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FLUTE DE PA…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
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Non classifié
128
PIANO & CLAVIERS
Piano Facile
77
Piano, Voix
67
Piano seul
58
1 Piano, 4 mains
11
Piano (partie séparée)
6
Instruments en Do
4
Orgue
4
Piano, Voix et Guitare
4
Piano grosses notes
1
Tous Les Instruments
1
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GUITARES
Basse électrique (partie séparée)
10
Guitare
9
Guitare notes et tablatures
7
2 Guitares (duo)
7
Basse electrique
6
Guitare (partie séparée)
4
Ukulele
2
Ligne De Mélodie, (Paroles) et Accords
2
Piano, Guitare (duo)
1
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VOIX
Chorale SATB
22
Chorale TTBB
22
Voix Soprano, Piano
9
Chorale 3 parties
9
Voix Tenor, Piano
8
Voix seule
7
Voix Alto, Piano
7
Voix Baryton, Piano
6
Chorale 2 parties
5
Voix haute
3
Voix moyenne, Piano
2
Chorale SSAA
2
Chorale SSATB
1
Chorale Unison
1
Voix basse
1
Voix duo, Piano
1
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VENTS
Saxophone (partie séparée)
191
Hautbois (partie séparée)
124
Clarinette (partie séparée)
79
Flute (partie séparée)
39
2 Flûte à bec (duo)
23
Clarinette
15
Flûte traversière
15
2 Saxophones (duo)
14
Ensemble de Clarinettes
13
Flûte traversière et Piano
12
Clarinette et Piano
12
Quatuor de Saxophones: 4 saxophones
10
Saxophone Tenor
9
Quatuor de Clarinettes: 4 clarinettes
9
Hautbois, Piano (duo)
9
Saxophone Alto
8
Saxophone Tenor et Piano
7
Saxophone Alto et Piano
7
Flûte, Hautbois, Clarinette, Basson
5
3 Saxophones (trio)
5
Quintette de Clarinettes: 5 clarinettes
5
Flûte à bec Alto
5
Quatuor de Flûtes à bec
5
2 Hautbois (duo)
4
2 Flûtes traversières (duo)
4
2 Clarinettes (duo)
4
Flûte à bec Soprano
4
Flûte à bec Tenor
4
Flûte, Clarinette (duo)
4
Ensemble De Flûte à bec
3
3 Flûtes à bec (trio)
3
Saxophone Soprano et Piano
3
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Hautbois
2
Saxophone Soprano
2
Flûte, Clarinette, Cor, Basson (Quartet)
1
Cor anglais, Piano
1
Flûte traversière, Orgue (duo)
1
Saxophone Baryton, Piano
1
2 Flûtes traversières, Piano
1
Flûte à Bec
1
Flûte et Trio à cordes
1
Trio de Flûtes: 3 flûtes
1
Quintette de Saxophone: 5 saxophones
1
Clarinette, Trompette (duo)
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
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CUIVRES
Trombone (partie séparée)
86
Trompette (partie séparée)
79
Cor (partie séparée)
51
Tuba (partie séparée)
32
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
22
Trompette
14
Trombone
12
Cor
11
Tuba
10
Trompette, Piano
9
Trombone et Piano
9
Cor et Piano
6
Tuba et Piano
5
2 Trompettes (duo)
4
2 Trombones (duo)
4
Trompette, Trombone (duo)
4
2 Cors (duo)
4
Trompette, Cor (duo)
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Quatuor de Cuivres
2
2 Tubas (duo)
2
Cor anglais, Piano
1
Euphonium
1
Ensemble de Cors
1
Euphonium (partie séparée)
1
Euphonium, Piano (duo)
1
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CORDES
Alto (partie séparée)
60
Violon (partie séparée)
57
Contrebasse (partie séparée)
26
Violoncelle (partie séparée)
21
Quatuor à cordes: 2 violons, alto, violoncelle
18
Violon
15
Violoncelle
14
Violon et Piano
14
Alto, Piano
12
Violoncelle, Piano
11
Alto seul
10
Contre Basse
10
Harpe
8
Contrebasse, Piano (duo)
6
2 Violons (duo)
5
Violon, Violoncelle (duo)
5
Violon, Alto (duo)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
2 Altos (duo)
4
2 Contrebasses (duo)
3
2 Violoncelles (duo)
3
Autoharp
2
Trio à Cordes: violon, alto, violoncelle
2
Trio à Cordes: 2 violons, violoncelle
1
Violoncelle , Guitare (duo)
1
Violon, Orgue
1
Harpe (partie séparée)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
126
Percussion (partie séparée)
40
Batterie (partie séparée)
26
Orchestre
23
Timbales (partie séparée)
13
Orchestre à Cordes
11
Ensemble Jazz
11
Ensemble de cuivres
3
Orchestre de chambre
2
Fanfare
2
Jazz combo
1
Vibraphone (partie séparée)
1
Percussion
1
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AUTRES
Vous avez sélectionné:
Alex E
Orchestre à Cordes
Partitions à imprimer
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1
Waltz e-moll
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1033722 Composed by Alexander…
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String Orchestra - Level 4 - Digital Download SKU: A0.1033722 Composed by Alexander Griboyedov. Arranged by Diana Shamray. Classical. Score and parts. 8 pages. LadyDi35 #639038. Published by LadyDi35 (A0.1033722).
$10.00
8.93 €
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Orchestre à Cordes
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Alexander Griboyedov
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Diana Shamray
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Waltz e-moll
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LadyDi35
#
SheetMusicPlus
In paradisum from Requiem Songs (Downloadable Choral/Full Score)
Orchestre à Cordes
Soprano solo or unison treble choir, violin, harp, and organ or string orchestra - Medium …
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Soprano solo or unison treble choir, violin, harp, and organ or string orchestra - Medium - Digital Download SKU: MQ.8103-E Composed by David Conte. 9/11 Service, Funeral. Instrument part. 8 pages. Duration 12 minutes, 30 seconds. E. C. Schirmer Music Company - Digital #8103-E. Published by E. C. Schirmer Music Company - Digital (MQ.8103-E). Latin.Commissioned by the American Music Research Center, Boulder, Colorado, Thomas Riis, director, in loving memory of Don Campbell. The work received its premiere performance at l’Église de la Sainte-Trinité, Paris, on October 24, 2013 by Alexis Galpérine, violin, Magali Léger, soprano, Saori Kikuchi, harp, and Carolyn Shuster Fournier, organist. The work consists of three Latin texts from the Requiem Mass. The first, Exaudi, is in “Larghetto†tempo and serves as a prelude. The second, Dies Iræ, marked “Allegro agitato,†is an intense and dark scherzo in D minor with chromatic runs in the organ and violin which accompany the soprano. A central, more lyrical section follows based on the “Lacrymosa†text in a slower tempo, leading to the song’s only serene moment: “Pie Jesu Domine.†The “Dies Irae†music returns, and the song ends violently and decisively. The third song, In Paradisum, introduces the harp. The soprano melody is modeled very closely on the Gregorian chant based on this text. A gentle climax occurs on the text “habeas eternam,†and the song slowly winds down to its end, having laid to rest life’s struggles in the eternity of heaven. Duration: 12:30.
$2.25
2.01 €
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Orchestre à Cordes
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David Conte
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In paradisum from Requiem Songs
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
"El Zorzal" Concierto homenaje a Carlos Gardel - SUS OJOS SE CERRARON
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1380100 By Carlos Gardel. By …
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String Orchestra - Level 3 - Digital Download SKU: A0.1380100 By Carlos Gardel. By Alfredo Le Pera and Carlos Gardel. Arranged by Alexis Galfre. Multicultural,World. Score and parts. 19 pages. Alexis Galfre #964812. Published by Alexis Galfre (A0.1380100). Song by Gardel and Le Pera arranged for strings and singer (or solo instrument) and which is part of a concert entirely performed with songs by Carlos Gardel.Canción de Gardel y Le Pera arreglada para cuerdas y cantante (o instrumento solista) y que forma parte de un concierto Ãntegramente realizado con canciones de Carlos Gardel.Canzone di Gardel e Le Pera arrangiata per archi e cantante (o strumento solista) e che fa parte di un concerto interamente eseguito con canzoni di Carlos Gardel.
$9.90
8.84 €
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Orchestre à Cordes
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Carlos Gardel
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Alexis Galfre
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"El Zorzal" Concierto homenaje a Carlos Gardel - SUS OJOS SE CERRARON
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Alexis Galfre
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SheetMusicPlus
Conto para Cordas no.3
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.498684 By Alexandre Guerra. B…
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String Orchestra - Level 3 - Digital Download SKU: A0.498684 By Alexandre Guerra. By Alexandre Guerra. Arranged by Alexandre Guerra. Contemporary. Score and Parts. 31 pages. Alexandre Guerra #112209. Published by Alexandre Guerra (A0.498684). Tone Poem for String Orchestra inspired on the tale A Menina e o Pássaro Encantado by the Brazilian writer Rubens Alves.
$25.00
22.33 €
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Orchestre à Cordes
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Alexandre Guerra
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Alexandre Guerra
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Conto para Cordas no.3
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Alexandre Guerra
#
SheetMusicPlus
Conto para Cordas no.2
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.498683 By Alexandre Guerra. B…
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String Orchestra - Level 2 - Digital Download SKU: A0.498683 By Alexandre Guerra. By Alexandre Guerra. Arranged by Alexandre Guerra. Contemporary. Score and Parts. 40 pages. Alexandre Guerra #112208. Published by Alexandre Guerra (A0.498683). Tone Poem for String Orchestra inspired on the novel The City and the Mountains by the portuguese writer Eça de Queiroz.
$25.00
22.33 €
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Orchestre à Cordes
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Alexandre Guerra
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Alexandre Guerra
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Conto para Cordas no.2
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Alexandre Guerra
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SheetMusicPlus
Panis Angelicus
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1101845 By Alexander Geluk. B…
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String Orchestra - Level 3 - Digital Download SKU: A0.1101845 By Alexander Geluk. By Cesar Auguste Franck. Arranged by Alexander Geluk. Christmas,Hanukkah,Religious,Romantic Period,Sacred. Score and Parts. 15 pages. Fibonacci Music & Multimedia #705234. Published by Fibonacci Music & Multimedia (A0.1101845). An orchestration (full score and set of parts) based on the scoring of Faure's Requiem with low strings & harp. Minimal instr.: vocal solo-(harp)-2va-3vc-1cb or vocal solo-(harp)-3va-2vc-1cb Split parts for viola and violoncello. Vc solo can be played by viola solo (inc. in parts). The vocal solo can be sung by S or T, but also by Ms / Br - range: A --> F# Fits well with Dubois' Messe in Eá, in the same low string setting of Faure's Requiem, soon also available from this supplier.
$40.00
35.73 €
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Orchestre à Cordes
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Alexander Geluk
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Alexander Geluk
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Panis Angelicus
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Fibonacci Music & Multimedia
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.56 €
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Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Str…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Viola True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.56 €
#
Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792379. Published by Aaron Meier (A0.922639). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Double Bass True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit.
$3.99
3.56 €
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Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Violin II
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Str…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792367. Published by Aaron Meier (A0.922636). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin II True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.56 €
#
Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Cello
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Str…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792373. Published by Aaron Meier (A0.922637). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Cello True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.56 €
#
Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
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