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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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COR
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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HARPE
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PIANO & CLAVIERS
Piano seul
2186
Piano, Voix
1491
Piano, Voix et Guitare
608
Piano Facile
498
Orgue
154
Instruments en Do
136
1 Piano, 4 mains
41
Accompagnement Piano
30
Piano grosses notes
28
Piano Trio: piano, violon, violoncelle
27
2 Pianos, 4 mains
17
Accordéon
11
Piano Quatuor: piano, violon, alto, violoncelle
11
Piano Quintette: piano, 2 violons, alto, violoncelle
8
Orgue, Piano (duo)
5
Clavecin
5
Piano (partie séparée)
5
Piano Quatuor: piano, 2 violons, violoncelle
2
1 Piano, 6 mains
2
Accordéon, Piano
1
Clavier
1
Ensemble d'Accordéons
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GUITARES
Guitare notes et tablatures
298
Guitare
166
Ligne De Mélodie, (Paroles) et Accords
151
Ukulele
69
Paroles et Accords
50
Basse electrique
34
Mandoline
10
2 Guitares (duo)
9
Dulcimer
8
Guitare (partie séparée)
7
Basse électrique (partie séparée)
7
Banjo
7
Piano, Guitare (duo)
6
Guitare Pedal Steel
2
4 Guitares (Quatuor)
2
Guitare, Violon, Violoncelle (trio)
1
2 Mandolines (duo)
1
2 Dulcimers (duo)
1
Mandoline, Guitare (duo)
1
2 Ukuleles
1
Ukulele Baryton
1
Guitare, Orchestre
1
Instrumentations suivantes
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VOIX
Chorale SATB
675
Chorale 3 parties
225
Chorale TTBB
120
Chorale 2 parties
83
Chorale Unison
75
Chorale SSAA
69
Voix seule
34
Voix duo, Piano
26
Voix Soprano, Piano
26
Chorale
16
Voix duo
16
Voix Alto, Piano
8
Voix haute
8
Chorale SSAATTBB
7
Voix basse, Piano
5
Chorale SSATTB
4
Voix Mezzo-Soprano, Piano
4
Voix Soprano
4
Chorale SSATB
3
Voix Baryton, Piano
3
Soli, choeur mixte et accompagnement
3
Voix Tenor
2
Chorale SSAB a cappella
1
Voix Baryton
1
Voix haute, Piano
1
Voix moyenne, Piano
1
Voix basse
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
210
Quatuor de Saxophones: 4 saxophones
194
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
160
Clarinette et Piano
132
2 Saxophones (duo)
132
Saxophone (partie séparée)
128
Flûte traversière
117
Clarinette
113
Saxophone Alto et Piano
112
Hautbois, Piano (duo)
109
Quatuor de Clarinettes: 4 clarinettes
95
2 Clarinettes (duo)
84
Flûte, Hautbois, Clarinette, Basson
75
2 Flûtes traversières (duo)
74
Saxophone Alto
73
Saxophone Soprano et Piano
67
Saxophone Tenor et Piano
66
Quatuor de Flûtes : 4 flûtes
59
Saxophone, Clarinette (duo)
57
Quintette de Saxophone: 5 saxophones
41
Saxophone Baryton, Piano
40
Clarinette, Violon (duo)
37
Flûte, Clarinette (duo)
35
Cor anglais, Piano
34
Ensemble de Clarinettes
33
Ensemble de Flûtes
32
Hautbois (partie séparée)
31
3 Saxophones (trio)
30
2 Hautbois (duo)
30
Quintette de Clarinettes: 5 clarinettes
28
Ensemble de saxophones
27
Clarinette Basse, Piano
26
Clarinette (partie séparée)
24
Flûte et Guitare
23
3 Clarinettes (trio)
22
Hautbois, Basson (duo)
21
Flûte, Violon
21
Hautbois
20
Flûte, Saxophone (duo)
20
Hautbois, Clarinette (duo)
19
Hautbois, Flûte
19
Clarinette, Guitare (duo)
18
Clarinette et Alto
18
Flûte, Alto (duo)
15
Saxophone Tenor
15
2 Flûte à bec (duo)
13
Harmonica
12
Flute (partie séparée)
11
Trio de Flûtes: 3 flûtes
10
Flûte à bec Soprano, Piano
10
Quintette de Flûte : 5 flûtes
9
Clarinette, Basson (duo)
8
Quatuor de Flûtes à bec
7
Hautbois, Clarinette, Basson (trio d'anches)
7
Flûte à bec Soprano
7
Flûte à bec Alto, Piano
6
Saxophone
6
Flûte, Clarinette et Basson
6
Flûte à Bec
6
Flûte, Alto et Piano
5
Flûte, Violoncelle
4
Flûte, Clarinette, Piano (trio)
4
Flûte à bec Alto
4
Flûte, Violoncelle, Piano (trio)
3
Flûte, Hautbois, Clarinette (trio)
3
5 Flûtes à bec
3
3 Flûtes à bec (trio)
3
Cornemuse
2
Saxophone et Guitare
2
Clarinette, Orgue
2
2 Clarinettes, Piano
2
Saxophone Soprano
2
2 Saxophones, Piano
2
2 Flûtes traversières, Piano
2
Flûte à bec Tenor
2
Flûte, Violon, Piano
2
Ensemble De Flûte à bec
2
Instruments en Mib
2
Flûte, Violon et Violoncelle
2
Piccolo, Piano
2
Cor anglais, Guitare (duo)
2
Flûte à Bec, Piano
1
Hautbois, Harpe
1
Hautbois, Basson et Piano
1
Flûte, alto et harpe
1
Hautbois, Orgue
1
Flute, harpe et violon
1
Flûte traversière, Orgue (duo)
1
2 Clarinettes, Basson
1
Flûte traversière, Basse continue
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte irlandaise
1
Clarinette, Violoncelle (duo)
1
Flûte, Hautbois (duo)
1
Flûte et Trio à cordes
1
Piccolo
1
Saxophone et Orgue
1
Flûte, Hautbois, Basson
1
Ensemble de Hautbois
1
Clarinette, Harpe (duo)
1
Hautbois, Guitare (duo)
1
2 Flûtes à bec, Guitare
1
Clarinette Basse
1
Flute, alto, violoncelle et guitare
1
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CUIVRES
Trombone et Piano
93
Trombone
75
Cor et Piano
68
Trombone (partie séparée)
51
Euphonium, Piano (duo)
45
Tuba et Piano
42
Cor
37
Cor anglais, Piano
34
2 Trombones (duo)
34
Cor (partie séparée)
33
Tuba
20
Quatuor de cuivres: 4 trombones
19
Tuba (partie séparée)
15
Ensemble de Trombones
14
2 Cors (duo)
8
Quatuor de cuivres: 4 cors
8
2 Euphoniums et 2 Tubas
7
4 Tubas
6
Bass Clef Instruments
5
3 Trombones (trio)
4
Instruments en Sib
3
Ensemble de Cors
3
2 Tubas (duo)
3
Tuba et Orgue
2
3 Cors (trio)
2
Euphonium, Tuba (duo)
2
Cor anglais, Guitare (duo)
2
Euphonium
2
Instruments en Fa
2
3 Euphoniums
1
3 Tubas (trio)
1
Trombone basse
1
Cor, Violoncelle (duo)
1
Trombone basse et Piano
1
Cor et Orgue
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
376
Violon et Piano
239
Violon
142
Violoncelle, Piano
133
Alto, Piano
113
Harpe
101
Violoncelle (partie séparée)
66
2 Violons (duo)
64
Alto seul
62
Violon, Violoncelle (duo)
57
Trio à Cordes: violon, alto, violoncelle
47
2 Violoncelles (duo)
45
Violoncelle
44
Violon, Alto (duo)
36
2 Altos (duo)
34
Contrebasse, Piano (duo)
29
Quintette à cordes: 2 violons, alto, violoncelle, basse
26
Contre Basse
26
Violon (partie séparée)
25
Contrebasse (partie séparée)
17
Alto (partie séparée)
14
2 Harpes (duo)
13
Trio à Cordes: 2 violons, violoncelle
13
Violon, Guitare (duo)
9
Violoncelle , Guitare (duo)
6
Harpe, Voix
5
Violon, Basse continue
5
4 Violoncelles
5
Alto, Violoncelle (duo)
5
Quatuor à cordes : 4 altos
4
Trio à cordes: 3 altos
4
Trio à cordes: 3 violins
4
Quatuor à cordes: 4 violons
4
Harpe, Violon (duo)
3
Alto, Guitare (duo)
3
Harpe, Flûte (duo)
3
Harpe, Quatuor à cordes
3
Trio à Cordes: 3 violoncelles
3
Trio à Cordes: 2 violons, alto
2
2 Contrebasses (duo)
2
Violon, Clarinette, Piano (trio)
2
2 Altos, Piano
1
2 Violons, Piano
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violon, Orgue
1
4 Contrebasses
1
Violoncelle, Contrebasse (duo)
1
3 Harpes
1
Violoncelle, Orgue
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle, Orchestre
1
Trio à cordes
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
941
Orchestre
216
Orchestre à Cordes
157
Ensemble Jazz
105
Ensemble de cuivres
81
Fanfare
71
Orchestre de chambre
65
Cloches
61
Batterie
46
Batterie (partie séparée)
39
Ensemble de Percussions
28
Percussion (partie séparée)
25
Jazz combo
24
Marimba
9
Vibraphone
7
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Percussion
3
Xylophone, Piano
3
2 Xylophones
2
Orchestre, Violon
2
Quintette à Vent
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
After - Trumpet
Orchestre à Cordes
Partitions à imprimer
157 partitions trouvées
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151
After the Rain
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1172089 Composed by Heather M…
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String Orchestra - Level 2 - Digital Download SKU: A0.1172089 Composed by Heather Morgan. Contemporary. Score and parts. 10 pages. Heather Morgan #772353. Published by Heather Morgan (A0.1172089). Spring showers give way to beautiful sunshine in this original work After the Rain. Inspired by the view from Ceasar's Head Overlook in Greenville, SC one day after a rain storm, this work is composed for intermediate string orchestra and is great for showcasing lyrical skills.
$45.00
41.86 €
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Orchestre à Cordes
#
Heather Morgan
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After the Rain
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Heather Morgan
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SheetMusicPlus
Afterlife
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1088003 By Avenged Sevenfold.…
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String Orchestra - Level 3 - Digital Download SKU: A0.1088003 By Avenged Sevenfold. By Brian Haner, Jr., James Sullivan, Jonathan Seward, Matthew Sanders, and Zachary Baker. Arranged by Anya Alston. Rock. Score and parts. 14 pages. Anya Alston #692237. Published by Anya Alston (A0.1088003). Afterlife by Avenged Sevenfold arranged for a full string orchestra or string quintet, PDF includes full score and all individual parts.
$49.99
46.51 €
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Orchestre à Cordes
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Avenged Sevenfold
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Anya Alston
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Afterlife
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Anya Alston
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SheetMusicPlus
After The Gold Rush
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1258711 By Neil Young. By Nei…
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String Orchestra - Level 3 - Digital Download SKU: A0.1258711 By Neil Young. By Neil Young. Arranged by Andreas Wetterlund. Pop,Rock. Score and Parts. 14 pages. Andreas Wetterlund #851970. Published by Andreas Wetterlund (A0.1258711). AFTER THE GOLD RUSH by NEIL YOUNGArranged for String Orchestra by Andreas Wetterlund Instrumentation: Violin 1, Violin 2, Viola, Violoncello 1, Violoncello 2, Contrabass.Playable on quintet (omit Contrabass)Â
$50.00
46.52 €
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Orchestre à Cordes
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Neil Young
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Andreas Wetterlund
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After The Gold Rush
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Andreas Wetterlund
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SheetMusicPlus
Prelude to the Afternoon on a Farm: 2nd Violin
Orchestre à Cordes
String Orchestra - Digital Download SKU: AX.00-PC-0016195_VN2 2nd Violin. Ar…
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String Orchestra - Digital Download SKU: AX.00-PC-0016195_VN2 2nd Violin. Arranged by Bob Phillips. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016195_VN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016195_VN2). UPC: 038081353852.What fun! The con-DUCK-tor is summoned to stage by a duck call! Hilarious suggestions are included for costumes, props, corny skits and jokes as each section represents a group of animals in the barnyard playing familiar tunes. Turn the students and parents loose on this one! Great for introducing the instruments at recruiting demonstrations or featuring your principal or superintendent as narrator. This crazy-like-a-fox piece includes: Prelude to the Afternoon of a Faun, William Tell Overture, Rock-A-Doodle-Doo, Brandenburg Concerto No. 5, The Chicken Dance, Turkey in the Straw, Baa, Baa Swing Sheep, Funky Bass, Old McDonald Had a Farm and Bonaparte's Retreat. Correlates with String Explorer Book Two, page 23.
$5.99
5.57 €
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Orchestre à Cordes
#
Bob Phillips
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Prelude to the Afternoon on a Farm: 2nd Violin
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Prelude to the Afternoon on a Farm: String Bass
Orchestre à Cordes
String Orchestra - Digital Download SKU: AX.00-PC-0016195_SB String Bass. Ar…
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String Orchestra - Digital Download SKU: AX.00-PC-0016195_SB String Bass. Arranged by Bob Phillips. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016195_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016195_SB). UPC: 038081353852.What fun! The con-DUCK-tor is summoned to stage by a duck call! Hilarious suggestions are included for costumes, props, corny skits and jokes as each section represents a group of animals in the barnyard playing familiar tunes. Turn the students and parents loose on this one! Great for introducing the instruments at recruiting demonstrations or featuring your principal or superintendent as narrator. This crazy-like-a-fox piece includes: Prelude to the Afternoon of a Faun, William Tell Overture, Rock-A-Doodle-Doo, Brandenburg Concerto No. 5, The Chicken Dance, Turkey in the Straw, Baa, Baa Swing Sheep, Funky Bass, Old McDonald Had a Farm and Bonaparte's Retreat. Correlates with String Explorer Book Two, page 23.
$5.99
5.57 €
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Orchestre à Cordes
#
Bob Phillips
#
Prelude to the Afternoon on a Farm: String Bass
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Prelude to the Afternoon on a Farm: Cello
Orchestre à Cordes
String Orchestra - Digital Download SKU: AX.00-PC-0016195_VC1 Cello. Arrange…
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String Orchestra - Digital Download SKU: AX.00-PC-0016195_VC1 Cello. Arranged by Bob Phillips. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016195_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016195_VC1). UPC: 038081353852.What fun! The con-DUCK-tor is summoned to stage by a duck call! Hilarious suggestions are included for costumes, props, corny skits and jokes as each section represents a group of animals in the barnyard playing familiar tunes. Turn the students and parents loose on this one! Great for introducing the instruments at recruiting demonstrations or featuring your principal or superintendent as narrator. This crazy-like-a-fox piece includes: Prelude to the Afternoon of a Faun, William Tell Overture, Rock-A-Doodle-Doo, Brandenburg Concerto No. 5, The Chicken Dance, Turkey in the Straw, Baa, Baa Swing Sheep, Funky Bass, Old McDonald Had a Farm and Bonaparte's Retreat. Correlates with String Explorer Book Two, page 23.
$5.99
5.57 €
#
Orchestre à Cordes
#
Bob Phillips
#
Prelude to the Afternoon on a Farm: Cello
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Prelude to the Afternoon on a Farm: Score
Orchestre à Cordes
String Orchestra - Digital Download SKU: AX.00-PR-0004488 Score. Arranged by…
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String Orchestra - Digital Download SKU: AX.00-PR-0004488 Score. Arranged by Bob Phillips. Instructional. Score. 22 pages. Alfred Music - Digital Sheet Music #00-PR-0004488. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0004488). UPC: 038081353852.What fun! The con-DUCK-tor is summoned to stage by a duck call! Hilarious suggestions are included for costumes, props, corny skits and jokes as each section represents a group of animals in the barnyard playing familiar tunes. Turn the students and parents loose on this one! Great for introducing the instruments at recruiting demonstrations or featuring your principal or superintendent as narrator. This crazy-like-a-fox piece includes: Prelude to the Afternoon of a Faun, William Tell Overture, Rock-A-Doodle-Doo, Brandenburg Concerto No. 5, The Chicken Dance, Turkey in the Straw, Baa, Baa Swing Sheep, Funky Bass, Old McDonald Had a Farm and Bonaparte's Retreat. Correlates with String Explorer Book Two, page 23.
$6.00
5.58 €
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Orchestre à Cordes
#
Bob Phillips
#
Prelude to the Afternoon on a Farm: Score
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Prelude to the Afternoon on a Farm: 3rd Violin (Viola [TC])
Orchestre à Cordes
String Orchestra - Digital Download SKU: AX.00-PC-0016195_VN3 3rd Violin (Viola …
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String Orchestra - Digital Download SKU: AX.00-PC-0016195_VN3 3rd Violin (Viola [TC]). Arranged by Bob Phillips. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016195_VN3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016195_VN3). UPC: 038081353852.What fun! The con-DUCK-tor is summoned to stage by a duck call! Hilarious suggestions are included for costumes, props, corny skits and jokes as each section represents a group of animals in the barnyard playing familiar tunes. Turn the students and parents loose on this one! Great for introducing the instruments at recruiting demonstrations or featuring your principal or superintendent as narrator. This crazy-like-a-fox piece includes: Prelude to the Afternoon of a Faun, William Tell Overture, Rock-A-Doodle-Doo, Brandenburg Concerto No. 5, The Chicken Dance, Turkey in the Straw, Baa, Baa Swing Sheep, Funky Bass, Old McDonald Had a Farm and Bonaparte's Retreat. Correlates with String Explorer Book Two, page 23.
$5.99
5.57 €
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Orchestre à Cordes
#
Bob Phillips
#
Prelude to the Afternoon on a Farm: 3rd Violin
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Chanson For a Gloomy Afternoon
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.908691 Composed by Mark D Het…
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String Orchestra - Level 3 - Digital Download SKU: A0.908691 Composed by Mark D Hettle. Romantic Period. Score and parts. 10 pages. Goomba Publishing Company (GPC) #6307317. Published by Goomba Publishing Company (GPC) (A0.908691). Chanson For a Gloomy Afternoon is a slow (mm-60) melancholy composition written for an intermediate string orchestra. Written in the key of B minor, a somewhat somber mood is achieved. Care must be taken to articulate the eighth note triplets, and the sixteenth notes accurately. However, at the slow tempo indicated they should not pose a problem. I hope you enjoy rehearsing and performing my composition. Thank you!
$15.00
13.95 €
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Orchestre à Cordes
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Mark D Hettle
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Chanson For a Gloomy Afternoon
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Goomba Publishing Company
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SheetMusicPlus
Sunrise After a Dark Night
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1371262 Composed by M. L. Dan…
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String Orchestra - Level 2 - Digital Download SKU: A0.1371262 Composed by M. L. Daniels. 20th Century. 11 pages. M. L. Daniels #954967. Published by M. L. Daniels (A0.1371262). This easy string piece is aimed at the average Middle School orchestra, although some older students will enjoy playing it, because it is fun to play.
$21.99
20.46 €
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Orchestre à Cordes
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M
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Sunrise After a Dark Night
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M. L. Daniels
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SheetMusicPlus
Afterburn: Score
Orchestre à Cordes
String Orchestra - Digital Download SKU: AX.98-DST6296S Composed by Brian Balmages.…
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String Orchestra - Digital Download SKU: AX.98-DST6296S Composed by Brian Balmages. Score. 12 pages. Alfred Music - Digital Sheet Music #98-DST6296S. Published by Alfred Music - Digital Sheet Music (AX.98-DST6296S). UPC: 674398230365.
$5.00
4.65 €
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Orchestre à Cordes
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Brian Balmages
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Afterburn: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Afterthoughts: Score
Orchestre à Cordes
String Orchestra - Digital Download SKU: AX.98-DST6322S Composed by Brian Balmages.…
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String Orchestra - Digital Download SKU: AX.98-DST6322S Composed by Brian Balmages. Score. 20 pages. Alfred Music - Digital Sheet Music #98-DST6322S. Published by Alfred Music - Digital Sheet Music (AX.98-DST6322S). UPC: 674398231645.
$5.00
4.65 €
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Orchestre à Cordes
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Brian Balmages
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Afterthoughts: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Cowboy Waltz
Orchestre à Cordes
String Orchestra - Level 1 - Digital Download SKU: A0.1153136 Composed by Ron Flint…
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String Orchestra - Level 1 - Digital Download SKU: A0.1153136 Composed by Ron Flintjer. Folk,Historic,Traditional. Score and Parts. 10 pages. Ron Flintjer #753377. Published by Ron Flintjer (A0.1153136). It's the end of a long day in the Old West. The cowboys have unsaddled their horses, lit the campfire, and can't wait for grub to be served! After chow, they lay on their bedrolls, reminiscing about their hometowns, their adventures, and maybe the gal they left behind. When it's time to settle in for the night, they watch the clear skies above and maybe point out a shooting star or two. Then it's time for sleep, before another hard day on the trail arrives too soon. Written it 3/4 time, The Cowboy Waltz is a relaxing, comfortable piece for Beginning String Orchestra. Watch out! You might just catch some of your audience snoozing - along with the cowboys - afterwards! This chart has three part harmony, as the second violin and viola play the same part as do the cello and string bass. Your first violin is on his or her own!
$14.00
13.02 €
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Orchestre à Cordes
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Ron Flintjer
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The Cowboy Waltz
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Ron Flintjer
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SheetMusicPlus
I Love Lucy
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.734620 Composed by Eliot Dani…
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String Orchestra - Level 3 - Digital Download SKU: A0.734620 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemporary. Score and parts. 10 pages. Chicory Music #6676835. Published by Chicory Music (A0.734620). On October 15, 1951, the very first episode of the I Love Lucy show aired on CBS and became the most watched TV show in the U.S. for four of its seven-year run. Fun trivia about the opening theme song is that during the first season the show opened with their sponsor Philip Morris’ animation of stick figure cartoons of Lucy and Desi climbing down a pack of Philip Morris cigarettes. It was scored with Ferde Grofé’s Jr. The Grand Canyon Suite theme (a composition from 1931).From the second season onwards, the I Love Lucy signature tune we all know so well became the main theme, and one of the most recognizable pieces of music on the planet. It was written by composer Eliot Daniel who cranked it out in an afternoon as a favor to his old Coast Guard buddy Jess Oppenheimer, the show’s producer. Since Daniel still had another year under his exclusive contract to Fox, he asked Oppenheimer to keep his name out of it. Consequently his name does not appear on first or the second season TV credits for what became one of the most popular TV themes. Later, Daniel did seek credit and received royalties from syndicated reruns for the rest of his life.The lyrics were written by Harold Adamson for an episode in the third season in which Lucy believes everyone has forgotten her birthday. So of course Ricky saves the day after a near disaster.This arrangement for String Orchestra plus optional Drum Set part remains faithful to the original.Performance Time Approx. 1 minute 25 seconds
$12.99
12.08 €
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Orchestre à Cordes
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Eliot Daniel
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Dennis Ruello
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I Love Lucy
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Chicory Music
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SheetMusicPlus
Arirang (For Violin and S.Orchestra)
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.511810 Composed by Han-Ki Kim…
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String Orchestra - Level 4 - Digital Download SKU: A0.511810 Composed by Han-Ki Kim. Classical,Contemporary,Instructional,Multicultural,Standards,World. Score and parts. 23 pages. Han-Ki Kim #6437561. Published by Han-Ki Kim (A0.511810). Arirang for Violin and String Orchestra Op.154(Dedicated to the late professor Emeritus Nam-Yun Kim) “Arirang†is a representative folk song of Korea and a famous song widely known around the world. This concerto was composed to give value as an artistic literature to such a familiar theme. In this concerto “Arirangâ€, I want both the performers and the audience to feel “musical sympathyâ€. Following the short and fast introduction in 3/4 time, it is connected in the form of 5 variations in 6/8 time. Each variation expresses a different musical atmosphere, performance speed, or change in composition. In general, the main melody is mainly played by the first violin, but as far as the main melody is concerned, in this music, high-pitched instruments and low-pitched instruments intersect and cycle in equal positions, not in a melodicline relationship. After the fourth variation, a virtuosic solo of the movement alone is connected, and after the finale with a broad and majestic atmosphere, it ends with a short and lively coda with the same character as the beginning. Attached file is played by S.Orchestra just for a reference.
$14.90
13.86 €
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Orchestre à Cordes
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Han-Ki Kim
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Arirang
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Han-Ki Kim
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.71 €
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Orchestre à Cordes
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
"Arirang" For String Orchestra (Korean Traditional)
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.511508 Composed by Han-Ki Kim…
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String Orchestra - Level 4 - Digital Download SKU: A0.511508 Composed by Han-Ki Kim. Classical,Contemporary,Instructional,Multicultural,Standards,World. Score and parts. 27 pages. Han-Ki Kim #3472125. Published by Han-Ki Kim (A0.511508). Arirang String Orchestra Op.154  “Arirang†is a representative folk song of Korea and a famous song widely known around the world. This concerto was composed to give value as an artistic literature to such a familiar theme. In this concerto “Arirangâ€, I want both the performers and the audience to feel “musical sympathyâ€. It was commissioned to commemorate the 60th anniversary of I Musici's founding and was dedicated to them. Following the short and fast introduction in 3/4 time, it is connected in the form of 5 variations in 6/8 time. Each variation expresses a different musical atmosphere, performance speed, or change in composition. In general, the main melody is mainly played by the first violin, but as far as the main melody is concerned, in this music, high-pitched instruments and low-pitched instruments intersect and cycle in equal positions, not in a melodicline relationship. After the fourth variation, a virtuosic solo of the movement alone is connected, and after the finale with a broad and majestic atmosphere, it ends with a short and lively coda with the same character as the beginning. Shown Bowing sign and Fingering(Vn,Va part) will be very helpful to player. Optional Violin 3(Instead of Viola part)  part included.
$22.90
21.3 €
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Orchestre à Cordes
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Han-Ki Kim
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"Arirang" For String Orchestra
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Han-Ki Kim
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SheetMusicPlus
Concerto for 2 Cellos and Strings, RV 531 in G minor.
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.742474 Composed by Antonio Vi…
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String Orchestra - Level 5 - Digital Download SKU: A0.742474 Composed by Antonio Vivaldi. Arranged by Arte Nova Music Lab. Baroque,Concert,Easter,Standards,World. Score and parts. 50 pages. Arte Nova Music Lab #4601825. Published by Arte Nova Music Lab (A0.742474). Antonio Lucio Vivaldi 4 March 1678 – 28 July 1741) was an Italian Baroque musical composer, virtuoso violinist, teacher, and priest. Born in Venice, the capital of the Venetian Republic, he is regarded as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He composed many instrumental concertos, for the violin and a variety of other instruments, as well as sacred choral works and more than forty operas. His best-known work is a series of violin concertos known as the Four Seasons. Many of his compositions were written for the all-female music ensemble of the Ospedale della Pietà , a home for abandoned children. Vivaldi had worked there as a Catholic priest for 1 1/2 years and was employed there from 1703 to 1715 and from 1723 to 1740. Vivaldi also had some success with expensive stagings of his operas in Venice, Mantua and Vienna. After meeting the Emperor Charles VI, Vivaldi moved to Vienna, hoping for royal support. However, the Emperor died soon after Vivaldi's arrival, and Vivaldi himself died, in poverty, less than a year later. Taken from https://en.wikipedia.org/wiki/Antonio_Vivaldi
$25.00
23.26 €
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Orchestre à Cordes
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Antonio Vivaldi
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Arte Nova Music Lab
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Concerto for 2 Cellos and Strings, RV 531 in G minor.
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Arte Nova Music Lab
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SheetMusicPlus
Carson Cooman: Concerto for Portatif Organ and Strings (2006), score and complete parts
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.533701 Composed by Carson Coo…
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String Orchestra - Level 5 - Digital Download SKU: A0.533701 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 77 pages. Musik Fabrik Music Publishing #3038897. Published by Musik Fabrik Music Publishing (A0.533701). Concerto for Portatif Organ and Strings (2006) was commissioned by the Harvard Baroque Chamber Orchestra and its director, Robert Mealy. The work is dedicated to organist Nancy Granert, for whom the solo part was written. The work was commissioned in celebration of the von Clemm Chamber Organ at The Memorial Church, Harvard University, built in 2006 by Klop Organ Builders.As with many of my works, relationships between old and new musical concepts are explored. In this piece, musical aspects of the Baroque organ concerto tradition (and Baroque style string playing) co-exist with more contemporary musical elements. In particular, the directness of expression found in many Baroque concertante works is present throughout. Musical material is shared between the movements in a motivic fashion.The title of the first movement, Bricolage, is defined as “something made or put together using whatever materials happen to be available.†Thus, the musical material for the movement is of varying characters; these elements are assembled together in ways that allow them to comment on and inform each other. Some of these musical elements include: a traditional “overture†texture, a Basse de Trompette texture (with an organ reed stop in the left hand) common in French Baroque organ music, and the French keyboard toccata style.The second movement, Elegia, is dark and searching in tone. It begins with a rageful roar before quieting down to introduce its basic musical material – a simple “lament†theme in a folk-inflected style. This material is used for further explorations, building to passionate climaxes. Finally, the opening music returns, but this time with a whisper. The movement winds down to a sad conclusion.After the soul-searching of the second movement, the third movement, Rondeau, is sprightly and energetic. The basic material is a set of Baroque and Classical-style figurations (with a few American gospel inflections thrown in), firmly grounded in G major. After minor diversions, the original material continues to return and ends the work with unfettered joy.
$64.95
60.42 €
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Orchestre à Cordes
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Carson Cooman
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Carson Cooman: Concerto for Portatif Organ and Strings
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Musik Fabrik Music Publishing
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SheetMusicPlus
Arirang (For Viola and S.Orchestra)
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.511811 Composed by Han-Ki Kim…
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String Orchestra - Level 5 - Digital Download SKU: A0.511811 Composed by Han-Ki Kim. Classical,Contemporary,Instructional,Multicultural,Standards,World. Score and parts. 20 pages. Han-Ki Kim #6439151. Published by Han-Ki Kim (A0.511811). Arirang for Viola and String Orchestra Op.154A“Arirang†is a representative folk song of Korea and a famous song widely known around the world. This concerto was composed to give value as an artistic literature to such a familiar theme. In this concerto “Arirangâ€, I want both the performers and the audience to feel “musical sympathyâ€. Following the short and fast introduction in 3/4 time, it is connected in the form of 5 variations in 6/8 time. Each variation expresses a different musical atmosphere, performance speed, or change in composition. In general, the main melody is mainly played by the first violin, but as far as the main melody is concerned, in this music, high-pitched instruments and low-pitched instruments intersect and cycle in equal positions, not in a melodicline relationship. After the fourth variation, a virtuosic solo of the movement alone is connected, and after the finale with a broad and majestic atmosphere, it ends with a short and lively coda with the same character as the beginning. Attached Music file is played as S.Orchestra, it's just for a reference.
$14.90
13.86 €
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Orchestre à Cordes
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Han-Ki Kim
#
#
Arirang
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Han-Ki Kim
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Viola True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.71 €
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Orchestre à Cordes
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792379. Published by Aaron Meier (A0.922639). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Double Bass True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit.
$3.99
3.71 €
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Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
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Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Violin II
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792367. Published by Aaron Meier (A0.922636). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin II True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.71 €
#
Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Cello
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792373. Published by Aaron Meier (A0.922637). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Cello True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.71 €
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Orchestre à Cordes
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Carson Cooman: Concerto for Portatif Organ and Strings, score only
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.533700 Composed by Carson Coo…
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String Orchestra - Level 5 - Digital Download SKU: A0.533700 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 38 pages. Musik Fabrik Music Publishing #3038895. Published by Musik Fabrik Music Publishing (A0.533700). Concerto for Portatif Organ and Strings (2006) was commissioned by the HarvardBaroque Chamber Orchestra and its director, Robert Mealy. The work is dedicatedto organist Nancy Granert, for whom the solo part was written. The work wascommissioned in celebration of the von Clemm Chamber Organ at The MemorialChurch, Harvard University, built in 2006 by Klop Organ Builders.As with many of my works, relationships between old and new musical concepts areexplored. In this piece, musical aspects of the Baroque organ concerto tradition(and Baroque style string playing) co-exist with more contemporary musicalelements. In particular, the directness of expression found in many Baroqueconcertante works is present throughout. Musical material is shared between themovements in a motivic fashion.The title of the first movement, Bricolage, is defined as “something made or puttogether using whatever materials happen to be available.†Thus, the musicalmaterial for the movement is of varying characters; these elements are assembledtogether in ways that allow them to comment on and inform each other. Some ofthese musical elements include: a traditional “overture†texture, a Basse deTrompette texture (with an organ reed stop in the left hand) common in FrenchBaroque organ music, and the French keyboard toccata style.The second movement, Elegia, is dark and searching in tone. It begins with arageful roar before quieting down to introduce its basic musical material – a simple“lament†theme in a folk-inflected style. This material is used for further explorations,building to passionate climaxes. Finally, the opening music returns, but this timewith a whisper. The movement winds down to a sad conclusion.After the soul-searching of the second movement, the third movement, Rondeau, issprightly and energetic. The basic material is a set of Baroque and Classical-stylefigurations (with a few American gospel inflections thrown in), firmly grounded in Gmajor. After minor diversions, the original material continues to return and ends thework with unfettered joy.This item is the score only. The score and complete parts are available for sale as another item.
$25.95
24.14 €
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Orchestre à Cordes
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Carson Cooman
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Carson Cooman: Concerto for Portatif Organ and Strings, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
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