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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
set
Non classifié
2 657
Piano & claviers
Piano seul
924
Piano, Voix
283
Piano, Voix et Guitare
149
Orgue
132
1 Piano, 4 mains
48
Piano Trio: piano, violon, violoncelle
44
Instruments en Do
42
2 Pianos, 4 mains
25
Piano Quatuor: piano, violon, alto, violoncelle
22
Orgue, Trompette (duo)
15
Orgue, Piano (duo)
14
Piano Quintette: piano, 2 violons, alto, violoncelle
12
Accordéon
6
Accompagnement Piano
5
Piano Facile
5
2 Pianos, 8 mains
3
Ensemble d'Accordéons
1
+ 12 instrumentations
Retracter
Guitares
Guitare notes et tablatures
198
Guitare
177
2 Guitares (duo)
56
4 Guitares (Quatuor)
26
Ukulele
18
Basse electrique
16
3 Guitares (trio)
11
Ligne De Mélodie, (Paroles) et Accords
5
Dulcimer
3
Ensemble de guitares
3
Banjo
2
Piano, Guitare (duo)
2
Mandoline, Guitare (duo)
1
Ensemble de Ukulélés
1
Mandoline
1
2 Ukuleles
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
1 024
Chorale TTBB
104
Chorale 3 parties
78
Chorale SSAA
72
Voix Soprano, Piano
41
Voix haute
33
Chorale Unison
33
Chorale
22
Voix Baryton, Piano
19
Voix duo
19
Chorale 2 parties
16
Voix seule
15
Voix Tenor, Piano
14
Voix moyenne, Piano
8
Voix duo, Piano
5
Voix Alto, Piano
4
Voix basse, Piano
4
Voix Tenor
3
Voix Mezzo-Soprano, Piano
3
Voix, Guitare
2
Voix Soprano
1
Chorale SSATB
1
Chorale SATBB
1
Chorale SSATTB
1
+ 19 instrumentations
Retracter
Vents
Quatuor de Clarinettes: 4 clarinettes
328
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
284
Quatuor de Saxophones: 4 saxophones
267
Ensemble de Flûtes
137
Ensemble de Clarinettes
130
Quatuor de Flûtes : 4 flûtes
110
Flûte, Hautbois, Clarinette, Basson
108
Quintette de Saxophone: 5 saxophones
98
Ensemble de saxophones
98
Flûte traversière et Piano
88
Clarinette et Piano
79
Saxophone Alto et Piano
73
2 Clarinettes (duo)
61
3 Clarinettes (trio)
60
2 Saxophones (duo)
59
Hautbois, Piano (duo)
59
Quintette de Clarinettes: 5 clarinettes
59
Flûte traversière
58
3 Saxophones (trio)
54
Flûte à Bec
52
2 Flûtes traversières (duo)
50
Saxophone Tenor et Piano
42
Trio de Flûtes: 3 flûtes
40
Saxophone Soprano et Piano
33
Cornemuse
32
Flûte, Clarinette et Basson
29
Clarinette
26
Saxophone Alto
19
Quintette de Flûte : 5 flûtes
18
Flûte, Clarinette (duo)
17
Saxophone Tenor
17
Flûte, Hautbois, Clarinette (trio)
16
Flûte et Guitare
15
Saxophone (partie séparée)
14
2 Hautbois (duo)
11
Saxophone Baryton, Piano
9
3 Hautbois
7
Clarinette, Guitare (duo)
7
Ensemble De Flûte à bec
6
5 Flûtes à bec
6
Flûte, Violon, Piano
6
Flûte, Hautbois, Basson
6
Quatuor de Flûtes à bec
6
Clarinette, Basson (duo)
6
Hautbois, Basson (duo)
5
Clarinette Basse, Piano
5
Flûte, Violon et Violoncelle
5
Flûte, Clarinette, Piano (trio)
5
Hautbois (partie séparée)
5
Clarinette, Violon (duo)
4
Flûte, Hautbois (duo)
4
Flûte, Alto et Piano
4
Clarinette, Trompette (duo)
4
Hautbois, Flûte
4
Flûte, Alto et Violoncelle
4
Cor anglais, Piano
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Flûte, Violoncelle
4
Clarinette, Harpe (duo)
3
2 Flûtes traversières, Piano
3
Flûte, Violon
3
Saxophone
3
Ensemble à vent
3
Clarinette et Alto
3
Saxophone, Clarinette (duo)
3
Hautbois
3
Flûte, Alto (duo)
3
2 Saxophones, Piano
3
Flûte à bec Soprano
3
Clarinette, Violoncelle, Piano (trio)
3
Flûte, Violoncelle, Piano (trio)
2
Hautbois, Clarinette (duo)
2
Saxophone et Piano
2
2 Flûte à bec (duo)
2
Clarinette, Violoncelle (duo)
2
Clarinette, Alto et Piano (trio)
1
Flûte, Trompette (duo)
1
Clarinette, Orchestre
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Hautbois, Guitare (duo)
1
Flute (partie séparée)
1
2 Clarinettes, Basson
1
Flûte, Harpe et Violoncelle
1
Flûte, Basson et Piano
1
Flûte à bec Soprano, Piano
1
Flûte, Saxophone (duo)
1
Saxophone et Orgue
1
2 Hautbois et Basson
1
Flûte traversière, Orgue (duo)
1
Hautbois, violon (duo)
1
Flûte à bec Alto, Piano
1
2 Hautbois et Cor anglais
1
Hautbois, Violoncelle et Piano
1
Ocarina
1
Hautbois, Basson et Piano
1
Ensemble de Hautbois
1
Flûte, Violon, Violoncelle et Piano
1
2 Flûtes, 2 Clarinettes (Quatuor)
1
Flûte traversière, Orchestre
1
Flûte à bec Tenor
1
+ 95 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
586
Quatuor de Cuivres : 2 trompettes, trombone, tuba
107
Quatuor de cuivres: 4 trombones
89
Quatuor de Cuivres
75
Ensemble de Trombones
59
Trompette, Piano
48
Quatuor de cuivres: 4 cors
33
Ensemble de Trompettes
33
Cor et Piano
30
Quatuor de Cuivres: 2 trompettes, Cor, trombone
29
Trombone et Piano
29
Trompette
26
Trombone
23
3 Trombones (trio)
22
2 Trombones (duo)
19
2 Trompettes (duo)
18
Trompette (partie séparée)
17
2 Cors (duo)
17
Tuba et Piano
17
2 Euphoniums et 2 Tubas
13
Ensemble de Cors
13
Quatuor de cuivres: 4 trompettes
13
Trombone (partie séparée)
12
3 Trompettes (trio)
10
Euphonium, Piano (duo)
10
3 Cors (trio)
9
Trio de Cuivres
9
Trompette, Trombone (duo)
8
Euphonium, Tuba (duo)
7
Cor
7
4 Tubas
6
Tuba
5
2 Trompettes, Clavier (piano ou orgue)
4
Cor anglais, Piano
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Euphonium
3
Cor et Orgue
2
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trompette, Saxophone (duo)
2
Trombone et orchestre
2
2 Tubas (duo)
2
Trompette, Orchestre
2
Cor, Orchestre
2
Cornet et orchestre
1
Bass Clef Instruments
1
Trombone basse
1
Trompette, Trombone, Piano
1
Cor, Trompette, Trombone (trio)
1
Tuba et Orgue
1
2 Euphoniums (duo)
1
Trompette, Tuba (duo)
1
Cor, Tuba (duo)
1
Trombone, Orgue
1
Trombone basse et Piano
1
Cor, Violoncelle et Piano
1
Ensemble de Tubas
1
+ 52 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 090
Violon et Piano
139
Trio à Cordes: violon, alto, violoncelle
133
Violon, Violoncelle (duo)
121
Violoncelle, Piano
92
Alto, Piano
75
Trio à Cordes: 2 violons, violoncelle
68
2 Violons (duo)
49
Violoncelle
48
4 Violoncelles
48
Violon
41
2 Violoncelles (duo)
37
Harpe
31
Violon, Alto (duo)
31
Trio à Cordes: 3 violoncelles
24
2 Altos (duo)
17
Trio à cordes: 3 violins
17
Quatuor à cordes: 4 violons
14
Ensemble de Violons
14
Quintette à cordes: 2 violons, alto, violoncelle, basse
13
Ensemble d'Altos
13
Ensemble de Violoncelles
13
2 Harpes (duo)
12
Trio à cordes
12
Trio à cordes: 3 altos
11
Violoncelle , Guitare (duo)
9
Contrebasse, Piano (duo)
8
Violoncelle, Orchestre
8
Piano Trio: Violon, Alto, Piano
8
Harpe, Flûte (duo)
8
Alto seul
7
Trio à Cordes: 2 violons, alto
6
Alto, Violoncelle (duo)
6
Violon, Guitare (duo)
5
Harpe, Violon (duo)
5
Violoncelle, Orgue
4
2 Violons, Piano
4
Quatuor à cordes : 4 altos
4
Alto (partie séparée)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Harpe, Violoncelle (duo)
2
2 Contrebasses (duo)
2
Alto et Harpe
2
Violon (partie séparée)
2
4 Contrebasses
2
Violoncelle (partie séparée)
1
Alto, Guitare (duo)
1
Violoncelle, Contrebasse (duo)
1
Violon, Clarinette, Piano (trio)
1
Contre Basse
1
Harpe et mandoline
1
Harpe et Piano
1
Harpe, Orchestre
1
Harpe, Voix
1
+ 49 instrumentations
Retracter
Orchestre & Percussions
Orchestre
325
Orchestre d'harmonie
293
Ensemble Jazz
292
Orchestre à Cordes
237
Batterie
194
Ensemble de cuivres
164
Orchestre de chambre
157
Cloches
95
Jazz combo
77
Fanfare
44
Ensemble de Percussions
26
Quintette à Vent
10
Quatuor à Vent : 4 instruments à vents
9
Vibraphone
9
Orchestre, Violon
6
Marimba
6
Voix et Orchestre
3
Big band
3
Batterie (partie séparée)
2
Piano et Orchestre
2
3 Percussions
2
Xylophone, Piano
1
Trio à Vent: 3 instruments à vents
1
2 Marimbas
1
+ 19 instrumentations
Retracter
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ACCORDEON
ALTO
AUTRES INST…
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BASSE
BASSON
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
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237 partitions trouvées
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226
Gavotte and Musette form J.S. Bach's English Suite No.3 in G minor
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Eugenia Goldman
#
Gavotte and Musette form J.S.
#
Eugenia Goldman
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.883212 Composed by Johann Sebastian Bach. Arranged by Eugenia Goldman. Baroque,Concert,Instructional,Standards. Sco...
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String Orchestra - Level 4 - SKU: A0.883212 Composed by Johann Sebastian Bach. Arranged by Eugenia Goldman. Baroque,Concert,Instructional,Standards. Score and parts. 12 pages. Eugenia Goldman #4810295. Published by Eugenia Goldman (A0.883212). This string orchestra arrangement of Gavotte and Musette from Johann Sebastian Bach's English Suite No.3 in G minor, BWV 808 is a welcome addition to any orchestra repertoire. Suitable for professional or school performances and background music. Score and parts. Advanced intermediate level.
$35.95
Pictures from Buffalo for Trumpet in C, Timpani, Drum Set, and Strings
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
William Pagan-Perez
#
Pictures from Buffalo for Trum
#
William Pagan-Perez
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.933825 Composed by William Pagan-Perez. Contemporary. Score and Parts. 132 pages. William Pagan-Perez #4634269. Pub...
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String Orchestra - Level 4 - SKU: A0.933825 Composed by William Pagan-Perez. Contemporary. Score and Parts. 132 pages. William Pagan-Perez #4634269. Published by William Pagan-Perez (A0.933825). Pictures From Buffalo I. Irving Place II. Carolina Street III. Bedford Avenue Pictures from Buffalo was inspired on the scenic view of three small landmarks of the City of the Good Neighbors (Buffalo, NY). This piece has three movements for solo trumpet and accompaniment (of percussion and strings) with colorful sticky melodies and exciting rhythmic patterns to produce a great experience for the listener. The use of timpani represents the traditions of classical music. The use of the drum set represents the American pop music tradition and the Latino’s clave 3-2 rhythmic pattern represents the Hispanic heritage of the composer. Instrumentation: Trumpet in C (Solo Part) Timpani Drum Set Violin 1 Violin 2 Viola Cello Double Bass The piece can be performed with a string quintet or with a string orchestra.
$65.00
Love Brings Change_ set of parts
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Moravian Philharmonic Orchestr
#
Love Brings Change_ set of par
#
Jazzem Enterprises
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1396739 By Moravian Philharmonic Orchestra. By Margaret Brandman. 21st Century,Classical. 13 pages. Jazzem Enterpri...
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String Orchestra - Level 4 - SKU: A0.1396739 By Moravian Philharmonic Orchestra. By Margaret Brandman. 21st Century,Classical. 13 pages. Jazzem Enterprises #980080. Published by Jazzem Enterprises (A0.1396739). Love Brings Change - subtitled Adagio for Strings. SET OF PARTS Instrumentation: Violin 1, Violin 2, Violin 3 (optional part for when no viola is available) Viola, Violoncello, Double Bass. The melody and subtle harmonies woven into this work create a lush and emotional mood that expresses joy, contentment, and elation. The work has been recorded by the Moravian Philharmonic Orchestra for Margaret Brandman's SENSATIONS CD. (NV6041) and has received world-wide acclaim and airplay since the release of the CD in 2016.
$19.95
Gustav Holst - Folksongs of Hampshire set for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Celtique/Irlandais
#
Traditional
#
Gustav Holst, John Gibson
#
Gustav Holst - Folksongs of Ha
#
JB Linear
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.582031 Composed by Traditional. Arranged by Gustav Holst, John Gibson. 20th Century,Celtic,Folk,Irish. Score and pa...
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String Orchestra - Level 4 - SKU: A0.582031 Composed by Traditional. Arranged by Gustav Holst, John Gibson. 20th Century,Celtic,Folk,Irish. Score and parts. 48 pages. JB Linear #4364530. Published by JB Linear (A0.582031). Gustav Holst - Folksongs of Hampshire England . In the early 1900's there was great interest in collecting and preserving the folk songs of England, Scotland, and Ireland. Equipped with their newly invented recording devices, people such as Cecil Sharp, Charles Stanford, Ralph Vaughan Williams, and Gustav Holst would travel into the country-side to record, or notate songs being sung. They would frequently use these songs in their own compositions. Holst's music in particular is filled with those songs. This group of four songs was arranged for voice and piano by Holst and set for string orchestra by John Gibson. The songs are 1. Young Edwin in the Lowlands Low 2. Bedlam City 3. The Irish Girl 4. Young Reilly.
$19.75
Three American Folk Hymns (Set of Orchestral Parts)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
William Hawley
#
https://williamhawley
#
Three American Folk Hymns
#
William Hawley
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.889753 Composed by William Hawley. Contemporary,Praise & Worship. Score and parts. 15 pages. William Hawley #655124...
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String Orchestra - Level 4 - SKU: A0.889753 Composed by William Hawley. Contemporary,Praise & Worship. Score and parts. 15 pages. William Hawley #6551249. Published by William Hawley (A0.889753). This is the complete Set of Orchestral Parts for William Hawley's Three American Folk Hymns. The download includes permission to print and photocopy multiple copies as necessary for performance by the string orchestra. The work was commissioned by the Vocal Arts Ensemble of Cincinnati, Earl Rivers, Director. The World Premiere took place, with the Cincinnati Chamber Orchestra, in Memorial Hall, Cincinnati, Ohio, March 22, 2009, Earl Rivers, Conductor. The live World Premiere recording is available separately at SMP Press, as are the Full Score and Vocal Score. Performance Duration: 9 minutes. ASCAP https://williamhawley.net.
$5.99
Suite for Strings in F Major--String Orchestra Set
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Charles Edward Holmes
#
Medium Difficult
#
Suite for Strings in F Major--
#
Charles Edward Holmes
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1020105 Composed by Charles Edward Holmes. Contemporary. Score and parts. 52 pages. Charles Edward Holmes #5205621....
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String Orchestra - Level 4 - SKU: A0.1020105 Composed by Charles Edward Holmes. Contemporary. Score and parts. 52 pages. Charles Edward Holmes #5205621. Published by Charles Edward Holmes (A0.1020105). Grade 3 1/2--4 Medium Difficult Suitable for high schoolstring orchestras.
$70.00
Sing Hallelujah String Quartet/Orchestra Score + Set of Parts
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
Linda Stassen
#
David Puc Narvaez
#
Sing Hallelujah String Quartet
#
David Puc N
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.924579 Composed by Linda Stassen. Arranged by David Puc Narvaez. Christian,Sacred. Score and parts. 17 pages. David...
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String Orchestra - Level 4 - SKU: A0.924579 Composed by Linda Stassen. Arranged by David Puc Narvaez. Christian,Sacred. Score and parts. 17 pages. David Puc N #5215563. Published by David Puc N (A0.924579). Sing Hallelujah to the LordLinda StassenTone BmArrangement for Strings.
$7.99
3 Salzburg Sinfonies
#
Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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3 Salzburg Sinfonies
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Möseler Verlag - Digital
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SheetMusicPlus
String orchestra - intermediate to advanced - SKU: S9.Q49275 Composed by Wolfgang Amadeus Mozart. This edition: set of string parts. Corona - Werkreihe ...
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String orchestra - intermediate to advanced - SKU: S9.Q49275 Composed by Wolfgang Amadeus Mozart. This edition: set of string parts. Corona - Werkreihe für Kammerorchester. Downloadable, Set of string parts. Op 25. Möseler Verlag - Digital #Q49275. Published by Möseler Verlag - Digital (S9.Q49275). Die Werke entstanden vermutlich in den ersten Monaten des Jahres 1772. Sie trugen zunächst die KV-Nummern 125 a-c und wurden als Divertimenti geführt. Es handelt sich jedoch um Orchesterquartette oder Sinfonien ohne Bläser, wie sie beispielsweise aus Mannheim bekannt sind. Ob Mozart chorische oder solistische Besetzung gemeint hat, ist umstritten; für die chorische Besetzung spricht die Bezeichnung der Instrumente ... Viole / Basso.
$53.99
Sechs Bagatellen, op.126
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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Peter Le Tissier
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Sechs Bagatellen, op.126
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Peter Le Tissier
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1111957 Composed by Ludwig van Beethoven. Arranged by Peter Le Tissier. Chamber,Classical,Instructional. Score and ...
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String Orchestra - Level 4 - SKU: A0.1111957 Composed by Ludwig van Beethoven. Arranged by Peter Le Tissier. Chamber,Classical,Instructional. Score and Parts. 52 pages. Peter Le Tissier #714134. Published by Peter Le Tissier (A0.1111957). Before tackling the final Piano Sonata I thought I'd take a little break from the 'serious' orchestrations and present this interpretation of Beethoven's charming set of Bagatelles, op. 126. Postdating (as far as I'm aware) the 9th Symphony, and certainly all the major piano works, these Bagatelles stand apart from the earlier sets, elevated beyond their status in spite of Beethoven's own 'kleinigkeiten' demonym for them. In particular, the final movement is in this version an extraordinary expansion on the previous 5, quoting as it does the infinity of the finale of the Op. 111 Piano sonata.
$15.00
Aria Sopra la Bergamasca for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Renaissance
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Classique
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Marco Uccellini
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Erik Meyer
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Aria Sopra la Bergamasca for S
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Erik Meyer
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1188333 Composed by Marco Uccellini. Arranged by Erik Meyer. Baroque,Renaissance. Score and Parts. 34 pages. Erik M...
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String Orchestra - Level 4 - SKU: A0.1188333 Composed by Marco Uccellini. Arranged by Erik Meyer. Baroque,Renaissance. Score and Parts. 34 pages. Erik Meyer #787936. Published by Erik Meyer (A0.1188333). A bright and cheerful piece for your string orchestra! This arrangement takes Marco Uccellini's Aria Sopra la Bergamasca (originally for 2 violins and basso continuo) and sets it with 4 equal violin parts, 2 viola parts, 2 cello parts, and bass.*purchasing this will give you a PDF document with a full score and set of parts. You are free to print as many parts as needed for your ensemble. Please do not share or distribue this PDF with others.*Questions? Suggestions? Requests? contact me at aemeyer.com.
$19.99
Carson Cooman: Folk Fantasies for solo violin, percussion, and string orchestra, score and solo part
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Carson Cooman
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Carson Cooman: Folk Fantasies
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.533281 Composed by Carson Cooman. Contemporary,Folk,Standards. Score and parts. 43 pages. Musik Fabrik Music Publis...
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String Orchestra - Level 4 - SKU: A0.533281 Composed by Carson Cooman. Contemporary,Folk,Standards. Score and parts. 43 pages. Musik Fabrik Music Publishing #2329775. Published by Musik Fabrik Music Publishing (A0.533281). I. Highland Ballad (Scotland)II. Ceremonial (Nigeria)III. Circle Dance (America)Folk Fantasies (2013) for solo violin, percussion, and string orchestra is a concert piece inspiredby folk traditions. Although this work draws upon folk music styles, it does not quote or use anyactual folk tunes or material directly. For each of the three movements, I began by composingan “original folk tune†within that musical style. Each movement of the work is then a simplearrangement in my own musical style of my original tunes. The formal and harmonic languageof the work is very simple, direct, and uncluttered throughout, as is appropriate for folk music.The first movement, Highland Ballad (Scotland), begins and ends with lyrical music. The middlesections contain settings of the basic melody—first presented over a bagpipe-like drone (withinterjections) and then in a full harmonization.The second movement, Ceremonial (Nigeria), combines a harmonic refrain along with a simplemelody in the Nigerian/Yoruba folk style. As the movement progresses, the violin plays the roleof a song-leader, adding increasingly impassioned countermelodies and textures over the basicrefrains.The third movement, Circle Dance (America), is jubilant—alluding to the songs of the Shakers. Abasic rondo structure alternates the principal melody with contrasting excursions. The set contains the score and solo part only. This score, solo part and complete orchestral parts for 43221 are available as a seperate item.
$25.95
Carson Cooman: Folk Fantasies for solo violin, percussion, and string orchestra, score and complete
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Carson Cooman
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Carson Cooman: Folk Fantasies
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.533280 Composed by Carson Cooman. Contemporary,Folk. Score and parts. 83 pages. Musik Fabrik Music Publishing #2329...
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String Orchestra - Level 4 - SKU: A0.533280 Composed by Carson Cooman. Contemporary,Folk. Score and parts. 83 pages. Musik Fabrik Music Publishing #2329773. Published by Musik Fabrik Music Publishing (A0.533280). I. Highland Ballad (Scotland)II. Ceremonial (Nigeria)III. Circle Dance (America)Folk Fantasies (2013) for solo violin, percussion, and string orchestra is a concert piece inspiredby folk traditions. Although this work draws upon folk music styles, it does not quote or use anyactual folk tunes or material directly. For each of the three movements, I began by composingan “original folk tune†within that musical style. Each movement of the work is then a simplearrangement in my own musical style of my original tunes. The formal and harmonic languageof the work is very simple, direct, and uncluttered throughout, as is appropriate for folk music.The first movement, Highland Ballad (Scotland), begins and ends with lyrical music. The middlesections contain settings of the basic melody—first presented over a bagpipe-like drone (withinterjections) and then in a full harmonization.The second movement, Ceremonial (Nigeria), combines a harmonic refrain along with a simplemelody in the Nigerian/Yoruba folk style. As the movement progresses, the violin plays the roleof a song-leader, adding increasingly impassioned countermelodies and textures over the basicrefrains.The third movement, Circle Dance (America), is jubilant—alluding to the songs of theThis item contains the score, solo part and the complete orchestral parts (percussion plus 43321). A set of the score plus the solo part only is available as another item.
$39.95
Funky Old Maurice
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Maurice Ravel
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Tyler Merideth
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Funky Old Maurice
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Tyler Merideth
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.782564 Composed by Maurice Ravel. Arranged by Tyler Merideth. Contemporary,Jazz. Score and parts. 23 pages. Tyler M...
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String Orchestra - Level 4 - SKU: A0.782564 Composed by Maurice Ravel. Arranged by Tyler Merideth. Contemporary,Jazz. Score and parts. 23 pages. Tyler Merideth #6520345. Published by Tyler Merideth (A0.782564). An exciting and fresh setting of the theme from Maurice Ravel's Bolero for string orchestra. Set over a funk groove in 4/4 time rather than 3/4, each member of the string orchestra has a chance to be in the spotlight! tylermerideth.com.
$49.99
Ave Maria for String Orchestra and Solo Oboe
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Gounod / Bach
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Lynn Hutchinson
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Ave Maria for String Orchestra
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Lynn Hutchinson Music
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.914801 Composed by Gounod / Bach. Arranged by Lynn Hutchinson. 20th Century,Christmas,Sacred. Score and parts. 12 p...
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String Orchestra - Level 4 - SKU: A0.914801 Composed by Gounod / Bach. Arranged by Lynn Hutchinson. 20th Century,Christmas,Sacred. Score and parts. 12 pages. Lynn Hutchinson Music #4823225. Published by Lynn Hutchinson Music (A0.914801). A special oboe feature, highly expressive, intimate and rich in suspensions. Traditional enough to not to upset the apple cart, but modern enough to provide a few moments of surprise. Words aren't sung so could be used in non-religious setting.
$50.00
Carson P. Cooman : Shawkemo Dreaming for string orchestra, score and parts
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Carson Cooman
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Carson P. Cooman : Shawkemo Dr
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.533447 Composed by Carson Cooman. Contemporary,Instructional. Score and parts. 14 pages. Musik Fabrik Music Publish...
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String Orchestra - Level 4 - SKU: A0.533447 Composed by Carson Cooman. Contemporary,Instructional. Score and parts. 14 pages. Musik Fabrik Music Publishing #2915731. Published by Musik Fabrik Music Publishing (A0.533447). Shawkemo Dreaming (2009) for string orchestra is dedicated to Robert Moran. Thetitle refers to Shawkemo, a region of Nantucket Island, Massachusetts. This work isone of a variety of pieces deeply connected to the landscape of Nantucket.Overlooking the harbor and conservation preserves, Shawkemo imparts a sense ofpeace, amidst gentle wind and sky. The work begins with bell-like tolling throughwhich a freely lyrical melody is unfolded. This melodic material is developed, buildingto small climaxes, before the work settles into a reposed conclusion.
$51.95
Carson P. Cooman : Shawkemo Dreaming for string orchestra, score
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Contemporain
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Carson Cooman
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Carson P. Cooman : Shawkemo Dr
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.533446 Composed by Carson Cooman. Contemporary. Score and parts. 6 pages. Musik Fabrik Music Publishing #2915727. P...
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String Orchestra - Level 4 - SKU: A0.533446 Composed by Carson Cooman. Contemporary. Score and parts. 6 pages. Musik Fabrik Music Publishing #2915727. Published by Musik Fabrik Music Publishing (A0.533446). Shawkemo Dreaming (2009) for string orchestra is dedicated to Robert Moran. Thetitle refers to Shawkemo, a region of Nantucket Island, Massachusetts. This work isone of a variety of pieces deeply connected to the landscape of Nantucket.Overlooking the harbor and conservation preserves, Shawkemo imparts a sense ofpeace, amidst gentle wind and sky. The work begins with bell-like tolling throughwhich a freely lyrical melody is unfolded. This melodic material is developed, buildingto small climaxes, before the work settles into a reposed conclusion.
$19.95
Potstock Souvenir de Sarasate Op 15 for Violin and String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Classique
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William Potstock
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Paul Wood
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Potstock Souvenir de Sarasate
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MyMusicScores.com
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1336392 Composed by William Potstock. Arranged by Paul Wood. Romantic Period. 21 pages. MyMusicScores.com #922192. ...
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String Orchestra - Level 4 - SKU: A0.1336392 Composed by William Potstock. Arranged by Paul Wood. Romantic Period. 21 pages. MyMusicScores.com #922192. Published by MyMusicScores.com (A0.1336392). The PDF file contains the score and all parts.William Herman Potstock, known as Wilhelm Hermann, (1872–1908) left an indelible mark as a German-American composer and musician. His masterpiece, Souvenir De Sarasate, remains a celebrated virtuoso piece, intricately weaving left-hand pizzicato and double stops.Born in Northern Germany, Potstock migrated to the U.S. in 1881 with his family, settling in Chicago where he carved a niche as a self-employed music teacher and performer. In 1895, he wed Martha Bock, raising two musically gifted children, Stella and Eugene. His daughter, like her father, showcased remarkable musical prowess.Potstock’s legacy endures through his enduring compositions, notably the evocative Souvenir de Sarasate: Fantasia Espagnole für Violine und Klavier in D-Dur, Op. 15.He is an arrangement for violin and string orchestra.
$19.99
Overture for Strings No. 3 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 3 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 28 pages. ROBERT DEBBAUT #783207. Published by ROBERT DEBBAUT (A0.1183534). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 5 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Joseph Bologne, Chevalier de S
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Robert Debbaut
#
Overture for Strings No. 5 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 39 pages. ROBERT DEBBAUT #783209. Published by ROBERT DEBBAUT (A0.1183536). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 6 - Score Only
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Joseph Bologne, Chevalier de S
#
Robert Debbaut
#
Overture for Strings No. 6 - S
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ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 57 pages. ROBERT DEBBAUT #783210. Published by ROBERT DEBBAUT (A0.1183537). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 4 - Score Only
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Joseph Bologne, Chevalier de S
#
Robert Debbaut
#
Overture for Strings No. 4 - S
#
ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 34 pages. ROBERT DEBBAUT #783208. Published by ROBERT DEBBAUT (A0.1183535). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 2 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 2 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 43 pages. ROBERT DEBBAUT #783206. Published by ROBERT DEBBAUT (A0.1183533). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Scheherazade - I. The Sea and Sinbad's Ship - Pick-A-Part Arrangement for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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Grant Gilman
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Scheherazade - I. The Sea and
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Dr. Grant Gilman
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.799741 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Grant Gilman. 20th Century,Romantic Period. Sco...
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String Orchestra - Level 4 - SKU: A0.799741 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Grant Gilman. 20th Century,Romantic Period. Score and parts. 147 pages. Dr. Grant Gilman #3511981. Published by Dr. Grant Gilman (A0.799741). Nikolai Rimsky-Korsakov Scheherazade - I. The Sea and Sinbad’s Ship Pick-A-Part Arrangement for String Orchestra by Dr. Grant Gilman String Orchestra Parts in This Pick-A-Part Arrangement Violin 1A Violin 1B Violin 1C Violin 2A Violin 2B Violin 2C Viola A Viola B Viola C Cello A Cello B Cello C Bass A Bass B Bass C Harp/Keyboard (optional)About Pick-A-Part Arrangement This arrangement system employs simultaneous, multi-level difficulty parts for each string section. The goal is to accommodate all levels of playing in the preparation and performance of a symphonic masterwork. In this arrangement, there are 3 difficulty levels for each individual string section, labeled A, B, and C, respectively. Each level is a decreasing level of technical and musical difficulty, level A being the highest level of difficulty. The A level is close to, if not exactly the same as, the original string part, plus the integration of wind parts when applicable. B and C follow in a proportional reduction of difficulty level. For this solution to be most effective, some students should be encouraged to play the most challenging parts simultaneously with those playing the simpler parts. This presents the opportunity to participate in a performance that includes most of the original material. The B and C parts cover enough of the surface material while maintaining a modicum of independence from the A part. In other words, the B and C parts are able to hold their own in performance without the A parts. For example, let’s say you have a couple of talented violinists and a few more that are well below their playing level, only two violists that need a great deal of help, a plethora of cellists with a wide range of abilities, and one single bass player that is a beginner. Your distribution of parts may look something like this: Violin 1 - two on Violin 1A, one on Violin 1C, and the rest on Violin 1B Violin 2 - one on Violin 2B, the rest on Violin 2C Viola - both on Viola C Cello - three on Cello A, one on Cello B, and the rest on Cello C Bass - one on Bass C This potential setup will challenge each player at their current level of development while creating the context for a moving experience with a major orchestral work. A Note about the Score and Printing The full score is designed to be printed in portrait orientation on 17x11 tabloid size paper. Even at this size, the score can be confusing to read, especially if you are not covering every difficulty level part. If you would like a custom score showing only the parts you are using, please email me: conductor@grantgilman.com. I will be happy to work with you!www.grantgilman.comwww.americanmusepodcast.com
$29.99
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