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Carson Cooman: Concerto for Portatif Organ and Strings (2006), score and complete parts
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.533701 Composed by Carson Coo…
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String Orchestra - Level 5 - Digital Download SKU: A0.533701 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 77 pages. Musik Fabrik Music Publishing #3038897. Published by Musik Fabrik Music Publishing (A0.533701). Concerto for Portatif Organ and Strings (2006) was commissioned by the Harvard Baroque Chamber Orchestra and its director, Robert Mealy. The work is dedicated to organist Nancy Granert, for whom the solo part was written. The work was commissioned in celebration of the von Clemm Chamber Organ at The Memorial Church, Harvard University, built in 2006 by Klop Organ Builders.As with many of my works, relationships between old and new musical concepts are explored. In this piece, musical aspects of the Baroque organ concerto tradition (and Baroque style string playing) co-exist with more contemporary musical elements. In particular, the directness of expression found in many Baroque concertante works is present throughout. Musical material is shared between the movements in a motivic fashion.The title of the first movement, Bricolage, is defined as “something made or put together using whatever materials happen to be available.†Thus, the musical material for the movement is of varying characters; these elements are assembled together in ways that allow them to comment on and inform each other. Some of these musical elements include: a traditional “overture†texture, a Basse de Trompette texture (with an organ reed stop in the left hand) common in French Baroque organ music, and the French keyboard toccata style.The second movement, Elegia, is dark and searching in tone. It begins with a rageful roar before quieting down to introduce its basic musical material – a simple “lament†theme in a folk-inflected style. This material is used for further explorations, building to passionate climaxes. Finally, the opening music returns, but this time with a whisper. The movement winds down to a sad conclusion.After the soul-searching of the second movement, the third movement, Rondeau, is sprightly and energetic. The basic material is a set of Baroque and Classical-style figurations (with a few American gospel inflections thrown in), firmly grounded in G major. After minor diversions, the original material continues to return and ends the work with unfettered joy.
$64.95
59.81 €
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Orchestre à Cordes
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Carson Cooman
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Carson Cooman: Concerto for Portatif Organ and Strings
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Musik Fabrik Music Publishing
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SheetMusicPlus
CHINESE RHAPSODY No.3 For Saxophone with String Orchestra, Op.46(1988) (SCORE) - Score Only
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.1049001 Composed by An-lun Hu…
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String Orchestra - Level 5 - Digital Download SKU: A0.1049001 Composed by An-lun Huang. 20th Century,Classical,Contemporary,Multicultural,Traditional,World. Score and parts. 32 pages. DoReMi Edition #653394. Published by DoReMi Edition (A0.1049001). Chinese Rhapsody No.3 was composed e in Toronto, Canada , 1988. Huang dedicated the piece to the Canadian Saxophonist Paul Brodie who premiered it in Parry sound of Ontario in the same year. Written in Saibei Folk Style, the music is divided into 5 movements without stop. As usual, Huang didn‘t use any folk song . But the typical taste of Huang’s “Zhang Jia Kou[張家å£] accent†is pretty easy to be identified. With the concert virtuosity, the 1st movement is composed as an emotional Cadenza which expresses the profound affections to the land of Saibei. Using the same Alto Sax., the lyric 2nd movement is followed by a folk dance, the 3rd movement. Chang to a Soprano Saxophone, the 4th movement is sound like a dreamy nocturne which is interrupted by the percussions of the fiery 5th movement. The whole Rhapsody ends on a climax of the Chinese Northern west “wind and percussion “styleâ€. Brodie found more than 300 trills in this piece. Perhaps this is the key to perform the music in real Chinese style. Huang has composed 5 versions of these pieces for different ensembles: saxophone solo with piano, or strings, or winds/brasses, or Chinese traditional orchestra, or symphony orchestra. The attached mp3 was performed by the German saxophonist Jurgen Demmler with pianist Peter Grabinger in 1996. Duration: 20’.
$19.99
18.41 €
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Orchestre à Cordes
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An-lun Huang
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CHINESE RHAPSODY No.3 For Saxophone with String Orchestra, Op.46(1988)
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DoReMi Edition
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SheetMusicPlus
Carson Cooman: Concerto for Portatif Organ and Strings, score only
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.533700 Composed by Carson Coo…
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String Orchestra - Level 5 - Digital Download SKU: A0.533700 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 38 pages. Musik Fabrik Music Publishing #3038895. Published by Musik Fabrik Music Publishing (A0.533700). Concerto for Portatif Organ and Strings (2006) was commissioned by the HarvardBaroque Chamber Orchestra and its director, Robert Mealy. The work is dedicatedto organist Nancy Granert, for whom the solo part was written. The work wascommissioned in celebration of the von Clemm Chamber Organ at The MemorialChurch, Harvard University, built in 2006 by Klop Organ Builders.As with many of my works, relationships between old and new musical concepts areexplored. In this piece, musical aspects of the Baroque organ concerto tradition(and Baroque style string playing) co-exist with more contemporary musicalelements. In particular, the directness of expression found in many Baroqueconcertante works is present throughout. Musical material is shared between themovements in a motivic fashion.The title of the first movement, Bricolage, is defined as “something made or puttogether using whatever materials happen to be available.†Thus, the musicalmaterial for the movement is of varying characters; these elements are assembledtogether in ways that allow them to comment on and inform each other. Some ofthese musical elements include: a traditional “overture†texture, a Basse deTrompette texture (with an organ reed stop in the left hand) common in FrenchBaroque organ music, and the French keyboard toccata style.The second movement, Elegia, is dark and searching in tone. It begins with arageful roar before quieting down to introduce its basic musical material – a simple“lament†theme in a folk-inflected style. This material is used for further explorations,building to passionate climaxes. Finally, the opening music returns, but this timewith a whisper. The movement winds down to a sad conclusion.After the soul-searching of the second movement, the third movement, Rondeau, issprightly and energetic. The basic material is a set of Baroque and Classical-stylefigurations (with a few American gospel inflections thrown in), firmly grounded in Gmajor. After minor diversions, the original material continues to return and ends thework with unfettered joy.This item is the score only. The score and complete parts are available for sale as another item.
$25.95
23.9 €
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Orchestre à Cordes
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Carson Cooman
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Carson Cooman: Concerto for Portatif Organ and Strings, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
The Edmund Fitzgerald - Concerto for Piano and Strings
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey P…
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String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
$9.99
9.2 €
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Orchestre à Cordes
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Geoffrey Peterson
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The Edmund Fitzgerald - Concerto for Piano and Strings
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Geoffrey Peterson
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SheetMusicPlus
Ballade No. 1 in g minor
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.1073928 Composed by Frederic …
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String Orchestra - Level 5 - Digital Download SKU: A0.1073928 Composed by Frederic Chopin. Arranged by Joshua Choe. Classical. Score and parts. 87 pages. JMJ Arrangements #678191. Published by JMJ Arrangements (A0.1073928). Chopin's famous Ballade No. 1 arranged and adapted for string orchestra. NB: All double-stops are to be played divisi.
$24.99
23.01 €
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Orchestre à Cordes
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Frederic Chopin
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Joshua Choe
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Ballade No. 1 in g minor
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JMJ Arrangements
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SheetMusicPlus
Sarasate Carmen Concert Fantasy Op. 25 for Violin and String Orchestra
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.1328015 Composed by Pablo de …
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String Orchestra - Level 5 - Digital Download SKU: A0.1328015 Composed by Pablo de Sarasate. Arranged by Paul Wood. Romantic Period. 102 pages. MyMusicScores.com #916026. Published by MyMusicScores.com (A0.1328015). Pablo de Sarasate's Carmen Fantasy is a dazzling showcase of virtuosity and musical brilliance, born from the Spanish composer's deep admiration for Georges Bizet's opera Carmen. Premiered in 1883, this composition for violin and orchestra encapsulates the essence of the beloved opera while infusing it with Sarasate's own technical mastery and artistic interpretation.The Carmen Fantasy ingeniously weaves together various themes from Bizet's opera, expertly arranged and transformed to suit the violin's expressive capabilities. Sarasate, a celebrated violinist himself, exploits the instrument's range, employing intricate techniques like double stops, rapid scales, and harmonics to vividly portray the passion, drama, and vivacity of Carmen.Here is an arrangement for violin and string orchestra.The PDF file contains the score and all instrumental parts.
$29.99
27.62 €
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Orchestre à Cordes
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Pablo de Sarasate
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Paul Wood
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Sarasate Carmen Concert Fantasy Op. 25 for Violin and String Orchestra
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MyMusicScores.com
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SheetMusicPlus
Paganini Grand Sonata for Viola and String Orchestra
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.1249562 Composed by Nicolo Pa…
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String Orchestra - Level 5 - Digital Download SKU: A0.1249562 Composed by Nicolo Paganini. Arranged by Paul Wood. 19th Century,Romantic Period. Score and Parts. 70 pages. MyMusicScores.com #843992. Published by MyMusicScores.com (A0.1249562). Paganini's Sonata per la Grand Viola, is a remarkable composition that showcases the virtuosic abilities of the viola. Written by the renowned Italian violinist and composer Niccolò Paganini, this sonata stands out for its technical demands and expressive qualities. Composed in 1834, it highlights Paganini's innovative approach to the viola, an instrument that was often overshadowed by the violin at the time.The Sonata per la Grand Viola captivates listeners with its rich melodies, intricate passages, and brilliant display of the viola's range and capabilities. Paganini's mastery of the instrument is evident in the challenging double stops, rapid runs, and brilliant arpeggios that pepper the composition. Despite its technical complexities, the sonata also offers moments of introspection and lyrical beauty, showcasing Paganini's ability to balance technical prowess with musical sensitivity.With its grandeur and virtuosity, the Sonata per la Grand Viola, MS 70, remains a significant contribution to the viola repertoire.Here is an arrangement for viola and string orchestra.The PDF file contains the score and all instrumental parts.
$24.99
23.01 €
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Orchestre à Cordes
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Nicolo Paganini
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Paul Wood
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Paganini Grand Sonata for Viola and String Orchestra
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MyMusicScores.com
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SheetMusicPlus
Energric
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.1026276 Composed by Kong Moua…
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String Orchestra - Level 5 - Digital Download SKU: A0.1026276 Composed by Kong Moua. Contemporary. Score and parts. 6 pages. Mr. Blob Music Production Company #6057365. Published by Mr. Blob Music Production Company (A0.1026276). Written for String Quartet, the music has 4 players playing: (Violin 1 & 2, Viola, Cello). Energric is with energy and double stops notes, a lot of shifting and slurs to deal with. The tempo is fast at the beggining, and slower in the middle. This music will use a lot of bowing, and loud accents, with energy. Performance Time: 2:33Performed by: String Quartet: (Musescore Orchestra), Sound Operator (*waiting for info*)
$13.99
12.88 €
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Orchestre à Cordes
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Kong Moua
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2, Viola, Cello)
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Energric
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Mr. Blob Music Production Company
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SheetMusicPlus
classic f minor
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.1015428 Composed by Godce Chr…
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String Orchestra - Level 5 - Digital Download SKU: A0.1015428 Composed by Godce Christopher m fry. Arranged by Godce Christopher m fry. Contemporary. Score and parts. 3 pages. Godce Christopher Fry #4776293. Published by Godce Christopher Fry (A0.1015428). A classic f minor symphony.
$75.00
69.06 €
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Orchestre à Cordes
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Godce Christopher m fry
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Godce Christopher m fry
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classic f minor
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Godce Christopher Fry
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SheetMusicPlus
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