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--INSTRUMENTS--
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Crtitères actifs :
Low Rider - Cello
avancé
Orchestre à Cordes
Partitions à imprimer
3 partitions trouvées
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The Headless Rider from "Suite Fantastique: The Legend of Sleepy Hollow"
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Halloween
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Fidelis Zitterbart
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Marc Linwood
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The Headless Rider from "Suite
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RēsFacta Editions
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1436597 Composed by Fidelis Zitterbart. Arranged by Marc Linwood. 19th Century,20th Century,Classical,Halloween,Thr...
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String Orchestra - Level 4 - SKU: A0.1436597 Composed by Fidelis Zitterbart. Arranged by Marc Linwood. 19th Century,20th Century,Classical,Halloween,Thriller. 25 pages. RēsFacta Editions #1016711. Published by RēsFacta Editions (A0.1436597). American composer, Fidelis Zitterbart’s Suite Fantastique in E Minor: The Legend of Sleepy Hollow, inspired by Washington Irving's short story, was originally composed for a chamber ensemble of two violins, viola, flute, and piano. The final movement of the work, The Headless Rider, depicts the spectral figure who roams the night on horseback, searching for something lost and seeking revenge. The music conveys a sense of urgency and intensity, as if the Headless Rider is on a relentless quest through the darkness. This arrangement for string orchestra features a driving ostinato figure by the violas, making it an ideal selection for an orchestra with a strong viola section for a Halloween-themed concert. Score and Parts. Duration: Approx. 4 minutes.
$40.00
Concerto for Oboe and Bassoon in C minor.
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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George Frideric Handel
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Arte Nova Music Lab
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Concerto for Oboe and Bassoon
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Arte Nova Music Lab
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.742492 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score ...
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String Orchestra - Level 4 - SKU: A0.742492 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 57 pages. Arte Nova Music Lab #5041947. Published by Arte Nova Music Lab (A0.742492). Around the year 1726, John Walsh, a London music publisher, created a wonderful forgery in order to run around the copyright laws of the day: he pretended to pirate an edition supposedly published by the House of Roger in Amsterdam. This forgery included 12 Sonatas for solo instrument and continuo which had been composed by one George Frideric Handel (1685-1759). Around 1793 the House of Arnold published the same set, omitting two of the original 12 and replacing them with two others by Handel. So at this point there were a total of 14 solo sonatas available to the public.In the year 1879 Friedrich Chrysander issued these 14 works and several others in volume 27 of the German Handel Society’s Gesamtausgabe of Handel’s works. Since then they have been edited from this scholarly work many times, and afflicted by all sorts of permutations which reflect the various styles of performance in vogue over the years. One finds editions stripped of ornamentation but loaded with articulation and dynamic markings at one end of the spectrum, and editions with modest stenographic and florid ornamentation at the other. The Sonata in C Minor (London: 1712) is a pure example of the middle phase of the solo sonata da chiesa [church sonata]. The first three movements are indicative of the style found in sonatas derived from the disruptive canzona of the early 17th century. An initial slow movement with walking bass is followed by an imitative movement (in this case, a fugue with a chromatic subject), which in turn leads to an Adagio. This latter movement in the relative major is a ricercare containing several imitative entrances. The finale is a spirited binary-form Bourrée angloise, an item taken over from the French ordre or dance suite. The extraordinarily short length of this movement seems to indicate that a trio is missing here; therefore, I have added the bourrée from the Royal Fireworks Music of 1749 to act as a trio, but players are certainly free to omit it. Adding a series of variations based on the chord changes of the Bourrée angloise would be an alternative way to lend weight to this final movement.Taken from https://www.idrs.org/scores/Lehrer/DRArch/69HandelSonataCm.html
$30.00
Joy to the World
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Isaac Watts
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Travis Patton
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Joy to the World
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Travis Patton
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1420329 By Isaac Watts. By George Frideric Handel. Arranged by Travis Patton. Chamber,Christian,Contemporary,Instru...
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String Orchestra - Level 4 - SKU: A0.1420329 By Isaac Watts. By George Frideric Handel. Arranged by Travis Patton. Chamber,Christian,Contemporary,Instructional,Religious. 15 pages. Travis Patton #1001797. Published by Travis Patton (A0.1420329). Joy to the World arranged for string orchestra or string quartet. This somber setting of this typical joyous hymn reflects moments in life when pain, sorrow, or remorse overtake one’s ability to sing “Joy to the Worldâ€. Sometimes, we must sing this lyric despite our current circumstances in hopes of what is to come. Musically, there are plenty of opportunities to work on melodic playing and bow technique through phrasing and dynamic swells. A hemiola is prominent in the last half of the piece between lower strings and middle voices. After some harmonic tension, an accelerando, and a release, the melody peacefully resolves. Arranged by Travis Patton. Find more at www.travispatton.comLive performance by Belmont University String Chamber Orchestra.
$64.99
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