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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
After - Cello
Sheetmusicplus
Non classifié
2 210
Piano & claviers
Piano seul
2 040
Piano, Voix
1 421
Piano Facile
469
Piano, Voix et Guitare
400
Instruments en Do
172
Orgue
164
1 Piano, 4 mains
52
Accompagnement Piano
24
2 Pianos, 4 mains
20
Piano grosses notes
14
Accordéon
11
Piano (partie séparée)
9
Clavecin
5
Orgue, Piano (duo)
5
Orgue, Trompette (duo)
3
1 Piano, 6 mains
1
Accordéon, Piano
1
Clavier
1
Ensemble d'Accordéons
1
+ 14 instrumentations
Retracter
Guitares
Guitare notes et tablatures
206
Guitare
173
Ligne De Mélodie, (Paroles) et Accords
75
Ukulele
44
Basse electrique
26
Paroles et Accords
23
Guitare (partie séparée)
15
Mandoline
12
2 Guitares (duo)
9
Dulcimer
8
Banjo
8
Piano, Guitare (duo)
5
Guitare Pedal Steel
2
2 Mandolines (duo)
2
4 Guitares (Quatuor)
2
Mandoline, Guitare (duo)
1
2 Dulcimers (duo)
1
2 Ukuleles
1
Ukulele Baryton
1
+ 14 instrumentations
Retracter
Voix
Chorale SATB
708
Chorale 3 parties
226
Chorale TTBB
136
Chorale 2 parties
81
Chorale Unison
74
Chorale SSAA
73
Voix Soprano, Piano
27
Voix duo, Piano
25
Voix Alto, Piano
20
Voix seule
20
Pack Instrumental pour Chorale
20
Voix haute
17
Voix duo
15
Chorale
10
Voix Baryton, Piano
9
Chorale SSAATTBB
7
Voix Tenor, Piano
6
Voix basse, Piano
6
Voix Soprano
4
Chorale SSATB
4
Chorale SSATTB
4
Soli, choeur mixte et accompagnement
3
Voix Mezzo-Soprano, Piano
3
Voix Tenor
2
Voix Baryton
1
Chorale SSAB a cappella
1
Voix haute, Piano
1
Voix moyenne, Piano
1
Voix basse
1
+ 24 instrumentations
Retracter
Vents
Flûte traversière et Piano
217
Quatuor de Saxophones: 4 saxophones
216
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
210
Clarinette et Piano
167
2 Saxophones (duo)
134
Saxophone Alto et Piano
123
Flûte traversière
121
Hautbois, Piano (duo)
118
Quatuor de Clarinettes: 4 clarinettes
102
Quintette de Saxophone: 5 saxophones
102
Saxophone (partie séparée)
98
Clarinette
94
Flûte, Hautbois, Clarinette, Basson
89
2 Clarinettes (duo)
86
2 Flûtes traversières (duo)
76
Saxophone Alto
70
Saxophone Soprano et Piano
69
Saxophone Tenor et Piano
64
Quatuor de Flûtes : 4 flûtes
62
Saxophone, Clarinette (duo)
56
Saxophone Baryton, Piano
46
Ensemble de Clarinettes
39
Saxophone Tenor
39
Cor anglais, Piano
37
Clarinette, Violon (duo)
37
Flûte, Clarinette (duo)
36
Quintette de Clarinettes: 5 clarinettes
35
Ensemble de saxophones
33
Hautbois (partie séparée)
33
Clarinette Basse, Piano
32
Clarinette, Trompette (duo)
31
3 Saxophones (trio)
31
2 Hautbois (duo)
31
Ensemble de Flûtes
27
Flûte et Guitare
23
3 Clarinettes (trio)
22
Hautbois, Basson (duo)
21
Flûte, Violon
21
Hautbois
20
Flûte, Saxophone (duo)
20
Hautbois, Clarinette (duo)
20
Hautbois, Flûte
19
Clarinette et Alto
18
Clarinette, Guitare (duo)
16
Flûte, Alto (duo)
15
Flûte, Trompette (duo)
15
Quintette de Flûte : 5 flûtes
14
Flute (partie séparée)
13
Harmonica
12
Clarinette (partie séparée)
11
Trio de Flûtes: 3 flûtes
10
Clarinette, Basson (duo)
8
2 Flûte à bec (duo)
7
Flûte, Clarinette et Basson
7
Flûte à bec Soprano, Piano
7
Flûte à bec Soprano
7
Flûte à Bec
7
Quatuor de Flûtes à bec
7
Hautbois, Clarinette, Basson (trio d'anches)
7
Ocarina
6
Flûte, Clarinette, Piano (trio)
6
Saxophone
5
Flûte, Alto et Piano
5
Flûte à bec Alto
4
Flûte à bec Alto, Piano
4
Ensemble De Flûte à bec
4
Saxophone Soprano
4
5 Flûtes à bec
3
Flûte, Hautbois, Clarinette (trio)
3
3 Flûtes à bec (trio)
3
Flûte, Violon, Piano
3
Flûte à bec Tenor
2
2 Clarinettes, Piano
2
2 Saxophones, Piano
2
Piccolo, Piano
2
Saxophone et Guitare
2
Saxophone Baryton
2
Clarinette, Orgue
2
Cornemuse
2
Cor anglais, Guitare (duo)
2
2 Flûtes traversières, Piano
2
Ensemble de Hautbois
1
Flûte, Hautbois (duo)
1
Saxophone et Orgue
1
Flûte, Hautbois, Basson
1
Hautbois, Orgue
1
Flûte traversière, Orgue (duo)
1
Piccolo
1
2 Flûtes à bec, Guitare
1
Flûte irlandaise
1
Hautbois, Harpe
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Harpe (duo)
1
Hautbois, Basson et Piano
1
Hautbois, Guitare (duo)
1
Flûte, alto et harpe
1
Flûte traversière, Basse continue
1
Instruments en Mib
1
Flûte à Bec, Piano
1
+ 94 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
277
Quatuor de Cuivres : 2 trompettes, trombone, tuba
139
Trompette
122
Trombone et Piano
106
Trompette, Piano
98
Cor et Piano
77
Trombone
75
Trompette (partie séparée)
66
Trombone (partie séparée)
64
Tuba et Piano
49
Quatuor de Cuivres
49
Euphonium, Piano (duo)
47
Ensemble de Trompettes
40
Trompette, Saxophone (duo)
39
Cor anglais, Piano
37
Cor
34
2 Trombones (duo)
34
2 Trompettes (duo)
33
Tuba
28
Ensemble de Trombones
22
Trompette, Trombone (duo)
22
Quatuor de Cuivres: 2 trompettes, Cor, trombone
20
Quatuor de cuivres: 4 trombones
19
Cor (partie séparée)
18
Tuba (partie séparée)
11
2 Cors (duo)
9
Quatuor de cuivres: 4 cors
9
2 Euphoniums et 2 Tubas
7
4 Tubas
6
3 Trompettes (trio)
5
Quatuor de cuivres: 4 trompettes
5
3 Trombones (trio)
5
2 Tubas (duo)
3
Ensemble de Cors
3
Bass Clef Instruments
3
Trompette, Cor (duo)
2
Instruments en Sib
2
Tuba et Orgue
2
Euphonium, Tuba (duo)
2
Cor anglais, Guitare (duo)
2
Trio de Cuivres
2
3 Cors (trio)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Euphonium
2
Ensemble de Tubas
1
3 Euphoniums
1
Trombone basse
1
3 Tubas (trio)
1
Trompette, Trombone, Piano
1
2 Cors Anglais Et Pianoforte
1
Cor et Orgue
1
Trombone basse et Piano
1
Trompette, Orchestre
1
+ 48 instrumentations
Retracter
Cordes
Violon et Piano
252
Alto, Piano
136
Violon
130
Harpe
106
2 Violons (duo)
64
Alto seul
60
Contrebasse, Piano (duo)
41
Violon, Alto (duo)
35
2 Altos (duo)
34
Contre Basse
30
Violon (partie séparée)
21
Contrebasse (partie séparée)
19
2 Harpes (duo)
16
Alto (partie séparée)
10
Violon, Guitare (duo)
8
Ensemble de Violons
5
Ensemble d'Altos
5
Harpe, Voix
5
Trio à cordes: 3 altos
5
Quatuor à cordes : 4 altos
4
Quatuor à cordes: 4 violons
4
Harpe, Flûte (duo)
4
Trio à cordes: 3 violins
4
Harpe, Violon (duo)
3
Harpe, Quatuor à cordes
3
Trio à Cordes: 2 violons, alto
3
Quatuor à cordes: 2 violons, alto, violoncelle
3
Violon, Clarinette, Piano (trio)
2
2 Contrebasses (duo)
2
Violoncelle, Contrebasse (duo)
1
3 Harpes
1
Alto, Guitare (duo)
1
2 Altos, Piano
1
4 Contrebasses
1
2 Violons, Piano
1
Piano Trio: Violon, Alto, Piano
1
Violon, Orgue
1
+ 32 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 187
Orchestre
229
Ensemble Jazz
203
Fanfare
203
Orchestre à Cordes
124
Ensemble de cuivres
121
Cloches
66
Orchestre de chambre
65
Jazz combo
39
Ensemble de Percussions
30
Batterie
28
Marimba
13
Batterie (partie séparée)
11
Percussion (partie séparée)
9
Vibraphone
9
Xylophone, Piano
3
2 Xylophones
2
Orchestre, Violon
2
Percussion
2
Quintette à Vent
1
Big band
1
+ 16 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
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Prix + au -
Nouveautes
A-Z
difficulté (tous)
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Vous avez sélectionné:
After - Cello
SheetMusicPlus
Partitions à imprimer
124 partitions trouvées
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101
Suite for Strings after 12 Violin Sonatas, Op. 5 as played by Eugene Ormandy &Philadelphia Orchestra
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Orchestre à Cordes
#
INTERMÉDIAIRE
#
Arcangelo Corelli, Eugene Orma
#
Flavio Regis Cunha
#
Parts) I
#
Suite for Strings after 12 Vio
#
Flavio Regis Cunha
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1466810 By Arcangelo Corelli, Eugene Ormandy and Philadelphia Orchestra. By Arcangelo Corelli. Arranged by Flavio R...
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String Orchestra - Level 3 - SKU: A0.1466810 By Arcangelo Corelli, Eugene Ormandy and Philadelphia Orchestra. By Arcangelo Corelli. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional,Wedding. 31 pages. Flavio Regis Cunha #1045345. Published by Flavio Regis Cunha (A0.1466810). Corelli: Suite for Strings after 12 Violin Sonatas, Op. 5, for String Orchestra (Full Score & Parts) I. Sarabanda II.Giga III. BadinerieEdition based on the arrangement by Ettore PinelliReview by Flavio Regis Cunha🎻 Transform Your Strings with Corelli’s Masterpiece! 🎶Step into the enchanting world of Baroque music with Arcangelo Corelli’s Suite for Strings after 12 Violin Sonatas, Op. 5, magnificently interpreted by Eugene Ormandy and the Philadelphia Orchestra. Perfect for professional and amateur string orchestras in churches, theatres, and schools, this advanced-intermediate level sheet music brings Corelli’s brilliance to life.🌟 Features:Advanced intermediate LevelFormat: 9 x 12 inches, 23 pages of concert-quality engravingFonts: Beautifully set in Urtext Kapellmeister Music FontsImmerse your orchestra in the lush movements of Sarabanda, the lively rhythms of Giga, and the playful spirit of Badinerie. With every note, let your ensemble convey the passion and elegance of Corelli’s timeless compositions.🎼 Order now and let your strings sing with the soul of the Baroque era!
$18.99
After the Rain
#
Orchestre à Cordes
#
FACILE
#
Contemporain
#
Heather Morgan
#
After the Rain
#
Heather Morgan
#
SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1172089 Composed by Heather Morgan. Contemporary. Score and parts. 10 pages. Heather Morgan #772353. Published by H...
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String Orchestra - Level 2 - SKU: A0.1172089 Composed by Heather Morgan. Contemporary. Score and parts. 10 pages. Heather Morgan #772353. Published by Heather Morgan (A0.1172089). Spring showers give way to beautiful sunshine in this original work After the Rain. Inspired by the view from Ceasar's Head Overlook in Greenville, SC one day after a rain storm, this work is composed for intermediate string orchestra and is great for showcasing lyrical skills.
$45.00
Afterlife
#
Orchestre à Cordes
#
INTERMÉDIAIRE
#
Rock
#
Avenged Sevenfold
#
Anya Alston
#
Afterlife
#
Anya Alston
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1088003 By Avenged Sevenfold. By Brian Haner, Jr., James Sullivan, Jonathan Seward, Matthew Sanders, and Zachary Ba...
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String Orchestra - Level 3 - SKU: A0.1088003 By Avenged Sevenfold. By Brian Haner, Jr., James Sullivan, Jonathan Seward, Matthew Sanders, and Zachary Baker. Arranged by Anya Alston. Rock. Score and parts. 14 pages. Anya Alston #692237. Published by Anya Alston (A0.1088003). Afterlife by Avenged Sevenfold arranged for a full string orchestra or string quintet, PDF includes full score and all individual parts.
$49.99
After The Gold Rush
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Orchestre à Cordes
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INTERMÉDIAIRE
#
Rock
#
Neil Young
#
Andreas Wetterlund
#
After The Gold Rush
#
Andreas Wetterlund
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1258711 By Neil Young. By Neil Young. Arranged by Andreas Wetterlund. Pop,Rock. Score and Parts. 14 pages. Andreas ...
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String Orchestra - Level 3 - SKU: A0.1258711 By Neil Young. By Neil Young. Arranged by Andreas Wetterlund. Pop,Rock. Score and Parts. 14 pages. Andreas Wetterlund #851970. Published by Andreas Wetterlund (A0.1258711). AFTER THE GOLD RUSH by NEIL YOUNGArranged for String Orchestra by Andreas Wetterlund Instrumentation: Violin 1, Violin 2, Viola, Violoncello 1, Violoncello 2, Contrabass.Playable on quintet (omit Contrabass)Â
$50.00
Prelude to the Afternoon on a Farm: 2nd Violin
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Orchestre à Cordes
#
Methodes
#
Bob Phillips
#
Prelude to the Afternoon on a
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0016195_VN2 2nd Violin. Arranged by Bob Phillips. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Mus...
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String Orchestra - SKU: AX.00-PC-0016195_VN2 2nd Violin. Arranged by Bob Phillips. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016195_VN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016195_VN2). UPC: 038081353852.What fun! The con-DUCK-tor is summoned to stage by a duck call! Hilarious suggestions are included for costumes, props, corny skits and jokes as each section represents a group of animals in the barnyard playing familiar tunes. Turn the students and parents loose on this one! Great for introducing the instruments at recruiting demonstrations or featuring your principal or superintendent as narrator. This crazy-like-a-fox piece includes: Prelude to the Afternoon of a Faun, William Tell Overture, Rock-A-Doodle-Doo, Brandenburg Concerto No. 5, The Chicken Dance, Turkey in the Straw, Baa, Baa Swing Sheep, Funky Bass, Old McDonald Had a Farm and Bonaparte's Retreat. Correlates with String Explorer Book Two, page 23.
$5.99
Prelude to the Afternoon on a Farm: String Bass
#
Orchestre à Cordes
#
Methodes
#
Bob Phillips
#
Prelude to the Afternoon on a
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0016195_SB String Bass. Arranged by Bob Phillips. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Mus...
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String Orchestra - SKU: AX.00-PC-0016195_SB String Bass. Arranged by Bob Phillips. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016195_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016195_SB). UPC: 038081353852.What fun! The con-DUCK-tor is summoned to stage by a duck call! Hilarious suggestions are included for costumes, props, corny skits and jokes as each section represents a group of animals in the barnyard playing familiar tunes. Turn the students and parents loose on this one! Great for introducing the instruments at recruiting demonstrations or featuring your principal or superintendent as narrator. This crazy-like-a-fox piece includes: Prelude to the Afternoon of a Faun, William Tell Overture, Rock-A-Doodle-Doo, Brandenburg Concerto No. 5, The Chicken Dance, Turkey in the Straw, Baa, Baa Swing Sheep, Funky Bass, Old McDonald Had a Farm and Bonaparte's Retreat. Correlates with String Explorer Book Two, page 23.
$5.99
Prelude to the Afternoon on a Farm: Score
#
Orchestre à Cordes
#
Methodes
#
Bob Phillips
#
Prelude to the Afternoon on a
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
String Orchestra - SKU: AX.00-PR-0004488 Score. Arranged by Bob Phillips. Instructional. Score. 22 pages. Alfred Music - Digital Sheet Music #00-...
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String Orchestra - SKU: AX.00-PR-0004488 Score. Arranged by Bob Phillips. Instructional. Score. 22 pages. Alfred Music - Digital Sheet Music #00-PR-0004488. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0004488). UPC: 038081353852.What fun! The con-DUCK-tor is summoned to stage by a duck call! Hilarious suggestions are included for costumes, props, corny skits and jokes as each section represents a group of animals in the barnyard playing familiar tunes. Turn the students and parents loose on this one! Great for introducing the instruments at recruiting demonstrations or featuring your principal or superintendent as narrator. This crazy-like-a-fox piece includes: Prelude to the Afternoon of a Faun, William Tell Overture, Rock-A-Doodle-Doo, Brandenburg Concerto No. 5, The Chicken Dance, Turkey in the Straw, Baa, Baa Swing Sheep, Funky Bass, Old McDonald Had a Farm and Bonaparte's Retreat. Correlates with String Explorer Book Two, page 23.
$6.00
Prelude to the Afternoon on a Farm: 3rd Violin (Viola [TC])
#
Orchestre à Cordes
#
Methodes
#
Bob Phillips
#
Prelude to the Afternoon on a
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0016195_VN3 3rd Violin (Viola [TC]). Arranged by Bob Phillips. Instructional. Part. 4 pages. Alfred Music - Digi...
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String Orchestra - SKU: AX.00-PC-0016195_VN3 3rd Violin (Viola [TC]). Arranged by Bob Phillips. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016195_VN3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016195_VN3). UPC: 038081353852.What fun! The con-DUCK-tor is summoned to stage by a duck call! Hilarious suggestions are included for costumes, props, corny skits and jokes as each section represents a group of animals in the barnyard playing familiar tunes. Turn the students and parents loose on this one! Great for introducing the instruments at recruiting demonstrations or featuring your principal or superintendent as narrator. This crazy-like-a-fox piece includes: Prelude to the Afternoon of a Faun, William Tell Overture, Rock-A-Doodle-Doo, Brandenburg Concerto No. 5, The Chicken Dance, Turkey in the Straw, Baa, Baa Swing Sheep, Funky Bass, Old McDonald Had a Farm and Bonaparte's Retreat. Correlates with String Explorer Book Two, page 23.
$5.99
Chanson For a Gloomy Afternoon
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Orchestre à Cordes
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INTERMÉDIAIRE
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Classique
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Mark D Hettle
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Chanson For a Gloomy Afternoon
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Goomba Publishing Company
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.908691 Composed by Mark D Hettle. Romantic Period. Score and parts. 10 pages. Goomba Publishing Company (GPC) #6307...
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String Orchestra - Level 3 - SKU: A0.908691 Composed by Mark D Hettle. Romantic Period. Score and parts. 10 pages. Goomba Publishing Company (GPC) #6307317. Published by Goomba Publishing Company (GPC) (A0.908691). Chanson For a Gloomy Afternoon is a slow (mm-60) melancholy composition written for an intermediate string orchestra. Written in the key of B minor, a somewhat somber mood is achieved. Care must be taken to articulate the eighth note triplets, and the sixteenth notes accurately. However, at the slow tempo indicated they should not pose a problem. I hope you enjoy rehearsing and performing my composition. Thank you!
$15.00
The Forever After
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Orchestre à Cordes
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INTERMÉDIAIRE
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Iyassu Taye
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The Forever After
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Iyassu Taye
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1453189 Composed by Iyassu Taye. 21st Century,Chamber. 10 pages. Iyassu Taye #1032415. Published by Iyassu Taye (A0...
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String Orchestra - Level 3 - SKU: A0.1453189 Composed by Iyassu Taye. 21st Century,Chamber. 10 pages. Iyassu Taye #1032415. Published by Iyassu Taye (A0.1453189). A colorful, bright song, simple yet charming!
$3.99
Sunrise After a Dark Night
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Orchestre à Cordes
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FACILE
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Contemporain
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M
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Sunrise After a Dark Night
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M. L. Daniels
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1371262 Composed by M. L. Daniels. 20th Century. 11 pages. M. L. Daniels #954967. Published by M. L. Daniels (A0.13...
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String Orchestra - Level 2 - SKU: A0.1371262 Composed by M. L. Daniels. 20th Century. 11 pages. M. L. Daniels #954967. Published by M. L. Daniels (A0.1371262). This easy string piece is aimed at the average Middle School orchestra, although some older students will enjoy playing it, because it is fun to play.
$21.99
Afterburn: Score
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Orchestre à Cordes
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Brian Balmages
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Afterburn: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.98-DST6296S Composed by Brian Balmages. Score. 12 pages. Alfred Music - Digital Sheet Music #98-DST6296S. Published by Alfred...
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String Orchestra - SKU: AX.98-DST6296S Composed by Brian Balmages. Score. 12 pages. Alfred Music - Digital Sheet Music #98-DST6296S. Published by Alfred Music - Digital Sheet Music (AX.98-DST6296S). UPC: 674398230365.
$5.00
Afterthoughts: Score
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Orchestre à Cordes
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Brian Balmages
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Afterthoughts: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.98-DST6322S Composed by Brian Balmages. Score. 20 pages. Alfred Music - Digital Sheet Music #98-DST6322S. Published by Alfred...
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String Orchestra - SKU: AX.98-DST6322S Composed by Brian Balmages. Score. 20 pages. Alfred Music - Digital Sheet Music #98-DST6322S. Published by Alfred Music - Digital Sheet Music (AX.98-DST6322S). UPC: 674398231645.
$5.00
I Love Lucy
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Orchestre à Cordes
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INTERMÉDIAIRE
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Contemporain
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Eliot Daniel
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Dennis Ruello
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I Love Lucy
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Chicory Music
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.734620 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemporary. Score and parts. 10 pages. Chicory Music ...
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String Orchestra - Level 3 - SKU: A0.734620 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemporary. Score and parts. 10 pages. Chicory Music #6676835. Published by Chicory Music (A0.734620). On October 15, 1951, the very first episode of the I Love Lucy show aired on CBS and became the most watched TV show in the U.S. for four of its seven-year run. Fun trivia about the opening theme song is that during the first season the show opened with their sponsor Philip Morris’ animation of stick figure cartoons of Lucy and Desi climbing down a pack of Philip Morris cigarettes. It was scored with Ferde Grofé’s Jr. The Grand Canyon Suite theme (a composition from 1931).From the second season onwards, the I Love Lucy signature tune we all know so well became the main theme, and one of the most recognizable pieces of music on the planet. It was written by composer Eliot Daniel who cranked it out in an afternoon as a favor to his old Coast Guard buddy Jess Oppenheimer, the show’s producer. Since Daniel still had another year under his exclusive contract to Fox, he asked Oppenheimer to keep his name out of it. Consequently his name does not appear on first or the second season TV credits for what became one of the most popular TV themes. Later, Daniel did seek credit and received royalties from syndicated reruns for the rest of his life.The lyrics were written by Harold Adamson for an episode in the third season in which Lucy believes everyone has forgotten her birthday. So of course Ricky saves the day after a near disaster.This arrangement for String Orchestra plus optional Drum Set part remains faithful to the original.Performance Time Approx. 1 minute 25 seconds
$12.99
Arirang (For Violin and S.Orchestra)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Han-Ki Kim
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Arirang
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Han-Ki Kim
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.511810 Composed by Han-Ki Kim. Classical,Contemporary,Instructional,Multicultural,Standards,World. Score and parts....
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String Orchestra - Level 4 - SKU: A0.511810 Composed by Han-Ki Kim. Classical,Contemporary,Instructional,Multicultural,Standards,World. Score and parts. 23 pages. Han-Ki Kim #6437561. Published by Han-Ki Kim (A0.511810). Arirang for Violin and String Orchestra Op.154(Dedicated to the late professor Emeritus Nam-Yun Kim) “Arirang†is a representative folk song of Korea and a famous song widely known around the world. This concerto was composed to give value as an artistic literature to such a familiar theme. In this concerto “Arirangâ€, I want both the performers and the audience to feel “musical sympathyâ€. Following the short and fast introduction in 3/4 time, it is connected in the form of 5 variations in 6/8 time. Each variation expresses a different musical atmosphere, performance speed, or change in composition. In general, the main melody is mainly played by the first violin, but as far as the main melody is concerned, in this music, high-pitched instruments and low-pitched instruments intersect and cycle in equal positions, not in a melodicline relationship. After the fourth variation, a virtuosic solo of the movement alone is connected, and after the finale with a broad and majestic atmosphere, it ends with a short and lively coda with the same character as the beginning. Attached file is played by S.Orchestra just for a reference.
$14.90
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
"Arirang" For String Orchestra (Korean Traditional)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Han-Ki Kim
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"Arirang" For String
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Han-Ki Kim
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.511508 Composed by Han-Ki Kim. Classical,Contemporary,Instructional,Multicultural,Standards,World. Score and parts....
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String Orchestra - Level 4 - SKU: A0.511508 Composed by Han-Ki Kim. Classical,Contemporary,Instructional,Multicultural,Standards,World. Score and parts. 27 pages. Han-Ki Kim #3472125. Published by Han-Ki Kim (A0.511508). Arirang String Orchestra Op.154  “Arirang†is a representative folk song of Korea and a famous song widely known around the world. This concerto was composed to give value as an artistic literature to such a familiar theme. In this concerto “Arirangâ€, I want both the performers and the audience to feel “musical sympathyâ€. It was commissioned to commemorate the 60th anniversary of I Musici's founding and was dedicated to them. Following the short and fast introduction in 3/4 time, it is connected in the form of 5 variations in 6/8 time. Each variation expresses a different musical atmosphere, performance speed, or change in composition. In general, the main melody is mainly played by the first violin, but as far as the main melody is concerned, in this music, high-pitched instruments and low-pitched instruments intersect and cycle in equal positions, not in a melodicline relationship. After the fourth variation, a virtuosic solo of the movement alone is connected, and after the finale with a broad and majestic atmosphere, it ends with a short and lively coda with the same character as the beginning. Shown Bowing sign and Fingering(Vn,Va part) will be very helpful to player. Optional Violin 3(Instead of Viola part)  part included.
$22.90
Carson Cooman: Concerto for Portatif Organ and Strings (2006), score and complete parts
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Orchestre à Cordes
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AVANCÉ
#
Carson Cooman
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Carson Cooman: Concerto for Po
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.533701 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 77 pages. Musik Fabrik Music Pub...
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String Orchestra - Level 5 - SKU: A0.533701 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 77 pages. Musik Fabrik Music Publishing #3038897. Published by Musik Fabrik Music Publishing (A0.533701). Concerto for Portatif Organ and Strings (2006) was commissioned by the Harvard Baroque Chamber Orchestra and its director, Robert Mealy. The work is dedicated to organist Nancy Granert, for whom the solo part was written. The work was commissioned in celebration of the von Clemm Chamber Organ at The Memorial Church, Harvard University, built in 2006 by Klop Organ Builders.As with many of my works, relationships between old and new musical concepts are explored. In this piece, musical aspects of the Baroque organ concerto tradition (and Baroque style string playing) co-exist with more contemporary musical elements. In particular, the directness of expression found in many Baroque concertante works is present throughout. Musical material is shared between the movements in a motivic fashion.The title of the first movement, Bricolage, is defined as “something made or put together using whatever materials happen to be available.†Thus, the musical material for the movement is of varying characters; these elements are assembled together in ways that allow them to comment on and inform each other. Some of these musical elements include: a traditional “overture†texture, a Basse de Trompette texture (with an organ reed stop in the left hand) common in French Baroque organ music, and the French keyboard toccata style.The second movement, Elegia, is dark and searching in tone. It begins with a rageful roar before quieting down to introduce its basic musical material – a simple “lament†theme in a folk-inflected style. This material is used for further explorations, building to passionate climaxes. Finally, the opening music returns, but this time with a whisper. The movement winds down to a sad conclusion.After the soul-searching of the second movement, the third movement, Rondeau, is sprightly and energetic. The basic material is a set of Baroque and Classical-style figurations (with a few American gospel inflections thrown in), firmly grounded in G major. After minor diversions, the original material continues to return and ends the work with unfettered joy.
$64.95
Arirang (For Viola and S.Orchestra)
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Orchestre à Cordes
#
AVANCÉ
#
Han-Ki Kim
#
#
Arirang
#
Han-Ki Kim
#
SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.511811 Composed by Han-Ki Kim. Classical,Contemporary,Instructional,Multicultural,Standards,World. Score and parts....
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String Orchestra - Level 5 - SKU: A0.511811 Composed by Han-Ki Kim. Classical,Contemporary,Instructional,Multicultural,Standards,World. Score and parts. 20 pages. Han-Ki Kim #6439151. Published by Han-Ki Kim (A0.511811). Arirang for Viola and String Orchestra Op.154A“Arirang†is a representative folk song of Korea and a famous song widely known around the world. This concerto was composed to give value as an artistic literature to such a familiar theme. In this concerto “Arirangâ€, I want both the performers and the audience to feel “musical sympathyâ€. Following the short and fast introduction in 3/4 time, it is connected in the form of 5 variations in 6/8 time. Each variation expresses a different musical atmosphere, performance speed, or change in composition. In general, the main melody is mainly played by the first violin, but as far as the main melody is concerned, in this music, high-pitched instruments and low-pitched instruments intersect and cycle in equal positions, not in a melodicline relationship. After the fourth variation, a virtuosic solo of the movement alone is connected, and after the finale with a broad and majestic atmosphere, it ends with a short and lively coda with the same character as the beginning. Attached Music file is played as S.Orchestra, it's just for a reference.
$14.90
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Viola True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792379. Published by Aaron Meier (A0.922639). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Double Bass True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit.
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Violin II
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792367. Published by Aaron Meier (A0.922636). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin II True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Carson Cooman: Concerto for Portatif Organ and Strings, score only
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Orchestre à Cordes
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AVANCÉ
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Carson Cooman
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Carson Cooman: Concerto for Po
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.533700 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 38 pages. Musik Fabrik Music Pub...
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String Orchestra - Level 5 - SKU: A0.533700 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 38 pages. Musik Fabrik Music Publishing #3038895. Published by Musik Fabrik Music Publishing (A0.533700). Concerto for Portatif Organ and Strings (2006) was commissioned by the HarvardBaroque Chamber Orchestra and its director, Robert Mealy. The work is dedicatedto organist Nancy Granert, for whom the solo part was written. The work wascommissioned in celebration of the von Clemm Chamber Organ at The MemorialChurch, Harvard University, built in 2006 by Klop Organ Builders.As with many of my works, relationships between old and new musical concepts areexplored. In this piece, musical aspects of the Baroque organ concerto tradition(and Baroque style string playing) co-exist with more contemporary musicalelements. In particular, the directness of expression found in many Baroqueconcertante works is present throughout. Musical material is shared between themovements in a motivic fashion.The title of the first movement, Bricolage, is defined as “something made or puttogether using whatever materials happen to be available.†Thus, the musicalmaterial for the movement is of varying characters; these elements are assembledtogether in ways that allow them to comment on and inform each other. Some ofthese musical elements include: a traditional “overture†texture, a Basse deTrompette texture (with an organ reed stop in the left hand) common in FrenchBaroque organ music, and the French keyboard toccata style.The second movement, Elegia, is dark and searching in tone. It begins with arageful roar before quieting down to introduce its basic musical material – a simple“lament†theme in a folk-inflected style. This material is used for further explorations,building to passionate climaxes. Finally, the opening music returns, but this timewith a whisper. The movement winds down to a sad conclusion.After the soul-searching of the second movement, the third movement, Rondeau, issprightly and energetic. The basic material is a set of Baroque and Classical-stylefigurations (with a few American gospel inflections thrown in), firmly grounded in Gmajor. After minor diversions, the original material continues to return and ends thework with unfettered joy.This item is the score only. The score and complete parts are available for sale as another item.
$25.95
Dominican Republic NationalAnthem for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Keith Terrett
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Keith Terrett
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Dominican Republic NationalAnt
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Keith Terrett
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1503869 By Keith Terrett. By José Rufino Reyes y Siancas 1882. Arranged by Keith Terrett. Instructional,Multicultu...
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String Orchestra - Level 3 - SKU: A0.1503869 By Keith Terrett. By José Rufino Reyes y Siancas 1882. Arranged by Keith Terrett. Instructional,Multicultural,Patriotic,Standards,Traditional,World. 12 pages. Keith Terrett #1079321. Published by Keith Terrett (A0.1503869). The national anthem of the Dominican Republic (Spanish: Himno nacional de República Dominicana), also known by its incipit Valiant Quisqueyans (Spanish: Quisqueyanos valientes), was composed by José Rufino Reyes y Siancas (1835–1905), and its lyrics were authored by Emilio Prud'Homme (1856–1932).José Reyes was inspired to create a national anthem for the Dominican Republic after having seen the Argentine National Anthem in the Parisian newspaper El Americano. In 1883, he invited his friend Emilio Prud'Homme to write lyrics for the anthem.The first version of Prud'Homme's lyrics was published in the weekly newspaper El Eco de la Opinion on 16 August 1883, and the first public performance of the anthem took place the next day on 17 August in Respectable Hope Lodge No. 9 in Santo Domingo. Though the music was an instant success, several objections were made to the lyrics for having various historical inaccuracies. In 1897, Prud’Homme submitted revised lyrics, which stand to this day.On 7 June 1897, the Congress of the Dominican Republic passed an act adopting Himno Nacional with the original music and revised lyrics as the country's official national anthem; however, then-President Ulises Heureaux (1846–1898) vetoed the act, because the lyric's author, Prud’Homme, was an opponent of the president and his administration.[1] In 1899, Heureaux was assassinated, and the political disorder that ensued prevented the national anthem's legal adoption until 30 May 1934, when Himno Nacional was officially adopted and signed into law.
$8.99
Danish Royal Anthem for String Orchestra & Percussion
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Orchestre à Cordes
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INTERMÉDIAIRE
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Keith Terrett
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Keith Terrett
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Danish Royal Anthem for String
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Keith Terrett
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1505305 By Keith Terrett. By Unknown. Arranged by Keith Terrett. Instructional,Multicultural,Patriotic,Standards,Tr...
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String Orchestra - Level 3 - SKU: A0.1505305 By Keith Terrett. By Unknown. Arranged by Keith Terrett. Instructional,Multicultural,Patriotic,Standards,Traditional,World. 13 pages. Keith Terrett #1080689. Published by Keith Terrett (A0.1505305). Kong Christian stod ved højen mast (Danish pronunciation: [kʰʌŋ ˈkʰʁestjæn ˈstoðˀ ve̝ ˈhʌjˀn̩ mæst]; King Christian stood by the lofty mast), commonly shortened to Kong Christian, is the unofficial royal anthem of Denmark that officially has equal status of national anthem together with Der er et yndigt land (There is a Lovely Country), though it is almost exclusively used in relation to the Danish royal house and the military. The theme of the song is the heroics of Danish and Norwegian sailors during the wars against Sweden (including the Torstenson War) in the 17th and 18th centuries.On New Year's Eve, it is tradition to sing along as the Danmarks Radio Girl's Choir sing the song on television, immediately after midnight following the other national anthem. Usually, only the first verse is sung on official occasions. Adopted in 1780, it is one of the oldest national anthems in the world.
$8.99
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