Page d'accueil
Parcourir Librairie Musicale
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The King'
Non classifié
1 168
Piano & claviers
Piano seul
1 338
Piano, Voix
376
Piano, Voix et Guitare
162
Instruments en Do
98
Orgue
81
1 Piano, 4 mains
26
Piano Trio: piano, violon, violoncelle
13
Piano Facile
11
2 Pianos, 4 mains
11
Clavecin
4
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Orgue, Piano (duo)
3
Accompagnement Piano
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue, Trompette (duo)
2
2 Pianos, 8 mains
1
+ 11 instrumentations
Retracter
Guitares
Guitare
243
Guitare notes et tablatures
101
Basse electrique
90
Ukulele
50
Mandoline
16
Dulcimer
10
Ligne De Mélodie, (Paroles) et Accords
10
4 Guitares (Quatuor)
4
2 Guitares (duo)
3
Banjo
3
Ukulele Baryton
3
Piano, Guitare (duo)
3
2 Ukuleles
2
2 Dulcimers (duo)
1
3 Guitares (trio)
1
Ensemble de guitares
1
+ 11 instrumentations
Retracter
Voix
Voix seule
499
Chorale SATB
493
Chorale TTBB
67
Chorale 3 parties
66
Chorale SSAA
55
Voix Soprano, Piano
19
Voix duo
12
Chorale
10
Voix duo, Piano
10
Chorale Unison
9
Chorale 2 parties
8
Voix Baryton, Piano
6
Voix haute
6
Voix Tenor
4
Voix Tenor, Piano
4
Voix Alto, Piano
3
Voix moyenne, Piano
2
Voix basse, Piano
2
Voix Soprano
1
Voix Mezzo-Soprano, Piano
1
+ 15 instrumentations
Retracter
Vents
Flûte traversière
115
Clarinette
108
Quatuor de Saxophones: 4 saxophones
94
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
91
Flûte traversière et Piano
91
Saxophone
82
Saxophone Alto
70
Saxophone Tenor
63
Clarinette et Piano
57
Saxophone Alto et Piano
57
Ensemble de saxophones
55
Quatuor de Clarinettes: 4 clarinettes
50
Saxophone Tenor et Piano
44
Flûte, Hautbois, Clarinette, Basson
44
Hautbois, Piano (duo)
42
Quintette de Saxophone: 5 saxophones
35
2 Saxophones (duo)
29
Ensemble de Clarinettes
26
2 Flûtes traversières (duo)
25
Saxophone Soprano et Piano
21
Hautbois
21
3 Clarinettes (trio)
20
Ensemble de Flûtes
19
Quatuor de Flûtes : 4 flûtes
19
3 Saxophones (trio)
17
Saxophone Soprano
16
Saxophone (partie séparée)
15
2 Clarinettes (duo)
15
Hautbois (partie séparée)
14
Quintette de Clarinettes: 5 clarinettes
13
Saxophone Baryton, Piano
13
Trio de Flûtes: 3 flûtes
11
Flûte, Clarinette (duo)
11
Saxophone, Clarinette (duo)
7
Clarinette, Guitare (duo)
7
Flûte, Clarinette et Basson
6
Clarinette Basse, Piano
6
Flûte, Hautbois, Clarinette (trio)
6
Flûte à Bec
6
Flûte, Hautbois, Basson
5
Flûte, Clarinette, Piano (trio)
5
Cor anglais, Piano
5
Clarinette, Violon (duo)
5
Hautbois, Basson (duo)
5
Flûte et Guitare
5
Quintette de Flûte : 5 flûtes
4
Clarinette, Trompette (duo)
4
Hautbois, Clarinette (duo)
3
Flute (partie séparée)
3
Flûte, Hautbois (duo)
3
Flûte, Alto (duo)
3
Clarinette, Violoncelle (duo)
3
2 Hautbois (duo)
3
Flûte, Violon
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Flûte à bec Alto
2
Flûte, Saxophone (duo)
2
Clarinette, Basson (duo)
2
Quatuor de Flûtes à bec
2
Saxophone Baryton
2
2 Flûte à bec (duo)
2
Flûte à bec Tenor
2
Clarinette (partie séparée)
2
Hautbois, Guitare (duo)
2
Hautbois, Flûte
2
Clarinette et Alto
2
Hautbois, Harpe
1
Clarinette, Violoncelle, Piano (trio)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte à bec Soprano
1
Clarinette, Trombone (duo)
1
Harmonica
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Trompette (duo)
1
Clarinette, Alto et Piano (trio)
1
Flûte, Violoncelle
1
5 Flûtes à bec
1
Saxophone et Harpe
1
Flûte, Hautbois, Piano (trio)
1
Piccolo, Piano
1
Flûte à bec Alto, Piano
1
3 Flûtes à bec (trio)
1
Cor anglais, Guitare (duo)
1
Clarinette, Harpe (duo)
1
Flûte, Violon et Violoncelle
1
Hautbois, Violon, Piano
1
3 Hautbois
1
+ 82 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
127
Trompette
104
Quatuor de Cuivres : 2 trompettes, trombone, tuba
92
Trombone
83
Trombone et Piano
38
Quatuor de cuivres: 4 trombones
37
Trompette, Piano
35
Cor
32
Cor et Piano
28
Quatuor de Cuivres
26
Tuba et Piano
19
Ensemble de Trombones
18
2 Trompettes (duo)
14
Tuba
13
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
Euphonium
11
Trio de Cuivres
10
Euphonium, Piano (duo)
10
Ensemble de Cors
10
Ensemble de Trompettes
9
2 Trombones (duo)
9
Trompette (partie séparée)
7
Trompette, Trombone (duo)
6
Quatuor de cuivres: 4 cors
6
Cor anglais, Piano
5
Trompette, Saxophone (duo)
5
Cor (partie séparée)
4
3 Trombones (trio)
4
2 Euphoniums et 2 Tubas
4
Trombone (partie séparée)
3
3 Trompettes (trio)
3
Cor et Harpe
2
4 Tubas
2
Cor et Orgue
2
Trombone basse
2
3 Cors (trio)
2
2 Cors (duo)
2
Trompette, Harpe
1
Trombone, Violon (duo)
1
Cor anglais, Guitare (duo)
1
Trombone, Orgue
1
Trompette, Cor (duo)
1
Cor, Trompette, Trombone (trio)
1
+ 38 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
324
Violon
122
Violon et Piano
116
Violoncelle
82
Trio à Cordes: violon, alto, violoncelle
68
Violoncelle, Piano
66
Violon, Violoncelle (duo)
60
Alto seul
52
Alto, Piano
48
Harpe
39
2 Harpes (duo)
32
2 Violons (duo)
19
Trio à Cordes: 2 violons, violoncelle
18
2 Violoncelles (duo)
18
Violon, Alto (duo)
14
Contre Basse
11
Contrebasse, Piano (duo)
11
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
Trio à cordes: 3 violins
7
Alto (partie séparée)
7
Trio à Cordes: 2 violons, alto
7
Alto, Guitare (duo)
6
4 Violoncelles
5
Harpe, Violon (duo)
5
2 Altos (duo)
5
Trio à cordes: 3 altos
5
Harpe, Voix
5
Trio à Cordes: 3 violoncelles
5
Ensemble de Violons
4
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
Ensemble d'Altos
4
Violon, Guitare (duo)
4
Violoncelle, Contrebasse (duo)
3
Harpe, Flûte (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Violoncelle , Guitare (duo)
3
Alto, Violoncelle (duo)
3
Ensemble de Violoncelles
2
Quatuor à cordes: 4 violons
2
Violoncelle, Orchestre
2
Harpe, Violoncelle (duo)
2
Harpe, Trombone (duo)
1
Violoncelle, Orgue
1
Violon (partie séparée)
1
Autoharp
1
2 Contrebasses (duo)
1
Alto et Harpe
1
Alto et Basson
1
Violon, Clarinette, Piano (trio)
1
Piano Trio: Violon, Alto, Piano
1
Harpe, Quatuor à cordes
1
+ 46 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
202
Orchestre
179
Ensemble Jazz
124
Orchestre à Cordes
110
Batterie
88
Ensemble de cuivres
88
Orchestre de chambre
66
Jazz combo
52
Cloches
33
Fanfare
15
Ensemble de Percussions
11
Marimba
4
Percussion (partie séparée)
3
Orchestre, Violon
2
Instrumentation Flexible
2
Xylophone, Piano
1
Vibraphone
1
+ 12 instrumentations
Retracter
Autres
Formation musicale - Solfège
7
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Editeurs
Artistes
Formation Musicale
Idées Cadeaux Partitions
Les artistes les plus consultés du mois de novembre
Artistes Francophones
1 - Charles Aznavour
2 - Edith Piaf
3 - Maurane
4 - Michel Legrand
5 - Emma Daumas
6 - Sophie Daumier
7 - Jean Jacques Goldman
8 - Barbara
9 - Georges Brassens
10 - Céline Dion
11 - Yann Tiersen
12 - Jacques Brel
13 - Mylene Farmer
14 - Dalida
15 - Richard Cocciante
Liste complète Francophone
Artistes Internationaux
1 - John Williams
2 - Astor Piazzolla
3 - The Beatles
4 - Camille Saint-Saens
5 - Dan Coates
6 - Leonard Bernstein
7 - George Gershwin
8 - Andrew Lloyd Webber
9 - Bela Bartok
10 - John Rutter
11 - Mark Hayes
12 - Scott Joplin
13 - Lloyd Larson
14 - Maurice Ravel
15 - Taylor Swift
16 - Ralph Vaughan Williams
17 - Erik Satie
18 - Irving Berlin
19 - Christopher Norton
20 - Jérôme Naulais
21 - Sergei Rachmaninoff
22 - Dmitri Shostakovich
23 - Henry Mancini
24 - Benjamin Britten
25 - Aaron Copland
Liste complète Internationale
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
2
Partitions Numériques
110
Librairie Musicale
2
Matériel de Musique
5 806
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
The King'
avancé
Orchestre à Cordes
Partitions à imprimer
110 partitions trouvées
<
1
26
51
....
101
The Oath of Silence, An Opera in Four Acts, Individual Instrument Parts 2 of 2 (Harp and Strings)
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
James Nathaniel Holland
#
The Oath of Silence, An Opera
#
James Nathaniel Holland
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1286698 Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. Score and Parts...
(+)
String Orchestra - Level 4 - SKU: A0.1286698 Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. Score and Parts. 146 pages. James Nathaniel Holland #877732. Published by James Nathaniel Holland (A0.1286698). INDIVIDUAL INSTRUMENTS PARTS 2 of 2 (Harp and Strings).  This four act contemporary opera, original libretto and music, by 21st century American composer James Nathaniel Holland is the story of the triumph of Love over Evil, however delayed, and the power of keeping steadfast to one’s righteous promise.  Based on the German fairy tale The Six Swans, in a kingdom, during Saxon times, the murderous daughter of an evil entity, Ravia, infiltrates and takes over the lives of a royal family due to the King’s rash promise to marry her many years before. The royal children are sent away by their father for safety to a hidden, woodland cottage, but Ravia discovers where they are and hexes the younger siblings, turning them into swallows.  Usha, the eldest, escapes and flees to the wilderness and is visited by the apparition of her dead mother who explains what is going on and that Usha must swear an oath of silence for six years to break the spell and change her siblings back into human form.Five years pass and a dashing and kind king, Rohric, of another kingdom, finds Usha while hunting, falls in love with and marries her, but Usha must remain silent and cannot reveal who she is.  Ravia, who now is sole queen of the old kingdom, is invited by Rohric’s nobles with hope to secure a “proper†wedding for Rohric.  Usha is accused falsely of killing her own child by the two and is sentenced to be burned at the stake, but as the bell tolls she finally can declare her innocence.  To the crowd’s amazement her siblings change back, all truth is revealed, and for Ravia’s failure, she is dragged back to hell by demons.  Singers:  King Alfred (bass), Ravia (soprano), Princess Usha (mezzo), Queen Mother Arna (soprano), the royal siblings (children’s/boy’s chorus), King Rohric (Tenor), The Evil Noble (baritone), An angel/a demon (bass), SATB ChorusScored for full orchestra.  Instrumentation:  picc/treble recorder, fl12, ob12, eh, cl12, bsn12, hrn 123, tpt123, trom12, tba, timp, perc.12 (bd, crash cym, ride cym with soft mallets and stick, small gong, wood blk, glk, chimes, snar, tri), hrp, stringsDuration:  2 hoursFull Orchestral Score (concert pitch), Piano Vocal Score and Instruments Parts 1 (woodwinds, brass, perc.) and Parts 2 (harp and strings) sold separately.
$24.65
Mountain Goats And Other Creatures
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Vessela Stoyanova
#
Mountain Goats And Other Creat
#
Vessela Stoyanova
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1201464 By Vessela Stoyanova. By Vessela Stoyanova. Folk,Multicultural,World. Score and parts. 89 pages. Vessela St...
(+)
String Orchestra - Level 4 - SKU: A0.1201464 By Vessela Stoyanova. By Vessela Stoyanova. Folk,Multicultural,World. Score and parts. 89 pages. Vessela Stoyanova #798931. Published by Vessela Stoyanova (A0.1201464). “Mountain Goats and Other Creatures†was Commissioned by Rachel Jayson and the Lexington High School Symphony Orchestra.It was inspired by the folk music of my native land of Bulgaria, informed by my experience as a rock musician, reimagined through the lense of my place inside of a community of like-minded artists and musicians, where I have made my real home today. The first movement - Mountain Goats - is a sort of celebration of renewal, promise, and hope. It represents the tenacious will of grass growing through the snow of early spring, the powerful longing for human connection, the warmth of the sun against your skin on a bright chilly day. It carries both the pristine optimism of youth, and the nervous energy of trying something for the first time. The second movement - Samodivi - in contrast is dark, heavy and full of passion and desire. According to Balkan myths, Samodivi are gorgeous nymphs who live in the woods and often seduce men with their beautiful song and dance. They are feared and envied at the same time. The music of the second movement represents the mysterious dark forest at night - lower strings create the moss under your feet, higher strings use extended techniques to simulate the noise of branches clicking the wind, a few soloists represent different creatures - both real and imaginary - scurry through the woods above your head. Then you hear the lone song of a Samodiva in the distance, your heart is beating hard, your steps are leading you straight towards the call against your better judgement. It is the ancient story of fear and desire, of self control and complete abandon. You, the listener, become witness to a wild dance, fire in the woods, snakes in their long blond hairs, slender bodies dressed in white clouds dancing to an imaginary beat.  Then it all ends abruptly and you left to wonder: Was it real? Did I see it? Am I safe?The third and final movement of the piece is based on a popular rhythmic folk dance in Bulgaria called Kopanitsa, while the melody creates a fugue between the different voices of the orchestra. The Kids are the little of the mountain goats - free to frolic high above tree line, above any human traces, as close to the clouds as one can get and still be touching the ground below. They are carefree, daring, and somewhat naive, yet safe under the watchful gaze of their parent. The movements ends in cascading repetitions of a musical motif in 5/8 representing the relentless passing of time or at least our perception of it.
$100.00
Surrender The Sword (score – violin and string orchestra)
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Mark O'Connor
#
Surrender The Sword
#
Mark O'Connor Musik International
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.861940 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 28 pages. Mark O'Connor Musik In...
(+)
String Orchestra - Level 4 - SKU: A0.861940 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 28 pages. Mark O'Connor Musik International #6208217. Published by Mark O'Connor Musik International (A0.861940). Surrender The Sword (score – violin and string orchestra) MO136AScore (parts available)Music by Mark O’Connor24 pages - 9:30 minutes in length Surrender The Sword for violin and string orchestra was composed and orchestrated by Mark O’Connor and used as one of the themes for the critically acclaimed PBS documentary, Liberty! The American Revolution. On the companion recording Liberty!, album notes author Thomas Fleming writes, ...something remarkable was taking shape in his imagination – sounds more extraordinary than he had ever experienced. On a trip to Key West, he visited Ernest Hemingway’s house. In the sundrenched garden, music leapt into O’Connor’s mind and in a breathtaking two hours, Surrender the Sword – and its orchestral outline – was on paper. It is unquestionably one of the most passionate orchestral pieces he has ever written. In the A part, the music is busy. You can imagine voices, perhaps in Congress, perhaps in a crowd in New York or Philadelphia, wondering what is going to happen next, as General George Washington is about to resign as commander-in-chief of the American army, O’Connor says. Then comes a long melodic arc, swelling with a triumphant confidence that depicts the great military leader extending his sword to surrender it forever. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1997 Composed by Mark O’ConnorCan be heard on Liberty! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Nashville Symphony, Kenneth Schermerhorn Catalogue Number MO136ACopyright © 1997 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$20.00
Surrender The Sword (violin solo part – violin and string orchestra)
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Mark O'Connor
#
Surrender The Sword
#
Mark O'Connor Musik International
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.861941 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pages. Mark O'Connor Musik In...
(+)
String Orchestra - Level 4 - SKU: A0.861941 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pages. Mark O'Connor Musik International #6208223. Published by Mark O'Connor Musik International (A0.861941). Surrender The Sword (violin solo part – violin and string orchestra) MO136BViolin Solo Part (score and parts available)Music by Mark O’Connor7 pages - 9:30 minutes in length Surrender The Sword for violin and string orchestra was composed and orchestrated by Mark O’Connor and used as one of the themes for the critically acclaimed PBS documentary, Liberty! The American Revolution. On the companion recording Liberty!, album notes author Thomas Fleming writes, ...something remarkable was taking shape in his imagination – sounds more extraordinary than he had ever experienced. On a trip to Key West, he visited Ernest Hemingway’s house. In the sundrenched garden, music leapt into O’Connor’s mind and in a breathtaking two hours, Surrender the Sword – and its orchestral outline – was on paper. It is unquestionably one of the most passionate orchestral pieces he has ever written. In the A part, the music is busy. You can imagine voices, perhaps in Congress, perhaps in a crowd in New York or Philadelphia, wondering what is going to happen next, as General George Washington is about to resign as commander-in-chief of the American army, O’Connor says. Then comes a long melodic arc, swelling with a triumphant confidence that depicts the great military leader extending his sword to surrender it forever. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1997 Composed by Mark O’ConnorCan be heard on Liberty! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Nashville Symphony, Kenneth Schermerhorn Catalogue Number MO136BCopyright © 1997 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00
Surrender The Sword (string parts – violin and string orchestra)
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Mark O'Connor
#
Surrender The Sword
#
Mark O'Connor Musik International
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.861942 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 51 pages. Mark O'Connor Musik In...
(+)
String Orchestra - Level 4 - SKU: A0.861942 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 51 pages. Mark O'Connor Musik International #6208225. Published by Mark O'Connor Musik International (A0.861942). Surrender The Sword (string parts – violin and string orchestra) MO136C-GString Parts (parts available)Music by Mark O’Connor51 pages - 9:30 minutes in length Surrender The Sword for violin and string orchestra was composed and orchestrated by Mark O’Connor and used as one of the themes for the critically acclaimed PBS documentary, Liberty! The American Revolution. On the companion recording Liberty!, album notes author Thomas Fleming writes, ...something remarkable was taking shape in his imagination – sounds more extraordinary than he had ever experienced. On a trip to Key West, he visited Ernest Hemingway’s house. In the sundrenched garden, music leapt into O’Connor’s mind and in a breathtaking two hours, Surrender the Sword – and its orchestral outline – was on paper. It is unquestionably one of the most passionate orchestral pieces he has ever written. In the A part, the music is busy. You can imagine voices, perhaps in Congress, perhaps in a crowd in New York or Philadelphia, wondering what is going to happen next, as General George Washington is about to resign as commander-in-chief of the American army, O’Connor says. Then comes a long melodic arc, swelling with a triumphant confidence that depicts the great military leader extending his sword to surrender it forever. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1997 Composed by Mark O’ConnorCan be heard on Liberty! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Nashville Symphony, Kenneth Schermerhorn Catalogue Number MO136C-GCopyright © 1997 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$37.50
The Headless Rider from "Suite Fantastique: The Legend of Sleepy Hollow"
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Halloween
#
Fidelis Zitterbart
#
Marc Linwood
#
The Headless Rider from "Suite
#
RēsFacta Editions
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1436597 Composed by Fidelis Zitterbart. Arranged by Marc Linwood. 19th Century,20th Century,Classical,Halloween,Thr...
(+)
String Orchestra - Level 4 - SKU: A0.1436597 Composed by Fidelis Zitterbart. Arranged by Marc Linwood. 19th Century,20th Century,Classical,Halloween,Thriller. 25 pages. RēsFacta Editions #1016711. Published by RēsFacta Editions (A0.1436597). American composer, Fidelis Zitterbart’s Suite Fantastique in E Minor: The Legend of Sleepy Hollow, inspired by Washington Irving's short story, was originally composed for a chamber ensemble of two violins, viola, flute, and piano. The final movement of the work, The Headless Rider, depicts the spectral figure who roams the night on horseback, searching for something lost and seeking revenge. The music conveys a sense of urgency and intensity, as if the Headless Rider is on a relentless quest through the darkness. This arrangement for string orchestra features a driving ostinato figure by the violas, making it an ideal selection for an orchestra with a strong viola section for a Halloween-themed concert. Score and Parts. Duration: Approx. 4 minutes.
$40.00
Music For The Funeral Of Queen Mary
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Henry Purcell
#
Emma Butterworth
#
Music For The Funeral Of Queen
#
Emma Butterworth
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.909023 Composed by Henry Purcell. Arranged by Emma Butterworth. Christian,Classical,Contemporary,Easter,Renaissance...
(+)
String Orchestra - Level 4 - SKU: A0.909023 Composed by Henry Purcell. Arranged by Emma Butterworth. Christian,Classical,Contemporary,Easter,Renaissance. Score and parts. 15 pages. Emma Butterworth #4355007. Published by Emma Butterworth (A0.909023). A hugely enjoyable arrangement for string orchestra of three movements from Purcell's grand and powerful Music for the Funeral of Queen Mary. This music was also played at Purcell's own funeral shortly after. 1. Funeral March2. Thou Knowest, Lord3. Canzona IIThe three contrasting movements include slow, powerful chords, contrapuntal moving parts and fugue-like lively themes. This arrangement includes a violin III part which can be used if no violas are available. The double bass part, whilst making a significant contribution, could also be omitted if no basses are available. All of Emma's arrangements find creative and artistic ways to re-present original pieces in a way that suits the new instruments and ensemble whilst maintaining the integrity of the original piece. Her aim is to go far beyond a simple copying of the melody and harmony, but to create an arrangement that sounds as if the piece was always meant for these new instruments.
$12.99
Go The Distance
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Michael Bolton
#
David Kemp
#
Go The Distance
#
David Lloyd Kemp
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1470643 By Michael Bolton. By Alan Menken and David Zippel. Arranged by David Kemp. 21st Century,Broadway,Children,...
(+)
String Orchestra - Level 4 - SKU: A0.1470643 By Michael Bolton. By Alan Menken and David Zippel. Arranged by David Kemp. 21st Century,Broadway,Children,Film/TV,Musical/Show. 41 pages. David Lloyd Kemp #1048295. Published by David Lloyd Kemp (A0.1470643). For directors seeking an engaging piece that bridges technical development and artistic expression, this Grade 3 arrangement of Go the Distance provides an enriching musical experience. The piano and optional harp blend seamlessly to create a balanced ensemble, offering flexibility in instrumentation while maintaining accessibility for developing musicians. Melodic lines are thoughtfully distributed across parts, allowing each performer to contribute meaningfully to the overall sound. This arrangement encourages collaborative learning and ensemble skills, making it a valuable addition to any educational repertoire. With its uplifting melody and supportive accompaniment, this rendition inspires young musicians to reach new distances and confidently share their musical journey with audiences.
$49.99
Making Christmas
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Film/TV
#
Danny Elfman
#
Bob Mathews
#
Making Christmas
#
Bob Mathews
#
SheetMusicPlus
Composed by Danny Elfman. Arranged by Bob Mathews. Contemporary. Score and parts. 20 pages. Bob Mathews #6567873. Published by Bob Mathews ...
(+)
Composed by Danny Elfman. Arranged by Bob Mathews. Contemporary. Score and parts. 20 pages. Bob Mathews #6567873. Published by Bob Mathews
$15.00
Harry Potter And The Prisoner Of Azkaban
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Jeremy Soule
#
Declan Postlethwaite
#
Harry Potter And The Prisoner
#
Declan Postlethwaite
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1476502 Composed by Jeremy Soule. Arranged by Declan Postlethwaite. 21st Century,Broadway,Classical,Film/TV,Musical...
(+)
String Orchestra - Level 4 - SKU: A0.1476502 Composed by Jeremy Soule. Arranged by Declan Postlethwaite. 21st Century,Broadway,Classical,Film/TV,Musical/Show. 28 pages. Declan Postlethwaite #1054025. Published by Declan Postlethwaite (A0.1476502). Themes from Harry Potter for String Orchestra Includes the following pieces...- Hedwig's Theme- Nimbus 2000Looking for more original music by Australian Composer Declan Postlethwaite click here
$49.99
Overture for Strings No. 3 - Score Only
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Joseph Bologne, Chevalier de S
#
Robert Debbaut
#
Overture for Strings No. 3 - S
#
ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
(+)
String Orchestra - Level 4 - SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 28 pages. ROBERT DEBBAUT #783207. Published by ROBERT DEBBAUT (A0.1183534). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 5 - Score Only
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Joseph Bologne, Chevalier de S
#
Robert Debbaut
#
Overture for Strings No. 5 - S
#
ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
(+)
String Orchestra - Level 4 - SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 39 pages. ROBERT DEBBAUT #783209. Published by ROBERT DEBBAUT (A0.1183536). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 6 - Score Only
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Joseph Bologne, Chevalier de S
#
Robert Debbaut
#
Overture for Strings No. 6 - S
#
ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
(+)
String Orchestra - Level 4 - SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 57 pages. ROBERT DEBBAUT #783210. Published by ROBERT DEBBAUT (A0.1183537). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 4 - Score Only
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Joseph Bologne, Chevalier de S
#
Robert Debbaut
#
Overture for Strings No. 4 - S
#
ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
(+)
String Orchestra - Level 4 - SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 34 pages. ROBERT DEBBAUT #783208. Published by ROBERT DEBBAUT (A0.1183535). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 2 - Score Only
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Joseph Bologne, Chevalier de S
#
Robert Debbaut
#
Overture for Strings No. 2 - S
#
ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
(+)
String Orchestra - Level 4 - SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 43 pages. ROBERT DEBBAUT #783206. Published by ROBERT DEBBAUT (A0.1183533). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Beetlejuice (main Theme)
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Film/TV
#
Danny Elfman
#
Ellen Harle
#
Beetlejuice
#
Fireworks Music
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1094616 Composed by Danny Elfman. Arranged by Ellen Harle. Film/TV. Score and parts. 23 pages. Fireworks Music #698...
(+)
String Orchestra - Level 4 - SKU: A0.1094616 Composed by Danny Elfman. Arranged by Ellen Harle. Film/TV. Score and parts. 23 pages. Fireworks Music #698686. Published by Fireworks Music (A0.1094616). The zany theme from the 1988 Tim Burton cult classic movie Beetlejuice is an example of composer Danny Elfman at his very best. Arranged here for string quintet, it includes a few special effects - some glissandi and knocking or stomping required! Purchase includes score and Violin 1, Violin 2, Viola (no Violin 3 part), Cello and Double Bass parts.
$49.99
In The Hall Of The Mountain King String Quintet-Score and Parts
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Halloween
#
Edvard Grieg
#
Abraham Maduro
#
In The Hall Of The Mountain Ki
#
Abraham Maduro
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.715641 Composed by Edvard Grieg. Arranged by Abraham Maduro. Classical,Film/TV,Holiday,Romantic Period. Score and p...
(+)
String Orchestra - Level 4 - SKU: A0.715641 Composed by Edvard Grieg. Arranged by Abraham Maduro. Classical,Film/TV,Holiday,Romantic Period. Score and parts. 19 pages. Abraham Maduro #6091295. Published by Abraham Maduro (A0.715641). In The Hall Of The Mountain King of Edvard Grieg String Quintet , in this piece the original melodic elements remain almost the same with some countermelodies and bass line added, all parts are musical, interesting and fun to play B minor, 2 minutes long approx, 4/4, advanced Intermediate Level, special for concerts, recitals or just for have fun at home.
$14.99
Walk Among The Gods
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Kevin Price
#
Walk Among The Gods
#
Kevin Price
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.965600 Composed by Kevin Price. 20th Century,Classical,Contemporary. Score and parts. 61 pages. Kevin Price #624647...
(+)
String Orchestra - Level 4 - SKU: A0.965600 Composed by Kevin Price. 20th Century,Classical,Contemporary. Score and parts. 61 pages. Kevin Price #6246479. Published by Kevin Price (A0.965600). I would like to present my first string orchestra, Walk Among The Gods. It includes a director's score, as well as individual parts for Violin I, Violin II, Viola, Violoncello, and Contrabass. This composition is centered around Greek Mythology by highlighting a different character in each movement; Aphrodite, Hades, Kronos and Zeus.Aphrodite: Dance With The Goddess of Love is written as a Polonaise (Polish dance) in a Rondo format. This movement is taken at an Andante.Hades: March to the Underworld is a haunting march written in G minor. I composed this in cut time at an Allegro Moderato. This is definitely my favorite of all four movements. Kronos: The God of Time is comprised of many different time signatures to go along with its meaning; 5/4, 6/8, 12/8, 4/4, 6/4, 3/8 and 3/4. Zeus: King of the Gods is meant to create a regal, but triumphant feel as the finale. I also had fun writing a good portion of this movement pizzicato. Enjoy!
$9.99
We Three Kings of Orient (String Orchestra) Violin II part
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Noël
#
John Henry Hopkins Jr
#
Nick Raspa
#
We Three Kings of Orient
#
NJR Music
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.754382 Composed by John Henry Hopkins Jr. Arranged by Nick Raspa. Christmas,Holiday,Jazz. Score and Parts. 2 pages....
(+)
String Orchestra - Level 4 - SKU: A0.754382 Composed by John Henry Hopkins Jr. Arranged by Nick Raspa. Christmas,Holiday,Jazz. Score and Parts. 2 pages. NJR Music #3866753. Published by NJR Music (A0.754382). This is the Violin II part for the swing string orchestra arrangement of We Three Kings of Orient. ASCAP.
$8.00
We Three Kings of Orient (String Orchestra) Contrabass part
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Noël
#
John Henry Hopkins Jr
#
Nick Raspa
#
We Three Kings of Orient
#
NJR Music
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.754378 Composed by John Henry Hopkins Jr. Arranged by Nick Raspa. Christmas,Holiday,Jazz. Score and Parts. 2 pages....
(+)
String Orchestra - Level 4 - SKU: A0.754378 Composed by John Henry Hopkins Jr. Arranged by Nick Raspa. Christmas,Holiday,Jazz. Score and Parts. 2 pages. NJR Music #3866747. Published by NJR Music (A0.754378). This is the Contrabass part for the swing string orchestra arrangement of We Three Kings of Orient. ASCAP.
$8.00
We Three Kings of Orient (String Orchestra) Cello part
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Noël
#
John Henry Hopkins Jr
#
Nick Raspa
#
We Three Kings of Orient
#
NJR Music
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.754380 Composed by John Henry Hopkins Jr. Arranged by Nick Raspa. Christmas,Holiday,Jazz. Score and Parts. 2 pages....
(+)
String Orchestra - Level 4 - SKU: A0.754380 Composed by John Henry Hopkins Jr. Arranged by Nick Raspa. Christmas,Holiday,Jazz. Score and Parts. 2 pages. NJR Music #3866749. Published by NJR Music (A0.754380). This is the cello part for the swing string orchestra arrangement of We Three Kings of Orient. ASCAP.
$8.00
We Three Kings of Orient (String Orchestra) Violin I part
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Noël
#
John Henry Hopkins Jr
#
Nick Raspa
#
We Three Kings of Orient
#
NJR Music
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.754383 Composed by John Henry Hopkins Jr. Arranged by Nick Raspa. Christmas,Holiday,Jazz. Score and Parts. 2 pages....
(+)
String Orchestra - Level 4 - SKU: A0.754383 Composed by John Henry Hopkins Jr. Arranged by Nick Raspa. Christmas,Holiday,Jazz. Score and Parts. 2 pages. NJR Music #3866755. Published by NJR Music (A0.754383). This is the Violin I part for the swing string orchestra arrangement of We Three Kings of Orient. ASCAP.
$8.00
We Three Kings of Orient (String Orchestra) Viola part
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Noël
#
John Henry Hopkins Jr
#
Nick Raspa
#
We Three Kings of Orient
#
NJR Music
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.754381 Composed by John Henry Hopkins Jr. Arranged by Nick Raspa. Christmas,Holiday,Jazz. Score and Parts. 2 pages....
(+)
String Orchestra - Level 4 - SKU: A0.754381 Composed by John Henry Hopkins Jr. Arranged by Nick Raspa. Christmas,Holiday,Jazz. Score and Parts. 2 pages. NJR Music #3866751. Published by NJR Music (A0.754381). This is the Viola part for the swing string orchestra arrangement of We Three Kings of Orient. ASCAP.
$8.00
The Call of the Sea Score
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Alexander Safford
#
The Call of the Sea Score
#
North Summit Music Press, LLC
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.886270 Composed by Alexander Safford. 20th Century,Concert,Contemporary. Score and parts. 26 pages. North Summit Mu...
(+)
String Orchestra - Level 4 - SKU: A0.886270 Composed by Alexander Safford. 20th Century,Concert,Contemporary. Score and parts. 26 pages. North Summit Music Press, LLC #1909149. Published by North Summit Music Press, LLC (A0.886270). Winner of the 2012 Merle J. Isaac Composition Competition. The Call of the Sea is a challenging, and energetic work that is engaging for all of the sections of the orchestra. While not specifically programmatic, the piece is meant to evoke a vague sense of the sea and its tumultuous nature. For fingering and position markings, the following system has been employed: dashes indicate shifts, numbers indicate suggested fingerings, and roman numerals indicate suggested positions.
$5.00
<
1
26
51
....
101
The King'