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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Alexander S
Non classifié
290
Piano & claviers
Piano seul
307
Piano, Voix
73
Piano Facile
48
Piano, Voix et Guitare
37
Orgue
8
Instruments en Do
8
1 Piano, 4 mains
5
Accordéon
3
Piano (partie séparée)
2
Accompagnement Piano
1
Orgue, Piano (duo)
1
Piano Trio: piano, violon, violoncelle
1
2 Pianos, 4 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Clavecin
1
+ 10 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
17
Guitare
16
Guitare notes et tablatures
14
Ukulele
6
Guitare (partie séparée)
3
Banjo
2
Basse électrique (partie séparée)
2
Ensemble de Ukulélés
1
4 Guitares (Quatuor)
1
Paroles et Accords
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
126
Chorale 3 parties
80
Chorale 2 parties
37
Chorale TTBB
31
Chorale SSAA
19
Chorale Unison
6
Chorale
3
Voix Mezzo-Soprano, Piano
3
Voix moyenne, Piano
2
Voix Tenor, Piano
2
Chorale SSAATTBB
1
Voix Soprano, Piano
1
Voix duo
1
Voix basse, Piano
1
+ 9 instrumentations
Retracter
Vents
Saxophone (partie séparée)
112
Clarinette (partie séparée)
28
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
25
Hautbois (partie séparée)
25
Flûte traversière
19
Flute (partie séparée)
18
2 Saxophones (duo)
17
Ensemble de saxophones
15
Quatuor de Saxophones: 4 saxophones
15
Saxophone Alto
14
Flûte, Hautbois, Clarinette, Basson
13
Clarinette
12
Quintette de Saxophone: 5 saxophones
12
Ensemble de Clarinettes
9
Quatuor de Clarinettes: 4 clarinettes
9
Flûte traversière et Piano
8
Saxophone Tenor
8
Clarinette et Piano
7
3 Saxophones (trio)
7
Saxophone Alto et Piano
6
Saxophone Tenor et Piano
6
Hautbois, Piano (duo)
5
Trio de Flûtes: 3 flûtes
5
Saxophone Soprano et Piano
5
2 Flûtes traversières (duo)
4
2 Clarinettes (duo)
4
Quatuor de Flûtes : 4 flûtes
4
Ensemble de Flûtes
3
3 Clarinettes (trio)
3
Quintette de Clarinettes: 5 clarinettes
3
Cor anglais, Piano
2
Flûte irlandaise
2
Flûte à bec Soprano
2
Flûte, Clarinette (duo)
2
Saxophone Baryton, Piano
2
Quintette de Flûte : 5 flûtes
2
Flûte, Clarinette et Basson
2
Clarinette Basse, Piano
2
Clarinette, Violoncelle (duo)
1
Cornemuse
1
Saxophone et Guitare
1
Hautbois, Guitare (duo)
1
Clarinette, Harpe (duo)
1
Flûte, Violon
1
2 Clarinettes, Piano
1
Harmonica
1
Hautbois, Harpe
1
Clarinette, Violon (duo)
1
Hautbois
1
Flûte à bec Alto
1
Saxophone et Harpe
1
Hautbois, Flûte
1
Flûte, Violon, Piano
1
Piccolo
1
Hautbois, Clarinette, Basson (trio d'anches)
1
+ 50 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
240
Trompette (partie séparée)
34
Trombone (partie séparée)
33
Cor (partie séparée)
20
Quatuor de Cuivres : 2 trompettes, trombone, tuba
19
Tuba (partie séparée)
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Trompette
9
Trombone et Piano
8
Euphonium, Piano (duo)
7
Trompette, Piano
6
Trombone
5
Tuba et Piano
4
Ensemble de Trombones
4
Cor et Piano
4
Cor
3
Tuba
3
Euphonium
3
2 Trompettes (duo)
3
Cor anglais, Piano
2
Ensemble de Trompettes
2
Trompette, Trombone (duo)
2
Ensemble de Cors
2
2 Cors (duo)
1
Quatuor de cuivres: 4 trombones
1
Trompette, Saxophone (duo)
1
Cor et Harpe
1
Trompette, Harpe
1
2 Trombones (duo)
1
Trombone, Tuba (duo)
1
Quatuor de cuivres: 4 cors
1
+ 26 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
52
Violon (partie séparée)
31
Alto (partie séparée)
28
Violon et Piano
27
Violon
18
Violoncelle (partie séparée)
14
Violoncelle, Piano
13
Contrebasse (partie séparée)
11
Violoncelle
11
Alto, Piano
8
Trio à Cordes: violon, alto, violoncelle
7
Alto seul
6
Harpe
4
2 Violons (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Violon, Violoncelle (duo)
3
2 Violoncelles (duo)
2
2 Altos (duo)
2
Ensemble d'Altos
2
Ensemble de Violons
2
Violon, Alto (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Harpe, Violoncelle (duo)
1
Harpe, Violon (duo)
1
Harpe, Flûte (duo)
1
Alto et Harpe
1
2 Harpes (duo)
1
Trio à Cordes: 3 violoncelles
1
4 Violoncelles
1
Alto, Violoncelle (duo)
1
Contre Basse
1
+ 26 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
86
Orchestre à Cordes
36
Orchestre
29
Ensemble de cuivres
28
Percussion (partie séparée)
14
Fanfare
9
Ensemble Jazz
9
Orchestre de chambre
6
Batterie
5
Jazz combo
5
Timbales (partie séparée)
5
Batterie (partie séparée)
3
Ensemble de Percussions
3
Cloches
3
Piano et Orchestre
1
Vibraphone (partie séparée)
1
Orchestre, Violon
1
+ 12 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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Partitions Numériques
Librairie Musicale
Matériel de musique
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Partitions Numériques
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Alexander S
Orchestre à Cordes
Partitions à imprimer
36 partitions trouvées
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1
26
Alexander's Conquest
#
Orchestre à Cordes
#
INTERMÉDIAIRE
#
Methodes
#
Virginia G
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Alexander's Conquest
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Virginia G
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1009815 Composed by Virginia G. Dowling. Instructional. Score and parts. 9 pages. Virginia G #2033217. Published by...
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String Orchestra - Level 3 - SKU: A0.1009815 Composed by Virginia G. Dowling. Instructional. Score and parts. 9 pages. Virginia G #2033217. Published by Virginia G (A0.1009815). This music describes Alexander's departure to conquer the East - from the quiet of early morning his army is martialled. The mood lifts as they progress and enter new territories. Written for middle school string ensembles at approx. level 2. Semiquaver turns improve L.H. fingering facility and demands are made on staccato bowing. D# is prevalent introducing 1/2 position. Score and parts available.
$6.00
Improvisation On Tchaikovsky`s Cherubic Hymn
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Orchestre à Cordes
#
FACILE
#
Luis Anjos Teixeira
#
Improvisation On Tchaikovsky`s
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Luis Anjos Teixeira
#
SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.889429 Composed by Luis Anjos Teixeira. Christmas,Concert,Contemporary,Easter,Standards. Score and parts. 17 pages....
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String Orchestra - Level 2 - SKU: A0.889429 Composed by Luis Anjos Teixeira. Christmas,Concert,Contemporary,Easter,Standards. Score and parts. 17 pages. Luis Anjos Teixeira #4727333. Published by Luis Anjos Teixeira (A0.889429). „Improvisation On Tchaikovsky`s Cherubic Hymn. It is an original Harp improvisation to be accompanied by an adaptation for strings inspired by Tchaikovsky`s choir piece „Cherubic Hymn. The harmonic structure of Tchaikowky`s original work has been faithfully reproduced, so all credits for this piece goes to him. Rather than an arrangement, the outcome of this adventurous experience resulted in an improvisation for the Harp. With the added melodies on the Harp and the stringed instrumental caracter of the orquestral adaptation, the piece gains a stronger tone contrast, keeping at the same time its deep spiritual beauty, thus bringing it to a wider range of public and performance choices. it is very easy to perform, yet it moves deeply both performer and public. The piece is appropriate for beginner students. It can be used in serious concerts and all kinds of cultural events. It is a very Spiritual piece, it induces a wonderful mood in Baptism or Christmas celebrations. One can get married to it. The piece is also appropriate to honor someone in a funeral. Although this score was composed in full intent to be performed as written, the Harp part can be played by itself and the orquestral arrangement from the Hymn can also be performed without the Harp. This score was conceived so that without adaptations, the Harp the orchestra and the original Choir could perform at the same time. Or intercalated „Ad Lieb, the Harp with the choir, or the orquestra with the choir. Instead of a full string orquestra one can also use just a string quartet and a doublebass. A Little Historical Note. „The Cherubic Hymn is part of the Liturgy of St. John Chrysostom written in the fourth century by the Byzantine saint, honored as such by both Eastern Orthodox and Roman Catholic churches. In the context of the liturgy, the hymn is sung during the most mystical and spiritual part of the service as a prelude to the transubstantiation of bread and wine into the real presence of Our Lord. Pyotr Ilyich Tchaikovsky, the inspiring Master and genial composer with whom I had the happy causality to write this improvisation or „collab was born in; 25 April/7 May 1840 – 25 October/6 November 1893, was a Russian composer of the late Romantic period, he created an outstanding number of unique musical masterpieces. Tchaikovsky was honored in 1884, by Emperor Alexander III, and awarded a lifetime pension. Thanks to Claudia Eppelt for the all the Love the wonderful painting and cover design, this work is dedicated to her. Special Thanks to Tchaikovsky, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was produced with Garritan instruments. Thank You very much that You toke Your Time to read this text and to listen the file. I hope You enjoy it, Sheers…
$9.99
Revelation's Edge: Score
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Orchestre à Cordes
#
Alexander Safford
#
Revelation's Edge: Score
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
String Orchestra - SKU: AX.98-DST6133S Composed by Alexander Safford. Score. 12 pages. Alfred Music - Digital Sheet Music #98-DST6133S. Published by Alf...
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String Orchestra - SKU: AX.98-DST6133S Composed by Alexander Safford. Score. 12 pages. Alfred Music - Digital Sheet Music #98-DST6133S. Published by Alfred Music - Digital Sheet Music (AX.98-DST6133S). UPC: 674398222551.
$5.00
Alexander's Feast Overture Partte Prima
#
Orchestre à Cordes
#
INTERMÉDIAIRE
#
Handel, G
#
Nick Lacanski
#
Alexander's Feast Overture Par
#
theupperstaff
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.650391 Composed by Handel, G.F. Arranged by Nick Lacanski. Baroque,Concert,Instructional,Standards. Score and parts...
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String Orchestra - Level 3 - SKU: A0.650391 Composed by Handel, G.F. Arranged by Nick Lacanski. Baroque,Concert,Instructional,Standards. Score and parts. 28 pages. Theupperstaff #6476239. Published by theupperstaff (A0.650391).
$14.00
Alexander Safford: Full Score Revelation's Edge: Score - string orchestra
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Orchestre à Cordes
#
INTERMÉDIAIRE
#
Alexander Safford
#
Virtualsheetmusic
Instantly printable sheet music by Alexander Safford for string orchestra of MEDIUM skill level. /
Instantly printable sheet music by Alexander Safford for string orchestra of MEDIUM skill level. /
$8.98
Alexander Safford: Folk Tune Air and Fiddler's Fury - string orchestra (full score)
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Orchestre à Cordes
#
INTERMÉDIAIRE
#
Methodes
#
Alexander Safford
#
Virtualsheetmusic
Instantly printable sheet music by Alexander Safford for string orchestra (full score) of MEDIUM skill level. / instructional
Instantly printable sheet music by Alexander Safford for string orchestra (full score) of MEDIUM skill level. / instructional
$8.99
Alexander Safford: Folk Tune Air and Fiddler's Fury (COMPLETE) - string orchestra
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Orchestre à Cordes
#
INTERMÉDIAIRE
#
Methodes
#
Alexander Safford
#
Virtualsheetmusic
Instantly printable sheet music by Alexander Safford for string orchestra of MEDIUM skill level. / instructional
Instantly printable sheet music by Alexander Safford for string orchestra of MEDIUM skill level. / instructional
$64.99
Prelude From Holberg's Time Op. 40 (Holberg Suite) Score and Parts
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Orchestre à Cordes
#
Classique
#
Edvard Grieg
#
Alexander Safford
#
Prelude From Holberg's Time Op
#
North Summit Music Press, LLC
#
SheetMusicPlus
Composed by Edvard Grieg (1843-1907). Arranged by Alexander Safford. Romantic Period, Post-Romantic, Repertoire, European, Recital. Score, Set of Parts. 23 page...
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Composed by Edvard Grieg (1843-1907). Arranged by Alexander Safford. Romantic Period, Post-Romantic, Repertoire, European, Recital. Score, Set of Parts. 23 pages. Published by North Summit Music Press, LLC (S0.125465). - Score,Set of Parts - Romantic Period,Post-Romantic,Repertoire,European,Recital - North Summit Music Press, LLC
$40.00
Nocturne from Borodin's String Quartet No. 2 - String Orchestra
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Orchestre à Cordes
#
Classique
#
Alexander Borodin
#
Joel Jacklich (ASCAP)
#
Nocturne from Borodin's String
#
Joel Jacklich
#
SheetMusicPlus
Composed by Alexander Borodin (1833-1887). Arranged by Joel Jacklich (ASCAP). Romantic Period. Score, Set of Parts. 35 pages. Published by Joel Jacklich (S0.123...
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Composed by Alexander Borodin (1833-1887). Arranged by Joel Jacklich (ASCAP). Romantic Period. Score, Set of Parts. 35 pages. Published by Joel Jacklich (S0.123823). - Score,Set of Parts - Romantic Period - Joel Jacklich
$40.00
Prelude from Holberg's Time Op. 40 (Holberg Suite) Score
#
Orchestre à Cordes
#
Classique
#
Edvard Grieg
#
Alexander Safford
#
Prelude from Holberg's Time Op
#
North Summit Music Press, LLC
#
SheetMusicPlus
Composed by Edvard Grieg (1843-1907). Arranged by Alexander Safford. Romantic Period, Post-Romantic, Repertoire, European, Old-time. Score. 11 pages. Published ...
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Composed by Edvard Grieg (1843-1907). Arranged by Alexander Safford. Romantic Period, Post-Romantic, Repertoire, European, Old-time. Score. 11 pages. Published by North Summit Music Press, LLC (S0.125461). - Score - Romantic Period,Post-Romantic,Repertoire,European,Old-time - North Summit Music Press, LLC
$5.00
Panis Angelicus
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Orchestre à Cordes
#
INTERMÉDIAIRE
#
Alexander Geluk
#
Alexander Geluk
#
Panis Angelicus
#
Fibonacci Music & Multimedia
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1101845 By Alexander Geluk. By Cesar Auguste Franck. Arranged by Alexander Geluk. Christmas,Hanukkah,Religious,Roma...
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String Orchestra - Level 3 - SKU: A0.1101845 By Alexander Geluk. By Cesar Auguste Franck. Arranged by Alexander Geluk. Christmas,Hanukkah,Religious,Romantic Period,Sacred. Score and Parts. 15 pages. Fibonacci Music & Multimedia #705234. Published by Fibonacci Music & Multimedia (A0.1101845). An orchestration (full score and set of parts) based on the scoring of Faure's Requiem with low strings & harp. Minimal instr.: vocal solo-(harp)-2va-3vc-1cb or vocal solo-(harp)-3va-2vc-1cb Split parts for viola and violoncello. Vc solo can be played by viola solo (inc. in parts). The vocal solo can be sung by S or T, but also by Ms / Br - range: A --> F# Fits well with Dubois' Messe in Eá, in the same low string setting of Faure's Requiem, soon also available from this supplier.
$40.00
Wedding Processional, Op. 21 (1889) for String Orchestra
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Orchestre à Cordes
#
INTERMÉDIAIRE
#
Alexander Glazunov
#
Joel Jacklich (A
#
Wedding Processional, Op. 21
#
Joel Jacklich
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1074166 Composed by Alexander Glazunov. Arranged by Joel Jacklich (A.S.C.A.P.). Contest,Festival,Romantic Period,We...
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String Orchestra - Level 3 - SKU: A0.1074166 Composed by Alexander Glazunov. Arranged by Joel Jacklich (A.S.C.A.P.). Contest,Festival,Romantic Period,Wedding. Score and parts. 24 pages. Joel Jacklich #678447. Published by Joel Jacklich (A0.1074166). Alexander Glazunov’s Wedding Processional, Op. 21, (1889), here arranged for string orchestra by Joel Jacklich (A.S.C.A.P.), providing a new concert opportunity and a welcome change from the traditional Wagner and Mendelssohn when looking for wedding marches.
$40.00
Coronation March (Db) (String Orchestra - 3 Violins, 2 Violas, 2 Cellos, 1 Bass)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Peter Ilyich Tchaikovsky
#
Regis Bookshar
#
Coronation March
#
Regis Bookshar
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1087401 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,...
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String Orchestra - Level 4 - SKU: A0.1087401 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. Score and parts. 26 pages. Regis Bookshar #691621. Published by Regis Bookshar (A0.1087401). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. String Orchestra - Advanced/Intermediate - . This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (26 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a String Orchestra, with parts for 3 Violins, 2 Violas, 2 Violoncellos and 1 Double Bass. In addition to this arrangement of Tchaikovsky's Coronation March for a String Orchestra, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.
$26.00
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
#
Olga-Polka, Op. 196
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Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Classique
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Johann Strauss Jr
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Aaron Meier
#
Olga-Polka, Op. 196
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Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Viola True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
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Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792379. Published by Aaron Meier (A0.922639). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Double Bass True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit.
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Violin II
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792367. Published by Aaron Meier (A0.922636). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin II True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Cello
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792373. Published by Aaron Meier (A0.922637). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Cello True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Scriabin: Five Preludes, Op. 74 for String Orchestra - Score Only
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Orchestre à Cordes
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AVANCÉ
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Alexander Scriabin
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James M
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Scriabin: Five Preludes, Op. 7
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jmsgu3
#
SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.1400295 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Contemporary,Contest,Festival,Hi...
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String Orchestra - Level 5 - SKU: A0.1400295 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Contemporary,Contest,Festival,Historic,Instructional. 21 pages. Jmsgu3 #983477. Published by jmsgu3 (A0.1400295). Scriabin's Op. 74, specifically the Five Preludes, is significant for its innovative harmonic system based on the Mystic Chord. Scriabin's use of the acoustic scale as a set, known as the Mystic Chord, revolutionized traditional tonal gravity and functionality in his compositions. The tritone plays a crucial role in his harmonic construction and formal definition, often leading to sections returning at tritone transpositions. Despite the absence of tonal gravity, Scriabin assigns a pitch-center to his pieces, redefining tonal orientation through the primary transposition of the Mystic Chord. These preludes, composed in 1914 before he died in 1915, showcase Scriabin's mastery of harmonies and his departure from traditional tonalities.
$49.95
Scriabin: Five Preludes, Op. 74, for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Alexander Scriabin
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James M
#
Scriabin: Five Preludes, Op. 7
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jmsgu3
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1401941 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Contemporary,Contest,Festival,Hi...
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String Orchestra - Level 4 - SKU: A0.1401941 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Contemporary,Contest,Festival,Historic,Standards. 36 pages. Jmsgu3 #985140. Published by jmsgu3 (A0.1401941). Scriabin's Op. 74, specifically the Five Preludes, is significant for its innovative harmonic system based on the Mystic Chord. Scriabin's use of the acoustic scale as a set, known as the Mystic Chord, revolutionized traditional tonal gravity and functionality in his compositions. The tritone plays a crucial role in his harmonic construction and formal definition, often leading to sections returning at tritone transpositions. Despite the absence of tonal gravity, Scriabin assigns a pitch-center to his pieces, redefining tonal orientation through the primary transposition of the Mystic Chord. These preludes, composed in 1914 before he died in 1915, showcase Scriabin's mastery of harmonies and his departure from traditional tonalities.
$76.95
Notturno, Arr. For String Orchestra, String Quartet in D
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Orchestre à Cordes
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Alexander Borodin
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Bud Caputo
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Notturno, Arr. For String Orch
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Bud Caputo
#
SheetMusicPlus
String Orchestra - SKU: A0.826720 Composed by Alexander Borodin. Arranged by Bud Caputo. Concert,Romantic Period,Standards. Score and parts. 21 pages. B...
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String Orchestra - SKU: A0.826720 Composed by Alexander Borodin. Arranged by Bud Caputo. Concert,Romantic Period,Standards. Score and parts. 21 pages. Bud Caputo #6115221. Published by Bud Caputo (A0.826720). Directors should consider this arrangement in combination with Caputo’s arrangement of Helena Polka as a nice change of pace creating a Borodin medley. Of its four movements, the third movement Notturno, is the most famous movement of Borodin’s 1881, String Quartet No. 2 in D major. . Some scholars suggest that It was dedicated to his wife Ekaterina Protopova as a 20th anniversary gift and that it has a program evoking the couple's first meeting in Heidelberg. The solo cello part in the original is distributed to other voices to maintain student interest. Bowings have been carefully edited by Dr. Priscilla Howard creating a beautiful and lyrical selection.
$18.00
HeÌleÌ€ne Polka
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Orchestre à Cordes
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INTERMÉDIAIRE
#
Alexander Borodin
#
Laura Pulley
#
HeÌleÌ€ne Polka
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T.U.X. People's Music
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1073171 Composed by Alexander Borodin. Arranged by Laura Pulley. Classical,Contest,Festival,Instructional,Standards...
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String Orchestra - Level 3 - SKU: A0.1073171 Composed by Alexander Borodin. Arranged by Laura Pulley. Classical,Contest,Festival,Instructional,Standards. Score and parts. 21 pages. T.U.X. People's Music #677432. Published by T.U.X. People's Music (A0.1073171). Presented as a traditional Czech Dance, Aleksandr Borodin's Hélène-Polka is a delightful tune that features driving march-style rhythms with plenty of bold flair! It is sure to entertain and will be a wonderful accompaniment to any program!
$65.00
Overture "La serva padrona"
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Orchestre à Cordes
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Classique
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Giovanni Paisiello
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Paul Wood
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Overture "La serva padron
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MyMusicScores.com
#
SheetMusicPlus
String Orchestra - SKU: A0.736695 Composed by Giovanni Paisiello. Arranged by Paul Wood. Classical. Score and parts. 22 pages. MyMusicScores.com #177126...
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String Orchestra - SKU: A0.736695 Composed by Giovanni Paisiello. Arranged by Paul Wood. Classical. Score and parts. 22 pages. MyMusicScores.com #1771267. Published by MyMusicScores.com (A0.736695). The PDF contains the score and all parts. Imagine for a minute - your contract is coming up for renewal, your employer is just about to celebrate their wedding anniversary and they ask you to organise the entertainment for the big party. That's OK, you know you can do it under normal circumstances but they give you an impossibly short deadline to sort it out. I don't know about you but I think I might panic! Well, that's what happened to Paisiello. The Grand Duke Alexander needed a new opera for his wedding anniversary and pure Paisiello had to come up with the goods. Paisiello found a libretto, liked the story but needed it reworked. So not only did he manage to get the libretto rewritten but he also composed some great music. This Overture is just good old play! I hope you enjoy.
$9.99
SCRIABIN Etude Op.2 No.1 for string orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Classique
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Alexander Scriabin
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Ian Butterworth
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SCRIABIN Etude Op.2 No.1 for s
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Ian Butterworth
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.963699 Composed by Alexander Scriabin. Arranged by Ian Butterworth. Romantic Period. Score and Parts. 11 pages. Ian...
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String Orchestra - Level 3 - SKU: A0.963699 Composed by Alexander Scriabin. Arranged by Ian Butterworth. Romantic Period. Score and Parts. 11 pages. Ian Butterworth #5899705. Published by Ian Butterworth (A0.963699). One of Scriabin's early pieces, composed at the age of 15 in 1887. It has been transposed from C# minor to D minor - duration 3 mins. Copying of individual parts for sole use by the purchaser is permitted.Through his experience of teaching violin at all levels and conducting youth orchestras over many years, Ian Butterworth's compositions and arrangements have been enjoyed by youth and amateur orchestra.www.ianbutterworthmusic.co.uk
$8.99
Radioactive
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Orchestre à Cordes
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FACILE
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Imagine Dragons
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Diana Byington
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Radioactive
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Diana Byington
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1385879 By Imagine Dragons. By Alexander Grant, Benjamin McKee, Daniel Reynolds, Daniel Sermon, and Josh Mosser. Ar...
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String Orchestra - Level 2 - SKU: A0.1385879 By Imagine Dragons. By Alexander Grant, Benjamin McKee, Daniel Reynolds, Daniel Sermon, and Josh Mosser. Arranged by Diana Byington. 21st Century,Contemporary,Pop,Rock. 9 pages. Diana Byington #969822. Published by Diana Byington (A0.1385879). Radioactive is an electronic rock and alternative rock song by American pop rock band Imagine Dragons released in October 2012, and later featured on the opening track on their debut album, Night Visions. Radioactive received two Grammy Awards nominations for Record of the Year and Best Rock Performance, winning the latter. Speaking on the song, lead singer Dan Reynolds said, It's a song about having an awakening; kind of waking up one day and deciding to do something new, and see life in a fresh way..
$49.99
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