their role in developing keyboard music, their influence on later composers, and their historical documentation of musical practices in late Renaissance England. Farnaby's music often displays a lively and whimsical character, with syncopations, rapid passagework, and playful ornamentation. His style was influenced by the continental keyboard music of his time, especially that of the English virginalists like John Bull and William Byrd. However, Farnaby's compositions also have a distinct character, marked by their dance-like rhythms and catchy melodies.Although Farnaby's music fell out of favor during the Baroque period, there has been a resurgence of interest in his works in the modern era. Musicians and scholars have rediscovered and recorded his compositions, helping to revive his legacy.
$39.95
Farnaby: Fantasia CXXIX for String Orchestra - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Giles Farnaby
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James M
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Farnaby: Fantasia CXXIX for St
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1298242 Composed by Giles Farnaby. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,...
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String Orchestra - Level 4 - SKU: A0.1298242 Composed by Giles Farnaby. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 17 pages. Jmsgu3 #888221. Published by jmsgu3 (A0.1298242). Giles Farnaby was an English composer and virginalist during the late 16th and early 17th centuries. He is known for his contributions to Elizabethan and Jacobean music. He was born around 1560, and he lived during the reigns of Queen Elizabeth I and King James I. He was a contemporary of other notable English composers such as William Byrd and John Dowland. Farnaby's compositions are known for their variety of styles. He wrote pieces that ranged from lively dance tunes to more intricate and introspective works. His music often featured elements of English folk melodies and dance rhythms.Giles Farnaby's Fantasias are significant for their role in the development of keyboard music, their influence on later composers, and their historical documentation of musical practices in late Renaissance England. Farnaby's music often displays a lively and whimsical character, with syncopations, rapid passagework, and playful ornamentation. His style was influenced by the continental keyboard music of his time, especially that of the English virginalists like John Bull and William Byrd. However, Farnaby's compositions also have a distinct character, marked by their dance-like rhythms and catchy melodies.Although Farnaby's music fell out of favor during the Baroque period, there has been a resurgence of interest in his works in the modern era. Musicians and scholars have rediscovered and recorded his compositions, helping to revive his legacy.
$32.95
The Barnyards O'Delgaty - String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Traditional Scottish
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Kate Agioritis
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The Barnyards O'Delgaty - Stri
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Musika Publishing Australia
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.567101 Composed by Traditional Scottish. Arranged by Kate Agioritis. Folk,Standards. Score and parts. 24 pages. Mus...
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String Orchestra - Level 4 - SKU: A0.567101 Composed by Traditional Scottish. Arranged by Kate Agioritis. Folk,Standards. Score and parts. 24 pages. Musika Publishing Australia #5033927. Published by Musika Publishing Australia (A0.567101). The Barnyards O’Delgaty is one of the most famous ‘Bothy Ballads’ (a song sung by farm labourers in the northeast region of Scotland). The farm of Barnyards is on the Delgaty estate a mile north east of Turriff. The melody is derived from an old Lowland love song called ‘Linton Lowrie’ by Alexander MacKenzie and James Ballantine thought to have bee composed early in the 20th Century. A reference to ‘Linton Lowrie’ can be found in the chorus: Linten adie, tooren adie,Linten adie, tooren ay,inten lowerin lowerin lowerin,The Barnyards o Delgaty. This lively arrangement by Kate Agioritis traverses a range of keys, and provides each player with an opportunity to showcase the playful melody. Download includes a score and a full set of parts (including Violin 3 substitute for Viola part).
$35.00
I Want You Back
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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The Jackson 5
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Chris Livesay
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I Want You Back
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Chris Livesay
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1031109 By The Jackson 5. By Alphonso Mizell, Berry Gordy Jr., Deke Richards, and Freddie Perren. Arranged by Chris...
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String Orchestra - Level 4 - SKU: A0.1031109 By The Jackson 5. By Alphonso Mizell, Berry Gordy Jr., Deke Richards, and Freddie Perren. Arranged by Chris Livesay. Pop. Score and parts. 31 pages. Chris Livesay #2920469. Published by Chris Livesay (A0.1031109). A String Orchestra Arrangement of the Jackson 5 hit I Want you Back with a little bit of celtic flair thrown in. .
$40.00
Beethoven: Bagatelle Op. 33 No. 5 for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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James M
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Beethoven: Bagatelle Op. 33 No
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1209097 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. Guthrie, ASCAP. 19th Century,Cl...
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String Orchestra - Level 4 - SKU: A0.1209097 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. Guthrie, ASCAP. 19th Century,Classical,Contest,Festival,Instructional,Traditional. Score and Parts. 19 pages. Jmsgu3 #807198. Published by jmsgu3 (A0.1209097). 5. Allegro ma non troppo.Beethoven's Bagatelles Op. 33 are pretty typical of his early style, retaining many compositional features of the early Classical period.  The first bagatelle is arguably one of Beethoven's most well-known pieces. While they may seem light-hearted and not to be taken too seriously, they are still well-crafted works that embody the younger Beethoven's style. The Bagatelles Op. 33 were composed by Beethoven in 1801-02 and published in 1803. Bagatelles are shorter and less complex than sonatas, often consisting of a single movement. They were intended to be played as light entertainment or as encores at the end of a concert.Bagatelle No. 5 of Beethoven's Op. 33 is a short piece that showcases the composer's mastery of melody and harmony. The piece is in the key of C major and is written in a simple ternary form, with a lively and playful opening theme that is followed by a contrasting middle section in the homotonic key of C minor. The opening theme is characterized by its use of syncopation, which give it a lively and energetic feel. The middle section, on the other hand, is more introspective and lyrical, with a more subdued and melancholic mood. The piece ends with a return to the opening theme, which is now played in a surprising and forceful manner. Overall, Bagatelle No. 5 is a charming and delightful piece that showcases Beethoven's skill in creating memorable melodies and harmonies within a concise and compact form.
$42.95
Sweelinck: Six Echo Fantasias Complete for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Six Echo Fantasias
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1298030 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,...
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String Orchestra - Level 4 - SKU: A0.1298030 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. Score and Parts. 168 pages. Jmsgu3 #887931. Published by jmsgu3 (A0.1298030). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$116.85
Sweelinck: Echo Fantasia No. 6 for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 6
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1298000 Composed by Jan Pieterszoon Sweelinck. Arranged by James M.. Guthrie. Contest,Early Music,Festival,Historic...
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String Orchestra - Level 4 - SKU: A0.1298000 Composed by Jan Pieterszoon Sweelinck. Arranged by James M.. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. Score and Parts. 23 pages. Jmsgu3 #887905. Published by jmsgu3 (A0.1298000). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$38.95
Sweelinck: Echo Fantasia No. 4 for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 4
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1297521 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,...
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String Orchestra - Level 4 - SKU: A0.1297521 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. Score and Parts. 40 pages. Jmsgu3 #887564. Published by jmsgu3 (A0.1297521). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$38.95
Sweelinck: Echo Fantasia No. 5 for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 5
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1297702 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,...
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String Orchestra - Level 4 - SKU: A0.1297702 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. Score and Parts. 26 pages. Jmsgu3 #887673. Published by jmsgu3 (A0.1297702). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$38.95
Sweelinck: Echo Fantasia No. 1 for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 1
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1295730 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,...
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String Orchestra - Level 4 - SKU: A0.1295730 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 38 pages. Jmsgu3 #886030. Published by jmsgu3 (A0.1295730). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$38.95
Sweelinck: Six Echo Fantasias Complete for String Orchestra - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Six Echo Fantasias
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1298022 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,...
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String Orchestra - Level 4 - SKU: A0.1298022 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Instructional,Renaissance. 88 pages. Jmsgu3 #887923. Published by jmsgu3 (A0.1298022). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$98.85
Sweelinck: Echo Fantasia No. 5 for String Orchestra - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 5
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jmsgu3
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1297695 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,...
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String Orchestra - Level 4 - SKU: A0.1297695 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 14 pages. Jmsgu3 #887669. Published by jmsgu3 (A0.1297695). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$32.95
Sweelinck: Echo Fantasia No. 6 for String Orchestra - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Jan Pieterszoon Sweelinck was
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James M
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Sweelinck: Echo Fantasia No. 6
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1297998 Composed by Jan Pieterszoon Sweelinck was. Arranged by James M. Guthrie. Contest,Early Music,Festival,Histo...
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String Orchestra - Level 4 - SKU: A0.1297998 Composed by Jan Pieterszoon Sweelinck was. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 12 pages. Jmsgu3 #887903. Published by jmsgu3 (A0.1297998). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$32.95
Sweelinck: Fantasia Chromatica for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Fantasia Chromatica
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1294908 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,...
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String Orchestra - Level 4 - SKU: A0.1294908 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. Score and Parts. 37 pages. Jmsgu3 #885222. Published by jmsgu3 (A0.1294908). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Fantasia Chromatica is based on a descending chromatic tetrachord from D to A. The theme is later developed in various ways, including canons, augmentation, diminution, and double augmentation. The piece forms an essential link between the Renaissance and the Baroque.
$38.95
Sweelinck: Fantasia Chromatica for String Orchestra - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Fantasia Chromatica
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1294900 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,...
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String Orchestra - Level 4 - SKU: A0.1294900 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 21 pages. Jmsgu3 #885220. Published by jmsgu3 (A0.1294900). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Fantasia Chromatica is based on a descending chromatic tetrachord from D to A. The theme is later developed in various ways, including canons, augmentation, diminution, and double augmentation. The piece forms an essential link between the Renaissance and the Baroque.
$32.95
Sweelinck: Fantasia Ut, re, mi, fa, sol, la for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Fantasia Ut, re, mi
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1293563 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,...
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String Orchestra - Level 4 - SKU: A0.1293563 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. Score and Parts. 44 pages. Jmsgu3 #884041. Published by jmsgu3 (A0.1293563). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann.
$38.95
Sweelinck: Fantasia Ut, re, mi, fa, sol, la for String Orchestra - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Fantasia Ut, re, mi
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1293478 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,...
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String Orchestra - Level 4 - SKU: A0.1293478 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 23 pages. Jmsgu3 #883964. Published by jmsgu3 (A0.1293478). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann.
$32.95
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