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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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CORNET
DEEJAY
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
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MANDOLINE
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SAXOPHONE
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Non classifié
2721
PIANO & CLAVIERS
Piano seul
5868
Piano, Voix
269
Orgue
218
Piano, Voix et Guitare
214
1 Piano, 4 mains
172
2 Pianos, 4 mains
69
Instruments en Do
62
Piano Trio: piano, violon, violoncelle
52
Piano Facile
19
Accordéon
16
Orgue, Piano (duo)
15
Piano Quatuor: piano, violon, alto, violoncelle
13
Accompagnement Piano
10
Piano Quintette: piano, 2 violons, alto, violoncelle
9
Orgue, Trompette (duo)
8
Clavecin
6
2 Pianos, 8 mains
6
2 Accordéons
5
1 Piano, 6 mains
3
Piano Quatuor: piano, 2 violons, violoncelle
3
Orgue, Voix
2
Ensemble d'Accordéons
2
Ensemble de Pianos
1
Piano (partie séparée)
1
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GUITARES
Guitare
671
Guitare notes et tablatures
496
Basse electrique
260
2 Guitares (duo)
79
Ukulele
51
Dulcimer
27
4 Guitares (Quatuor)
23
Ensemble de guitares
11
3 Guitares (trio)
11
Banjo
10
Ukulele Baryton
6
Mandoline
4
Piano, Guitare (duo)
4
Ligne De Mélodie, (Paroles) et Accords
4
2 Dulcimers (duo)
3
Guitare (partie séparée)
3
2 Ukuleles
2
Paroles et Accords
2
Mandoline, Guitare (duo)
1
Basse électrique (partie séparée)
1
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VOIX
Chorale SATB
745
Chorale TTBB
166
Chorale SSAA
128
Chorale
122
Chorale 3 parties
118
Voix seule
112
Voix Soprano, Piano
42
Chorale 2 parties
20
Chorale Unison
18
Voix haute
17
Voix duo
14
Voix duo, Piano
13
Chorale SSAATTBB
11
Voix Tenor, Piano
11
Chorale SSATB
7
Chorale SSATTB
6
Voix Baryton, Piano
6
Voix Mezzo-Soprano, Piano
5
Voix moyenne, Piano
4
Voix, Guitare
4
Voix Tenor
4
Voix Soprano
3
Voix basse, Piano
3
Soli, choeur mixte et accompagnement
2
Chorale SATBB
2
Chorale, Orgue
2
Chorale SAATB A Cappella
1
Voix basse
1
Chorale SSAB a cappella
1
Voix Alto, Piano
1
Instrumentations suivantes
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VENTS
Saxophone
554
Clarinette
371
Flûte traversière
325
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
301
Quatuor de Saxophones: 4 saxophones
283
Quatuor de Clarinettes: 4 clarinettes
253
Flûte traversière et Piano
233
Flûte, Hautbois, Clarinette, Basson
182
Quintette de Saxophone: 5 saxophones
164
2 Saxophones (duo)
146
Clarinette et Piano
144
Saxophone Alto
125
2 Flûtes traversières (duo)
110
Saxophone Tenor
105
Ensemble de saxophones
105
2 Clarinettes (duo)
103
Saxophone Alto et Piano
100
Ensemble de Flûtes
84
Ensemble de Clarinettes
83
Hautbois, Piano (duo)
82
Flûte à Bec
77
Quatuor de Flûtes : 4 flûtes
77
Saxophone Tenor et Piano
73
Saxophone, Clarinette (duo)
60
Flûte, Clarinette (duo)
58
Saxophone Soprano
57
Quintette de Clarinettes: 5 clarinettes
51
Flûte et Guitare
43
Hautbois
42
Clarinette, Violon (duo)
40
Saxophone (partie séparée)
31
Clarinette, Trompette (duo)
31
Trio de Flûtes: 3 flûtes
28
Saxophone Soprano et Piano
28
3 Clarinettes (trio)
26
2 Hautbois (duo)
25
Hautbois, Basson (duo)
25
Flûte, Violon
24
Flûte, Saxophone (duo)
21
Clarinette et Alto
20
Saxophone Baryton, Piano
19
Flûte, Alto (duo)
19
3 Saxophones (trio)
18
Hautbois, Clarinette (duo)
18
Flûte, Clarinette et Basson
17
Quintette de Flûte : 5 flûtes
17
Flûte, Trompette (duo)
16
Hautbois, Flûte
15
Flute (partie séparée)
14
Clarinette (partie séparée)
13
Hautbois (partie séparée)
13
Clarinette, Basson (duo)
11
Ensemble De Flûte à bec
9
Clarinette, Guitare (duo)
9
Flûte à bec Alto
8
Quatuor de Flûtes à bec
7
Flûte, Violon, Piano
7
Cor anglais, Piano
7
Flûte, Violoncelle
7
2 Flûte à bec (duo)
7
Hautbois, Clarinette, Basson (trio d'anches)
7
Clarinette Basse, Piano
7
Flûte, Hautbois, Clarinette (trio)
6
Flûte, Violoncelle, Piano (trio)
6
Flûte, Hautbois, Basson
6
2 Flûtes traversières, Piano
5
Flûte, Hautbois, Violon
5
Flûte, Clarinette, Cor, Basson (Quartet)
5
Flûte, Violon et Violoncelle
5
Flûte, Violon, Guitare
4
Flûte, Clarinette, Piano (trio)
4
Flûte à bec Soprano
4
Clarinette, Violoncelle (duo)
4
Hautbois, Guitare (duo)
4
Flûte à bec Alto, Piano
4
Flûte traversière, Basse continue
4
Harmonica
4
Flûte, Violon, Violoncelle et Piano
3
2 Clarinettes, Piano
3
Clarinette, Violoncelle, Piano (trio)
3
Flûte, Alto et Violoncelle
3
2 Saxophones, Piano
2
3 Flûtes à bec (trio)
2
3 Hautbois
2
Saxophone et Piano
2
Piccolo
2
Saxophone et Orgue
2
Ensemble à vent
2
Flûte à bec Tenor
2
5 Flûtes à bec
2
Flute, harpe et violon
2
Flûte, Harpe et Violoncelle
1
Flûte, Hautbois (duo)
1
4 Hautbois
1
Flûte traversière, Orgue (duo)
1
Piccolo, Piano
1
3 Flûtes à bec, Piano
1
Clarinette, Harpe (duo)
1
Clarinette, Orchestre
1
Hautbois, violon (duo)
1
Flûte et Trio à cordes
1
2 Hautbois, Piano
1
Flûte, alto et harpe
1
Saxophone Baryton
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte à bec Alto, Basse continue
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
431
Trompette
329
Trombone
259
Quatuor de Cuivres : 2 trompettes, trombone, tuba
132
Quatuor de cuivres: 4 trombones
120
Trombone et Piano
92
Trompette, Piano
82
Ensemble de Trombones
64
Quatuor de Cuivres
61
Cor
53
Cor et Piano
51
Quatuor de Cuivres: 2 trompettes, Cor, trombone
49
2 Trompettes (duo)
45
2 Trombones (duo)
42
Trompette, Saxophone (duo)
38
Trompette (partie séparée)
38
Ensemble de Trompettes
36
Tuba et Piano
32
Trompette, Trombone (duo)
31
Euphonium
29
Ensemble de Cors
28
Euphonium, Piano (duo)
27
Trombone (partie séparée)
26
Quatuor de cuivres: 4 cors
24
Tuba
20
2 Cors (duo)
13
Trio de Cuivres
12
2 Euphoniums et 2 Tubas
10
4 Tubas
9
Cor anglais, Piano
7
Quatuor de cuivres: 4 trompettes
7
Cor (partie séparée)
7
3 Trombones (trio)
5
2 Tubas (duo)
5
3 Trompettes (trio)
4
Trompette, Tuba (duo)
3
Trombone, Tuba (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trombone basse
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Euphonium, Tuba (duo)
3
Tuba (partie séparée)
3
Bass Clef Instruments
2
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
2
Trombone et orchestre
2
Cor, Orchestre
2
Trompette, Orchestre
2
Trombone basse et Piano
2
Clarinette, Cor (duo)
1
Trompette, Cor (duo)
1
Cor, Tuba (duo)
1
Tuba et Orgue
1
Cor et Orgue
1
2 Euphoniums (duo)
1
Cornet et orchestre
1
Cor, Violoncelle (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
1062
Violon et Piano
364
Harpe
236
Violoncelle, Piano
213
Violon, Violoncelle (duo)
205
Violon
199
Violoncelle
159
Trio à Cordes: violon, alto, violoncelle
133
Alto, Piano
119
2 Violons (duo)
78
2 Violoncelles (duo)
78
Alto seul
75
Trio à Cordes: 2 violons, violoncelle
67
Violon, Alto (duo)
66
4 Violoncelles
47
2 Altos (duo)
44
Violon (partie séparée)
37
Violoncelle , Guitare (duo)
26
Contre Basse
22
Alto (partie séparée)
22
Alto, Violoncelle (duo)
20
Trio à cordes: 3 violins
19
Quintette à cordes: 2 violons, alto, violoncelle, basse
18
Contrebasse, Piano (duo)
17
Trio à Cordes: 3 violoncelles
16
Ensemble de Violons
14
Ensemble d'Altos
13
Trio à Cordes: 2 violons, alto
13
Violon, Guitare (duo)
12
Violoncelle, Orchestre
11
Quatuor à cordes: 4 violons
11
Violon, Basse continue
10
Harpe, Flûte (duo)
10
Harpe, Violon (duo)
8
Quatuor à cordes : 4 altos
8
Harpe, Violoncelle (duo)
8
Ensemble de Violoncelles
8
Violoncelle, Contrebasse (duo)
7
Harpe, Voix
7
Piano Trio: Violon, Alto, Piano
7
Alto et Harpe
6
2 Contrebasses (duo)
6
Trio à cordes: 3 altos
6
Violoncelle, Orgue
5
Alto, Guitare (duo)
5
Alto et orchestre
4
Violon, Orgue
4
2 Harpes (duo)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Trio à cordes
4
4 Contrebasses
3
Contrebasse (partie séparée)
3
Violoncelle (partie séparée)
2
Violoncelle, Basse continue
2
Violon, Clarinette, Piano (trio)
1
3 Harpes
1
Autoharp
1
2 Violons et Basse continue
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Batterie
413
Orchestre à Cordes
302
Orchestre
299
Ensemble Jazz
264
Orchestre d'harmonie
252
Ensemble de cuivres
217
Orchestre de chambre
96
Fanfare
48
Jazz combo
48
Ensemble de Percussions
31
Cloches
26
Marimba
17
Quintette à Vent
11
Quatuor à Vent : 4 instruments à vents
10
Orchestre, Violon
9
Batterie (partie séparée)
7
Piano et Orchestre
7
Percussion
6
Vibraphone
4
Percussion (partie séparée)
4
Xylophone, Piano
4
Big band
2
Timbales (partie séparée)
2
Xylophone ou Marimba ou Vibraphone
2
Xylophone
2
3 Percussions
2
Caisse Claire
1
Xylophone (partie séparée)
1
Instrumentation Flexible
1
Voix et Orchestre
1
Trio à Vent: 3 instruments à vents
1
Vibraphone et Marimba
1
Instrumentations suivantes
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AUTRES
Théorie de la musique
1
Formation musicale - Solfège
1
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Orchestre à Cordes
Partitions à imprimer
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Avanti for String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1224551 Composed by Joanna Bo…
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String Orchestra - Level 4 - Digital Download SKU: A0.1224551 Composed by Joanna Borrett. Classical,Folk. 15 pages. Fedora Strings #820658. Published by Fedora Strings (A0.1224551). Avanti is an original work included in Folk and Beyond, my first cello and piano book which is published by Kevin Mayhew. This is the string orchestra arrangement for intermediate to advanced players.The music is vibrant and energetic. Col legno, ponticello and tremolo bowing are used in places to enhance the character. Overall  I was trying to create a sense of relentlessness.Please note that the You Tube and MP3 recordings are of the cello and piano version, but the string orchestra version is similar.Score and individual parts are included.
$15.99
14.62 €
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Orchestre à Cordes
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Joanna Borrett
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Avanti for String Orchestra
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Fedora Strings
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SheetMusicPlus
Al Mormorar de’ Liquidi Cristalli by Giovanni Gastoldi for String Orchestra (or String Sextet)
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.877045 Composed by Giovanni G…
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String Orchestra - Level 4 - Digital Download SKU: A0.877045 Composed by Giovanni Giacomo Gastoldi. Arranged by Michael O. Shaw. Baroque,Renaissance. Score and parts. 12 pages. Michael O. Shaw #3561667. Published by Michael O. Shaw (A0.877045). This Italian Renaissance madrigal by Giovanni Gastoldi was first published in 1592 for six voices. This re-voicing for string orchestra (or string sextet) takes a happy freshness and lends a new richness. Scored for Vln1, Vln2, Vla, Vc1, Vc2, CB. Duration: 2:55 for advanced intermediate to advanced strings. Score and parts; 11 pages.
$15.00
13.71 €
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Orchestre à Cordes
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Giovanni Giacomo Gastoldi
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Michael O
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11 pages.
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Al Mormorar de’ Liquidi Cristalli by Giovanni Gastoldi for String Orchestra
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Michael O. Shaw
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SheetMusicPlus
Pavane Op. 50 by Gabriel Faure - string orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.815521 Composed by Gabriel Fa…
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String Orchestra - Level 4 - Digital Download SKU: A0.815521 Composed by Gabriel Faure. Arranged by Thomas Strauch. Classical,Romantic Period. Score and parts. 26 pages. Purple Pedagogy Publishing #4790011. Published by Purple Pedagogy Publishing (A0.815521). This is an advanced arrangement for string orchestra. It is in F sharp minor. The cello parts go into tenor clef.
$24.99
22.85 €
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Orchestre à Cordes
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Gabriel Faure
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Thomas Strauch
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Pavane Op. 50 by Gabriel Faure - string orchestra
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Purple Pedagogy Publishing
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SheetMusicPlus
MY HEART AT THY SWEET VOICE for String Orchestra (String Quintet) Advanced Intermediate Level for 1s
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.521585 Composed by Camille Sa…
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String Orchestra - Level 4 - Digital Download SKU: A0.521585 Composed by Camille Saint Saëns. Arranged by Sherry Lewis. Holiday,Opera,Romantic Period,Wedding. Score and Parts. 33 pages. Sherry Lewis Publishing #6222013. Published by Sherry Lewis Publishing (A0.521585). My Heart At Thy Sweet Voice, String Orchestra (String Quintet), Advanced Intermediate Level for 1st and 2nd violins, viola, cello, string bass Score: 18 pages parts: 12 page time: 5'40 ABOUT THE DEMO....I took a big cut to get to the better-known tune but the actual arrangement is complete from beginning to end. I used the original score and true to form. Such a beautiful piece. Really comes off great in strings. MY QUARTET VERSIONS, in short notice usually work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through stringquartet@hotmail.com and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Thank you for your purchase!
$16.99
15.53 €
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Orchestre à Cordes
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Camille Saint Saëns
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Sherry Lewis
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https://www
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MY HEART AT THY SWEET VOICE for String Orchestra
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Sherry Lewis Publishing
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SheetMusicPlus
EKLEKTIKOS (advanced intermediate)
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.835599 Composed by Vincent Vi…
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String Orchestra - Level 4 - Digital Download SKU: A0.835599 Composed by Vincent Vitale. Contemporary. Score and parts. 15 pages. Vincent Vitale #6525585. Published by Vincent Vitale (A0.835599). EKLEKTIKOS is the Greek origin for the word, eclectic meaning selective or from various sources. Hence this composition which incorporates various elements such as tempo changes, pentatonic scales, rhythm changes, counter melodies, etc. It is written for advanced intermediate players or beyond and comes with full score and parts. I do hope you and your students enjoy performing this piece. If this composition appeals to you please review others in this series by typing VINCENT VITALE in the search bar. I wish you and your students much musical success and as always I thank you very much for your loyalty and consideration…..Copyright 2021 I thank you very much for your loyalty and consideration…..Copyright 2021.
$22.00
20.11 €
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Orchestre à Cordes
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Vincent Vitale
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EKLEKTIKOS
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Vincent Vitale
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SheetMusicPlus
AVANT LA NEIGE
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.970849 Composed by Françoi…
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String Orchestra - Level 4 - Digital Download SKU: A0.970849 Composed by François Couture. 20th Century,Contemporary. Score and parts. 47 pages. Francois Couture #4983203. Published by Francois Couture (A0.970849). String orchestraVln. I A / Vln. I B / Vln. II A / Vln. II B / Vla. / Vc. / Db.
$15.00
13.71 €
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Orchestre à Cordes
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François Couture
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AVANT LA NEIGE
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Francois Couture
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SheetMusicPlus
Havana
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.917001 By Camila Cabello. By …
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String Orchestra - Level 4 - Digital Download SKU: A0.917001 By Camila Cabello. By Adam Feeney, Ali Tamposi, Andrew Wotman, Brian Lee, Brittany Hazzard, Camila Cabello, Jeffery Lamar Williams, Kaan Gunesberk, Louis Bell, and Pharrell. Arranged by Michael Patterson. Pop. Score and parts. 16 pages. Moonmusic #4624619. Published by Moonmusic (A0.917001). This is a groovy arrangement for String Orchestra. Basses slap the backbeat and provide the groove throughout. Cellos alternate between bass line and melody. There are two written out solos for violins in your 1st violin section to show off. What more could you ask for?!
$15.99
14.62 €
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Orchestre à Cordes
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Camila Cabello
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Michael Patterson
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Havana
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Moonmusic
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SheetMusicPlus
Pavane For A Dead Princess
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.908666 Composed by Maurice Ra…
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String Orchestra - Level 4 - Digital Download SKU: A0.908666 Composed by Maurice Ravel. Arranged by Mark D Hettle. 20th Century. Score and parts. 10 pages. Goomba Publishing Company (GPC) #3878029. Published by Goomba Publishing Company (GPC) (A0.908666). This piece is an orchestration of the beautiful Maurice Ravel piano composition of the same name. It is written for the intermediate string orchestra. I voiced my arrangement in the impressionistic style that was popular in the late 1800's and early 1900's by many French composers of that time period. I hope you and your orchestra enjoy rehearsing and performing this beautiful Ravel composition. Thank you!-Mark Hettle .
$18.00
16.46 €
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Orchestre à Cordes
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Maurice Ravel
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Mark D Hettle
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Pavane For A Dead Princess
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Goomba Publishing Company
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SheetMusicPlus
Pavane Op. 50 for String Orchestra (transposed to Gm)
Orchestre à Cordes
Composed by Gabriel Faure (1845-1924). Arranged by Flávio Régis Cunha. 2…
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Composed by Gabriel Faure (1845-1924). Arranged by Flávio Régis Cunha. 20th Century, Concert, Contemporary, Standards, Wedding. Score and parts. 29 pages. Flavio Regis Cunha #4616273. Published by Flavio Regis Cunha
$24.99
22.85 €
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Orchestre à Cordes
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Gabriel Faure (1845-1924)
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Pavane Op. 50 for String Orchestra
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Flavio Regis Cunha
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SheetMusicPlus
Pavane Op. 50 for String Orchestra
Orchestre à Cordes
Composed by Gabriel Faure (1845-1924). Arranged by Flávio Régis Cunha. …
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Composed by Gabriel Faure (1845-1924). Arranged by Flávio Régis Cunha. Impressionistic, Repertoire, Wedding, Funeral, Recital. Individual Part, Score, Set of Parts. 19 pages. Published by Flavio Regis Cunha
$18.99
17.36 €
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Orchestre à Cordes
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Gabriel Faure (1845-1924)
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Pavane Op. 50 for String Orchestra
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SheetMusicPlus
Pavanne (String Orchestra)
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.868031 Composed by Gabriel Fa…
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String Orchestra - Level 4 - Digital Download SKU: A0.868031 Composed by Gabriel Faure. Arranged by Ric Flauding. 20th Century,Romantic Period,Spiritual. Score and parts. 12 pages. Denise Lea Flauding #6463043. Published by Denise Lea Flauding (A0.868031). One of the most beautiful songs ever composed with a stirring new arrangement for string orchestra by award-winning master arranger Ric Flauding (London Symphony, Prague Strings, Bucharest Strings, Nashville Recording Orchestra). Duration 3:00.
$35.00
32 €
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Orchestre à Cordes
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Gabriel Faure
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Ric Flauding
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Pavanne
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Denise Lea Flauding
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SheetMusicPlus
Saint-Saens Havanaise for Solo Violin and String Orchestra
Orchestre à Cordes
Composed by Camille Saint- Saens (1835-1921). Arranged by Paul Wood. Romantic Period. …
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Composed by Camille Saint- Saens (1835-1921). Arranged by Paul Wood. Romantic Period. Score and parts. 67 pages. MyMusicScores.com #746324. Published by MyMusicScores.com
$19.99
18.28 €
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Orchestre à Cordes
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Camille Saint- Saens
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Paul Wood
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Saint-Saens Havanaise for Solo Violin and String Orchestra
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MyMusicScores.com
#
SheetMusicPlus
If I Could I Would
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.942083 Composed by Apostolos …
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String Orchestra - Level 4 - Digital Download SKU: A0.942083 Composed by Apostolos Paraskevas. 20th Century,Contemporary. Score and parts. 12 pages. Silver Sickle Publications #4897941. Published by Silver Sickle Publications (A0.942083). If I Could I Would Chamber Concerto for StringsIn this experimental work for Strings every letter of the title is been represented by a block of music. The score is being performed by creating sentences based on the first two pages of the proportional score notation. The conductor determines the entrances and fade outs of the instruments as well the repetition of blocks of music. Dynamics are provided for specific movements and different other sentences could be also created. Could I? Would I? If I Would? Etc… Duration: approx. 7-10 minutes Apostolos Paraskevas is a classical guitarist and composer as well as an award-winning film director and producer. He has received multiple international awards for his compositions and was nominated for a Grammy Award. He is the only guitarist ever to have a major orchestral piece performed at Carnegie Hall under the direction of Lukas Foss––and the only musician who has performed there in a Grim Reaper outfit. He was the founder and served for 16 years as the artistic director of the International Guitar Congress-Festival of Corfu, Greece. He is a voting member of the Recording Academy (Grammy's). After his undergraduate music studies in Volos he pursued advanced studies in classical guitar with Costas Cotsiolis (diploma, 1990) and Leo Brouwer (Havana 1984, 1988), as well as postgraduate studies in composition with Lukas Foss and Theodore Antoniou (DMA in composition, Boston University, 1998). Paraskevas embarked on a successful career as a guitar soloist and contemporary composer, achieving distinctions in both disciplines: Grammy nomination for Chase Dance (Bridge Records, 1999); first prize for Night Wanderings (Lukas Foss Composition Competition, 2000); first prize for Phygein Adynaton (National Composers Conference, 1997); and numerous prestigious commissions, performances, and publications. Following teaching posts at Northeastern and Boston Universities, Paraskevas has taught since 2001 at the Berklee College of Music in Boston (professor of composition and classical guitar). His eclectic compositional style arises as an idiosyncratic integration of seemingly conflicting influences – from avant-garde approaches to harmonic structure, form, and timbre, to pop-folk modal and rhythmical concepts – amalgamated into a personal evocative musical language, characterized by rhythmic verve, melodic grace, dramatic (and sometimes unexpectedly humorous) gestures, and ritualistic or theatrical elements. The latter feature has also led Paraskevas to the creation of films, notably the acclaimed I Finally Did It (Gold award, California Film Awards 2010), dealing wittily with Death, a recurring extra-musical theme in his music. The Groves Dictionary of Music Costas Tsougras
$14.99
13.7 €
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Orchestre à Cordes
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Apostolos Paraskevas
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If I Could I Would
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Silver Sickle Publications
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SheetMusicPlus
La Folia 1 (original composition for intermediate-advanced string orchestra)
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.878825 Composed by David Bann…
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String Orchestra - Level 4 - Digital Download SKU: A0.878825 Composed by David Banney. 20th Century,Contemporary. Score and parts. 42 pages. David Banney #6020527. Published by David Banney (A0.878825). An original work for string orchestra, based on 'La Folia' - a melody that was used extensively by Baroque composers, including Vivaldi and Corelli. .
$12.99
11.88 €
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Orchestre à Cordes
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David Banney
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La Folia 1
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David Banney
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SheetMusicPlus
Mystic Strings for advanced String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.509264 Composed by Janice Mal…
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String Orchestra - Level 4 - Digital Download SKU: A0.509264 Composed by Janice Malan. Classical,Instructional,Standards. Score and parts. 63 pages. Janice Malan #5996269. Published by Janice Malan (A0.509264). Mystic Strings is an original song in the key of e minor. Each instrument has the melody at different places in this mysterious sounding original piece by Janice Malan. The dynamics are beautiful and the quiet places give the audience a sound of anticipation of not knowing what is coming next. The strings are beautifully arranged to highlight the beauty of the instruments and will leave you wanting more. This piece is 4:00 duration and includes the score, violin 1, violin 2, viola, cello, and double bass. Enjoy working on this haunting melody.
$40.00
36.57 €
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Orchestre à Cordes
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Janice Malan
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Mystic Strings for advanced String Orchestra
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Janice Malan
#
SheetMusicPlus
Mystic Strings for advanced String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1180825 By Janice e Malan. By…
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String Orchestra - Level 4 - Digital Download SKU: A0.1180825 By Janice e Malan. By Janice e Malan. Arranged by Janice e Malan. 20th Century,Chamber,Contemporary,Contest,Festival,Instructional. Score and Parts. 10 pages. Janice Malan #780680. Published by Janice Malan (A0.1180825). Mystic Strings is an original song in the key of e minor. Each instrument has the melody at different places in this mysterious sounding original piece by Janice Malan. The dynamics are beautiful and the quiet places give the audience a sound of anticipation of not knowing what is coming next. The strings are beautifully arranged to highlight the beauty of the instruments and will leave you wanting more. This piece is 4:00 duration and includes the score, violin 1, violin 2, viola, cello, and double bass. Enjoy working on this haunting melody.
$35.00
32 €
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Orchestre à Cordes
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Janice e Malan
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Janice e Malan
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Mystic Strings for advanced String Orchestra
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Janice Malan
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SheetMusicPlus
Advanced Orchestral Studies
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download Composed by Mark Hillegass Jr. Classica…
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String Orchestra - Level 4 - Digital Download Composed by Mark Hillegass Jr. Classical. Score and parts. 43 pages. Mark Hillegass Jr. #692693. Published by Mark Hillegass Jr.
$50.00
45.71 €
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Orchestre à Cordes
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Mark Hillegass Jr
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Advanced Orchestral Studies
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Mark Hillegass Jr.
#
SheetMusicPlus
Double Concerto I - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1040472 Composed by Timothy S…
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String Orchestra - Level 4 - Digital Download SKU: A0.1040472 Composed by Timothy Sullivan. 20th Century,Baroque,Classical,Contest,Festival,Multicultural,World. Score and parts. 29 pages. SullivanWorks #645263. Published by SullivanWorks (A0.1040472). Melodic, Rhythmic, Lyrical, Contemporary: Timothy Sullivan's 'Double Concerto' is an ecstatic work for solo violin, solo cello and string ensemble. This work is a feast for heart, soul and mind. Heard the world over as the score for multiple ballets, this is an attractive, playable and beautiful work for all audiences.
$30.00
27.43 €
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Orchestre à Cordes
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Timothy Sullivan
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Double Concerto I - Score Only
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SullivanWorks
#
SheetMusicPlus
The Three B's: Bach, Beethoven, Brahms for Multi-Level String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.859913 Composed by Johann Seb…
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String Orchestra - Level 4 - Digital Download SKU: A0.859913 Composed by Johann Sebastian Bach, Johannes Brahms, and Ludwig van Beethoven. Arranged by Steven Kruse. Baroque,Classical,Romantic Period,Standards. Score and parts. 173 pages. String Play for All #3674791. Published by String Play for All (A0.859913). This original work is designed to introduce your students to the music and styles of Bach, Beethoven and Brahms, using quotes from some of their most famous works and mashing them together in a unique, enjoyable musical setting. The multi-level parts allow students of all ages to make music together. Parts include twinkle open-string parts for violin, viola and cello, violin book 1 part designed for first and second-year students, and an optional advanced violin part which extends to fifth position. Included are full score, piano part (optional for performance), 4 advanced violin, 4 violin I, 4 violin II, 4 violin book I, 3 violin III (in place of viola), 4 viola, 4 cello, 3 double bass, and 4 twinkle parts for violin, viola and cello. Additional extra parts available for purchase.
$19.99
18.28 €
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Orchestre à Cordes
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Johann Sebastian Bach, Johannes Brahms, and Ludwig van Beethoven
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Steven Kruse
#
The Three B's: Bach, Beethoven, Brahms for Multi-Level String Orchestra
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String Play for All
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.65 €
#
Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Viola True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.65 €
#
Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792379. Published by Aaron Meier (A0.922639). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Double Bass True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit.
$3.99
3.65 €
#
Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Violin II
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792367. Published by Aaron Meier (A0.922636). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin II True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.65 €
#
Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Cello
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792373. Published by Aaron Meier (A0.922637). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Cello True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
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Orchestre à Cordes
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
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