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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Op. 16
Non classifié
270
Piano & claviers
Piano, Voix
335
Piano seul
313
Orgue
26
Piano Facile
14
1 Piano, 4 mains
9
2 Pianos, 4 mains
5
Piano Trio: piano, violon, violoncelle
4
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano, Voix et Guitare
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Orgue, Trompette (duo)
1
Accordéon
1
Orgue, Piano (duo)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Clavecin
1
+ 10 instrumentations
Retracter
Guitares
Guitare
27
Guitare notes et tablatures
6
2 Guitares (duo)
4
4 Guitares (Quatuor)
3
Ukulele
2
Basse electrique
1
Paroles et Accords
1
Ligne De Mélodie, (Paroles) et Accords
1
+ 3 instrumentations
Retracter
Voix
Voix seule
20
Chorale SATB
11
Chorale 3 parties
5
Chorale TTBB
1
Voix moyenne, Piano
1
Voix haute
1
Chorale 2 parties
1
Soli, choeur mixte et accompagnement
1
Chorale SSAATTBB
1
+ 4 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
32
Flûte traversière et Piano
30
Clarinette et Piano
21
Quatuor de Saxophones: 4 saxophones
17
Quintette de Saxophone: 5 saxophones
16
Hautbois, Piano (duo)
14
Quatuor de Clarinettes: 4 clarinettes
14
Saxophone Alto et Piano
13
Quatuor de Flûtes : 4 flûtes
11
Saxophone Soprano et Piano
11
2 Flûtes traversières (duo)
11
2 Saxophones (duo)
9
Saxophone Tenor et Piano
9
2 Clarinettes (duo)
8
Flûte, Hautbois, Clarinette, Basson
8
Quintette de Flûte : 5 flûtes
7
Flûte et Guitare
6
Flûte traversière
5
Clarinette Basse, Piano
5
2 Hautbois (duo)
5
Clarinette
5
Cor anglais, Piano
5
Saxophone Baryton, Piano
4
Quintette de Clarinettes: 5 clarinettes
4
3 Clarinettes (trio)
4
Ensemble de Clarinettes
4
Saxophone Alto
3
Ensemble de saxophones
3
5 Flûtes à bec
3
Hautbois
2
3 Flûtes à bec (trio)
2
Trio de Flûtes: 3 flûtes
2
Ensemble à vent
1
Flute (partie séparée)
1
Flûte, Hautbois, Basson
1
Clarinette, Violoncelle (duo)
1
Ensemble de Flûtes
1
2 Flûte à bec (duo)
1
Saxophone (partie séparée)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Violon, Piano
1
Harmonica
1
Flûte, Violon
1
Piccolo, Piano
1
3 Hautbois
1
Flûte, Clarinette et Basson
1
Flûte, Clarinette (duo)
1
Flûte, Violon et Violoncelle
1
Flûte traversière, Orgue (duo)
1
2 Cors Anglais Et Pianoforte
1
Quatuor de Flûtes à bec
1
Saxophone
1
+ 47 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
18
Trombone et Piano
14
Trompette, Piano
11
Quatuor de Cuivres : 2 trompettes, trombone, tuba
10
Cor et Piano
10
Euphonium, Piano (duo)
6
Tuba et Piano
5
Cor anglais, Piano
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Ensemble de Trompettes
3
Ensemble de Trombones
3
2 Cors (duo)
3
Trompette
2
Trombone
2
Quatuor de cuivres: 4 trombones
2
Quatuor de Cuivres
2
2 Euphoniums et 2 Tubas
1
2 Euphoniums (duo)
1
Tuba
1
2 Tubas (duo)
1
Cor
1
2 Trombones (duo)
1
Cor (partie séparée)
1
Trombone basse et Piano
1
Quatuor de cuivres: 4 cors
1
Euphonium, Tuba (duo)
1
2 Cors Anglais Et Pianoforte
1
2 Trompettes (duo)
1
+ 23 instrumentations
Retracter
Cordes
Violon et Piano
64
Quatuor à cordes: 2 violons, alto, violoncelle
62
Violoncelle, Piano
35
Violon
20
Alto, Piano
20
Violon (partie séparée)
14
Violoncelle
10
Alto seul
6
Violoncelle (partie séparée)
6
2 Violons (duo)
6
Contrebasse, Piano (duo)
6
Trio à Cordes: violon, alto, violoncelle
5
2 Violoncelles (duo)
5
Violon, Guitare (duo)
4
2 Altos (duo)
4
4 Violoncelles
4
Alto (partie séparée)
4
Trio à cordes: 3 violins
3
Trio à cordes
3
Violon, Alto (duo)
3
Harpe
3
Violon, Violoncelle (duo)
3
Quatuor à cordes: 4 violons
3
Ensemble de Violons
2
Alto, Violoncelle (duo)
2
2 Violons, Piano
1
Trio à Cordes: 3 violoncelles
1
2 Contrebasses (duo)
1
Violoncelle, Contrebasse (duo)
1
Trio à cordes: 3 altos
1
Contre Basse
1
Piano Trio: Violon, Alto, Piano
1
Alto et orchestre
1
Harpe, Violon (duo)
1
Violoncelle , Guitare (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
+ 31 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
32
Ensemble de Percussions
21
Orchestre
19
Orchestre de chambre
9
Orchestre d'harmonie
7
Batterie
6
Ensemble de cuivres
4
Piano et Orchestre
3
Vibraphone
1
Ensemble Jazz
1
+ 5 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
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BUGLE
CHANT - CHO…
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CITHARE
CLAIRON
CLARINETTE
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CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Crtitères actifs :
Op. 16
Orchestre à Cordes
Partitions à imprimer
32 partitions trouvées
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1
26
Faure Berceuse Op.16 for Violin and String Orchestra
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Orchestre à Cordes
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Classique
#
Gabriel Faure
#
Paul Wood
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Faure Berceuse Op.16 for Violi
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MyMusicScores.com
#
SheetMusicPlus
String Orchestra - SKU: A0.736758 Composed by Gabriel Faure. Arranged by Paul Wood. 20th Century,Romantic Period. Score and parts. 18 pages. MyMusicScor...
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String Orchestra - SKU: A0.736758 Composed by Gabriel Faure. Arranged by Paul Wood. 20th Century,Romantic Period. Score and parts. 18 pages. MyMusicScores.com #5453513. Published by MyMusicScores.com (A0.736758). Faure's beautiful Berceuse arranged for violin and string orchestra.The PDF file contains the score and all instrumental parts.
$19.99
Wieniawski Scherzo Tarentelle Op.16 for violin and string orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Henri Wieniawski
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Marco Nason
#
Wieniawski Scherzo Tarentelle
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Marco Nason
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.845823 Composed by Henri Wieniawski. Arranged by Marco Nason. Concert,Romantic Period,Standards,World. Score and pa...
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String Orchestra - Level 4 - SKU: A0.845823 Composed by Henri Wieniawski. Arranged by Marco Nason. Concert,Romantic Period,Standards,World. Score and parts. 45 pages. Marco Nason #5299065. Published by Marco Nason (A0.845823). String orchestra arrangement (vl1, vl2, vla, cello, dbass). Parts and score included. Violin solo part NOT INCLUDED: you can use the original solo part and play it with this arrangement.There are 5 sample pages, then the full score and the complete parts.
$14.99
Faure Berceuse Op.16 for Cello and String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Gabriel Faure
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Paul Wood
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Faure Berceuse Op.16 for Cello
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MyMusicScores.com
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.736761 Composed by Gabriel Faure. Arranged by Paul Wood. 20th Century,Romantic Period. Score and parts. 18 pages. M...
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String Orchestra - Level 4 - SKU: A0.736761 Composed by Gabriel Faure. Arranged by Paul Wood. 20th Century,Romantic Period. Score and parts. 18 pages. MyMusicScores.com #5731061. Published by MyMusicScores.com (A0.736761). Faure's beautiful Berceuse arranged for cello and string orchestra.
$19.99
Beethoven: Sonata Op. 49 No. 2 for String Orchestra
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Orchestre à Cordes
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FACILE
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Classique
#
Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.549863 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Instructional,Stand...
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String Orchestra - Level 2 - SKU: A0.549863 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Instructional,Standards,World. Score and parts. 52 pages. Jmsgu3 #3557749. Published by jmsgu3 (A0.549863). Beethoven Sonata Op. 49 No. 2 arranged for string orchestra. Duration: 10:15 Score: 28 pages, 242 measures. In two movements. I arranged this for my own beginner orchestra. Easy to rehearse and perform. Very popular with the audience. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$49.95
Beethoven: Bagatelle Op. 33 No.6 for String Orchestra
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Orchestre à Cordes
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FACILE
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Classique
#
Ludwig van Beethoven
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James M
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Beethoven: Bagatelle Op. 33 No
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jmsgu3
#
SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1209126 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. Guthrie, ASCAP. 19th Century,Cl...
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String Orchestra - Level 2 - SKU: A0.1209126 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. Guthrie, ASCAP. 19th Century,Classical,Contest,Festival,Instructional,Traditional. Score and Parts. 16 pages. Jmsgu3 #807240. Published by jmsgu3 (A0.1209126). 6. Allegretto quasi andante.Beethoven's Bagatelles Op. 33 are pretty typical of his early style, retaining many compositional features of the early Classical period.  The first bagatelle is arguably one of Beethoven's most well-known pieces. While they may seem light-hearted and not to be taken too seriously, they are still well-crafted works that embody the younger Beethoven's style. The Bagatelles Op. 33 were composed by Beethoven in 1801-02 and published in 1803. Bagatelles are shorter and less complex than sonatas, often consisting of a single movement. They were intended to be played as light entertainment or as encores at the end of a concert.Bagatelle No. 6 of Beethoven's Op. 33 is a short Allegretto that is characterized by its playful and light-hearted nature. The piece is in the key of D major and is written in a binary form, consisting of two sections that are repeated. The first section is in a brisk andante tempo and features a playful melody that is accompanied by a simple, yet effective, harmonic progression. The second section is more subdued and features a more lyrical melody that is accompanied by a more complex harmonic progression. The piece is notable for its use of syncopation, which adds to its playful character. Overall, Bagatelle No. 6 is a charming and delightful piece that showcases Beethoven's skill as a composer of small-scale works.
$42.95
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
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Aaron Meier
#
Olga-Polka, Op. 196
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Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
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Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Viola True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
MOLTO CANTABILE , OP. 28
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Contemporain
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Serge OLLIVE
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MOLTO CANTABILE , OP. 28
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Serge Ollive
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.892080 Composed by Serge OLLIVE. 20th Century,Concert,Contemporary. Score and parts. 16 pages. Serge Ollive #348845...
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String Orchestra - Level 4 - SKU: A0.892080 Composed by Serge OLLIVE. 20th Century,Concert,Contemporary. Score and parts. 16 pages. Serge Ollive #3488457. Published by Serge Ollive (A0.892080). Serge Ollive : Molto Cantabile, Op.28 for string orchestra- Composed in 2013- Duration : 6 minutes- Performing Rights Organization : Sacem (France)
$6.99
Sonatine-Kuhlau.Op.20.No.3.-Piano Concerto
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Orchestre à Cordes
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FACILE
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Dasol
#
Samgon-Kim
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Sonatine-Kuhlau.Op.20.No.3.-Pi
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Dasol
#
SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1240290 By Dasol. By Friedrich Kuhlau. Arranged by Samgon-Kim. 19th Century,Children,Classical,Early Music. Score a...
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String Orchestra - Level 2 - SKU: A0.1240290 By Dasol. By Friedrich Kuhlau. Arranged by Samgon-Kim. 19th Century,Children,Classical,Early Music. Score and Parts. 16 pages. Dasol #835659. Published by Dasol (A0.1240290). Friedrich Kuhlau: Sonatina Op. 20 No 3 in F Major 1st.Mov.를 현악4ë¶€íŽ¸ì„±ì˜ ì‹¤ë‚´ì•…ê³¼ 함께하는 협주곡형태로 편곡.피아노는 ì›ê³¡ì˜ 형태를 ìœ ì§€í•˜ê³ í˜„ì•…ê¸°ê°€ 반주하는 ì „í†µì ê³ ì „í˜•ì‹ìœ¼ë¡œ 편곡.
$12.00
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
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Aaron Meier
#
Olga-Polka, Op. 196
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Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792379. Published by Aaron Meier (A0.922639). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Double Bass True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit.
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Violin II
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
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Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792367. Published by Aaron Meier (A0.922636). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin II True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Cello
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
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Aaron Meier
#
Olga-Polka, Op. 196
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Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792373. Published by Aaron Meier (A0.922637). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Cello True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
RACHMANINOV Prelude Op.23 No.3 for string orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
RACHMANINOV
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Ian Butterworth
#
Humoresque.Â
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RACHMANINOV Prelude Op.23 No.3
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Ian Butterworth
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.963752 Composed by RACHMANINOV. Arranged by Ian Butterworth. Romantic Period. Score and Parts. 16 pages. Ian Butter...
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String Orchestra - Level 4 - SKU: A0.963752 Composed by RACHMANINOV. Arranged by Ian Butterworth. Romantic Period. Score and Parts. 16 pages. Ian Butterworth #5997843. Published by Ian Butterworth (A0.963752). This Prelude, originally for piano, is admirably suitable for string orchestra.  Copying of individual parts for sole use by the purchaser is permitted. Also available are arrangements for strings by Ian Butterworth of Rachmaninov works: Romance, Hungarian Dance & Humoresque.Â
$7.99
GRANADOS Andaluza (Spanish Dance Op.37 No.5) for string orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Enrique Granados
#
Ian Butterworth
#
GRANADOS Andaluza
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Ian Butterworth
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.963710 Composed by Enrique Granados. Arranged by Ian Butterworth. 20th Century. Score and Parts. 16 pages. Ian Butt...
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String Orchestra - Level 4 - SKU: A0.963710 Composed by Enrique Granados. Arranged by Ian Butterworth. 20th Century. Score and Parts. 16 pages. Ian Butterworth #5955475. Published by Ian Butterworth (A0.963710). One of Granados's most popular works sensitively arranged for strings.  Copying of individual parts for sole use by the purchaser is permitted. Through his experience of teaching the violin at all levels and conducting youth orchestras over many years, Ian Butterworth’s large number of compositions and arrangements have been enjoyed by youth and amateur players. www.ianbutterworthmusic.co.uk
$10.99
Tchaikovsky Nocturne Op.19 No. 4 for Cello and String Orchestra
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Pyotr Tchaikovsky
#
Paul Wood
#
Tchaikovsky Nocturne Op.19 No.
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MyMusicScores.com
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.736771 Composed by Pyotr Tchaikovsky. Arranged by Paul Wood. Romantic Period. Score and parts. 16 pages. MyMusicSco...
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String Orchestra - Level 4 - SKU: A0.736771 Composed by Pyotr Tchaikovsky. Arranged by Paul Wood. Romantic Period. Score and parts. 16 pages. MyMusicScores.com #6047093. Published by MyMusicScores.com (A0.736771). The set of six pieces was commissioned by the publisher Pyotr Jurgenson and finished in 1873. The Nocturne also appears in the same copybook as sketches for the opera Vakula the Smith.
$21.00
Pachulski Chanson triste Op 4 No 3 for Cello and String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Henryk Pachulski
#
Paul Wood
#
Pachulski Chanson triste Op 4
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MyMusicScores.com
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1296353 Composed by Henryk Pachulski. Arranged by Paul Wood. Romantic Period. Score and Parts. 19 pages. MyMusicSco...
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String Orchestra - Level 4 - SKU: A0.1296353 Composed by Henryk Pachulski. Arranged by Paul Wood. Romantic Period. Score and Parts. 19 pages. MyMusicScores.com #886603. Published by MyMusicScores.com (A0.1296353). Henryk Pachulski (1859-1921) was a prolific composer, born on October 16, 1859, in Poland, Pachulski displayed prodigious talent from an early age. He studied composition at the Warsaw Conservatory and later in Berlin, honing his skills in orchestration and harmony.Pachulski's compositions, characterized by their romantic fervor and rich harmonies, found favor among audiences and critics alike. His notable works include symphonic poems, chamber music, and piano pieces. Throughout his life, he demonstrated a deep connection to his Polish roots, infusing his music with nationalistic themes.The PDF contains the score and all parts.
$19.99
MENDELSSOHN Song without Words Op.53.No.5 for string orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Felix Bartholdy Mendelssohn
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Ian Butterworth
#
MENDELSSOHN Song without Words
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Ian Butterworth
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.963712 Composed by Felix Bartholdy Mendelssohn. Arranged by Ian Butterworth. Romantic Period. Score and Parts. 16 p...
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String Orchestra - Level 4 - SKU: A0.963712 Composed by Felix Bartholdy Mendelssohn. Arranged by Ian Butterworth. Romantic Period. Score and Parts. 16 pages. Ian Butterworth #5968123. Published by Ian Butterworth (A0.963712). A Song without Words marked Allegro con fuoco - duration 3 mins.  Copying of individual parts for sole use by the purchaser is permitted. Six more Songs without Words arranged for strings by Ian Butterworth are also available.
$9.99
Edward Elgar - Salut d'amour op.12 for violin and strings
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Orchestre à Cordes
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INTERMÉDIAIRE
#
Classique
#
Edward Elgar
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Marco Nason
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Edward Elgar - Salut d'amour o
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Marco Nason
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.845827 Composed by Edward Elgar. Arranged by Marco Nason. 20th Century,Concert,Graduation,Instructional,Standards. ...
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String Orchestra - Level 3 - SKU: A0.845827 Composed by Edward Elgar. Arranged by Marco Nason. 20th Century,Concert,Graduation,Instructional,Standards. Score and parts. 16 pages. Marco Nason #6871973. Published by Marco Nason (A0.845827). String orchestra (or string ensemble) arrangement (vl1, vl2, vla, cello, dbass). Score and parts included. Violin solo part NOT INCLUDED: you can use the original solo part and play it with this arrangement.There are 5 sample pages, then score and parts.
$14.99
Lyric Pieces Op. 65 (including Wedding Day at Troldhaugen) - String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
#
Classique
#
Edvard Grieg
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Alex Phillips-Yates
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Lyric Pieces Op. 65
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North Node Music
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.510278 Composed by Edvard Grieg. Arranged by Alex Phillips-Yates. 20th Century,Classical,Romantic Period,Wedding. S...
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String Orchestra - Level 3 - SKU: A0.510278 Composed by Edvard Grieg. Arranged by Alex Phillips-Yates. 20th Century,Classical,Romantic Period,Wedding. Score and Parts. 63 pages. North Node Music #3563601. Published by North Node Music (A0.510278). Edvard Grieg's Lyric Pieces are much-loved staples of the piano repertoire. This arrangement is of four of the pieces from the Opus 65 set, composed in 1896, and includes the famous Wedding Day at Troldhaugen. The 3rd movement, the Ballad, is stunningly beautiful, and the rich texture of the divisi parts here is a real highlight.The four movements are:1. From early years (Fra Ungdomsdagene)2. Peasant's song (Bondens sang)3. Ballad (I Balladetone)4. Wedding Day at Troldhaugen (Bryllupsdag på Troldhaugen)Total duration: approx. 16-17 minutesEvery section (apart from the double bass) divides at some point, so a minimum of 9 players are required.This arrangement was first performed by the String Orchestra of the Lancaster Community Music Centre, Lancashire, UK.
$25.99
Dvorak Scottish Dances Op. 41 for String Orchestra
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Orchestre à Cordes
#
Classique
#
Antonin Dvorak
#
Paul Wood
#
Dvorak Scottish Dances Op. 41
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MyMusicScores.com
#
SheetMusicPlus
String Orchestra - SKU: A0.736765 Composed by Antonin Dvorak. Arranged by Paul Wood. Romantic Period. Score and parts. 16 pages. MyMusicScores.com #5987...
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String Orchestra - SKU: A0.736765 Composed by Antonin Dvorak. Arranged by Paul Wood. Romantic Period. Score and parts. 16 pages. MyMusicScores.com #5987171. Published by MyMusicScores.com (A0.736765). Dvorak's piano piece was written at the end of 1877 and is influence by Schubert’s Scottish Dances. It's a delightful piece which works perfectly for string orchestraThe PDF contains the score and all parts.
$12.99
MENDELSSOHN Song without Words Op.67.No.4 for string orchestra
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Felix Bartholdy Mendelssohn
#
Ian Butterworth
#
MENDELSSOHN Song without Words
#
Ian Butterworth
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.963714 Composed by Felix Bartholdy Mendelssohn. Arranged by Ian Butterworth. Romantic Period. Score and Parts. 16 p...
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String Orchestra - Level 4 - SKU: A0.963714 Composed by Felix Bartholdy Mendelssohn. Arranged by Ian Butterworth. Romantic Period. Score and Parts. 16 pages. Ian Butterworth #5969473. Published by Ian Butterworth (A0.963714). This is one of the most well known of the Songs without Words, often known by one of it's subtitles: The Bee's Wedding or The Spinning Song. The fast spinning semiquavers are mostly in the 2nd violin part. Copying of individual parts for sole use by the purchaser is permitted.
$10.99
Waldesnacht (from Sieben Lieder Op.62) for String Orchestra
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Orchestre à Cordes
#
INTERMÉDIAIRE
#
Classique
#
Johannes Brahms
#
Waldesnacht
#
Flavio Regis Cunha
#
SheetMusicPlus
Composed by Johannes Brahms (1833-1897). Arranged by Flávio Regis Cunha. Romantic Period, Repertoire, Recital. 16 pages. Published by Flavio Re...
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Composed by Johannes Brahms (1833-1897). Arranged by Flávio Regis Cunha. Romantic Period, Repertoire, Recital. 16 pages. Published by Flavio Regis Cunha
Brand new and beutiful arrangement for Waldesnacht from J. Brahms. This arrangement was thought to work with the string orchestra. The conduction of the original voices and harmony of the composition for the choir a cappella of J. Brams was followed strictly, but indications of dynamics, espresso and tempi were added.
Flavio Regis Cunha is a pianist, conductor and composer from So Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunha
$14.99
Concerto a Cinque, Op. 7, No. 1: Score
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Orchestre à Cordes
#
Classique
#
Tomasso Albinioni
#
Jan Farrar-Royce
#
Concerto a Cinque, Op. 7, No.
#
Alfred Music - Digital Sheet Music
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SheetMusicPlus
By Tomasso Albinioni. Arranged by Jan Farrar-Royce. For String Orchestra. Classical. Score. 16 pages. Published by Alfred Music - Digital Sheet Music ...
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By Tomasso Albinioni. Arranged by Jan Farrar-Royce. For String Orchestra. Classical. Score. 16 pages. Published by Alfred Music - Digital Sheet Music
$9.00
Wieniaski Scherzo-Tarantella for Violin and String Orchestra
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Orchestre à Cordes
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AVANCÉ
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Classique
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Henri Wieniawski
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Paul Wood
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Wieniaski Scherzo-Tarantella f
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MyMusicScores.com
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.736740 Composed by Henri Wieniawski. Arranged by Paul Wood. Romantic Period. Score and parts. 76 pages. MyMusicScor...
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String Orchestra - Level 5 - SKU: A0.736740 Composed by Henri Wieniawski. Arranged by Paul Wood. Romantic Period. Score and parts. 76 pages. MyMusicScores.com #5011601. Published by MyMusicScores.com (A0.736740). Scherzo-Tarantella for Violin and Piano Op. 16 was written in 1855 when Wieniawski’s violin career and fame were approaching their peak.Here is a version for Violin and String OrchestraThe PDF file contains the score and all parts.
$34.00
Title Tchaikovsky: The Seasons Op37 No.5 May (Starlit Night)
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Orchestre à Cordes
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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Ryuichi Horikoshi
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Title Tchaikovsky: The Seasons
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R1音楽企画室
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1427668 Composed by Peter Ilyich Tchaikovsky. Arranged by Ryuichi Horikoshi. 19th Century. 16 pages. R1音楽企画...
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String Orchestra - Level 3 - SKU: A0.1427668 Composed by Peter Ilyich Tchaikovsky. Arranged by Ryuichi Horikoshi. 19th Century. 16 pages. R1音楽企画室 #1008403. Published by R1音楽企画室 (A0.1427668). String ensemble arrangement of Tchaikovsky’s April (Snowdrop) from The piano collection The Seasons Op. 37a. Score, Set of Parts. 14 pages.
$12.99
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