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--INSTRUMENTS--
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AUTOHARPE
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20125
PIANO & CLAVIERS
Piano seul
3708
Piano, Voix
1981
Piano Facile
1285
Piano, Voix et Guitare
1209
Instruments en Do
445
Orgue
385
Accompagnement Piano
333
Piano grosses notes
170
1 Piano, 4 mains
156
Piano Trio: piano, violon, violoncelle
94
Piano (partie séparée)
91
2 Pianos, 4 mains
71
Accordéon
68
Piano Quatuor: piano, violon, alto, violoncelle
27
Orgue, Trompette (duo)
24
1 Piano, 6 mains
13
Piano Quatuor: piano, 2 violons, violoncelle
13
Piano Quintette: piano, 2 violons, alto, violoncelle
11
Orgue, Piano (duo)
9
Clavier
8
2 Pianos, 8 mains
7
Clavecin
7
2 Accordéons
2
Concertina
1
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Guitare notes et tablatures
625
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467
Basse electrique
395
Ligne De Mélodie, (Paroles) et Accords
241
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185
Ukulele
166
Paroles et Accords
72
2 Guitares (duo)
55
4 Guitares (Quatuor)
33
Mandoline
28
Piano, Guitare (duo)
27
Dulcimer
24
3 Guitares (trio)
22
Banjo
21
Ukulele Baryton
14
Ensemble de guitares
12
Guitare, Violon, Violoncelle (trio)
7
Basse électrique (partie séparée)
5
Mandoline, Guitare (duo)
4
2 Mandolines (duo)
3
2 Dulcimers (duo)
3
Ensemble de Ukulélés
2
Mandoline, Piano (duo)
2
Guitare Pedal Steel
1
Orchestre à Plectres
1
2 Ukuleles
1
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VOIX
Chorale SATB
2583
Chorale 3 parties
780
Chorale TTBB
622
Chorale 2 parties
537
Chorale Unison
324
Chorale SSAA
303
Voix duo, Piano
120
Voix seule
113
Voix duo
98
Voix Soprano, Piano
67
Chorale
27
Voix Tenor, Piano
26
Voix haute
24
Voix Alto, Piano
21
Voix moyenne, Piano
15
Voix Tenor
9
Chorale SSAATTBB
9
Voix basse, Piano
8
Voix Baryton, Piano
8
Voix Soprano
8
Chorale SSATTB
6
Chorale SSATB
5
Soli, choeur mixte et accompagnement
4
Voix d'Enfants
4
Voix Mezzo-Soprano, Piano
3
Chorale SSAB, Piano
3
Voix Baryton
1
Voix basse
1
Voix Soprano, Orchestre
1
Voix, Guitare
1
Chorale SAATB A Cappella
1
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VENTS
Saxophone (partie séparée)
2601
Quatuor de Saxophones: 4 saxophones
2182
2 Saxophones (duo)
2007
Saxophone Alto et Piano
1278
Saxophone Alto
1262
Saxophone Tenor et Piano
1051
Quintette de Saxophone: 5 saxophones
912
Saxophone Soprano et Piano
734
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
702
Saxophone
684
Flûte traversière et Piano
663
Flûte, Hautbois, Clarinette, Basson
618
3 Saxophones (trio)
506
Clarinette et Piano
466
2 Clarinettes (duo)
451
Hautbois, Piano (duo)
451
Saxophone Tenor
429
Saxophone Baryton, Piano
428
Clarinette
421
Quatuor de Clarinettes: 4 clarinettes
388
2 Flûtes traversières (duo)
385
Saxophone, Clarinette (duo)
342
Flûte traversière
342
Ensemble de saxophones
323
Clarinette, Violon (duo)
230
Flûte, Clarinette (duo)
211
Hautbois (partie séparée)
176
Clarinette, Trompette (duo)
175
Saxophone Soprano
164
2 Hautbois (duo)
161
Quatuor de Flûtes : 4 flûtes
157
Ensemble de Clarinettes
150
Hautbois, Basson (duo)
148
Hautbois, Clarinette (duo)
143
Flûte, Saxophone (duo)
126
3 Clarinettes (trio)
120
Clarinette et Alto
118
Ensemble de Flûtes
116
Flûte, Violon
115
Quintette de Clarinettes: 5 clarinettes
109
Hautbois, Flûte
99
2 Flûte à bec (duo)
97
Flûte, Alto (duo)
93
Saxophone Baryton
89
Flûte, Trompette (duo)
88
Clarinette (partie séparée)
87
Hautbois
84
Cor anglais, Piano
84
Trio de Flûtes: 3 flûtes
73
Flute (partie séparée)
73
Flûte à bec Soprano
72
Flûte et Guitare
72
Clarinette Basse, Piano
71
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60
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47
2 Saxophones, Piano
40
Flûte à Bec
39
Clarinette, Basson (duo)
36
Flûte, Hautbois (duo)
34
Instruments en Mib
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29
Hautbois, Clarinette, Basson (trio d'anches)
29
2 Flûtes traversières, Piano
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26
Flûte, Hautbois, Clarinette (trio)
26
Flûte à bec Alto
25
Clarinette, Violoncelle (duo)
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5 Flûtes à bec
22
3 Flûtes à bec (trio)
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Ensemble De Flûte à bec
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Harmonica
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Cor Anglais
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18
Flûte, Violon, Piano
18
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18
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17
Flûte, Clarinette et Basson
15
Saxophone et Guitare
15
Flûte, Violon et Violoncelle
14
Saxophone et Orgue
13
Flûte, Hautbois, Basson
13
4 Hautbois
13
Saxophone, Violon (duo)
12
Hautbois, Guitare (duo)
12
Flûte à bec Soprano, Piano
12
Piccolo, Piano
12
Flûte, Clarinette, Cor, Basson (Quartet)
11
Flûte, Clarinette, Piano (trio)
10
3 Hautbois
10
Piccolo
9
Flute, harpe et violon
9
Flûte, Violoncelle, Piano (trio)
8
Saxophone et Harpe
8
Cor anglais, Guitare (duo)
7
Flûte à bec Alto, Piano
7
Clarinette, Violoncelle, Piano (trio)
6
Ensemble à vent
6
Saxophone et Piano
6
Flûte et Trio à cordes
5
Hautbois et alto (duo)
5
Hautbois, trombone (duo)
5
2 Clarinettes, Piano
5
Clarinette Basse
4
Flûte, Violon, Violoncelle et Piano
4
Flûte irlandaise
4
Quintette de Clarinette: Clarinette, Quatuor à Cordes
4
Ocarina
4
Flûte, Harpe et Violoncelle
3
Flûte, Basson et Piano
3
Flûte, Clarinette, Violon (trio)
3
2 Cors Anglais Et Pianoforte
3
Flûte à bec Tenor
3
Flûte, Alto et Piano
3
Clarinette, Harpe (duo)
3
Flûte, trombone et piano
3
Clarinette, trompette et piano
2
Saxophone, Tuba (duo)
2
Flûte traversière, Basse continue
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Hautbois, Violon, Piano
2
Flûte, alto et harpe
2
Flûte, Hautbois, Piano (trio)
2
Clarinette, Orchestre
1
Saxophone, Basson (duo)
1
Flûte de Pan
1
Clarinette, Contrebasse (duo)
1
Clarinette, Tuba
1
Clarinette, Alto et Piano (trio)
1
Flûte, Hautbois, Violon
1
Hautbois, Basson et Piano
1
Flûte traversière, Orgue (duo)
1
Clarinette, Basson, Piano (trio)
1
Flûte, Violoncelle, Guitare
1
Flûte à bec, Guitare (duo)
1
Flûte, Tuba (duo)
1
Flûte à Bec, Piano
1
Clarinette, Orgue
1
Ensemble de Hautbois
1
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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1251
Trombone
1251
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1181
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650
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539
Quatuor de Cuivres
393
Trompette
372
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356
Trompette, Trombone (duo)
355
Trompette, Piano
351
Quatuor de cuivres: 4 trombones
311
Cor et Piano
296
Trompette, Saxophone (duo)
254
2 Trompettes (duo)
199
Ensemble de Trombones
198
Cor
184
Tuba
170
Tuba et Piano
148
Euphonium, Piano (duo)
127
Ensemble de Trompettes
104
Cor (partie séparée)
101
2 Cors (duo)
91
3 Trombones (trio)
85
Cor anglais, Piano
84
Tuba (partie séparée)
75
Trio de Cuivres
66
2 Tubas (duo)
44
Trompette, Cor (duo)
43
Quatuor de cuivres: 4 cors
38
Instruments en Sib
36
Bass Clef Instruments
36
Euphonium
32
Trombone, Tuba (duo)
31
2 Euphoniums et 2 Tubas
30
2 Euphoniums (duo)
28
Trombone basse
26
Ensemble de Cors
25
Quatuor de cuivres: 2 trompettes, 2 trombones
25
4 Tubas
20
Cor Anglais
19
Tuba ou Euphonium ou Saxhorn
18
Quatuor de cuivres: 4 trompettes
17
Trombone basse et Piano
17
Trombone, Orgue
16
Euphonium, Tuba (duo)
16
Trombone, Cor (duo)
16
Trompette, Trombone, Piano
15
Trompette, Basson (duo)
13
Trombone, Violon (duo)
10
Cor, Violoncelle (duo)
9
Trompette, Violoncelle (duo)
8
Cor anglais, Guitare (duo)
7
Cor et Basson (duo)
7
Tuba et Orgue
7
3 Tubas (trio)
5
2 Trompettes, Clavier (piano ou orgue)
4
2 Trombones, Piano
4
Trompette, Tuba (duo)
4
3 Trompettes (trio)
4
3 Cors (trio)
4
Trombone et orchestre
3
2 Cors Anglais Et Pianoforte
3
Cor, Tuba (duo)
2
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
2
Cor et Orgue
2
3 Euphoniums
2
Cor, Trompette, Trombone (trio)
2
Trompette, Violoncelle et Piano
1
Trompette, Euphonium (duo)
1
Trompette et Guitare
1
2 Cors, Piano
1
Trompette, violon (duo)
1
Ensemble de Tubas
1
Cornet et orchestre
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Quatuor à cordes: 2 violons, alto, violoncelle
1707
Violon et Piano
733
Violon
712
Violon, Violoncelle (duo)
597
Violoncelle, Piano
539
Harpe
443
Trio à Cordes: violon, alto, violoncelle
408
Alto, Piano
402
Violoncelle (partie séparée)
282
2 Violons (duo)
281
Quintette à cordes: 2 violons, alto, violoncelle, basse
277
Violon, Alto (duo)
239
2 Violoncelles (duo)
232
Alto seul
222
2 Altos (duo)
200
Violoncelle
183
Contre Basse
148
Contrebasse (partie séparée)
140
Contrebasse, Piano (duo)
127
Trio à Cordes: 2 violons, violoncelle
120
Violon (partie séparée)
87
Alto (partie séparée)
74
Alto, Violoncelle (duo)
67
4 Violoncelles
53
2 Harpes (duo)
40
2 Contrebasses (duo)
36
Violoncelle, Contrebasse (duo)
32
Violon, Guitare (duo)
32
Piano Trio: Violon, Alto, Piano
31
Trio à Cordes: 3 violoncelles
26
Ensemble de Violons
23
Quatuor à cordes: 4 violons
22
Trio à cordes: 3 violins
20
Ensemble d'Altos
20
Violoncelle , Guitare (duo)
20
Quatuor à cordes : 4 altos
19
Trio à cordes: 3 altos
14
Harpe, Voix
13
Harpe, Flûte (duo)
12
Trio à Cordes: 2 violons, alto
11
Violon, Basson (duo)
11
Quintette à cordes: 2 violons, 2 altos, violoncelle
10
Alto et Basson
10
Alto, Guitare (duo)
9
Flûte, Contrebasse (duo)
7
Trio à cordes
6
Harpe, Violon (duo)
6
Harpe, Trombone (duo)
5
Violoncelle, Orgue
4
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
Harpe, Violon, Violoncelle
4
4 Contrebasses
4
Violon, Clarinette, Piano (trio)
3
Alto et Harpe
3
3 Harpes
3
Ensemble de Violoncelles
3
2 Violons, Piano
3
Harpe et Piano
2
Harpe, Violoncelle (duo)
2
Alto et orchestre
2
5 Harpes
2
Harpe (partie séparée)
1
3 Contrebasses
1
4 Harpes
1
Harpe et mandoline
1
Violon, Basse continue
1
2 Violoncelles, Piano
1
Violon, Tuba (duo)
1
Harpe, Quatuor à cordes
1
Autoharp
1
Violoncelle, Orchestre
1
Violoncelle, Basse continue
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
4261
Ensemble Jazz
1105
Orchestre
929
Orchestre à Cordes
808
Ensemble de cuivres
745
Orchestre de chambre
312
Cloches
307
Jazz combo
234
Fanfare
200
Ensemble de Percussions
165
Batterie (partie séparée)
118
Batterie
110
Percussion (partie séparée)
69
Xylophone
58
Marimba
51
Xylophone, Piano
50
Percussion
25
2 Xylophones
21
Vibraphone
17
Ensemble d'École
8
Instrumentation Flexible
5
Xylophone ou Marimba ou Vibraphone
4
Orchestre, Violon
3
Vibraphone et Marimba
3
Piano et Orchestre
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
3 Marimbas
2
Quintette de Cuivres: autres combinaisons
2
Caisse Claire
2
Bongos
1
Marimba, Piano (duo)
1
Timbales (partie séparée)
1
Marimba et Orgue
1
Marimba, Saxophone (duo)
1
Marimba ou Xylophone et Piano
1
Quintette à Vent
1
Big band
1
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AUTRES
Formation musicale - Solfège
4
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Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.532834 Composed by Therese Brenet. 20th…
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String Orchestra - Digital Download SKU: A0.532834 Composed by Therese Brenet. 20th Century,Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #45419. Published by Musik Fabrik Music Publishing (A0.532834). Thérèse Brenet was attracted to the Chinese poems in La Flûte de Jade by Franz Toussaint. She chose seven of these poems in a contrasting style and assembled them into a single work, striving to create an unusual orchestration which reflects this delicate, fantastic and sensual qualities of these poems. Her orchestration uses a small group of strings which are re-enforced by a harpsichord, a vibraphone, a harp and percussion, often superimposed, which serve to underline the delicate character of the poems. IN addition, she uses all styles of vocal production, from whispered passages to spoken words or screams, and from singing normally to sprechgesang. The work finishes serenely with a long melody in flute upon which the baritone repeats the last phrases of the poem in a long perdendosi. The voice and the flute slowly die away without there being a definite ending to the work, which allow the listener to imagine that the work continues, as in a waking dream. One could imagine hearing the echo of the words whispered by the baritone and the arien and luminous sounds of the flute which has lulled us as a soloist throughout the seven poems of the cycle. The orchestration is for 4 percussion, harp, harpsichord, piano and strings (44221). The piece generally lasts approximately fourteen minutes. The composer has intentionally broken with tradition by using instrumental notation for the vovcal part. This notations gives, in her view, a greater ease of reading when the voice exchanges with the flute. This version for flute, voice and piano is identical, as much as is possible, with the orchestral version, excpet for short segments in the 5th and 7th poems. These differences only affect the flute and piano parts and do not affect the vocal part. The Baritone may therefore use this score for performances with orchestra. The Flutist should use the part included in the orchestral parts for performances with orchestra. This work was first performed at the Villa Medicis during Thérèse Brenet time spend there during her Prix de Rome voyage. It was recorded in 2014 with Kurt Ollmann Baritone, Christel Rayneau, flute and the National Polish Radio Orchestra under the direction of Paul Wehage. The orchestral materials are on rental from the publisher.
$25.95
23.77 €
#
Orchestre à Cordes
#
Therese Brenet
#
Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
Orchestre à Cordes
Cello,Double Bass,Viola,Violin - Digital Download SKU: A0.1070245 Composed by Tito …
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Cello,Double Bass,Viola,Violin - Digital Download SKU: A0.1070245 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 404. Visionary Quest Records #4767765. Published by Visionary Quest Records (A0.1070245). STRING ORCHESTRA - Cello Solo; Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 75 pages. Composer: Tito Abeleda (1964 - ) Digital Download. HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeleda
$2.99
2.74 €
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Orchestre à Cordes
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Tito Abeleda
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Violin Solo
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Tears from My Eyes: Onward and Upward
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Visionary Quest Records
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SheetMusicPlus
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.984536 Composed by Visionary …
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String Orchestra - Level 4 - Digital Download SKU: A0.984536 Composed by Visionary Quest Records. Concert,Contemporary. Score and parts. 75 pages. Visionary Quest Records #4767739. Published by Visionary Quest Records (A0.984536). STRING ORCHESTRA - Cello Solo; Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 75 pages. Composer: Tito Abeleda (1964 - ) Digital Download. HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter:
$44.99
41.22 €
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Orchestre à Cordes
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Visionary Quest Records
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Violin Solo
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Tears from My Eyes: Onward and Upward
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Visionary Quest Records
#
SheetMusicPlus
Irish National Anthem (Unofficial) for String Orchestra
Orchestre à Cordes
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Ke…
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related Scores
$8.99
8.24 €
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Orchestre à Cordes
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trad
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Keith Terrett
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
Daphne ... An Imaginary Ballet (2015) for string orchestra, full score
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.869398 Composed by Thomas Obo…
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String Orchestra - Level 4 - Digital Download SKU: A0.869398 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 38 pages. Thomas Oboe Lee #432015. Published by Thomas Oboe Lee (A0.869398). Instrumentation: Violins 1a. Violins 1b. Violins 2a. Violins 2b. Viola. Cello. Double bass. Program note. I go to Rome every year during my winter break from teaching. My favorite statue in the Galleria Borghese is Bernini's Apollo and Daphne. It is amazingly alive and beautiful. When the Pro Arte Chamber Orchestra of Boston asked me to write a work for string orchestra, I immediately thought of the fabulous Apollon Musagète by Stravinsky. Wouldn't it be fun to write a companion piece to the Stravinsky and call it Daphne? And since the Stravinsky Apollo is a ballet, my Daphne would be one as well, although an imaginary one. Daphne is in three sections. 1. Moderato ... Apollo struts around at a party, flirting with the nymphs and then suddenly he notices Daphne. He falls in love immediately. 2. Fuga ... Unnerved by Apollo's attention, Daphne flees. Apollo chases after her. 3. Largo ... Apollo catches up to Daphne and declares his love for her. She struggled to free herself from him and calls for help. To save Daphne from Apollo, her father Ladon, the river god, transforms Daphne into a laurel tree. Curtain.Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/daphne-an-imaginary-ballet-2015
$9.99
9.15 €
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Orchestre à Cordes
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Thomas Oboe Lee
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Daphne ... An Imaginary Ballet
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Thomas Oboe Lee
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SheetMusicPlus
Overture for Strings No. 3 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183534 Composed by Joseph Bo…
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String Orchestra - Level 4 - Digital Download SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 28 pages. ROBERT DEBBAUT #783207. Published by ROBERT DEBBAUT (A0.1183534). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.15 €
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Orchestre à Cordes
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Joseph Bologne, Chevalier de St
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Robert Debbaut
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Overture for Strings No. 3 - Score Only
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ROBERT DEBBAUT
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SheetMusicPlus
Overture for Strings No. 5 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183536 Composed by Joseph Bo…
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String Orchestra - Level 4 - Digital Download SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 39 pages. ROBERT DEBBAUT #783209. Published by ROBERT DEBBAUT (A0.1183536). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.15 €
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Orchestre à Cordes
#
Joseph Bologne, Chevalier de St
#
Robert Debbaut
#
Overture for Strings No. 5 - Score Only
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ROBERT DEBBAUT
#
SheetMusicPlus
Overture for Strings No. 6 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183537 Composed by Joseph Bo…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 57 pages. ROBERT DEBBAUT #783210. Published by ROBERT DEBBAUT (A0.1183537). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.15 €
#
Orchestre à Cordes
#
Joseph Bologne, Chevalier de St
#
Robert Debbaut
#
Overture for Strings No. 6 - Score Only
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ROBERT DEBBAUT
#
SheetMusicPlus
Overture for Strings No. 4 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183535 Composed by Joseph Bo…
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String Orchestra - Level 4 - Digital Download SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 34 pages. ROBERT DEBBAUT #783208. Published by ROBERT DEBBAUT (A0.1183535). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.15 €
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Orchestre à Cordes
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Joseph Bologne, Chevalier de St
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Robert Debbaut
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Overture for Strings No. 4 - Score Only
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ROBERT DEBBAUT
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SheetMusicPlus
Overture for Strings No. 2 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183533 Composed by Joseph Bo…
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String Orchestra - Level 4 - Digital Download SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 43 pages. ROBERT DEBBAUT #783206. Published by ROBERT DEBBAUT (A0.1183533). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.15 €
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Orchestre à Cordes
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Joseph Bologne, Chevalier de St
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Robert Debbaut
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Overture for Strings No. 2 - Score Only
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ROBERT DEBBAUT
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SheetMusicPlus
Two Ballets - Dances 268 and 273 from Terpsichore (Praetorius)
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.522219 Composed by Various. A…
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String Orchestra - Level 2 - Digital Download SKU: A0.522219 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance,Wedding. Score and parts. 20 pages. Colin Kirkpatrick Publications #3879701. Published by Colin Kirkpatrick Publications (A0.522219). Arranged for strings, keyboard, any C-pitched instruments, simple percussion and other instruments by Colin KirkpatrickIn this series, Renaissance Hits for Strings, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too and the flexible instrumentation allows any players to take a solo with the melody part. They can be played by string quartet, string orchestra or ideally string ensemble plus any other C-pitch instruments that happen to be available. This publication consists of a score showing the four-part ensemble, keyboard and percussion parts. There are separate parts for violin 1, violin 2, viola (violin 3), cello/bass, percussion and keyboard. Additional instruments are not essential but they add contrasting tone colour. The keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.Every instrumental part (except percussion) also shows the melody line. This allows anyone to take a solo and play the melody, while the other players remain tacet. Solos can be decided in advance and the parts marked accordingly. Just cross out what you don’t need! The percussion instruments used are similar to those found in elementary school music rooms and usually include a small bass drum or hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$9.99
9.15 €
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Orchestre à Cordes
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Various
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Colin Kirkpatrick
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Two Ballets - Dances 268 and 273 from Terpsichore
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Colin Kirkpatrick Publications
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SheetMusicPlus
Mozart: Sonata K. 284 “Durnitz” for String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1202559 Composed by W. A. Moz…
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String Orchestra - Level 4 - Digital Download SKU: A0.1202559 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Classical,Contest,Festival,Standards. Score and parts. 125 pages. Jmsgu3 #800938. Published by jmsgu3 (A0.1202559). Sonata No. 6, “Durnitz†for String OrchestraScore and performance parts:  Score: 66 pages. Duration: ca. 29:28 Mozart's Sonata in D major, K. 284, also known as the Durnitz Sonata, is a solo piano piece composed by Wolfgang Amadeus Mozart in 1775. It is one of Mozart's more complex and ambitious sonatas and is generally regarded as one of his greatest works for the instrument.The sonata is divided into three movements:1.   Allegro - The first movement is a fast-paced and energetic sonata-allegro form, characterized by its lively theme and virtuosic passages. The movement begins with a bold and dramatic opening statement, followed by a series of contrasting themes and variations. The development section explores new harmonic and rhythmic territory, while the recapitulation brings the movement full circle with a restatement of the main themes.2.   Rondeau en Polonaise - The second movement is a graceful and elegant rondo in the style of a polonaise, a popular dance of the time. The main theme is a lilting melody that is first presented by the right hand and then repeated with variations throughout the movement. The middle section features a contrasting theme in a minor key, which is then developed and expanded upon in the latter half of the movement.3.   Theme and Variations - The final movement is a set of six variations on a theme, which is introduced at the beginning of the movement. Each variation explores a different aspect of the theme, from playful embellishments to dramatic flourishes. The final variation brings the piece to a rousing and triumphant close.Overall, Mozart's Sonata in D major, K. 284, is a masterful example of the composer's virtuosity and innovation and remains a beloved and influential work in the piano repertoire. Mozart's Sonata in D major, K. 284 is also known as the Dürnitz Sonata because it is believed to have been composed for Count Johann Joseph Anton von Dürnitz, an accomplished amateur flautist who was a patron of Mozart.Mozart was in Munich in 1775, and he met Dürnitz there. According to Mozart's letters to his father, Dürnitz played the flute very well, and Mozart was impressed by his abilities. It is believed that Mozart composed this sonata specifically for Dürnitz, who may have performed it with Mozart accompanying him on the piano.No concrete evidence supports the theory that the sonata was named after Dürnitz, but it is widely accepted as the most likely explanation for the nickname. In any case, the sonata remains one of Mozart's most popular and beloved works for solo piano.
$59.95
54.92 €
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Orchestre à Cordes
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W
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James M
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Mozart: Sonata K. 284 “Durnitz” for String Orchestra
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jmsgu3
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SheetMusicPlus
Divertimento for Strings: FULL SCORE
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.1010888 Composed by John McNeil Johnsto…
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String Orchestra - Digital Download SKU: A0.1010888 Composed by John McNeil Johnston. Contemporary,Standards. Score and parts. 18 pages. John M. Johnston #2914155. Published by John M. Johnston (A0.1010888). Johnston: Divertimento for Strings: Full Score OnlyDivertimento for Strings was written for advanced Youth or High School string orchestra. It is an exploration of counterpoint, chromaticism, and texture within a construct of playability. As a ‘teaching piece’, it can be useful to point out the various forms: I. Allegro is in a bare-bones Sonata Allegro form. II. Adagio is reminiscent in the latter bars of a Habanera. III. Waltz is just that, a wistful, swirling dance movement. IV. Gigue hearkens back to the Baroque style in compound meter, and is embellished with 19th century chromatic harmonies. This piece was originally written for the Wilton High School Orchestra • Wilton, CT, USA under the direction of, and at the suggestion of Marshall Meade in 2016. I hope you enjoy it! - Mac Johnston Instrumentation: Violins 1A & B, Violins 2 A & B, Violas, Violoncellos 1 & 2, and Double Basses. Copyright © 2016 John McNeil Johnston • all rights reserved.
$75.00
68.71 €
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Orchestre à Cordes
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John McNeil Johnston
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Divertimento for Strings: FULL SCORE
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John M. Johnston
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SheetMusicPlus
SYMPHONY NO. 5 OP. 67, BEETHOVEN - ALLEGRO CON BRIO, String Orchestra, Abridged, Intermediate Level
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.521481 Composed by Ludwig van…
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String Orchestra - Level 3 - Digital Download SKU: A0.521481 Composed by Ludwig van Beethoven. Arranged by Sherry Lewis. Classical,Holiday,Multicultural,Wedding,World. Score and Parts. 32 pages. Sherry Lewis Publishing #6132891. Published by Sherry Lewis Publishing (A0.521481). Symphony No. 5, Mov. I, Allegro con brio (abridged), Beethoven, String Orchestra of 2 violins, viola, cello, string bassThis was a very fun project and I think I caught the important parts and did a fairly seamless cut so that the performance is down to 5'30...I hope you like it. I think it came off really well. Score: 15 pages parts: 14 pages time: 5:30 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through stringquartet@hotmail.com and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Thank you for your purchase!
$9.50
8.7 €
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Orchestre à Cordes
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Ludwig van Beethoven
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Sherry Lewis
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https://www
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SYMPHONY NO. 5 OP. 67, BEETHOVEN - ALLEGRO CON BRIO, String Orchestra, Abridged, Intermediate Level
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Sherry Lewis Publishing
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SheetMusicPlus
MY HEART AT THY SWEET VOICE for String Orchestra (String Quintet) Advanced Intermediate Level for 1s
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.521585 Composed by Camille Sa…
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String Orchestra - Level 4 - Digital Download SKU: A0.521585 Composed by Camille Saint Saëns. Arranged by Sherry Lewis. Holiday,Opera,Romantic Period,Wedding. Score and Parts. 33 pages. Sherry Lewis Publishing #6222013. Published by Sherry Lewis Publishing (A0.521585). My Heart At Thy Sweet Voice, String Orchestra (String Quintet), Advanced Intermediate Level for 1st and 2nd violins, viola, cello, string bass Score: 18 pages parts: 12 page time: 5'40 ABOUT THE DEMO....I took a big cut to get to the better-known tune but the actual arrangement is complete from beginning to end. I used the original score and true to form. Such a beautiful piece. Really comes off great in strings. MY QUARTET VERSIONS, in short notice usually work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through stringquartet@hotmail.com and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Thank you for your purchase!
$16.99
15.57 €
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Orchestre à Cordes
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Camille Saint Saëns
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Sherry Lewis
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https://www
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MY HEART AT THY SWEET VOICE for String Orchestra
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Sherry Lewis Publishing
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SheetMusicPlus
MY HEART AT THY SWEET VOICE String Orchestra, Intermediate Level for 2 violins, viola, cello and str
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.521589 Composed by Camille Sa…
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String Orchestra - Level 3 - Digital Download SKU: A0.521589 Composed by Camille Saint Saëns. Arranged by Sherry Lewis. Holiday,Opera,Romantic Period,Wedding. Score and Parts. 32 pages. Sherry Lewis Publishing #6230125. Published by Sherry Lewis Publishing (A0.521589). My Heart At Thy Sweet Voice, String Orchestra (String Quintet), Intermediate Level for 1st and 2nd violins, viola, cello, string bass Score: 17 pages parts: 12 page time: 5'40 ABOUT THE DEMO....I took a big cut including the intro to get to the better-known tune but the actual arrangement is complete from beginning to end. I used the original score and true to form. Such a beautiful piece. Really comes off great in strings. MY QUARTET VERSIONS, in short notice usually work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through stringquartet@hotmail.com and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Thank you for your purchase!
$12.50
11.45 €
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Orchestre à Cordes
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Camille Saint Saëns
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Sherry Lewis
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MY HEART AT THY SWEET VOICE String Orchestra, Intermediate Level for 2 violins, viola, cello and str
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Sherry Lewis Publishing
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SheetMusicPlus
Beethoven: Sonata Op. 49 No. 2 for String Orchestra
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.549863 Composed by Ludwig van…
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String Orchestra - Level 2 - Digital Download SKU: A0.549863 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Instructional,Standards,World. Score and parts. 52 pages. Jmsgu3 #3557749. Published by jmsgu3 (A0.549863). Beethoven Sonata Op. 49 No. 2 arranged for string orchestra. Duration: 10:15 Score: 28 pages, 242 measures. In two movements. I arranged this for my own beginner orchestra. Easy to rehearse and perform. Very popular with the audience. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$49.95
45.76 €
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Orchestre à Cordes
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2 for String Orchestra
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jmsgu3
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SheetMusicPlus
La musica notturna di Madrid - Minuetto (Tanz der Blinden) & Allegro Vivo (Passacalle) for string o
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.521471 Composed by Luigi Bocc…
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String Orchestra - Level 3 - Digital Download SKU: A0.521471 Composed by Luigi Boccherini. Arranged by Sherry Lewis. Classical,Concert,Holiday,Wedding. Score and parts. 23 pages. Sherry Lewis Publishing #6100099. Published by Sherry Lewis Publishing (A0.521471). LA MUSICA NOTTURNA DI MADRID String Orchestra of violin I & II, viola, cello I & cello II/string bass Score: 8 pages parts: 9 pages time: 3'30 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through stringquartet@hotmail.com and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Thank you for your purchase!
$10.99
10.07 €
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Orchestre à Cordes
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Luigi Boccherini
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Sherry Lewis
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II, viola, cello I &
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La musica notturna di Madrid - Minuetto
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Sherry Lewis Publishing
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SheetMusicPlus
E Piu Ti Penso (Deborah's Theme) from Once Upon a Time in America for STRING ORCHESTRA
Orchestre à Cordes
Violin, Viola, Cello, Double Bass - Intermediate - Digital Download By Ennio Morricon…
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Violin, Viola, Cello, Double Bass - Intermediate - Digital Download By Ennio Morricone. Arranged by Flavio Regis Cunha. Score, Set of Parts. 11 pages. Published by Flavio Regis Cunha
The music of Once Upon a Time in America was composed by Sergio Leone's long-time collaborator, Ennio Morricone. Due to the film's unusually long production, Morricone had finished composing most of the soundtrack before many scenes had even been filmed. Some of Morricone's pieces were actually played on set as filming took place (a technique that Leone had used for Once Upon a Time in the West). "Deborah's Theme" was in fact originally written for another film in the 1970s but rejected; Morricone presented the piece to Leone, who was initially reluctant, considering it too similar to Morricone's main title for Once Upon a Time in the West.
$49.99
45.8 €
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Orchestre à Cordes
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Ennio Morricone
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E Piu Ti Penso
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Flavio Regis Cunha
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SheetMusicPlus
Minuet For Margaret, for Strings. (School Arrangement)
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1298412 Composed by Geraldine…
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String Orchestra - Level 4 - Digital Download SKU: A0.1298412 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and Parts. 52 pages. Geraldine (Denny) Green at Oakmountmusic #888401. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1298412). ALL PURCHASES COME WITH SCORE AND PARTSWhen I was a young child and I would ask my mother for something she would often, in the midst of all her busy jobs, say to me, “Oh, give me a minuet!â€, meaning jokingly a minute, of course, before she could tend to my wishes.  This meant that I grew up believing that a minuet and a minute meant the same thing and could be equally interchanged. You can then imagine my amazement and amusement at around 13/14 years of age when I discovered through my music studies that a minuet was in fact a type of musical form and dance! Therefore, it went without saying that at some point in my music writing life I just HAD to write my Mum a minuet! So, here is the minuet she so often unwittingly asked me for throughout our lives! She attended the premiere of the Flute, violin and piano arrangement in Bolton, UK, and was highly amused (and not a little chuffed) by the story behind the piece!Naturally, the piece is dedicated to my mother, Margaret (Pearl) Denny, and was finally written in June 2015 for Gary Woolf and the Banda Di Musica in Germany.Its duration is about 7/8 minutes long and it is intended for junior strings. Violins 1 and 2 are of moderate difficulty, while the Violin 3/violas, cellos/basses are simpler.There is a violin solo throughout (moderate difficulty), to be played by the Leader, but is not a concerto-style solo, but rather one that weaves in and out of the texture throughout the piece.The piece is in a minuet and Trio style and is light, tuneful and fun. There are 3 arrangements available:No.1 – School Arrangement: Violins 1, 2 and 3, Cellos 1 and 2No.2 – Standard Arrangement: Violins 1 and 2, violas, cellos, Double bassesNo.3 – Violin, flute and piano.  This arrangement is of a more advanced standard than the string orchestra arrangements and would suit players of approximately grade 7 upwards.
$25.00
22.9 €
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Orchestre à Cordes
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Geraldine
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Minuet For Margaret, for Strings.
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Geraldine
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SheetMusicPlus
Minuet For Margaret, for Strings. (Standard Arrangement)
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1298413 Composed by Geraldine…
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String Orchestra - Level 4 - Digital Download SKU: A0.1298413 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and Parts. 53 pages. Geraldine (Denny) Green at Oakmountmusic #888402. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1298413). ALL PURCHASES COME WITH SCORE AND PARTSWhen I was a young child and I would ask my mother for something she would often, in the midst of all her busy jobs, say to me, “Oh, give me a minuet!â€, meaning jokingly a minute, of course, before she could tend to my wishes.  This meant that I grew up believing that a minuet and a minute meant the same thing and could be equally interchanged. You can then imagine my amazement and amusement at around 13/14 years of age when I discovered through my music studies that a minuet was in fact a type of musical form and dance! Therefore, it went without saying that at some point in my music writing life I just HAD to write my Mum a minuet! So, here is the minuet she so often unwittingly asked me for throughout our lives! She attended the premiere of the Flute, violin and piano arrangement in Bolton, UK, and was highly amused (and not a little chuffed) by the story behind the piece!Naturally, the piece is dedicated to my mother, Margaret (Pearl) Denny, and was finally written in June 2015 for Gary Woolf and the Banda Di Musica in Germany.Its duration is about 7/8 minutes long and it is intended for junior strings. Violins 1 and 2 are of moderate difficulty, while the Violin 3/violas, cellos/basses are simpler.There is a violin solo throughout (moderate difficulty), to be played by the Leader, but is not a concerto-style solo, but rather one that weaves in and out of the texture throughout the piece.The piece is in a minuet and Trio style and is light, tuneful and fun. There are 3 arrangements available:No.1 – School Arrangement: Violins 1, 2 and 3, Cellos 1 and 2No.2 – Standard Arrangement: Violins 1 and 2, violas, cellos, Double bassesNo.3 – Violin, flute and piano.  This arrangement is of a more advanced standard than the string orchestra arrangements and would suit players of approximately grade 7 upwards.
$25.00
22.9 €
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Orchestre à Cordes
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Geraldine
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Minuet For Margaret, for Strings.
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Geraldine
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SheetMusicPlus
Carson Cooman: Concerto for Bass Saxophone and Strings (1999), score and solo part
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.533709 Composed by Carson Coo…
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String Orchestra - Level 5 - Digital Download SKU: A0.533709 Composed by Carson Cooman. 20th Century,Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Music Publishing #3041103. Published by Musik Fabrik Music Publishing (A0.533709). I. Chaconne: ...a continuum of dreams...II. CadenzaIII. ToccataConcerto for Bass Saxophone and Strings (1999) was commissioned by basssaxophonist Andreas van Zoelen (with generous support from the Broeker Fund forNew Music) and is dedicated with appreciation and admiration to him. Van Zoelen iscommitted to enhancing the very small existing bass saxophone repertoire throughsupporting the creation and performance of new works. The subtitle of the firstmovement (...a continuum of dreams...) could be seen as a sort of subtitle for theentire work that sets the mood and provides unification for the entire piece. The firstmovement is a slow and ethereal chaconne. The strings and the saxophone interact invarious ways throughout this movement in non-traditional form. There are actuallytwo ground bass themes; one is introduced at the beginning with pizzicato stringsbut soon moves to the background (although it is almost always present). The secondis presented near the end of the work and eventually the two are combined. Theinterval of an augmented fourth (tritone) has special use throughout the movementas a variety of themes and motifs are transformed throughout. The second movementis a cadenza for the unaccompanied saxophone. The third movement is a fast andwild toccata. The saxophone plays almost without rest for the entire movement. Amiddle section recalls the theme of augmented fourths from the first movement.Heavy use is made of pizzicato strings. The saxophone part for this movement ishighly virtuosic, exploring the full possibilities and range of the instrument.This is the score and solo part only. The parts are on rental from the publisher.
$29.95
27.44 €
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Orchestre à Cordes
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Carson Cooman
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Carson Cooman: Concerto for Bass Saxophone and Strings
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Musik Fabrik Music Publishing
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SheetMusicPlus
ALLELUIA from Exsulte, Mozart String Orchestra, Intermediate Level for 2 violins, viola, cello and
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.521751 Composed by Amadeus Mo…
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String Orchestra - Level 3 - Digital Download SKU: A0.521751 Composed by Amadeus Mozart. Arranged by Sherry Lewis. Christian,Classical,Concert,Spiritual,Wedding. Score and parts. 22 pages. Sherry Lewis Publishing #6423107. Published by Sherry Lewis Publishing (A0.521751). ALLELUIA from Exsulte, Mozart String Orchestra for 2 violins, viola, cello and string bass chords such as C, Em, etc. Intermediate Level Score: 6 pages Parts: 10 pages Time: 3'50 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$6.50
5.96 €
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Orchestre à Cordes
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Amadeus Mozart
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Sherry Lewis
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https://www
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ALLELUIA from Exsulte, Mozart String Orchestra, Intermediate Level for 2 violins, viola, cello and
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Sherry Lewis Publishing
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SheetMusicPlus
Can't Help Falling In Love
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.521694 By Elvis Presley. By G…
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String Orchestra - Level 2 - Digital Download SKU: A0.521694 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Sherry Lewis. Rock. Score and Parts. 14 pages. Sherry Lewis Publishing #6369763. Published by Sherry Lewis Publishing (A0.521694). CAN'T HELP FALLING IN LOVE for String Orchestra of 2 violins, viola, cello and string bass chords such as C, Gm, etc. Score 6 pages parts: 6 pages time: 2' MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99
11.9 €
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Orchestre à Cordes
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Elvis Presley
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Sherry Lewis
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Can't Help Falling In Love
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Sherry Lewis Publishing
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SheetMusicPlus
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