Page d'accueil
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
After - Horn
Sheetmusicplus
Non classifié
1 976
Piano & claviers
Piano seul
2 013
Piano, Voix
1 397
Piano Facile
467
Piano, Voix et Guitare
401
Instruments en Do
170
Orgue
166
1 Piano, 4 mains
54
Piano Trio: piano, violon, violoncelle
28
Accompagnement Piano
24
2 Pianos, 4 mains
21
Piano grosses notes
14
Accordéon
11
Piano Quatuor: piano, violon, alto, violoncelle
11
Piano (partie séparée)
9
Piano Quintette: piano, 2 violons, alto, violoncelle
7
Clavecin
5
Orgue, Piano (duo)
5
Piano Quatuor: piano, 2 violons, violoncelle
3
1 Piano, 6 mains
2
Accordéon, Piano
1
Ensemble d'Accordéons
1
Orgue, Trompette (duo)
1
Clavier
1
+ 18 instrumentations
Retracter
Guitares
Guitare notes et tablatures
207
Guitare
177
Ligne De Mélodie, (Paroles) et Accords
74
Ukulele
44
Basse electrique
26
Paroles et Accords
23
Guitare (partie séparée)
15
Mandoline
12
2 Guitares (duo)
11
Dulcimer
8
Banjo
8
Piano, Guitare (duo)
6
Guitare Pedal Steel
2
2 Mandolines (duo)
2
4 Guitares (Quatuor)
2
Guitare, Violon, Violoncelle (trio)
1
Guitare, Orchestre
1
Mandoline, Guitare (duo)
1
Ukulele Baryton
1
2 Ukuleles
1
2 Dulcimers (duo)
1
+ 16 instrumentations
Retracter
Voix
Chorale SATB
715
Chorale 3 parties
225
Chorale TTBB
133
Chorale 2 parties
81
Chorale Unison
75
Chorale SSAA
73
Voix Soprano, Piano
27
Pack Instrumental pour Chorale
24
Voix duo, Piano
24
Voix Alto, Piano
21
Voix seule
19
Voix haute
17
Voix duo
16
Chorale
10
Chorale SSAATTBB
7
Voix Tenor, Piano
6
Voix basse, Piano
6
Voix Soprano
4
Chorale SSATB
4
Chorale SSATTB
4
Voix Mezzo-Soprano, Piano
3
Soli, choeur mixte et accompagnement
3
Voix Baryton, Piano
3
Voix Tenor
2
Voix basse
1
Chorale SSAB a cappella
1
Voix haute, Piano
1
Voix Baryton
1
Voix moyenne, Piano
1
+ 24 instrumentations
Retracter
Vents
Flûte traversière et Piano
224
Quatuor de Saxophones: 4 saxophones
216
Clarinette et Piano
167
2 Saxophones (duo)
132
Saxophone Alto et Piano
127
Hautbois, Piano (duo)
120
Flûte traversière
118
Quintette de Saxophone: 5 saxophones
102
Quatuor de Clarinettes: 4 clarinettes
101
Saxophone (partie séparée)
98
Clarinette
92
2 Clarinettes (duo)
88
2 Flûtes traversières (duo)
76
Saxophone Soprano et Piano
73
Flûte, Hautbois, Clarinette, Basson
72
Saxophone Alto
71
Saxophone Tenor et Piano
64
Quatuor de Flûtes : 4 flûtes
62
Saxophone, Clarinette (duo)
57
Saxophone Baryton, Piano
46
Saxophone Tenor
39
Ensemble de Clarinettes
38
Clarinette, Violon (duo)
37
Flûte, Clarinette (duo)
36
Ensemble de Flûtes
36
Quintette de Clarinettes: 5 clarinettes
34
Ensemble de saxophones
33
Hautbois (partie séparée)
32
Clarinette Basse, Piano
32
Clarinette, Trompette (duo)
31
2 Hautbois (duo)
31
3 Saxophones (trio)
30
3 Clarinettes (trio)
23
Flûte et Guitare
22
Flûte, Violon
21
Hautbois, Basson (duo)
21
Hautbois
20
Hautbois, Clarinette (duo)
20
Flûte, Saxophone (duo)
20
Hautbois, Flûte
19
Clarinette et Alto
18
Clarinette, Guitare (duo)
16
Flûte, Alto (duo)
15
Flûte, Trompette (duo)
15
Quintette de Flûte : 5 flûtes
14
Flute (partie séparée)
13
Harmonica
12
Clarinette (partie séparée)
11
Trio de Flûtes: 3 flûtes
10
Clarinette, Basson (duo)
8
2 Flûte à bec (duo)
7
Hautbois, Clarinette, Basson (trio d'anches)
7
Flûte, Clarinette et Basson
7
Flûte à bec Soprano, Piano
7
Flûte à bec Soprano
7
Ocarina
6
Flûte à Bec
6
Flûte, Clarinette, Piano (trio)
6
Quatuor de Flûtes à bec
6
Flûte, Alto et Piano
5
Flûte à bec Alto
5
Saxophone
5
Flûte, Violoncelle
4
Flûte à bec Alto, Piano
4
Ensemble De Flûte à bec
4
Saxophone Soprano
4
Flûte, Violoncelle, Piano (trio)
3
Flûte, Hautbois, Clarinette (trio)
3
Flûte, Violon, Piano
3
3 Flûtes à bec (trio)
3
Cornemuse
2
Flûte à bec Tenor
2
5 Flûtes à bec
2
2 Clarinettes, Piano
2
Saxophone Baryton
2
Piccolo, Piano
2
Clarinette, Orgue
2
2 Flûtes traversières, Piano
2
2 Saxophones, Piano
2
Flûte, Violon et Violoncelle
2
Hautbois, Guitare (duo)
1
Flûte, Hautbois (duo)
1
Flûte irlandaise
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois, Orgue
1
Clarinette Basse
1
Piccolo
1
Clarinette, Harpe (duo)
1
Flûte traversière, Orgue (duo)
1
Flûte à Bec, Piano
1
Flûte traversière, Basse continue
1
2 Flûtes à bec, Guitare
1
Saxophone et Orgue
1
Ensemble de Hautbois
1
Flûte, Hautbois, Basson
1
Saxophone et Guitare
1
Flute, harpe et violon
1
Flûte, alto et harpe
1
Hautbois, Harpe
1
Clarinette, Violoncelle (duo)
1
Flute, alto, violoncelle et guitare
1
Hautbois, Basson et Piano
1
Instruments en Mib
1
Flûte et Trio à cordes
1
2 Clarinettes, Basson
1
+ 100 instrumentations
Retracter
Cuivres
Trompette
122
Trombone et Piano
106
Trompette, Piano
97
Trombone
75
Trompette (partie séparée)
65
Trombone (partie séparée)
64
Tuba et Piano
48
Euphonium, Piano (duo)
44
Ensemble de Trompettes
40
Trompette, Saxophone (duo)
39
2 Trombones (duo)
34
2 Trompettes (duo)
33
Quatuor de Cuivres : 2 trompettes, trombone, tuba
32
Tuba
28
Trompette, Trombone (duo)
22
Ensemble de Trombones
21
Quatuor de Cuivres
20
Quatuor de cuivres: 4 trombones
19
Tuba (partie séparée)
11
4 Tubas
6
2 Euphoniums et 2 Tubas
6
Quatuor de cuivres: 4 trompettes
5
3 Trombones (trio)
5
3 Trompettes (trio)
4
Bass Clef Instruments
3
Instruments en Sib
2
2 Tubas (duo)
2
Euphonium
2
Euphonium, Tuba (duo)
2
Tuba et Orgue
2
Trio de Cuivres
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trompette, Trombone, Piano
1
3 Euphoniums
1
Ensemble de Tubas
1
Trompette, Orchestre
1
Trombone basse
1
Trombone basse et Piano
1
Trompette, Violoncelle et Piano
1
3 Tubas (trio)
1
+ 35 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
412
Violon et Piano
255
Violoncelle, Piano
143
Alto, Piano
139
Violon
133
Violoncelle
105
Harpe
105
2 Violons (duo)
65
Alto seul
60
Violon, Violoncelle (duo)
57
Trio à Cordes: violon, alto, violoncelle
52
2 Violoncelles (duo)
47
Contrebasse, Piano (duo)
43
Quintette à cordes: 2 violons, alto, violoncelle, basse
38
Violon, Alto (duo)
38
2 Altos (duo)
35
Contre Basse
30
Trio à Cordes: 2 violons, violoncelle
25
Violon (partie séparée)
22
Contrebasse (partie séparée)
20
2 Harpes (duo)
16
Alto (partie séparée)
11
Violon, Guitare (duo)
7
Violoncelle , Guitare (duo)
6
Violon, Basse continue
5
4 Violoncelles
5
Ensemble de Violons
5
Ensemble d'Altos
5
Harpe, Voix
5
Alto, Violoncelle (duo)
5
Trio à cordes: 3 altos
5
Trio à Cordes: 3 violoncelles
4
Trio à cordes: 3 violins
4
Harpe, Flûte (duo)
4
Quatuor à cordes: 4 violons
4
Quatuor à cordes : 4 altos
4
Alto, Guitare (duo)
3
Harpe, Quatuor à cordes
3
Harpe, Violon (duo)
3
Trio à Cordes: 2 violons, alto
3
2 Contrebasses (duo)
2
Violon, Clarinette, Piano (trio)
2
2 Violons, Piano
1
3 Harpes
1
Violoncelle, Contrebasse (duo)
1
Violon, Orgue
1
Trio à cordes
1
Violoncelle, Orgue
1
2 Altos, Piano
1
4 Contrebasses
1
Violoncelle (partie séparée)
1
Violoncelle, Orchestre
1
Piano Trio: Violon, Alto, Piano
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
+ 49 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 032
Orchestre
207
Ensemble Jazz
192
Orchestre à Cordes
164
Fanfare
161
Ensemble de cuivres
79
Cloches
67
Orchestre de chambre
66
Jazz combo
35
Ensemble de Percussions
30
Batterie
28
Marimba
13
Batterie (partie séparée)
11
Percussion (partie séparée)
9
Vibraphone
9
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Xylophone, Piano
3
2 Xylophones
2
Percussion
2
Orchestre, Violon
2
Quintette à Vent
1
Big band
1
+ 17 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
6
Partitions Numériques
164
Librairie Musicale
0
Matériel de Musique
12
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
After - Horn
SheetMusicPlus
Partitions à imprimer
164 partitions trouvées
<
1
26
51
....
151
Suite for Strings after 12 Violin Sonatas, Op. 5 as played by Eugene Ormandy &Philadelphia Orchestra
#
Orchestre à Cordes
#
INTERMÉDIAIRE
#
Arcangelo Corelli, Eugene Orma
#
Flavio Regis Cunha
#
Parts) I
#
Suite for Strings after 12 Vio
#
Flavio Regis Cunha
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1466810 By Arcangelo Corelli, Eugene Ormandy and Philadelphia Orchestra. By Arcangelo Corelli. Arranged by Flavio R...
(+)
String Orchestra - Level 3 - SKU: A0.1466810 By Arcangelo Corelli, Eugene Ormandy and Philadelphia Orchestra. By Arcangelo Corelli. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional,Wedding. 31 pages. Flavio Regis Cunha #1045345. Published by Flavio Regis Cunha (A0.1466810). Corelli: Suite for Strings after 12 Violin Sonatas, Op. 5, for String Orchestra (Full Score & Parts) I. Sarabanda II.Giga III. BadinerieEdition based on the arrangement by Ettore PinelliReview by Flavio Regis Cunha🎻 Transform Your Strings with Corelli’s Masterpiece! 🎶Step into the enchanting world of Baroque music with Arcangelo Corelli’s Suite for Strings after 12 Violin Sonatas, Op. 5, magnificently interpreted by Eugene Ormandy and the Philadelphia Orchestra. Perfect for professional and amateur string orchestras in churches, theatres, and schools, this advanced-intermediate level sheet music brings Corelli’s brilliance to life.🌟 Features:Advanced intermediate LevelFormat: 9 x 12 inches, 23 pages of concert-quality engravingFonts: Beautifully set in Urtext Kapellmeister Music FontsImmerse your orchestra in the lush movements of Sarabanda, the lively rhythms of Giga, and the playful spirit of Badinerie. With every note, let your ensemble convey the passion and elegance of Corelli’s timeless compositions.🎼 Order now and let your strings sing with the soul of the Baroque era!
$18.99
After the Rain
#
Orchestre à Cordes
#
FACILE
#
Contemporain
#
Heather Morgan
#
After the Rain
#
Heather Morgan
#
SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1172089 Composed by Heather Morgan. Contemporary. Score and parts. 10 pages. Heather Morgan #772353. Published by H...
(+)
String Orchestra - Level 2 - SKU: A0.1172089 Composed by Heather Morgan. Contemporary. Score and parts. 10 pages. Heather Morgan #772353. Published by Heather Morgan (A0.1172089). Spring showers give way to beautiful sunshine in this original work After the Rain. Inspired by the view from Ceasar's Head Overlook in Greenville, SC one day after a rain storm, this work is composed for intermediate string orchestra and is great for showcasing lyrical skills.
$45.00
Afterlife
#
Orchestre à Cordes
#
INTERMÉDIAIRE
#
Rock
#
Avenged Sevenfold
#
Anya Alston
#
Afterlife
#
Anya Alston
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1088003 By Avenged Sevenfold. By Brian Haner, Jr., James Sullivan, Jonathan Seward, Matthew Sanders, and Zachary Ba...
(+)
String Orchestra - Level 3 - SKU: A0.1088003 By Avenged Sevenfold. By Brian Haner, Jr., James Sullivan, Jonathan Seward, Matthew Sanders, and Zachary Baker. Arranged by Anya Alston. Rock. Score and parts. 14 pages. Anya Alston #692237. Published by Anya Alston (A0.1088003). Afterlife by Avenged Sevenfold arranged for a full string orchestra or string quintet, PDF includes full score and all individual parts.
$49.99
After The Gold Rush
#
Orchestre à Cordes
#
INTERMÉDIAIRE
#
Rock
#
Neil Young
#
Andreas Wetterlund
#
After The Gold Rush
#
Andreas Wetterlund
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1258711 By Neil Young. By Neil Young. Arranged by Andreas Wetterlund. Pop,Rock. Score and Parts. 14 pages. Andreas ...
(+)
String Orchestra - Level 3 - SKU: A0.1258711 By Neil Young. By Neil Young. Arranged by Andreas Wetterlund. Pop,Rock. Score and Parts. 14 pages. Andreas Wetterlund #851970. Published by Andreas Wetterlund (A0.1258711). AFTER THE GOLD RUSH by NEIL YOUNGArranged for String Orchestra by Andreas Wetterlund Instrumentation: Violin 1, Violin 2, Viola, Violoncello 1, Violoncello 2, Contrabass.Playable on quintet (omit Contrabass)Â
$50.00
Prelude to the Afternoon on a Farm: 2nd Violin
#
Orchestre à Cordes
#
Methodes
#
Bob Phillips
#
Prelude to the Afternoon on a
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0016195_VN2 2nd Violin. Arranged by Bob Phillips. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Mus...
(+)
String Orchestra - SKU: AX.00-PC-0016195_VN2 2nd Violin. Arranged by Bob Phillips. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016195_VN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016195_VN2). UPC: 038081353852.What fun! The con-DUCK-tor is summoned to stage by a duck call! Hilarious suggestions are included for costumes, props, corny skits and jokes as each section represents a group of animals in the barnyard playing familiar tunes. Turn the students and parents loose on this one! Great for introducing the instruments at recruiting demonstrations or featuring your principal or superintendent as narrator. This crazy-like-a-fox piece includes: Prelude to the Afternoon of a Faun, William Tell Overture, Rock-A-Doodle-Doo, Brandenburg Concerto No. 5, The Chicken Dance, Turkey in the Straw, Baa, Baa Swing Sheep, Funky Bass, Old McDonald Had a Farm and Bonaparte's Retreat. Correlates with String Explorer Book Two, page 23.
$5.99
Prelude to the Afternoon on a Farm: String Bass
#
Orchestre à Cordes
#
Methodes
#
Bob Phillips
#
Prelude to the Afternoon on a
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0016195_SB String Bass. Arranged by Bob Phillips. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Mus...
(+)
String Orchestra - SKU: AX.00-PC-0016195_SB String Bass. Arranged by Bob Phillips. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016195_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016195_SB). UPC: 038081353852.What fun! The con-DUCK-tor is summoned to stage by a duck call! Hilarious suggestions are included for costumes, props, corny skits and jokes as each section represents a group of animals in the barnyard playing familiar tunes. Turn the students and parents loose on this one! Great for introducing the instruments at recruiting demonstrations or featuring your principal or superintendent as narrator. This crazy-like-a-fox piece includes: Prelude to the Afternoon of a Faun, William Tell Overture, Rock-A-Doodle-Doo, Brandenburg Concerto No. 5, The Chicken Dance, Turkey in the Straw, Baa, Baa Swing Sheep, Funky Bass, Old McDonald Had a Farm and Bonaparte's Retreat. Correlates with String Explorer Book Two, page 23.
$5.99
Prelude to the Afternoon on a Farm: Cello
#
Orchestre à Cordes
#
Methodes
#
Bob Phillips
#
Prelude to the Afternoon on a
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0016195_VC1 Cello. Arranged by Bob Phillips. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #0...
(+)
String Orchestra - SKU: AX.00-PC-0016195_VC1 Cello. Arranged by Bob Phillips. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016195_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016195_VC1). UPC: 038081353852.What fun! The con-DUCK-tor is summoned to stage by a duck call! Hilarious suggestions are included for costumes, props, corny skits and jokes as each section represents a group of animals in the barnyard playing familiar tunes. Turn the students and parents loose on this one! Great for introducing the instruments at recruiting demonstrations or featuring your principal or superintendent as narrator. This crazy-like-a-fox piece includes: Prelude to the Afternoon of a Faun, William Tell Overture, Rock-A-Doodle-Doo, Brandenburg Concerto No. 5, The Chicken Dance, Turkey in the Straw, Baa, Baa Swing Sheep, Funky Bass, Old McDonald Had a Farm and Bonaparte's Retreat. Correlates with String Explorer Book Two, page 23.
$5.99
Prelude to the Afternoon on a Farm: Score
#
Orchestre à Cordes
#
Methodes
#
Bob Phillips
#
Prelude to the Afternoon on a
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
String Orchestra - SKU: AX.00-PR-0004488 Score. Arranged by Bob Phillips. Instructional. Score. 22 pages. Alfred Music - Digital Sheet Music #00-...
(+)
String Orchestra - SKU: AX.00-PR-0004488 Score. Arranged by Bob Phillips. Instructional. Score. 22 pages. Alfred Music - Digital Sheet Music #00-PR-0004488. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0004488). UPC: 038081353852.What fun! The con-DUCK-tor is summoned to stage by a duck call! Hilarious suggestions are included for costumes, props, corny skits and jokes as each section represents a group of animals in the barnyard playing familiar tunes. Turn the students and parents loose on this one! Great for introducing the instruments at recruiting demonstrations or featuring your principal or superintendent as narrator. This crazy-like-a-fox piece includes: Prelude to the Afternoon of a Faun, William Tell Overture, Rock-A-Doodle-Doo, Brandenburg Concerto No. 5, The Chicken Dance, Turkey in the Straw, Baa, Baa Swing Sheep, Funky Bass, Old McDonald Had a Farm and Bonaparte's Retreat. Correlates with String Explorer Book Two, page 23.
$6.00
Prelude to the Afternoon on a Farm: 3rd Violin (Viola [TC])
#
Orchestre à Cordes
#
Methodes
#
Bob Phillips
#
Prelude to the Afternoon on a
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0016195_VN3 3rd Violin (Viola [TC]). Arranged by Bob Phillips. Instructional. Part. 4 pages. Alfred Music - Digi...
(+)
String Orchestra - SKU: AX.00-PC-0016195_VN3 3rd Violin (Viola [TC]). Arranged by Bob Phillips. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016195_VN3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016195_VN3). UPC: 038081353852.What fun! The con-DUCK-tor is summoned to stage by a duck call! Hilarious suggestions are included for costumes, props, corny skits and jokes as each section represents a group of animals in the barnyard playing familiar tunes. Turn the students and parents loose on this one! Great for introducing the instruments at recruiting demonstrations or featuring your principal or superintendent as narrator. This crazy-like-a-fox piece includes: Prelude to the Afternoon of a Faun, William Tell Overture, Rock-A-Doodle-Doo, Brandenburg Concerto No. 5, The Chicken Dance, Turkey in the Straw, Baa, Baa Swing Sheep, Funky Bass, Old McDonald Had a Farm and Bonaparte's Retreat. Correlates with String Explorer Book Two, page 23.
$5.99
Chanson For a Gloomy Afternoon
#
Orchestre à Cordes
#
INTERMÉDIAIRE
#
Classique
#
Mark D Hettle
#
Chanson For a Gloomy Afternoon
#
Goomba Publishing Company
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.908691 Composed by Mark D Hettle. Romantic Period. Score and parts. 10 pages. Goomba Publishing Company (GPC) #6307...
(+)
String Orchestra - Level 3 - SKU: A0.908691 Composed by Mark D Hettle. Romantic Period. Score and parts. 10 pages. Goomba Publishing Company (GPC) #6307317. Published by Goomba Publishing Company (GPC) (A0.908691). Chanson For a Gloomy Afternoon is a slow (mm-60) melancholy composition written for an intermediate string orchestra. Written in the key of B minor, a somewhat somber mood is achieved. Care must be taken to articulate the eighth note triplets, and the sixteenth notes accurately. However, at the slow tempo indicated they should not pose a problem. I hope you enjoy rehearsing and performing my composition. Thank you!
$15.00
The Forever After
#
Orchestre à Cordes
#
INTERMÉDIAIRE
#
Iyassu Taye
#
The Forever After
#
Iyassu Taye
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1453189 Composed by Iyassu Taye. 21st Century,Chamber. 10 pages. Iyassu Taye #1032415. Published by Iyassu Taye (A0...
(+)
String Orchestra - Level 3 - SKU: A0.1453189 Composed by Iyassu Taye. 21st Century,Chamber. 10 pages. Iyassu Taye #1032415. Published by Iyassu Taye (A0.1453189). A colorful, bright song, simple yet charming!
$3.99
Sunrise After a Dark Night
#
Orchestre à Cordes
#
FACILE
#
Contemporain
#
M
#
Sunrise After a Dark Night
#
M. L. Daniels
#
SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1371262 Composed by M. L. Daniels. 20th Century. 11 pages. M. L. Daniels #954967. Published by M. L. Daniels (A0.13...
(+)
String Orchestra - Level 2 - SKU: A0.1371262 Composed by M. L. Daniels. 20th Century. 11 pages. M. L. Daniels #954967. Published by M. L. Daniels (A0.1371262). This easy string piece is aimed at the average Middle School orchestra, although some older students will enjoy playing it, because it is fun to play.
$21.99
Afterburn: Score
#
Orchestre à Cordes
#
Brian Balmages
#
Afterburn: Score
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
String Orchestra - SKU: AX.98-DST6296S Composed by Brian Balmages. Score. 12 pages. Alfred Music - Digital Sheet Music #98-DST6296S. Published by Alfred...
(+)
String Orchestra - SKU: AX.98-DST6296S Composed by Brian Balmages. Score. 12 pages. Alfred Music - Digital Sheet Music #98-DST6296S. Published by Alfred Music - Digital Sheet Music (AX.98-DST6296S). UPC: 674398230365.
$5.00
Afterthoughts: Score
#
Orchestre à Cordes
#
Brian Balmages
#
Afterthoughts: Score
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
String Orchestra - SKU: AX.98-DST6322S Composed by Brian Balmages. Score. 20 pages. Alfred Music - Digital Sheet Music #98-DST6322S. Published by Alfred...
(+)
String Orchestra - SKU: AX.98-DST6322S Composed by Brian Balmages. Score. 20 pages. Alfred Music - Digital Sheet Music #98-DST6322S. Published by Alfred Music - Digital Sheet Music (AX.98-DST6322S). UPC: 674398231645.
$5.00
The Cowboy Waltz
#
Orchestre à Cordes
#
DÉBUTANT
#
Ron Flintjer
#
The Cowboy Waltz
#
Ron Flintjer
#
SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.1153136 Composed by Ron Flintjer. Folk,Historic,Traditional. Score and Parts. 10 pages. Ron Flintjer #753377. Publi...
(+)
String Orchestra - Level 1 - SKU: A0.1153136 Composed by Ron Flintjer. Folk,Historic,Traditional. Score and Parts. 10 pages. Ron Flintjer #753377. Published by Ron Flintjer (A0.1153136). It's the end of a long day in the Old West. The cowboys have unsaddled their horses, lit the campfire, and can't wait for grub to be served! After chow, they lay on their bedrolls, reminiscing about their hometowns, their adventures, and maybe the gal they left behind. When it's time to settle in for the night, they watch the clear skies above and maybe point out a shooting star or two. Then it's time for sleep, before another hard day on the trail arrives too soon. Written it 3/4 time, The Cowboy Waltz is a relaxing, comfortable piece for Beginning String Orchestra. Watch out! You might just catch some of your audience snoozing - along with the cowboys - afterwards! This chart has three part harmony, as the second violin and viola play the same part as do the cello and string bass. Your first violin is on his or her own!
$14.00
I Love Lucy
#
Orchestre à Cordes
#
INTERMÉDIAIRE
#
Contemporain
#
Eliot Daniel
#
Dennis Ruello
#
I Love Lucy
#
Chicory Music
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.734620 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemporary. Score and parts. 10 pages. Chicory Music ...
(+)
String Orchestra - Level 3 - SKU: A0.734620 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemporary. Score and parts. 10 pages. Chicory Music #6676835. Published by Chicory Music (A0.734620). On October 15, 1951, the very first episode of the I Love Lucy show aired on CBS and became the most watched TV show in the U.S. for four of its seven-year run. Fun trivia about the opening theme song is that during the first season the show opened with their sponsor Philip Morris’ animation of stick figure cartoons of Lucy and Desi climbing down a pack of Philip Morris cigarettes. It was scored with Ferde Grofé’s Jr. The Grand Canyon Suite theme (a composition from 1931).From the second season onwards, the I Love Lucy signature tune we all know so well became the main theme, and one of the most recognizable pieces of music on the planet. It was written by composer Eliot Daniel who cranked it out in an afternoon as a favor to his old Coast Guard buddy Jess Oppenheimer, the show’s producer. Since Daniel still had another year under his exclusive contract to Fox, he asked Oppenheimer to keep his name out of it. Consequently his name does not appear on first or the second season TV credits for what became one of the most popular TV themes. Later, Daniel did seek credit and received royalties from syndicated reruns for the rest of his life.The lyrics were written by Harold Adamson for an episode in the third season in which Lucy believes everyone has forgotten her birthday. So of course Ricky saves the day after a near disaster.This arrangement for String Orchestra plus optional Drum Set part remains faithful to the original.Performance Time Approx. 1 minute 25 seconds
$12.99
Arirang (For Violin and S.Orchestra)
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Han-Ki Kim
#
Arirang
#
Han-Ki Kim
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.511810 Composed by Han-Ki Kim. Classical,Contemporary,Instructional,Multicultural,Standards,World. Score and parts....
(+)
String Orchestra - Level 4 - SKU: A0.511810 Composed by Han-Ki Kim. Classical,Contemporary,Instructional,Multicultural,Standards,World. Score and parts. 23 pages. Han-Ki Kim #6437561. Published by Han-Ki Kim (A0.511810). Arirang for Violin and String Orchestra Op.154(Dedicated to the late professor Emeritus Nam-Yun Kim) “Arirang†is a representative folk song of Korea and a famous song widely known around the world. This concerto was composed to give value as an artistic literature to such a familiar theme. In this concerto “Arirangâ€, I want both the performers and the audience to feel “musical sympathyâ€. Following the short and fast introduction in 3/4 time, it is connected in the form of 5 variations in 6/8 time. Each variation expresses a different musical atmosphere, performance speed, or change in composition. In general, the main melody is mainly played by the first violin, but as far as the main melody is concerned, in this music, high-pitched instruments and low-pitched instruments intersect and cycle in equal positions, not in a melodicline relationship. After the fourth variation, a virtuosic solo of the movement alone is connected, and after the finale with a broad and majestic atmosphere, it ends with a short and lively coda with the same character as the beginning. Attached file is played by S.Orchestra just for a reference.
$14.90
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
(+)
String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
"Arirang" For String Orchestra (Korean Traditional)
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Han-Ki Kim
#
"Arirang" For String
#
Han-Ki Kim
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.511508 Composed by Han-Ki Kim. Classical,Contemporary,Instructional,Multicultural,Standards,World. Score and parts....
(+)
String Orchestra - Level 4 - SKU: A0.511508 Composed by Han-Ki Kim. Classical,Contemporary,Instructional,Multicultural,Standards,World. Score and parts. 27 pages. Han-Ki Kim #3472125. Published by Han-Ki Kim (A0.511508). Arirang String Orchestra Op.154  “Arirang†is a representative folk song of Korea and a famous song widely known around the world. This concerto was composed to give value as an artistic literature to such a familiar theme. In this concerto “Arirangâ€, I want both the performers and the audience to feel “musical sympathyâ€. It was commissioned to commemorate the 60th anniversary of I Musici's founding and was dedicated to them. Following the short and fast introduction in 3/4 time, it is connected in the form of 5 variations in 6/8 time. Each variation expresses a different musical atmosphere, performance speed, or change in composition. In general, the main melody is mainly played by the first violin, but as far as the main melody is concerned, in this music, high-pitched instruments and low-pitched instruments intersect and cycle in equal positions, not in a melodicline relationship. After the fourth variation, a virtuosic solo of the movement alone is connected, and after the finale with a broad and majestic atmosphere, it ends with a short and lively coda with the same character as the beginning. Shown Bowing sign and Fingering(Vn,Va part) will be very helpful to player. Optional Violin 3(Instead of Viola part)  part included.
$22.90
Concerto for 2 Cellos and Strings, RV 531 in G minor.
#
Orchestre à Cordes
#
AVANCÉ
#
Classique
#
Antonio Vivaldi
#
Arte Nova Music Lab
#
Concerto for 2 Cellos and Stri
#
Arte Nova Music Lab
#
SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.742474 Composed by Antonio Vivaldi. Arranged by Arte Nova Music Lab. Baroque,Concert,Easter,Standards,World. Score ...
(+)
String Orchestra - Level 5 - SKU: A0.742474 Composed by Antonio Vivaldi. Arranged by Arte Nova Music Lab. Baroque,Concert,Easter,Standards,World. Score and parts. 50 pages. Arte Nova Music Lab #4601825. Published by Arte Nova Music Lab (A0.742474). Antonio Lucio Vivaldi 4 March 1678 – 28 July 1741) was an Italian Baroque musical composer, virtuoso violinist, teacher, and priest. Born in Venice, the capital of the Venetian Republic, he is regarded as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He composed many instrumental concertos, for the violin and a variety of other instruments, as well as sacred choral works and more than forty operas. His best-known work is a series of violin concertos known as the Four Seasons. Many of his compositions were written for the all-female music ensemble of the Ospedale della Pietà , a home for abandoned children. Vivaldi had worked there as a Catholic priest for 1 1/2 years and was employed there from 1703 to 1715 and from 1723 to 1740. Vivaldi also had some success with expensive stagings of his operas in Venice, Mantua and Vienna. After meeting the Emperor Charles VI, Vivaldi moved to Vienna, hoping for royal support. However, the Emperor died soon after Vivaldi's arrival, and Vivaldi himself died, in poverty, less than a year later. Taken from https://en.wikipedia.org/wiki/Antonio_Vivaldi
$25.00
Carson Cooman: Concerto for Portatif Organ and Strings (2006), score and complete parts
#
Orchestre à Cordes
#
AVANCÉ
#
Carson Cooman
#
Carson Cooman: Concerto for Po
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.533701 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 77 pages. Musik Fabrik Music Pub...
(+)
String Orchestra - Level 5 - SKU: A0.533701 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 77 pages. Musik Fabrik Music Publishing #3038897. Published by Musik Fabrik Music Publishing (A0.533701). Concerto for Portatif Organ and Strings (2006) was commissioned by the Harvard Baroque Chamber Orchestra and its director, Robert Mealy. The work is dedicated to organist Nancy Granert, for whom the solo part was written. The work was commissioned in celebration of the von Clemm Chamber Organ at The Memorial Church, Harvard University, built in 2006 by Klop Organ Builders.As with many of my works, relationships between old and new musical concepts are explored. In this piece, musical aspects of the Baroque organ concerto tradition (and Baroque style string playing) co-exist with more contemporary musical elements. In particular, the directness of expression found in many Baroque concertante works is present throughout. Musical material is shared between the movements in a motivic fashion.The title of the first movement, Bricolage, is defined as “something made or put together using whatever materials happen to be available.†Thus, the musical material for the movement is of varying characters; these elements are assembled together in ways that allow them to comment on and inform each other. Some of these musical elements include: a traditional “overture†texture, a Basse de Trompette texture (with an organ reed stop in the left hand) common in French Baroque organ music, and the French keyboard toccata style.The second movement, Elegia, is dark and searching in tone. It begins with a rageful roar before quieting down to introduce its basic musical material – a simple “lament†theme in a folk-inflected style. This material is used for further explorations, building to passionate climaxes. Finally, the opening music returns, but this time with a whisper. The movement winds down to a sad conclusion.After the soul-searching of the second movement, the third movement, Rondeau, is sprightly and energetic. The basic material is a set of Baroque and Classical-style figurations (with a few American gospel inflections thrown in), firmly grounded in G major. After minor diversions, the original material continues to return and ends the work with unfettered joy.
$64.95
Arirang (For Viola and S.Orchestra)
#
Orchestre à Cordes
#
AVANCÉ
#
Han-Ki Kim
#
#
Arirang
#
Han-Ki Kim
#
SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.511811 Composed by Han-Ki Kim. Classical,Contemporary,Instructional,Multicultural,Standards,World. Score and parts....
(+)
String Orchestra - Level 5 - SKU: A0.511811 Composed by Han-Ki Kim. Classical,Contemporary,Instructional,Multicultural,Standards,World. Score and parts. 20 pages. Han-Ki Kim #6439151. Published by Han-Ki Kim (A0.511811). Arirang for Viola and String Orchestra Op.154A“Arirang†is a representative folk song of Korea and a famous song widely known around the world. This concerto was composed to give value as an artistic literature to such a familiar theme. In this concerto “Arirangâ€, I want both the performers and the audience to feel “musical sympathyâ€. Following the short and fast introduction in 3/4 time, it is connected in the form of 5 variations in 6/8 time. Each variation expresses a different musical atmosphere, performance speed, or change in composition. In general, the main melody is mainly played by the first violin, but as far as the main melody is concerned, in this music, high-pitched instruments and low-pitched instruments intersect and cycle in equal positions, not in a melodicline relationship. After the fourth variation, a virtuosic solo of the movement alone is connected, and after the finale with a broad and majestic atmosphere, it ends with a short and lively coda with the same character as the beginning. Attached Music file is played as S.Orchestra, it's just for a reference.
$14.90
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
(+)
String Orchestra - Level 4 - SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Viola True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
(+)
String Orchestra - Level 4 - SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792379. Published by Aaron Meier (A0.922639). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Double Bass True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit.
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Violin II
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
(+)
String Orchestra - Level 4 - SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792367. Published by Aaron Meier (A0.922636). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin II True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
<
1
26
51
....
151