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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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Non classifié
1064
PIANO & CLAVIERS
Piano seul
269
Piano, Voix
186
Piano Facile
68
Piano, Voix et Guitare
48
2 Pianos, 4 mains
26
Orgue
19
Instruments en Do
17
Piano Trio: piano, violon, violoncelle
11
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6
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Chorale
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1
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26
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16
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14
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14
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13
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11
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10
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9
2 Flûtes traversières (duo)
6
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6
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5
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5
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4
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3
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3
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2
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Cor Anglais
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1
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Harmonica
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Flûte, Hautbois, Piano (trio)
1
Flûte et Guitare
1
Clarinette, Basson (duo)
1
Hautbois, Flûte
1
5 Flûtes à bec
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Piccolo, Piano
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Flûte à Bec
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Trompette
34
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33
Trombone et Piano
31
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28
Trompette, Piano
25
Cor et Piano
23
Tuba et Piano
20
Trombone
19
Euphonium, Piano (duo)
18
Quatuor de Cuivres: 2 trompettes, Cor, trombone
16
Tuba
13
Cor
11
Cor anglais, Piano
10
Ensemble de Trombones
8
Trompette, Trombone (duo)
5
2 Trompettes (duo)
4
Quatuor de cuivres: 4 trombones
3
Ensemble de Trompettes
2
Quatuor de Cuivres
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Tuba et Orgue
2
Cor Anglais
2
3 Trompettes (trio)
2
Trombone basse et Piano
1
Trombone (partie séparée)
1
2 Trombones (duo)
1
2 Cors (duo)
1
Ensemble de Cors
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Trombone, Violon (duo)
1
2 Tubas (duo)
1
Trompette (partie séparée)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
65
Violon et Piano
54
Violon
37
Violoncelle, Piano
30
Alto, Piano
29
Harpe
18
Violoncelle (partie séparée)
15
Contre Basse
13
Trio à Cordes: violon, alto, violoncelle
13
Violon, Violoncelle (duo)
11
Contrebasse, Piano (duo)
11
Alto seul
11
2 Violons (duo)
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Trio à Cordes: 2 violons, violoncelle
5
Violoncelle
5
Violon, Alto (duo)
5
2 Violoncelles (duo)
4
Harpe, Flûte (duo)
3
Alto, Violoncelle (duo)
3
Violon (partie séparée)
3
Piano Trio: Violon, Alto, Piano
2
Violoncelle , Guitare (duo)
2
Contrebasse (partie séparée)
2
4 Violoncelles
2
Trio à Cordes: 3 violoncelles
2
Violon, Guitare (duo)
2
Ensemble d'Altos
2
Ensemble de Violons
2
Alto (partie séparée)
2
Quatuor à cordes: 4 violons
1
Harpe et Piano
1
Violoncelle, Orgue
1
Trio à cordes: 3 violins
1
Alto, Guitare (duo)
1
Trio à cordes: 3 altos
1
Harpe, Voix
1
Quatuor à cordes : 4 altos
1
2 Harpes (duo)
1
2 Altos (duo)
1
2 Violons, Piano
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
137
Orchestre de chambre
88
Orchestre
58
Orchestre à Cordes
33
Batterie
32
Ensemble Jazz
29
Ensemble de cuivres
27
Cloches
24
Jazz combo
9
Ensemble de Percussions
5
Marimba
3
Vibraphone
3
Fanfare
3
Xylophone, Piano
2
Vibraphone et Marimba
1
Piano et Orchestre
1
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AUTRES
Formation musicale - Solfège
6
Théorie de la musique
1
Vous avez sélectionné:
A Place To Be
Orchestre à Cordes
Partitions à imprimer
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26
A Pizzicato Christmas Smash
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.904424 Composed by John Sarno…
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String Orchestra - Level 3 - Digital Download SKU: A0.904424 Composed by John Sarno. Arranged by jtsarno publishing. Christmas. Score and parts. 34 pages. John T Sarno #6471851. Published by John T Sarno (A0.904424). This is a fun piece for an intermediate-level string orchestra. It is the third arrangement of mine that is a mash-up of traditional Christmas carols. This arrangement features religious Christmas carols. Included are: Angles We Have Heard on High; God Rest Ye Merry, Gentlemen; O Come, O Come, Emmanuel; Away in a Manger; Cradle Song (Away in a Manger); Joy to the World; In the Bleak Midwinter. In different places in the piece, different string sections play different melodies at the same time. There is a triangle part to be played as a fun part. There is a Flute solo, but it can be played on any C instrument. More instructions are given at the end of the score for how these parts should be played. While it is mostly a pizzicato piece there are some bowing sections. It also gives the player a challenge to play pizzicato while holding the bow in certain sections. This is a great piece for your Christmas/Winter Concert. Approximately 6:30 John Sarno
$19.99
18.41 €
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Orchestre à Cordes
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John Sarno
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jtsarno publishing
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God Rest Ye Merry, Gentlemen
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A Pizzicato Christmas Smash
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John T Sarno
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SheetMusicPlus
SKYWARDS "Reaching to the Heavens"
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1005132 Composed by Ron Flint…
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String Orchestra - Level 2 - Digital Download SKU: A0.1005132 Composed by Ron Flintjer. Contemporary. Score and parts. 10 pages. Ron Flintjer #6861611. Published by Ron Flintjer (A0.1005132). If there existed a dictionary with musical compositions as definitions, the number Skywards would be placed prominently under the word relaxing! This original composition features a gentle, uplifting melody. Peaceful and tranquil, some have said it reminds them of reaching musically toward the heavens. Written for early intermediate String Orchestra, Skywards provides a simple, genial tune your students and audience alike will enjoy.
$12.00
11.05 €
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Orchestre à Cordes
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Ron Flintjer
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SKYWARDS "Reaching to the Heavens"
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Ron Flintjer
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SheetMusicPlus
Maestoso and Fugue in D minor for String Orchestra - Based on Ludwig van Beethoven Unv 7 Hess 40 & O
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.933521 Composed by Ludwig van Beethoven…
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String Orchestra - Digital Download SKU: A0.933521 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 18 pages. Upstream Music #6353295. Published by Upstream Music (A0.933521). Both the Adagio molto (Hess 40) and the unfinished, originally intended Fugue date from November, 1817. It was the publisher Tobias Haslinger who requested a prelude and fugue for a publication in line with works published earlier. Beethoven completed the prelude but with the fugue he stopped after merely four bars of music. The short original fugue theme was later inserted into the second part (Molto vivace) of the Ninth Symphony (Opus 125).The prelude (Beethoven did not give any time indication) starts with 37 bars of solemn music followed by 12 bars Allegro. In terms of form, rhythm, and key, this material shows great similarity to the Molto vivace from Opus 125 referred to above. The present version has been arranged for a string orchestra instead of for a string quintet, thus being the first publication which enables it to be performed in its entirety. In order to balance the foundation, I opted for introducing a contrabass part, which largely follows the cello part composed by Beethoven. As regards the phrasing, dynamics, and rests as well as the time indication, this publication follows those in Willy Hess’ publication. So the prescribed time ‘Adagio molto’ is not that of Beethoven himself.The arguments to link the Maestoso to the Fugue in D major (Opus 137) published later are multiple. In the first place, the Fugue also dates from 1817. Secondly, the key is the same as is the number of instruments for a string quintet with two separate alto parts. Not only does the original fugue theme start at the tone a, but the timing too is the same, that is 3/8. So it seems reasonable to assume that Beethoven intended both works as a couple.The abnormal rhythmics of the bars 38 up to and including 49 is remarkable. I have preserved it because the part has been authentically composed by Beethoven, while it did not seem logical to me to have it immediately followed by the Fugue completed by myself. I have composed a number of bars of music based on the beginning of the prelude by way of a smooth transition.In the Fugue, I closely adhere to Beethoven, at the same time introducing a contrabass part here as well, so as to support the cello. At a number of places in the score, Beethoven recorded neither music nor rests. This refers to the bars 5 (second viola and cello), 11, 12, 25 and 26 (first and second violins), 39 to 41 (all parts), 43 and 44 (all parts except the first violin), 45 (first viola) and finally 45 and 46 (second violin). As in Willy Hess’ publication, I have just inserted rests here.
$29.00
26.7 €
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Orchestre à Cordes
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Ludwig van Beethoven, Cees Nieuwenhuizen
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Upstream Music
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Maestoso and Fugue in D minor for String Orchestra - Based on Ludwig van Beethoven Unv 7 Hess 40 & O
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Upstream Music
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SheetMusicPlus
Two Voltas - Dances 201 and 210 from Terpsichore (Michael Praetorius)
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.522221 Composed by Various. A…
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String Orchestra - Level 3 - Digital Download SKU: A0.522221 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance,Standards. Score and parts. 20 pages. Colin Kirkpatrick Publications #3885295. Published by Colin Kirkpatrick Publications (A0.522221). Arranged for strings, keyboard, any C-pitched instruments, simple percussion and other instruments. The volta is an anglicised name for a dance that was popular during the Renaissance. Considered at first to be slightly risqué and controversial it eventually became more respectable but never completely dignified. The first dance uses interesting cross-rhythms.In this series, Renaissance Hits for Strings, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too and the flexible instrumentation allows any players to take a solo with the melody part. They can be played by string quartet, string orchestra or ideally string ensemble plus any other C-pitch instruments that happen to be available. This publication consists of a score showing the four-part ensemble, keyboard and percussion parts. There are separate parts for violin 1, violin 2, viola (violin 3), cello/bass, percussion and keyboard. Additional instruments are not essential but they add contrasting tone colour. The keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.Every instrumental part (except percussion) also shows the melody line. This allows anyone to take a solo and play the melody, while the other players remain tacet. Solos can be decided in advance and the parts marked accordingly. Just cross out what you don’t need! The percussion instruments used are similar to those found in elementary school music rooms and usually include a small bass drum or hand-held drum, finger cymbals, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$9.99
9.2 €
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Orchestre à Cordes
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Various
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Colin Kirkpatrick
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Two Voltas - Dances 201 and 210 from Terpsichore
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Colin Kirkpatrick Publications
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SheetMusicPlus
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.984536 Composed by Visionary …
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String Orchestra - Level 4 - Digital Download SKU: A0.984536 Composed by Visionary Quest Records. Concert,Contemporary. Score and parts. 75 pages. Visionary Quest Records #4767739. Published by Visionary Quest Records (A0.984536). STRING ORCHESTRA - Cello Solo; Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 75 pages. Composer: Tito Abeleda (1964 - ) Digital Download. HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter:
$44.99
41.43 €
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Orchestre à Cordes
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Visionary Quest Records
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Violin Solo
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Tears from My Eyes: Onward and Upward
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Visionary Quest Records
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SheetMusicPlus
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
Orchestre à Cordes
Cello,Double Bass,Viola,Violin - Digital Download SKU: A0.1070245 Composed by Tito …
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Cello,Double Bass,Viola,Violin - Digital Download SKU: A0.1070245 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 404. Visionary Quest Records #4767765. Published by Visionary Quest Records (A0.1070245). STRING ORCHESTRA - Cello Solo; Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 75 pages. Composer: Tito Abeleda (1964 - ) Digital Download. HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeleda
$2.99
2.75 €
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Orchestre à Cordes
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Tito Abeleda
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Violin Solo
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Tears from My Eyes: Onward and Upward
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Visionary Quest Records
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SheetMusicPlus
Two Courantes - Dances 151 and 152 from Terpsichore (Praetorius)
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.522220 Composed by Various. A…
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String Orchestra - Level 2 - Digital Download SKU: A0.522220 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance,Wedding. Score and parts. 20 pages. Colin Kirkpatrick Publications #3880257. Published by Colin Kirkpatrick Publications (A0.522220). Arranged for strings, keyboard, any C-pitched instruments, simple percussion and other instruments by Colin KirkpatrickIn this series, Renaissance Hits for Strings, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too and the flexible instrumentation allows any players to take a solo with the melody part. They can be played by string quartet, string orchestra or ideally string ensemble plus any other C-pitch instruments that happen to be available. This publication consists of a score showing the four-part ensemble, keyboard and percussion parts. There are separate parts for violin 1, violin 2, viola (violin 3), cello/bass, percussion and keyboard. Additional instruments are not essential but they add contrasting tone colour. The keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.Every instrumental part (except percussion) also shows the melody line. This allows anyone to take a solo and play the melody, while the other players remain tacet. Solos can be decided in advance and the parts marked accordingly. Just cross out what you don’t need! The percussion instruments used are similar to those found in elementary school music rooms and usually include a small bass drum or hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$9.99
9.2 €
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Orchestre à Cordes
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Various
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Colin Kirkpatrick
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Two Courantes - Dances 151 and 152 from Terpsichore
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Colin Kirkpatrick Publications
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SheetMusicPlus
Three Gavottes from Terpsichore (Michael Praetorius)
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.522217 Composed by Various. A…
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String Orchestra - Level 2 - Digital Download SKU: A0.522217 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Renaissance,Wedding. Score and parts. 20 pages. Colin Kirkpatrick Publications #3879697. Published by Colin Kirkpatrick Publications (A0.522217). Three gavottes arranged for strings, simple percussion and other instruments by Colin KirkpatrickIn this series, Renaissance Hits for Strings, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too and the flexible instrumentation allows any players to take a solo with the melody part. They can be played by string quartet, string orchestra or ideally string ensemble plus any other C-pitch instruments that happen to be available. This publication consists of a score showing the four-part ensemble, keyboard and percussion parts. There are separate parts for violin 1, violin 2, viola (violin 3), cello/bass, percussion and keyboard. Additional instruments are not essential but they add contrasting tone colour. The keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.Every instrumental part (except percussion) also shows the melody line. This allows anyone to take a solo and play the melody, while the other players remain tacet. Solos can be decided in advance and the parts marked accordingly. Just cross out what you don’t need! The percussion instruments used are similar to those found in elementary school music rooms and usually include a small bass drum or hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that. Â
$9.99
9.2 €
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Orchestre à Cordes
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Various
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Colin Kirkpatrick
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Three Gavottes from Terpsichore
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Colin Kirkpatrick Publications
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SheetMusicPlus
La Bourrée - Dance 32 from Terpsichore (Praetorius)
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.522218 Composed by Various. A…
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String Orchestra - Level 2 - Digital Download SKU: A0.522218 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance,Wedding. Score and parts. 20 pages. Colin Kirkpatrick Publications #3879699. Published by Colin Kirkpatrick Publications (A0.522218). Arranged for strings, keyboard, any C-pitched instruments, simple percussion and other instruments by Colin KirkpatrickIn this series, Renaissance Hits for Strings, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too and the flexible instrumentation allows any players to take a solo with the melody part. They can be played by string quartet, string orchestra or ideally string ensemble plus any other C-pitch instruments that happen to be available. This publication consists of a score showing the four-part ensemble, keyboard and percussion parts. There are separate parts for violin 1, violin 2, viola (violin 3), cello/bass, percussion and keyboard. Additional instruments are not essential but they add contrasting tone colour. The keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.Every instrumental part (except percussion) also shows the melody line. This allows anyone to take a solo and play the melody, while the other players remain tacet. Solos can be decided in advance and the parts marked accordingly. Just cross out what you don’t need! The percussion instruments used are similar to those found in elementary school music rooms and usually include a small bass drum or hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that. Â
$9.99
9.2 €
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Orchestre à Cordes
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Various
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Colin Kirkpatrick
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La Bourrée - Dance 32 from Terpsichore
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Colin Kirkpatrick Publications
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SheetMusicPlus
Les Courantes - Dances 183 and 188 from Terpsichore (Praetorius) for Strings
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.522223 Composed by Anonymous.…
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String Orchestra - Level 2 - Digital Download SKU: A0.522223 Composed by Anonymous. Arranged by Colin Kirkpatrick. Instructional,Renaissance. Score and parts. 20 pages. Colin Kirkpatrick Publications #3915085. Published by Colin Kirkpatrick Publications (A0.522223). Les Courantes are two well-known dances from Terpsichore by Michael Praetorius. They have been arranged for strings, keyboard, optional guitar, recorder or any C-pitched instruments and simple percussion. In this series, Renaissance Hits for Strings, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too and the flexible instrumentation allows any players to take a solo with the melody part. They can be played by string quartet, string orchestra or ideally string ensemble plus any other C-pitch instruments that happen to be available. This publication consists of a score showing the four-part ensemble, keyboard and percussion parts. There are separate parts for violin 1, violin 2, viola (violin 3), cello/bass, percussion and keyboard. Additional instruments are not essential but they add contrasting tone colour. The keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.Every instrumental part (except percussion) also shows the melody line. This allows anyone to take a solo and play the melody, while the other players remain tacet. Solos can be decided in advance and the parts marked accordingly. Just cross out what you don’t need! The percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that. Â
$11.99
11.04 €
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Orchestre à Cordes
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Anonymous
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Colin Kirkpatrick
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Les Courantes - Dances 183 and 188 from Terpsichore
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Colin Kirkpatrick Publications
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SheetMusicPlus
Two Ballets - Dances 268 and 273 from Terpsichore (Praetorius)
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.522219 Composed by Various. A…
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String Orchestra - Level 2 - Digital Download SKU: A0.522219 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance,Wedding. Score and parts. 20 pages. Colin Kirkpatrick Publications #3879701. Published by Colin Kirkpatrick Publications (A0.522219). Arranged for strings, keyboard, any C-pitched instruments, simple percussion and other instruments by Colin KirkpatrickIn this series, Renaissance Hits for Strings, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too and the flexible instrumentation allows any players to take a solo with the melody part. They can be played by string quartet, string orchestra or ideally string ensemble plus any other C-pitch instruments that happen to be available. This publication consists of a score showing the four-part ensemble, keyboard and percussion parts. There are separate parts for violin 1, violin 2, viola (violin 3), cello/bass, percussion and keyboard. Additional instruments are not essential but they add contrasting tone colour. The keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.Every instrumental part (except percussion) also shows the melody line. This allows anyone to take a solo and play the melody, while the other players remain tacet. Solos can be decided in advance and the parts marked accordingly. Just cross out what you don’t need! The percussion instruments used are similar to those found in elementary school music rooms and usually include a small bass drum or hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$9.99
9.2 €
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Orchestre à Cordes
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Various
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Colin Kirkpatrick
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Two Ballets - Dances 268 and 273 from Terpsichore
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Colin Kirkpatrick Publications
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.67 €
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Orchestre à Cordes
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Viola True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.67 €
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Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792379. Published by Aaron Meier (A0.922639). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Double Bass True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit.
$3.99
3.67 €
#
Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Violin II
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Str…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792367. Published by Aaron Meier (A0.922636). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin II True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.67 €
#
Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Cello
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792373. Published by Aaron Meier (A0.922637). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Cello True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.67 €
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Orchestre à Cordes
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
The Bedouin of Wyrms
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1324947 Composed by Jonathon …
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String Orchestra - Level 3 - Digital Download SKU: A0.1324947 Composed by Jonathon Erickson. 21st Century,Contemporary. 61 pages. J. Erickson Compositions #913165. Published by J. Erickson Compositions (A0.1324947). Continuing the tradition of pieces based on characters in the Dungeons and Dragons game that I run, The Bedouin of Wyrms follows a young ranger who struggles to find a place in the world, trying to find out how to deal of moral quandaries with no correct answer. Despite this, Sylveon Jastire keeps a kind heart and solemn sense of purpose. The Passionate Sylveon Jastire is young and adventurous, with the naivete to match. With this outlook, she cares about only one thing; protecting her family by entering the wilds and taking care of any threats before they even have the chance to become problems. The Lamented and The Headstrong Sylveon, known colloquially as Silver, learns the difficulties of the world, and that nothing is as straight-forward as it was at her desert temple home. In the second movement, Silver learns the consequences actions have on the world, both good and bad. In the third, her resolve tightens as she doubles down on her ideals. This proves to be a good thing, as her tenacity eventually leads to her liberation. The Free Silvers work has paid off. Through a strong belief in her ideals and a little flexibility in her methods, Silver has Met countless friends, slain countless evils, and saved the brother she never knew she had from an evil that lurked beneath. Now nothing holds her back and Silver has grown to be one of the strongest people in Verdai.
$14.99
13.8 €
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Orchestre à Cordes
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Jonathon Erickson
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The Bedouin of Wyrms
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J. Erickson Compositions
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SheetMusicPlus
The Menagerie for String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1383453 Composed by Graham Bo…
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String Orchestra - Level 3 - Digital Download SKU: A0.1383453 Composed by Graham Boag. 21st Century,Classical,New Age. 329 pages. Graham Boag #967895. Published by Graham Boag (A0.1383453). When I started writing this piece, I didn’t have a title in mind but as it developed, I began to think that it sounded like a mixture of different bird song in one place. The only thing I was sure about was, I wanted it to be minimalist in style with ideas morphing into each other and letting that process shape the music.  “The Menagerie†is written for String Orchestra and is around 8’ 25†in duration. From the initial one note pedal tone, the piece evolves providing melodic and rhythmic nuances which create the music and direction.
$45.00
41.44 €
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Orchestre à Cordes
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Graham Boag
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The Menagerie for String Orchestra
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Graham Boag
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SheetMusicPlus
Un Poco Loco
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1233596 Composed by Adrian Mo…
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String Orchestra - Level 2 - Digital Download SKU: A0.1233596 Composed by Adrian Molina and Germaine Franco. Arranged by Michael Linert. Film/TV,Mariachi,Multicultural,World. Score and Parts. 81 pages. Michael Linert #829179. Published by Michael Linert (A0.1233596). Play and Sing Un Poco Loco from Disney's Coco!  This Multi-Level Masterpiece arrangement is scored for mariachi and string orchestral ensembles in a festival arrangement with a variety of levels from first-year players and beyond! Watch and Listen on YouTube! --> https://youtu.be/V1wBfV9cxFYEach purchase of this score/parts allows for 40 musicians to use this sheet music for one calendar year from purchase date.Here is some information to help make this arrangement work best! 1.    All parts in this arrangement can be played simultaneously in a festival-style performance. 2.    The most basic way to play this piece and have it sound like the piece would be to have the violin or viola part (normal or advanced) and a bass instrument (guitarrón, bass, or cello) playing while one or more singers play. 3.    Instruments could play the vocal parts, if necessary. 4.    Adding the foundational, normal, or advanced armonia (guitar, vihuela, or other chordal instruments) would enhance quite a bit. 5.    Adding the normal or advanced trumpet parts would add another layer. Their part doubles the violin/viola parts in most places, but there’s a part near the middle where their part varies to add complexity to the counterpoint. 6.    The foundational violin, viola, cello, bass, guitar, and trumpet parts (normal sheet music) are in unison. They are a mixture of melody/harmonic writing and the bass parts. These parts should be played alongside 2 and 3 listed above. (4 and 5 too if you can!) 7.    The Foundational Notes sheets are one note per measure. In this piece, they are the main tonic chord tones. In this piece (but not in all Multi-Level Masterpieces), they also happen to be the basic major chords. These parts should be played alongside 2 and 3 listed above. (4, 5, and 6 too, if you can!)8.    If you have questions or happen to notice mistakes along the way, please do let me know (ML@michaellinert.com). My current terms of use at the time of publishing allow for use of this sheet music for one year from purchase date. This is so that I can continue to enhance these Multi-Level Masterpieces based on feedback from people performing them! I will likely also add additional instrumental parts (mainly band/general music) in the future. Thank you, and I hope you will enjoy!
$49.99
46.03 €
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Orchestre à Cordes
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Adrian Molina and Germaine Franco
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Michael Linert
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https://youtu
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Un Poco Loco
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Michael Linert
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SheetMusicPlus
Cheers and Song
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.867373 Composed by Adrian Pang. Contemp…
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String Orchestra - Digital Download SKU: A0.867373 Composed by Adrian Pang. Contemporary. Score and parts. 15 pages. Adrian Pang #2803859. Published by Adrian Pang (A0.867373). A composition that placed second at the state level of Reflections in 2015, this piece depicts how the world would be a better place with the power of music. Cheers and Song brings people together and places a smile on their face, enticing them to dance along.
$9.99
9.2 €
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Orchestre à Cordes
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Adrian Pang
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Cheers and Song
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Adrian Pang
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SheetMusicPlus
String Quintet/String Orchestra - It Came Upon the Midnight Clear
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.767392 Composed by Anon. Arra…
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String Orchestra - Level 2 - Digital Download SKU: A0.767392 Composed by Anon. Arranged by Mike Lyons. Christian,Christmas. Score and parts. 12 pages. Lyons Music Services #3603257. Published by Lyons Music Services (A0.767392). A brand new setting of this carol for wind quintet (Fl/Ob/Cl/Hn/Bssn).After a short introduction, we hear a fairly normal rendition of the tune with standard harmony. The second verse has the addition of fanfare-like motifs in the top two parts which add some sparkle to the tune. The intention is merely to heighten the feeling of 'announcement' which we get from the words. The melody is also much more decorated and placed into the middle of the ensemble.From Letter C there is an interlude of fanfares before the final verse at the grandioso. This is the loudest part of the setting and needs to sound warm, full and rich.This setting is intended to be played by any ensemble. I have kept the range used reasonable and it does not require any special techniques.
$10.99
10.12 €
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Orchestre à Cordes
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Anon
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Mike Lyons
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String Quintet/String Orchestra - It Came Upon the Midnight Clear
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Lyons Music Services
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SheetMusicPlus
Concertino For Two Solo Violins and Strings (School Arrangement)
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1296875 By Geraldine Green. B…
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String Orchestra - Level 4 - Digital Download SKU: A0.1296875 By Geraldine Green. By Geraldine (Denny) Green. Arranged by Geraldine Green. 21st Century,Chamber,Children,Classical. Score and Parts. 92 pages. Geraldine (Denny) Green at Oakmountmusic #887025. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1296875). ALL PURCHASES COME WITH SCORE AND PARTSWritten in May 2013 – Duration; approx. 10 minutesStandard of solo parts; Approx. Grade 7/8There are 4 arrangements available:No.1 – School Arrangement – 2 Solo violins, Violins 1, 2 and 3 and cellos. The cello part does divide into 2 in places throughout.No.2 – Standard Arrangement – 2 solo violins, Violins 1 and 2, violas, cellos and double bassesNo.3 – Piano reduction – for 2 solo violins and pianoNo. 4 – Arrangement for Flute, violin and piano The piece is light-hearted and tuneful and in simple ternary form. The outer sections are perky, playful and dance-like, and they frame a slow, luscious middle section where the soloists have some high harmonics.I would guess that the orchestral players would need to be at about Grade 4/5 upwards to manage this comfortably.
$26.00
23.94 €
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Orchestre à Cordes
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Geraldine Green
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Geraldine Green
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approx
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Concertino For Two Solo Violins and Strings
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Geraldine
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SheetMusicPlus
Concertino For Two Solo Violins and Strings (Standard Arrangement)
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1296861 Composed by Geraldine…
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String Orchestra - Level 4 - Digital Download SKU: A0.1296861 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and Parts. 88 pages. Geraldine (Denny) Green at Oakmountmusic #887011. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1296861). ALL PURCHASES COME WITH SCORE AND PARTSWritten in May 2013 – Duration; approx. 10 minutesStandard of solo parts; Approx. Grade 7/8There are 4 arrangements available:No.1 – School Arrangement – 2 Solo violins, Violins 1, 2 and 3 and cellos. The cello part does divide into 2 in places throughout.No.2 – Standard Arrangement – 2 solo violins, Violins 1 and 2, violas, cellos and double bassesNo.3 – Piano reduction – for 2 solo violins and pianoNo. 4 – Arrangement for Flute, violin and piano The piece is light-hearted and tuneful and in simple ternary form. The outer sections are perky, playful and dance-like, and they frame a slow, luscious middle section where the soloists have some high harmonics.I would guess that the orchestral players would need to be at about Grade 4/5 upwards to manage this comfortably.
$26.00
23.94 €
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Orchestre à Cordes
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Geraldine
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approx
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Concertino For Two Solo Violins and Strings
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Geraldine
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SheetMusicPlus
Irish National Anthem (Unofficial) for String Orchestra
Orchestre à Cordes
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Ke…
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related Scores
$8.99
8.28 €
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Orchestre à Cordes
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trad
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Keith Terrett
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
Lumenebula
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1256309 By Michael Blostein. …
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String Orchestra - Level 3 - Digital Download SKU: A0.1256309 By Michael Blostein. By Michael Blostein. 21st Century,Chamber,Classical,Instructional. Score and Parts. 23 pages. Michael D. Blostein #849780. Published by Michael D. Blostein (A0.1256309). The title refers to a lightness of style as well as a lightness of bow weight, combined with an ever-changing balance. The piece begins with unison ideas (pitch, rhythm and bowing), then begins to expand, encouraging each section to gain some independence. We reset, and expand further. This process continues until the contrapuntal lines create complex harmonic textures that travel in unexpected directions, yet make musical sense. Much like an individual’s own journey, the path taken is not always direct and clear, but the end result is musically satisfying.Significant attention music be placed on dynamics throughout.From a technique standpoint, this work asks the most of the bass section. The shifting requests in the other sections are minimal, although there are sufficient opportunities to shift should student and/or teacher choose. Bow placement and control, tone production and ensemble balance are where much of the focused work will be required from students.
$35.00
32.23 €
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Orchestre à Cordes
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Michael Blostein
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Lumenebula
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Michael D. Blostein
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SheetMusicPlus
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