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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Aaron
Non classifié
487
Piano & claviers
Piano seul
579
Piano, Voix et Guitare
268
Piano Facile
236
Piano, Voix
208
Instruments en Do
65
Orgue
17
1 Piano, 4 mains
9
Piano Trio: piano, violon, violoncelle
8
Piano (partie séparée)
4
2 Pianos, 4 mains
4
Accompagnement Piano
4
Accordéon
2
Piano grosses notes
2
Orgue, Piano (duo)
2
Clavier
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
255
Ligne De Mélodie, (Paroles) et Accords
69
Guitare
50
Ukulele
23
Paroles et Accords
15
Basse electrique
14
4 Guitares (Quatuor)
11
Piano, Guitare (duo)
4
Guitare (partie séparée)
3
Dulcimer
2
Ensemble de Ukulélés
2
2 Guitares (duo)
1
Banjo
1
Mandoline
1
Guitare Pedal Steel
1
+ 10 instrumentations
Retracter
Voix
Chorale TTBB
189
Chorale SATB
168
Chorale SSAA
63
Chorale 3 parties
61
Chorale 2 parties
20
Pack Instrumental pour Chorale
12
Chorale Unison
7
Voix duo, Piano
4
Chorale
3
Voix seule
3
Chorale, Orgue
2
Voix haute
2
Chorale SSATB
1
Chorale SSAB a cappella
1
Voix duo
1
Voix basse, Piano
1
+ 11 instrumentations
Retracter
Vents
Flûte traversière
64
Flûte traversière et Piano
52
Clarinette et Piano
50
Clarinette
49
Saxophone (partie séparée)
45
Saxophone Alto
43
Saxophone Tenor
41
Hautbois (partie séparée)
37
Hautbois, Piano (duo)
35
Saxophone Alto et Piano
28
Saxophone Tenor et Piano
21
Quatuor de Saxophones: 4 saxophones
21
Saxophone Soprano et Piano
16
Clarinette (partie séparée)
14
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
13
2 Saxophones (duo)
13
Saxophone Baryton, Piano
12
Quintette de Saxophone: 5 saxophones
11
Cor anglais, Piano
11
Saxophone Soprano
10
Flûte, Hautbois, Clarinette, Basson
10
Quatuor de Clarinettes: 4 clarinettes
10
Hautbois
9
2 Flûte à bec (duo)
8
2 Clarinettes (duo)
8
Saxophone Baryton
7
3 Flûtes à bec (trio)
7
Ensemble de saxophones
6
2 Flûtes traversières (duo)
6
Cor Anglais
6
Flute (partie séparée)
5
Saxophone, Clarinette (duo)
5
Flûte, Clarinette (duo)
5
Flûte, Violon
4
Flûte à bec Alto
4
Clarinette, Trompette (duo)
4
Clarinette, Violon (duo)
4
Flûte à bec Soprano
3
Ensemble de Clarinettes
3
Instruments en Mib
3
Hautbois, Basson (duo)
3
2 Hautbois (duo)
3
Flûte, Trompette (duo)
2
Flûte, Saxophone (duo)
2
Clarinette, Basson (duo)
2
Flûte, Hautbois (duo)
2
3 Clarinettes (trio)
2
Clarinette et Alto
2
Flûte, Alto (duo)
2
Piccolo
2
Harmonica
2
Quatuor de Flûtes : 4 flûtes
1
3 Saxophones (trio)
1
Saxophone
1
Flûte, Violoncelle, Piano (trio)
1
Trio de Flûtes: 3 flûtes
1
Flûte, Basson et Piano
1
Quintette de Clarinettes: 5 clarinettes
1
Clarinette, Harpe (duo)
1
Quatuor de Flûtes à bec
1
Hautbois, Flûte
1
Quintette de Flûte : 5 flûtes
1
Saxophone et Harpe
1
Flûte, Clarinette et Basson
1
Hautbois, Harpe
1
Hautbois, Clarinette (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Ensemble de Flûtes
1
Flûte, Hautbois, Piano (trio)
1
Clarinette Basse, Piano
1
3 Hautbois
1
Flûte à Bec
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette, Violoncelle (duo)
1
Flûte, Violoncelle
1
+ 70 instrumentations
Retracter
Cuivres
Trompette
59
Trombone
44
Trombone et Piano
38
Trompette, Piano
35
Cor
34
Quatuor de Cuivres : 2 trompettes, trombone, tuba
32
Tuba
25
Trompette (partie séparée)
23
Tuba et Piano
22
Cor et Piano
22
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
18
Trombone (partie séparée)
12
Cor anglais, Piano
11
2 Trombones (duo)
7
2 Trompettes (duo)
6
Cor (partie séparée)
6
Cor Anglais
6
Euphonium
5
Ensemble de Trombones
4
Euphonium, Piano (duo)
4
Trompette, Saxophone (duo)
4
Quatuor de cuivres: 4 trombones
4
Trompette, Trombone (duo)
4
Instruments en Sib
3
Trombone, Orgue
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
2 Euphoniums et 2 Tubas
2
Quatuor de Cuivres
2
Trombone basse
2
2 Cors (duo)
2
Ensemble de Trompettes
1
Euphonium, Tuba (duo)
1
Cor et Harpe
1
Trompette, Harpe
1
Tuba (partie séparée)
1
Quatuor de cuivres: 4 cors
1
Trombone, Tuba (duo)
1
Trompette, Cor (duo)
1
Trombone et orchestre
1
+ 34 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
157
Violoncelle
107
Violon
81
Violon et Piano
58
Alto seul
47
Alto, Piano
43
Violoncelle, Piano
43
Violon, Violoncelle (duo)
39
Trio à Cordes: violon, alto, violoncelle
39
Contre Basse
19
2 Violons (duo)
19
Contrebasse, Piano (duo)
18
2 Violoncelles (duo)
17
Alto (partie séparée)
17
Harpe
13
Violon (partie séparée)
12
Violon, Alto (duo)
12
Contrebasse (partie séparée)
9
2 Altos (duo)
8
2 Harpes (duo)
6
Violoncelle (partie séparée)
6
4 Violoncelles
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Trio à Cordes: 2 violons, violoncelle
2
Trio à Cordes: 3 violoncelles
2
Trio à Cordes: 2 violons, alto
2
Violoncelle, Contrebasse (duo)
1
2 Contrebasses (duo)
1
Alto et orchestre
1
Harpe, Flûte (duo)
1
Alto, Violoncelle (duo)
1
Ensemble d'Altos
1
Ensemble de Violons
1
Violoncelle, Orgue
1
Quatuor à cordes : 4 altos
1
Alto et Harpe
1
Harpe, Violon (duo)
1
Trio à cordes: 3 violins
1
Quatuor à cordes: 4 violons
1
+ 34 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
75
Ensemble de Percussions
42
Ensemble Jazz
41
Orchestre à Cordes
36
Batterie
28
Fanfare
24
Orchestre
17
Percussion (partie séparée)
13
Jazz combo
11
Xylophone
8
Vibraphone
8
Orchestre de chambre
6
Ensemble de cuivres
4
Cloches
2
Batterie (partie séparée)
2
Timbales (partie séparée)
1
Percussion
1
+ 12 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMBONE
TROMPETTE
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
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Vous avez sélectionné:
Aaron
Orchestre à Cordes
Partitions à imprimer
36 partitions trouvées
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1
26
Etched In Glass
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Orchestre à Cordes
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FACILE
#
Aaron VanLaan
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Aaron VanLaan
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Etched In Glass
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Aaron VanLaan
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1492792 By Aaron VanLaan. By Aaron VanLaan. Arranged by Aaron VanLaan. 21st Century,Chamber. 16 pages. Aaron VanLaa...
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String Orchestra - Level 2 - SKU: A0.1492792 By Aaron VanLaan. By Aaron VanLaan. Arranged by Aaron VanLaan. 21st Century,Chamber. 16 pages. Aaron VanLaan #1069477. Published by Aaron VanLaan (A0.1492792).
$19.99
Die Fledermaus Overture (arr. for string orchestra): Score and Parts
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Die Fledermaus Overture
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Aaron Meier
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922627 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 54 pages. Aa...
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String Orchestra - Level 4 - SKU: A0.922627 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 54 pages. Aaron Meier #5759757. Published by Aaron Meier (A0.922627). Composed by Johann Strauss IIArranged by Aaron MeierFull Score + All Parts (Violin I, Violin II, Viola, Cello, Bass)This arrangement is simply reduction to String Orchestra; technically, it is similar to the original. This reduction is a full length arrangement of the original composition by Strauss. (Intermediate-advanced to advanced)Notes:- There are two soloist parts: Violin I and Cello, both requiring the first stand to perform at some point.- It is assumed that areas not marked div. but are impossible to play on one string are to be divided. Div. are marked when a section splits into two completely different parts, rather than just splitting an octave.
$20.00
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
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Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
The Abduction of Persephone (for String Orchestra)
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Orchestre à Cordes
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INTERMÉDIAIRE
#
Aaron Fonzi
#
#
The Abduction of Persephone
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Aaron Fonzi
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.998356 Composed by Aaron Fonzi. Children,Contemporary,Rock,Standards. Score and parts. 27 pages. Aaron Fonzi #33678...
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String Orchestra - Level 3 - SKU: A0.998356 Composed by Aaron Fonzi. Children,Contemporary,Rock,Standards. Score and parts. 27 pages. Aaron Fonzi #3367893. Published by Aaron Fonzi (A0.998356). This piece tells the epic story of Hades' abduction of his niece, Persephone. According to the legend, Hades came up through a crack in the ground and snatched the girl while she was playing. In the Underworld, he tried to seduce her in a variety of ways, but to no avail. Finally, Hades is said to have tricked her into staying by offering her a tempting pomegranate. As Persephone ate 6 seeds, she was to stay in the Underworld for six months each year. It is said that while Persphone is in the Underworld, the plants wither and die, and when she comes back to the surface she brings rebirth to growing things. This piece begins with playful pizzicato lines that build upon each other. These represent Persphone at play, but forebodes the dark forces that are encircling her. When the orchestra goes to arco, Persphone is being dragged into the Underworld. A mournful violin solo signifies her arrival, but this mournful theme is quickly replace by the devious seductions of Hades in the form of a humorous waltz. Finally, Hades offers the pomegranate to Persephone and she eats 6 seeds (represented by the six beats of the B major chord in measures 76 and 77). The main theme then takes over once again, modulating to F# minor to represent Hades' victory. With relentless energy, catchy ostinati and opportunities to work on shifting, pizzicato and arco throughout, this piece will not dissapoint for audiences and students alike. A FEW NOTES: 1. I'd recommend rehearsing the rhythms of recurring ostinati together- first pizzicato then arco. You may get creative and incorporate scales with these rhythms. However you do it, it'll be important that each ostinato is played with precision and confidence. 2. Have fun with the waltz section! It's meant to portray the strange, whimsical nature of Hades' attempts to woo Persephone, so the awkwardness in delivery is encouraged! 3. All ritardandos should be exaggerated for the sake of drama. 4. Encourage your drumset player to explore different ways of accompanying the orchestra- the drumset part is a blueprint, not definitive instructions. 5. Be sure to practice shifting into 2nd position for the modulation. I hope you and your students have a great time putting this epic piece together! I had a ton of fun writing it! ~Aaron Fonzi
$20.00
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
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Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Viola True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792379. Published by Aaron Meier (A0.922639). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Double Bass True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit.
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Violin II
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792367. Published by Aaron Meier (A0.922636). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin II True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Cello
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792373. Published by Aaron Meier (A0.922637). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Cello True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Soft Remembrances (for string orchestra)
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Orchestre à Cordes
#
AVANCÉ
#
Contemporain
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Aaron Lee
#
Soft Remembrances
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J. Aaron Lee
#
SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.1126572 Composed by Aaron Lee. 20th Century,Classical,Contemporary. Score and parts. 9 pages. J. Aaron Lee #727221....
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String Orchestra - Level 5 - SKU: A0.1126572 Composed by Aaron Lee. 20th Century,Classical,Contemporary. Score and parts. 9 pages. J. Aaron Lee #727221. Published by J. Aaron Lee (A0.1126572). Soft Remembrances is a short and accessible work for string orchestra that explores the complex emotions associated with memory. From quiet mourning to faint nostalgia, the work uses its brief duration (approx. 3 minutes) to explore the nuanced emotions evokes by remembering the distant past. This work is written for string orchestra and includes all of the necessary parts and would be appropriate in difficulty for advanced students or professional ensembles. For more music from Aaron Lee, you can visit www.MusicOfLee.com.
$14.99
Hunger Games, The
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Orchestre à Cordes
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Contemporain
#
James Newton Howard and Sven F
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Aaron Fitch
#
Hunger Games, The
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Aaron Fitch
#
SheetMusicPlus
String Orchestra - SKU: A0.1029503 Composed by James Newton Howard and Sven Faulconer. Arranged by Aaron Fitch. Contemporary. Score and parts. 26 pages....
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String Orchestra - SKU: A0.1029503 Composed by James Newton Howard and Sven Faulconer. Arranged by Aaron Fitch. Contemporary. Score and parts. 26 pages. Aaron Fitch #6441645. Published by Aaron Fitch (A0.1029503). Rue's Farewell From: The Hunger Games by James Newton Howard arranged by Aaron Fitch for String OrchestraParts: Violin I/II, Viola, Cello, Bass, Piano(optional), Harp Was arranged in memory of two community members who lost their lives fighting Ataxia-telangiectasia, or A-T..
$49.99
Geistliches Lied, Op. 30 - For String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
#
Classique
#
Johannes Brahms
#
Aaron Galloway
#
Geistliches Lied, Op. 30 - For
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Aaron Galloway
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1402137 Composed by Johannes Brahms. Arranged by Aaron Galloway. 19th Century,Chamber,Christian,Classical,Romantic ...
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String Orchestra - Level 3 - SKU: A0.1402137 Composed by Johannes Brahms. Arranged by Aaron Galloway. 19th Century,Chamber,Christian,Classical,Romantic Period. 41 pages. Aaron Galloway #985341. Published by Aaron Galloway (A0.1402137). A beautiful song by Johannes Brahms transcribed for string orchestra. Transposed a half-step lower to D Major for greater ease of playing on string instruments.
$25.00
Suite for String Orchestra in G minor
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Orchestre à Cordes
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INTERMÉDIAIRE
#
Classique
#
Aaron Galloway
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Suite for String Orchestra in
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Aaron Galloway
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1405059 Composed by Aaron Galloway. 19th Century,21st Century,Chamber,Classical,Romantic Period. 122 pages. Aaron G...
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String Orchestra - Level 3 - SKU: A0.1405059 Composed by Aaron Galloway. 19th Century,21st Century,Chamber,Classical,Romantic Period. 122 pages. Aaron Galloway #988095. Published by Aaron Galloway (A0.1405059). A fun and tuneful suite for string orchestra in four movements:I. PreludeII. IntermezzoIII. Variations on an American Folk SongIV. Allegro Vivo.
$125.00
Suite for String Orchestra in G minor - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE
#
Classique
#
Aaron Galloway
#
Suite for String Orchestra in
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Aaron Galloway
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1405360 Composed by Aaron Galloway. 19th Century,21st Century,Chamber,Classical,Romantic Period. 64 pages. Aaron Ga...
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String Orchestra - Level 3 - SKU: A0.1405360 Composed by Aaron Galloway. 19th Century,21st Century,Chamber,Classical,Romantic Period. 64 pages. Aaron Galloway #988414. Published by Aaron Galloway (A0.1405360). A fun and tuneful suite for string orchestra in four movements:I. PreludeII. IntermezzoIII. Variations on an American Folk SongIV. Allegro Vivo.
$25.00
My Old Kentucky Home - Idyllic Variations on an American Folk Song - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE
#
Aaron Galloway
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My Old Kentucky Home - Idyllic
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Aaron Galloway
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1400427 Composed by Aaron Galloway. Chamber,Classical,Folk,Romantic Period,Traditional. 14 pages. Aaron Galloway #9...
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String Orchestra - Level 3 - SKU: A0.1400427 Composed by Aaron Galloway. Chamber,Classical,Folk,Romantic Period,Traditional. 14 pages. Aaron Galloway #983622. Published by Aaron Galloway (A0.1400427). A beautiful setting of Stephen Foster's My Old Kentucky Home for string orchestra. A movement taken from a suite for string orchestra in G minor, this work is in a modified theme and variations form and gives the first violins, second violins, violas, and cellos a chance to shine with the familiar folk melody.
$15.00
My Old Kentucky Home - Idyllic Variations on an American Folk Song
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Orchestre à Cordes
#
INTERMÉDIAIRE
#
Aaron Galloway
#
My Old Kentucky Home - Idyllic
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Aaron Galloway
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1400423 Composed by Aaron Galloway. Chamber,Classical,Folk,Romantic Period,Traditional. 24 pages. Aaron Galloway #9...
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String Orchestra - Level 3 - SKU: A0.1400423 Composed by Aaron Galloway. Chamber,Classical,Folk,Romantic Period,Traditional. 24 pages. Aaron Galloway #983617. Published by Aaron Galloway (A0.1400423). A beautiful setting of Stephen Foster's My Old Kentucky Home for string orchestra. A movement taken from a suite for string orchestra in G minor, this work is in a modified theme and variations form and gives the first violins, second violins, violas, and cellos a chance to shine with the familiar folk melody.
$50.00
Die Fledermaus Overture (arr. for string orchestra): Viola
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Die Fledermaus Overture
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Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922630 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 6 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922630 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 6 pages. Aaron Meier #5760005. Published by Aaron Meier (A0.922630). Composed by Johann Strauss II
$3.00
Die Fledermaus Overture (arr. for string orchestra): Cello
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Johann Strauss
#
Aaron Meier
#
Die Fledermaus Overture
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Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922631 Composed by Johann Strauss. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 6 pages. Aaron ...
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String Orchestra - Level 4 - SKU: A0.922631 Composed by Johann Strauss. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 6 pages. Aaron Meier #5760007. Published by Aaron Meier (A0.922631). Composed by Johann Strauss II
$3.00
Die Fledermaus Overture (arr. for string orchestra): Violin II
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Die Fledermaus Overture
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922629 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 6 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922629 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 6 pages. Aaron Meier #5760001. Published by Aaron Meier (A0.922629). Composed by Johann Strauss II
$3.00
Die Fledermaus Overture (arr. for string orchestra): Violin I
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Die Fledermaus Overture
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922628 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 8 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922628 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 8 pages. Aaron Meier #5759999. Published by Aaron Meier (A0.922628). Composed by Johann Strauss II
$3.00
Die Fledermaus Overture (arr. for string orchestra): Double Bass
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Die Fledermaus Overture
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922632 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 5 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922632 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 5 pages. Aaron Meier #5760013. Published by Aaron Meier (A0.922632). Composed by Johann Strauss II
$3.00
Vinayaka
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Orchestre à Cordes
#
INTERMÉDIAIRE
#
Aaron Gage
#
Vinayaka
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Aaron Gage
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1311343 Composed by Aaron Gage. 21st Century,Chamber,Classical,Instructional. 12 pages. Aaron Gage #900346. Publish...
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String Orchestra - Level 3 - SKU: A0.1311343 Composed by Aaron Gage. 21st Century,Chamber,Classical,Instructional. 12 pages. Aaron Gage #900346. Published by Aaron Gage (A0.1311343). Vinayaka is another name for the Hindu God Ganesh. The representation of this God is known for symbolizing protection and the removal of obstacles in one’s life. When setting this idea to music, I wanted to bring forth the idea of longing to find one’s path and how to can be traversed while eventually all resolving as it should in the end. Through the string orchestra, I was able to add to the long tradition of utilizing the strings for longing, passionate phrases.Purchase of this score includes all sectional parts.
$20.00
Die Fledermaus Overture (arr. for string orchestra): Score
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Die Fledermaus Overture
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922626 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 23 pages. Aa...
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String Orchestra - Level 4 - SKU: A0.922626 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 23 pages. Aaron Meier #5759997. Published by Aaron Meier (A0.922626). Composed by Johann Strauss II
$10.00
America, The Beautiful
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Orchestre à Cordes
#
FACILE
#
Patriotique
#
Samuel Ward
#
Aaron Lofaro
#
America, The Beautiful
#
Aaron Lofaro
#
SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.494501 Composed by Samuel Ward. Arranged by Aaron Lofaro. Patriotic. Score and Parts. 5 pages. Aaron Lofaro #109154...
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String Orchestra - Level 2 - SKU: A0.494501 Composed by Samuel Ward. Arranged by Aaron Lofaro. Patriotic. Score and Parts. 5 pages. Aaron Lofaro #109154. Published by Aaron Lofaro (A0.494501). Arrangement for string orchestra.
$2.00
We Sailed to Other Worlds
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Aaron Gage
#
We Sailed to Other Worlds
#
Aaron Gage
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1093602 Composed by Aaron Gage. 20th Century,Classical,Contemporary,Multicultural,New Age,World. Score and parts. 1...
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String Orchestra - Level 4 - SKU: A0.1093602 Composed by Aaron Gage. 20th Century,Classical,Contemporary,Multicultural,New Age,World. Score and parts. 158 pages. Aaron Gage #697611. Published by Aaron Gage (A0.1093602). We Sailed to Other Worlds is a new age type of composition featuring a steel pan ensemble and string orchestra. The new unique blend of instrumentation offers a new perspective to the steel pan world in what is possible through implementing the classical with Trinidadian sound. This work was commissioned in 2019 by the Chicago Youth Symphony Orchestra and premiered June 6th, 2022. Instrumentation: Tenor Double Tenor Double Seconds Triple Cellos Six Bass String Orchestra.
$75.00
America (My Country, 'Tis of Thee)
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Orchestre à Cordes
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FACILE
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Patriotique
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Samuel Francis Smith
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Aaron Lofaro
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America
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Aaron Lofaro
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.494499 Composed by Samuel Francis Smith. Arranged by Aaron Lofaro. Patriotic. Score and Parts. 4 pages. Aaron Lofar...
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String Orchestra - Level 2 - SKU: A0.494499 Composed by Samuel Francis Smith. Arranged by Aaron Lofaro. Patriotic. Score and Parts. 4 pages. Aaron Lofaro #109152. Published by Aaron Lofaro (A0.494499). This arrangement is for string orchestra.
$2.00
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