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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Rue
Non classifié
240
Piano & claviers
Piano seul
95
Piano, Voix
47
Piano, Voix et Guitare
26
Instruments en Do
7
1 Piano, 4 mains
5
2 Pianos, 4 mains
3
Orgue
2
Piano Trio: piano, violon, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 4 instrumentations
Retracter
Guitares
Guitare notes et tablatures
10
Guitare
8
Ligne De Mélodie, (Paroles) et Accords
4
Basse electrique
3
Dulcimer
3
4 Guitares (Quatuor)
3
Ukulele
2
2 Guitares (duo)
1
Piano, Guitare (duo)
1
Paroles et Accords
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
129
Chorale TTBB
22
Chorale 3 parties
17
Chorale SSAA
14
Voix Soprano, Piano
3
Voix seule
2
Voix duo, Piano
2
Voix basse, Piano
1
Chorale Unison
1
Voix Alto, Piano
1
Voix moyenne, Piano
1
+ 6 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
21
Quatuor de Saxophones: 4 saxophones
15
3 Saxophones (trio)
9
2 Saxophones (duo)
8
Flûte, Hautbois, Clarinette, Basson
7
Quatuor de Clarinettes: 4 clarinettes
6
2 Clarinettes (duo)
5
Quintette de Clarinettes: 5 clarinettes
5
3 Clarinettes (trio)
4
Flûte traversière
4
Flûte traversière et Piano
4
Saxophone Tenor
3
Quintette de Saxophone: 5 saxophones
3
Saxophone Alto
3
Hautbois, Piano (duo)
3
2 Flûtes traversières (duo)
3
Trio de Flûtes: 3 flûtes
3
Ensemble de Clarinettes
3
Hautbois (partie séparée)
3
Quatuor de Flûtes : 4 flûtes
3
Ensemble De Flûte à bec
2
Flûte, Hautbois, Basson
2
Saxophone Alto et Piano
2
Clarinette et Piano
2
Clarinette
2
Hautbois, Flûte
1
Clarinette, Violoncelle (duo)
1
Hautbois, Basson (duo)
1
Clarinette, Trombone (duo)
1
Flûte, Violon, Piano
1
Flûte, Alto (duo)
1
Flûte, Clarinette (duo)
1
Clarinette, Basson (duo)
1
Flûte à bec Tenor
1
Flûte, Hautbois, Clarinette (trio)
1
3 Hautbois
1
3 Flûtes à bec (trio)
1
Ensemble de Flûtes
1
Clarinette Basse
1
Flûte, Violon et Violoncelle
1
Saxophone Soprano et Piano
1
2 Hautbois (duo)
1
Quatuor de Flûtes à bec
1
Flûte, Clarinette et Basson
1
Clarinette Basse, Piano
1
Saxophone (partie séparée)
1
Saxophone Soprano
1
+ 42 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
13
Ensemble de Trombones
10
2 Trompettes (duo)
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Trompette
4
Trompette, Trombone (duo)
4
Quatuor de cuivres: 4 cors
3
Trompette, Piano
3
2 Euphoniums et 2 Tubas
3
Trombone
3
Trompette, Cor (duo)
2
Trombone et Piano
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Euphonium, Piano (duo)
2
Quatuor de cuivres: 4 trombones
2
Ensemble de Cors
2
2 Cors (duo)
2
2 Trombones (duo)
2
Cor et Piano
1
Tuba
1
Tuba et Piano
1
Trompette, Saxophone (duo)
1
Quatuor de Cuivres
1
3 Trombones (trio)
1
Cor
1
+ 20 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
66
Violon et Piano
18
Violon, Violoncelle (duo)
16
Trio à Cordes: violon, alto, violoncelle
12
Violoncelle, Piano
12
Trio à Cordes: 2 violons, violoncelle
6
Alto, Piano
6
Harpe
6
Violon
6
Violoncelle
5
Violon, Guitare (duo)
4
2 Violoncelles (duo)
4
Trio à Cordes: 3 violoncelles
3
2 Violons (duo)
3
4 Violoncelles
3
Trio à Cordes: 2 violons, alto
2
Contrebasse, Piano (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Alto, Violoncelle (duo)
2
Violon, Alto (duo)
2
Alto et Basson
1
2 Altos (duo)
1
Quatuor à cordes : 4 altos
1
Trio à cordes: 3 violins
1
2 Harpes (duo)
1
Trio à cordes: 3 altos
1
Quatuor à cordes: 4 violons
1
Violoncelle, Contrebasse (duo)
1
Harpe, Voix
1
Alto (partie séparée)
1
Alto seul
1
+ 26 instrumentations
Retracter
Orchestre & Percussions
Ensemble de cuivres
41
Orchestre
27
Orchestre d'harmonie
21
Jazz combo
21
Ensemble Jazz
18
Orchestre à Cordes
16
Fanfare
10
Orchestre de chambre
9
Batterie
5
Cloches
5
+ 5 instrumentations
Retracter
Autres
Instruments
ACCORDEON
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DOBRO - GUI…
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FLUTE A BEC
FLUTE A DIX…
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FORMATION M…
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HARMONICA
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▽ INSTRUMENTS
ACCORDEON
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AUTRES INSTRU…
BALALAIKA
BANJO
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BUGLE
CHANT - CHORA…
CHARANGO
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ORCHESTRE
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PARTITIONS VI…
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20eme siecle
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ORCHESTRE
|
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|
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|
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|
Débutant
Facile
Intermédiaire
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Avancé
NOËL
|
Librairie Musicale
2
TOP VENTES
|
NOUVEAUTÉS
|
PIANO
|
Tout Piano
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Meilleures Ventes
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|
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INSTRUMENTS
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DOBRO
UKULELE
VOIX
CHANT - CHORALE
CORDES
ALTO
CONTREBASSE
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VIOLE DE GAMBE
VIOLON
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VENT
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CLARINETTE
COR ANGLAIS
FLUTE
FLUTE A BEC
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HARMONICA
HAUTBOIS
SAXOPHONE
ENSEMBLE
ORCHESTRE
FANFARE - BANDA
CUIVRES
BUGLE
COR
CORNET
EUPHONIUM
TROMBONE
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FOLK
BALALAIKA
BOUZOUKI
CHARANGO
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PERCUSSIONS
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|
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLARINETTE
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Partitions à imprimer
16 partitions trouvées
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1
The Place Where Dreams Come True
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Film/TV
#
James Horner
#
Anthony Susi
#
The Place Where Dreams Come Tr
#
Susi Music
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1040943 Composed by James Horner. Arranged by Anthony Susi. 20th Century,Contest,Festival,Film/TV. 25 pages. Susi M...
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String Orchestra - Level 4 - SKU: A0.1040943 Composed by James Horner. Arranged by Anthony Susi. 20th Century,Contest,Festival,Film/TV. 25 pages. Susi Music #645699. Published by Susi Music (A0.1040943). This beautiful music from the Field of Dreams soundtrack has been skillfully adapted for String Orchestras at the grade 4 level with optional piano/harp accompaniment! The arranger has successfully managed to cover the wind & harp parts in the original scored for full orchestra while maintaining very achievable technical demands. The listener will truly feel transported to the place where dreams come true. Preview Full Score and Recording by clicking YouTube video link.
$60.00
Sabor A Mi (be True To Me)
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Alvaro Carrillo and Mel Mitche
#
Hugo Andrés Cuartas Henao
#
Sabor A Mi
#
Andrew Music
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1119305 Composed by Alvaro Carrillo and Mel Mitchell. Arranged by Hugo Andrés Cuartas Henao. Early Music. Score ...
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String Orchestra - Level 4 - SKU: A0.1119305 Composed by Alvaro Carrillo and Mel Mitchell. Arranged by Hugo Andrés Cuartas Henao. Early Music. Score and Parts. 4 pages. Andrew Music #720720. Published by Andrew Music (A0.1119305). Sabor a Mi Nuevo Arreglo para violines.
$49.99
Divertimento di danza
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Harald Genzmer
#
Divertimento di danza
#
Schott Music - Digital
#
SheetMusicPlus
String orchestra - intermediate to advanced - SKU: S9.Q16309 Composed by Harald Genzmer. This edition: score. Concertino. Downloadable, Score. Duration ...
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String orchestra - intermediate to advanced - SKU: S9.Q16309 Composed by Harald Genzmer. This edition: score. Concertino. Downloadable, Score. Duration 14' 50. Schott Music - Digital #Q16309. Published by Schott Music - Digital (S9.Q16309). Harald Genzmer’s composition Divertimento di danza for string orchestra clearly continues the baroque form of the divertimento. This light music - in the truest sense of the word - consisted of a sequence of loose movements with free forms and dance movements alternat-ing in varied succession. The divertimento comprised five to six movements. Genzmer kept to all these facts but he brought new life into the old forms. Though he did not compose in the old style, he respected certain rules of the traditional form.
$21.99
The Stars and Stripes Forever
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
John Philip Sousa
#
Bob Mathews
#
The Stars and Stripes Forever
#
Bob Mathews
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1422340 Composed by John Philip Sousa. Arranged by Bob Mathews. 19th Century,Historic,Patriotic. 35 pages. Bob Math...
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String Orchestra - Level 4 - SKU: A0.1422340 Composed by John Philip Sousa. Arranged by Bob Mathews. 19th Century,Historic,Patriotic. 35 pages. Bob Mathews #1003678. Published by Bob Mathews (A0.1422340). The Stars And Stripes Forever was made our National March in 1987. It is a great addition to any concert. This string orchestra arrangement is fairly true to the original and really fun to play. Your audiences will truly enjoy this tribute to our country!
$10.00
Bruch - Kol Nidrei - Solo Cello and String Orchestra
#
Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Max Bruch
#
Laurette Reynosa
#
Bruch - Kol Nidrei - Solo Cell
#
Laurette Reynosa
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.913517 Composed by Max Bruch. Arranged by Laurette Reynosa. Classical,Romantic Period. Score and parts. 30 pages. L...
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String Orchestra - Level 4 - SKU: A0.913517 Composed by Max Bruch. Arranged by Laurette Reynosa. Classical,Romantic Period. Score and parts. 30 pages. Laurette Reynosa #3881311. Published by Laurette Reynosa (A0.913517). This arrangement for solo cello and string orchestra is perfect for ensembles that do not have access to winds/percussion. The wind and brass parts have been integrated with the string parts to keep this as true to the original as possible. Bowings are included. Includes Score, Violin 1, Violin 2, Viola, Cello, Bass, Piano. Solo cello part is not included.
$24.99
MY HEART AT THY SWEET VOICE for String Orchestra (String Quintet) Advanced Intermediate Level for 1s
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Camille Saint Saëns
#
Sherry Lewis
#
https://www
#
MY HEART AT THY SWEET VOICE fo
#
Sherry Lewis Publishing
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.521585 Composed by Camille Saint Saëns. Arranged by Sherry Lewis. Holiday,Opera,Romantic Period,Wedding. Score a...
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String Orchestra - Level 4 - SKU: A0.521585 Composed by Camille Saint Saëns. Arranged by Sherry Lewis. Holiday,Opera,Romantic Period,Wedding. Score and Parts. 33 pages. Sherry Lewis Publishing #6222013. Published by Sherry Lewis Publishing (A0.521585). My Heart At Thy Sweet Voice, String Orchestra (String Quintet), Advanced Intermediate Level for 1st and 2nd violins, viola, cello, string bass Score: 18 pages parts: 12 page time: 5'40 ABOUT THE DEMO....I took a big cut to get to the better-known tune but the actual arrangement is complete from beginning to end. I used the original score and true to form. Such a beautiful piece. Really comes off great in strings. MY QUARTET VERSIONS, in short notice usually work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through stringquartet@hotmail.com and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Thank you for your purchase!
$16.99
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Fugue Meets Tango
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Georgia Vale
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Georgia Vale
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Fugue Meets Tango
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Georgia Vale
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.717548 By Georgia Vale. By Johann Sebastian Bach. Arranged by Georgia Vale. Baroque,Contemporary,Latin,Multicultura...
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String Orchestra - Level 4 - SKU: A0.717548 By Georgia Vale. By Johann Sebastian Bach. Arranged by Georgia Vale. Baroque,Contemporary,Latin,Multicultural,World. Score and Parts. 15 pages. Georgia Vale #326015. Published by Georgia Vale (A0.717548). Bach Fugue XVI. Starts very true to the original, then subtly and gradually morphs into a Tango, subsiding back to the Fugue near the end. Fun to see when the audience realise something unusual is going on with the music!
$14.99
Coventry Carol -- The Blessing and Peace of Christmas
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Traditional
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Mary Jane Lang
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Coventry Carol -- The Blessing
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MaryJaneLang
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.889284 Composed by Traditional. Arranged by Mary Jane Lang. Christian,Christmas,Sacred. Score and parts. 22 pages. ...
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String Orchestra - Level 4 - SKU: A0.889284 Composed by Traditional. Arranged by Mary Jane Lang. Christian,Christmas,Sacred. Score and parts. 22 pages. MaryJaneLang #1411. Published by MaryJaneLang (A0.889284). This is a reaction on the part of the composer to the brash commercialization of Christmas. Christmas is first Christ, Jesus Christ, His humble Birth in a Manger, the quiet tenderness of his Mother Mary and his Father Joseph, the surroundings of people who were prominent in their day but utterly unknown now. It is a reaction to wanting to go back to the Silent Night, the Shepherds Watching the Sheep by Night, etc. The spirit is quiet reverence for Jesus. This is arranged for solo voice (or womens' choir), flute obligato, strings (string orchestra or string quartet), and harp or piano. In other words, this is intended to minister to the quiet nobility of the true spirit of Christmas, with love and blessings.
$35.99
A Halloween Contemplation
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Halloween
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Steven Mark Kudlo
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A Halloween Contemplation
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Steven Mark Kudlo
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.960659 Composed by Steven Mark Kudlo. Contemporary,Halloween,Spiritual. Score and parts. 26 pages. Steven Mark Kudl...
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String Orchestra - Level 4 - SKU: A0.960659 Composed by Steven Mark Kudlo. Contemporary,Halloween,Spiritual. Score and parts. 26 pages. Steven Mark Kudlo #519227. Published by Steven Mark Kudlo (A0.960659). What is the true meaning of Halloween? A communion of souls. In this composition for string orchestra, that communion is shared.
$19.99
Lalo - Symphonie Espagnole, 1st Movement - Solo Violin and String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edouard Lalo
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Laurette Reynosa
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Lalo - Symphonie Espagnole, 1s
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Laurette Reynosa
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.913516 Composed by Edouard Lalo. Arranged by Laurette Reynosa. Classical,Romantic Period. Score and parts. 45 pages...
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String Orchestra - Level 4 - SKU: A0.913516 Composed by Edouard Lalo. Arranged by Laurette Reynosa. Classical,Romantic Period. Score and parts. 45 pages. Laurette Reynosa #3546743. Published by Laurette Reynosa (A0.913516). This arrangement for solo violin and string orchestra is perfect for ensembles that do not have access to winds/percussion. The parts have been slightly simplified to make them more accessible to intermediate-advanced level orchestras. The wind and brass parts, and some timpani, have been integrated with the string parts to keep this as true to the original as possible. Bowings are included. Includes Score, Violin 1, Violin 2, Viola, Cello, Bass. Solo violin part is not included.
$24.99
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Viola True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792379. Published by Aaron Meier (A0.922639). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Double Bass True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit.
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Violin II
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
#
Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792367. Published by Aaron Meier (A0.922636). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin II True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Cello
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
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Aaron Meier
#
Olga-Polka, Op. 196
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Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792373. Published by Aaron Meier (A0.922637). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Cello True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
You Guys Are Great - Creative Strings
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Bradley Sowash
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You Guys Are Great - Creative
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Bradley Sowash
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.750118 Composed by Bradley Sowash. Rock,Standards. Score and parts. 71 pages. Bradley Sowash #23173. Published by B...
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String Orchestra - Level 4 - SKU: A0.750118 Composed by Bradley Sowash. Rock,Standards. Score and parts. 71 pages. Bradley Sowash #23173. Published by Bradley Sowash (A0.750118). Open strings and power chords give this one a raw, rock feel in the style of Smoke on the Water. Remember that us string players were playing gritty sounds sul ponticello long before distorted electric guitars were even invented! Watch/Listen:http://youtu.be/ksMCZkk9UHcAbout Creative Strings Eye players read music. Ear players improvise. Today’s well-rounded students need instruction in both. Creative Strings is a collection of works designed to lead beginning to advanced students through their first experiences as improvisers. Each piece is composed of four parts that can roughly be described as melody, harmony, accompaniment and bass line. All four parts are available for the violin, viola and cello. The bass has one part. An optional piano part is also provided. The the ideal distribution is Vln. 1, Vln. 2, Vla. 3, and Cello 4. However the intentionally redundant parts allow for flexible combinations of instruments. If for example, no violas or cellos are available, a violin choir could still cover the parts. The same would hold true for a non-traditional quartet such as 3 violins and 1 cello or any other grouping. Overlapping parts can also be used to equalize an unbalanced orchestra such as 20 violins and 1 viola player by having some of the violins double the viola part.
$19.99
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