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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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BASSE
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Allen Pote
Orchestre à Cordes
Partitions à imprimer
4 partitions trouvées
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Cordolium (Cut Version)
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Orchestre à Cordes
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AVANCÉ
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Ashlyn Graham
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Cordolium
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Ashlyn Graham
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.1408288 Composed by Ashlyn Graham. 21st Century,Chamber,Classical,Contemporary,Instructional. 17 pages. Ashlyn Grah...
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String Orchestra - Level 5 - SKU: A0.1408288 Composed by Ashlyn Graham. 21st Century,Chamber,Classical,Contemporary,Instructional. 17 pages. Ashlyn Graham #990872. Published by Ashlyn Graham (A0.1408288). This is a shortened version of my original piece Cordolium. The original description is as follows: Cordolium, meaning heartfelt grief; sorrow of the heart, heartache. I wrote this piece with one of my favorite pieces in mind: Barber's Adagio for Strings. I wanted to challenge myself to convey emotion like Barber did, and to write a piece with a lot of emotional potential. Cordolium travels through the stages of grief, allowing the musicans to express denial, agitation, and depression, before it concludes with a dejected acceptance of all the sorrow that came before. I realized the original is too long especially for advanced HS groups so I decided to create this cut version to accomodate. This shortened version forced me to cut some transitions and some beautiful sections out, but it still contains the main motifs and allows all the expression in a shorter time. It also includes more bowing and a few more dynamics to help give student groups more directions. The original work can be found here: Cordolium
$45.00
Cordolium
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Ashlyn Graham
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Cordolium
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Ashlyn Graham
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1402120 Composed by Ashlyn Graham. 21st Century,Chamber,Classical,Contemporary,Instructional. 22 pages. Ashlyn Grah...
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String Orchestra - Level 4 - SKU: A0.1402120 Composed by Ashlyn Graham. 21st Century,Chamber,Classical,Contemporary,Instructional. 22 pages. Ashlyn Graham #985324. Published by Ashlyn Graham (A0.1402120). Cordolium, meaning heartfelt grief; sorrow of the heart, heartache. I wrote this piece with one of my favorite pieces in mind: Barber's Adagio for Strings. I wanted to challenge myself to convey emotion like Barber did, and to write a piece with a lot of emotional potential. Cordolium travels through the stages of grief, allowing the musicans to express denial, agitation, and depression, before it concludes with a dejected acceptance of all the sorrow that came before.
$45.00
Scheherazade - I. The Sea and Sinbad's Ship - Pick-A-Part Arrangement for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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Grant Gilman
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Scheherazade - I. The Sea and
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Dr. Grant Gilman
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.799741 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Grant Gilman. 20th Century,Romantic Period. Sco...
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String Orchestra - Level 4 - SKU: A0.799741 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Grant Gilman. 20th Century,Romantic Period. Score and parts. 147 pages. Dr. Grant Gilman #3511981. Published by Dr. Grant Gilman (A0.799741). Nikolai Rimsky-Korsakov Scheherazade - I. The Sea and Sinbad’s Ship Pick-A-Part Arrangement for String Orchestra by Dr. Grant Gilman String Orchestra Parts in This Pick-A-Part Arrangement Violin 1A Violin 1B Violin 1C Violin 2A Violin 2B Violin 2C Viola A Viola B Viola C Cello A Cello B Cello C Bass A Bass B Bass C Harp/Keyboard (optional)About Pick-A-Part Arrangement This arrangement system employs simultaneous, multi-level difficulty parts for each string section. The goal is to accommodate all levels of playing in the preparation and performance of a symphonic masterwork. In this arrangement, there are 3 difficulty levels for each individual string section, labeled A, B, and C, respectively. Each level is a decreasing level of technical and musical difficulty, level A being the highest level of difficulty. The A level is close to, if not exactly the same as, the original string part, plus the integration of wind parts when applicable. B and C follow in a proportional reduction of difficulty level. For this solution to be most effective, some students should be encouraged to play the most challenging parts simultaneously with those playing the simpler parts. This presents the opportunity to participate in a performance that includes most of the original material. The B and C parts cover enough of the surface material while maintaining a modicum of independence from the A part. In other words, the B and C parts are able to hold their own in performance without the A parts. For example, let’s say you have a couple of talented violinists and a few more that are well below their playing level, only two violists that need a great deal of help, a plethora of cellists with a wide range of abilities, and one single bass player that is a beginner. Your distribution of parts may look something like this: Violin 1 - two on Violin 1A, one on Violin 1C, and the rest on Violin 1B Violin 2 - one on Violin 2B, the rest on Violin 2C Viola - both on Viola C Cello - three on Cello A, one on Cello B, and the rest on Cello C Bass - one on Bass C This potential setup will challenge each player at their current level of development while creating the context for a moving experience with a major orchestral work. A Note about the Score and Printing The full score is designed to be printed in portrait orientation on 17x11 tabloid size paper. Even at this size, the score can be confusing to read, especially if you are not covering every difficulty level part. If you would like a custom score showing only the parts you are using, please email me: conductor@grantgilman.com. I will be happy to work with you!www.grantgilman.comwww.americanmusepodcast.com
$29.99
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Allen Pote