Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Being
Non classifié
2 135
Piano & claviers
Piano seul
950
Piano, Voix
366
Piano Facile
316
Piano, Voix et Guitare
269
Instruments en Do
244
Orgue
72
1 Piano, 4 mains
40
Accompagnement Piano
20
Piano Trio: piano, violon, violoncelle
17
2 Pianos, 4 mains
11
Piano Quatuor: piano, violon, alto, violoncelle
7
Accordéon
6
Piano grosses notes
6
Piano Quintette: piano, 2 violons, alto, violoncelle
3
1 Piano, 6 mains
2
Piano (partie séparée)
2
Ligne De Mélodie, Piano
1
Clavecin
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 14 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
80
Guitare
77
Guitare notes et tablatures
73
Ukulele
25
Basse electrique
20
Paroles et Accords
20
4 Guitares (Quatuor)
11
Banjo
7
2 Guitares (duo)
7
Piano, Guitare (duo)
6
Mandoline
4
Guitare (partie séparée)
3
Ensemble de guitares
3
Ensemble de Ukulélés
1
Cithare
1
Mandoline, Guitare (duo)
1
Dulcimer
1
3 Guitares (trio)
1
Ukulele Baryton
1
+ 14 instrumentations
Retracter
Voix
Chorale SATB
480
Chorale 3 parties
186
Chorale TTBB
94
Chorale 2 parties
82
Chorale SSAA
64
Chorale Unison
44
Voix duo, Piano
30
Voix Soprano, Piano
17
Voix haute
16
Pack Instrumental pour Chorale
15
Voix seule
10
Voix Alto, Piano
9
Voix duo
8
Voix Tenor, Piano
7
Voix Baryton, Piano
4
Voix basse, Piano
4
Chorale
4
Chorale SSAATTBB
4
Chorale SSAB, Piano
3
Voix moyenne, Piano
2
Chorale SSATTB
2
Chorale SAATB A Cappella
1
Chorale SSATB
1
Voix, Guitare
1
+ 19 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
204
Quintette de Saxophone: 5 saxophones
169
Quatuor de Saxophones: 4 saxophones
139
Flûte, Hautbois, Clarinette, Basson
133
Flûte traversière et Piano
126
Clarinette et Piano
94
Saxophone Alto
82
Hautbois, Piano (duo)
79
2 Saxophones (duo)
78
Ensemble de saxophones
69
Quatuor de Clarinettes: 4 clarinettes
68
Saxophone Alto et Piano
68
Flûte traversière
63
Clarinette
59
Ensemble de Clarinettes
45
Saxophone Tenor
41
Saxophone Tenor et Piano
38
Saxophone (partie séparée)
36
Saxophone Soprano et Piano
35
2 Flûtes traversières (duo)
34
2 Clarinettes (duo)
32
Hautbois (partie séparée)
31
Quatuor de Flûtes : 4 flûtes
30
3 Saxophones (trio)
29
Saxophone Baryton, Piano
28
2 Flûtes traversières, Piano
27
Quatuor de Flûtes à bec
27
Quintette de Flûte : 5 flûtes
27
Ensemble de Flûtes
21
3 Clarinettes (trio)
21
Quintette de Clarinettes: 5 clarinettes
20
Hautbois
19
Saxophone
18
Cor anglais, Piano
18
2 Flûte à bec (duo)
17
Flûte et Guitare
17
5 Flûtes à bec
16
Flûte, Clarinette (duo)
15
Trio de Flûtes: 3 flûtes
14
2 Hautbois (duo)
13
Hautbois, Flûte
11
Flûte, Trombone (duo)
10
Saxophone Soprano
10
Clarinette, Violon (duo)
9
Clarinette, Basson (duo)
9
Saxophone, Clarinette (duo)
9
Flute (partie séparée)
9
Clarinette Basse, Piano
8
Flûte, Hautbois, Basson
8
Saxophone Baryton
8
Flûte, Clarinette et Basson
7
3 Flûtes à bec (trio)
7
Cor Anglais
7
Flûte, Hautbois, Clarinette (trio)
7
Flûte à bec Soprano
7
Flûte à Bec
6
Hautbois, Basson (duo)
6
Clarinette, Guitare (duo)
6
Clarinette et Alto
5
Clarinette, Trompette (duo)
5
Clarinette Basse
5
Flûte, Violon
5
Hautbois, Clarinette (duo)
5
Clarinette (partie séparée)
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Flûte, Violoncelle, Piano (trio)
4
Ensemble De Flûte à bec
4
Flûte et Trio à cordes
3
Flûte à bec Alto
3
Flûte, Trompette (duo)
3
Flûte à bec Tenor
3
Flûte, Saxophone (duo)
3
Ensemble à vent
2
Flûte, Violoncelle
2
4 Hautbois
2
Flûte, Hautbois (duo)
2
Flûte, Violon, Piano
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Flûte, Alto (duo)
2
Flûte à bec Alto, Piano
2
Ocarina
2
Flûte à bec Alto, Basse continue
1
Ensemble de Hautbois
1
Saxophone et Guitare
1
Harmonica
1
3 Hautbois
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Cor anglais, Guitare (duo)
1
Flûte à Bec, Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte à bec Soprano, Piano
1
Flute, harpe et violon
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte irlandaise
1
2 Clarinettes, Piano
1
Clarinette, Orgue
1
Flûte, Clarinette, Piano (trio)
1
Hautbois, Basson et Piano
1
+ 93 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
248
Quatuor de Cuivres : 2 trompettes, trombone, tuba
124
Ensemble de Trompettes
112
Trompette, Piano
71
Trompette
69
Trombone et Piano
61
Trombone
49
Cor et Piano
46
Ensemble de Trombones
39
Quatuor de Cuivres: 2 trompettes, Cor, trombone
39
Cor
38
Tuba
38
Tuba et Piano
37
Quatuor de Cuivres
22
Ensemble de Cors
20
Cor anglais, Piano
18
2 Trompettes (duo)
18
Quatuor de cuivres: 4 trombones
17
Trompette (partie séparée)
17
Euphonium, Piano (duo)
15
2 Trombones (duo)
15
Trombone (partie séparée)
15
Quatuor de cuivres: 4 trompettes
12
Quatuor de cuivres: 4 cors
10
4 Tubas
9
2 Cors (duo)
9
Trompette, Trombone (duo)
8
Euphonium
8
Trompette, Cor (duo)
7
Cor Anglais
7
2 Euphoniums et 2 Tubas
7
Trompette, Saxophone (duo)
6
Tuba et Orgue
5
Trio de Cuivres
3
2 Tubas (duo)
3
3 Trombones (trio)
3
Quatuor de cuivres: 2 trompettes, 2 trombones
2
3 Trompettes (trio)
2
3 Tubas (trio)
2
Cor (partie séparée)
2
3 Cors (trio)
2
Trombone, Orgue
2
Cor et Orgue
1
Cor anglais, Guitare (duo)
1
Trombone basse et Piano
1
Trombone basse
1
Cor, Tuba (duo)
1
Trompette, Tuba (duo)
1
Trombone, Cor (duo)
1
+ 44 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
337
Violon et Piano
134
Violon
117
Violoncelle, Piano
96
Violoncelle
82
Alto, Piano
79
Trio à Cordes: violon, alto, violoncelle
70
Alto seul
52
Violon, Violoncelle (duo)
37
Violon, Alto (duo)
32
Contrebasse, Piano (duo)
32
Harpe
32
2 Violons (duo)
28
Contre Basse
26
2 Violoncelles (duo)
24
Quintette à cordes: 2 violons, alto, violoncelle, basse
21
2 Altos (duo)
18
Trio à Cordes: 2 violons, violoncelle
16
4 Violoncelles
16
2 Harpes (duo)
15
Ensemble de Violons
14
Ensemble d'Altos
12
Alto, Violoncelle (duo)
11
Quatuor à cordes: 4 violons
11
Trio à cordes: 3 violins
11
Alto (partie séparée)
11
Trio à Cordes: 3 violoncelles
9
Trio à cordes: 3 altos
7
Violoncelle, Contrebasse (duo)
6
Harpe, Voix
6
Quatuor à cordes : 4 altos
6
Contrebasse (partie séparée)
4
Violon (partie séparée)
4
Harpe, Quatuor à cordes
3
Violon, Guitare (duo)
3
Piano Trio: Violon, Alto, Piano
3
Violon, Basson (duo)
3
Violoncelle , Guitare (duo)
3
Harpe, Flûte (duo)
2
Harpe et Orgue
2
Harpe, Violon, Violoncelle
2
Violoncelle, Basse continue
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violoncelle (partie séparée)
1
2 Violons, Piano
1
Violoncelle, Orgue
1
Alto et Basson
1
Alto, Guitare (duo)
1
Trio à Cordes: 2 violons, alto
1
Harpe, Trombone (duo)
1
3 Harpes
1
Violon, Clarinette, Piano (trio)
1
Ensemble de Violoncelles
1
4 Contrebasses
1
+ 49 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
562
Orchestre
130
Orchestre à Cordes
129
Ensemble de cuivres
99
Ensemble Jazz
80
Orchestre de chambre
59
Cloches
41
Jazz combo
31
Marimba
20
Batterie
14
Ensemble de Percussions
13
Fanfare
11
Percussion (partie séparée)
6
Ensemble d'École
4
Xylophone, Piano
4
Orchestre, Violon
2
Batterie (partie séparée)
2
Piano et Orchestre
1
Vibraphone et Marimba
1
Voix Mezzo-Soprano, Orchestre
1
Quintette de Cuivres: autres combinaisons
1
Vibraphone
1
2 Xylophones
1
+ 18 instrumentations
Retracter
Autres
Théorie de la musique
2
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
6
Partitions Numériques
129
Librairie Musicale
107
Matériel de Musique
563
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Being
Orchestre à Cordes
Partitions à imprimer
129 partitions trouvées
<
1
26
51
....
126
The Essence of Being
#
Orchestre à Cordes
#
AVANCÉ
#
Kevin Day
#
Josh Trentadue
#
The Essence of Being
#
T.U.X. People's Music
#
SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.1247733 Composed by Kevin Day. Arranged by Josh Trentadue. 21st Century,Contemporary,Contest,Festival. Score and Pa...
(+)
String Orchestra - Level 5 - SKU: A0.1247733 Composed by Kevin Day. Arranged by Josh Trentadue. 21st Century,Contemporary,Contest,Festival. Score and Parts. 53 pages. T.U.X. People's Music #842287. Published by T.U.X. People's Music (A0.1247733). Balancing heartfelt introspection with perpetual motion, acclaimed composer Kevin Day's The Essence of Being is purely delightful from start to finish and will resonate with performers and audiences everywhere. Josh Trentadue's arrangement of this stunning work for string orchestra expands its thematic and character to new heights.
$98.00
A Doodle Fantasy
#
Orchestre à Cordes
#
FACILE
#
Mark Hillegass Jr
#
Mark Hillegass Jr
#
A Doodle Fantasy
#
Mark Hillegass Jr.
#
SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1014280 Composed by Mark Hillegass Jr. Arranged by Mark Hillegass Jr. Contemporary,Folk. Score and parts. 8 pages. ...
(+)
String Orchestra - Level 2 - SKU: A0.1014280 Composed by Mark Hillegass Jr. Arranged by Mark Hillegass Jr. Contemporary,Folk. Score and parts. 8 pages. Mark Hillegass Jr. #5983469. Published by Mark Hillegass Jr. (A0.1014280). Grade 1.5 - String Orchestra - Based on the folk song, Yankee Doodle Dandy. Throughout the piece, you'll hear the verse and chorus being presented. However, during the slow section at m. 33, you'll hear the verse and chorus, but it's being presented backwards at the same time. Then, during the recap section at m. 48, you'll hear the verse and chorus and again, but then they're both being presented at the same time at m. 57.
$40.00
Doctor Who Theme
#
Orchestre à Cordes
#
INTERMÉDIAIRE
#
Contemporain
#
Murray Gold
#
Ian M
#
Doctor Who Theme
#
D.N.S. Productions
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.964283 Composed by Murray Gold. Arranged by Ian M. Demory. Contemporary. Score and parts. 21 pages. D.N.S. Producti...
(+)
String Orchestra - Level 3 - SKU: A0.964283 Composed by Murray Gold. Arranged by Ian M. Demory. Contemporary. Score and parts. 21 pages. D.N.S. Productions #5952795. Published by D.N.S. Productions (A0.964283). A treat for Whovians young and old, this arrangement stays true to Ron Grainer's original composition while being influenced by Murray Gold's take during the popular revival. Your audience will truly enjoy this crowd pleaser, all while imagine being whisked away to adventure in the TARDIS with their favorite Doctor!
$12.99
The American Seasons (score – violin and string orchestra)
#
Orchestre à Cordes
#
AVANCÉ
#
Mark O'Connor
#
The American Seasons
#
Mark O'Connor Musik International
#
SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.861927 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 102 pages. Mark O'Connor Musik I...
(+)
String Orchestra - Level 5 - SKU: A0.861927 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 102 pages. Mark O'Connor Musik International #6208091. Published by Mark O'Connor Musik International (A0.861927). The American Seasons (score – violin and string orchestra) MO148AScore (parts available)Music by Mark O’Connor99 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148ACopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for vi.
$37.50
C Jam Blues for String Orchestra
#
Orchestre à Cordes
#
INTERMÉDIAIRE
#
Jazz
#
Duke Ellington
#
Keith Terrett
#
C Jam Blues for String Orchest
#
Keith Terrett
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1271389 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. Instructional,Jazz,Standards...
(+)
String Orchestra - Level 3 - SKU: A0.1271389 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. Instructional,Jazz,Standards. 14 pages. Keith Terrett #863787. Published by Keith Terrett (A0.1271389). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for String Orchestra.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958. YouTube Link https://www.youtube.com/watch?v=gOlpcJhNyDI.
$12.99
The American Seasons (double basses part – violin and string orchestra)
#
Orchestre à Cordes
#
AVANCÉ
#
Mark O'Connor
#
The American Seasons
#
Mark O'Connor Musik International
#
SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.861933 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 44 pages. Mark O'Connor Musik In...
(+)
String Orchestra - Level 5 - SKU: A0.861933 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 44 pages. Mark O'Connor Musik International #6208117. Published by Mark O'Connor Musik International (A0.861933). The American Seasons (double basses part – violin and string orchestra) MO148HDouble Basses Part (score and parts available)Music by Mark O’Connor40 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148HCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Me.
$15.00
The American Seasons (cellos part – violin and string orchestra)
#
Orchestre à Cordes
#
AVANCÉ
#
Mark O'Connor
#
The American Seasons
#
Mark O'Connor Musik International
#
SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.861932 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 50 pages. Mark O'Connor Musik In...
(+)
String Orchestra - Level 5 - SKU: A0.861932 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 50 pages. Mark O'Connor Musik International #6208111. Published by Mark O'Connor Musik International (A0.861932). The American Seasons (cellos part – violin and string orchestra) MO148GCellos Part (score and parts available)Music by Mark O’Connor46 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148GCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional.
$15.00
The American Seasons (violas part – violin and string orchestra)
#
Orchestre à Cordes
#
AVANCÉ
#
Mark O'Connor
#
The American Seasons
#
Mark O'Connor Musik International
#
SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.861931 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 46 pages. Mark O'Connor Musik In...
(+)
String Orchestra - Level 5 - SKU: A0.861931 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 46 pages. Mark O'Connor Musik International #6208107. Published by Mark O'Connor Musik International (A0.861931). The American Seasons (violas part – violin and string orchestra) MO148FViolas Part (score and parts available)Music by Mark O’Connor42 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148FCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:
$15.00
The American Seasons (guitar part – violin and string orchestra)
#
Orchestre à Cordes
#
AVANCÉ
#
Mark O'Connor
#
The American Seasons
#
Mark O'Connor Musik International
#
SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.861928 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 50 pages. Mark O'Connor Musik In...
(+)
String Orchestra - Level 5 - SKU: A0.861928 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 50 pages. Mark O'Connor Musik International #6208099. Published by Mark O'Connor Musik International (A0.861928). The American Seasons (guitar part – violin and string orchestra) MO148CGuitar Part (score and parts available)Music by Mark O’Connor46 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148CCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional.
$15.00
Coronation March (Db) (String Orchestra - 3 Violins, 2 Violas, 2 Cellos, 1 Bass)
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Peter Ilyich Tchaikovsky
#
Regis Bookshar
#
Coronation March
#
Regis Bookshar
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1087401 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,...
(+)
String Orchestra - Level 4 - SKU: A0.1087401 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. Score and parts. 26 pages. Regis Bookshar #691621. Published by Regis Bookshar (A0.1087401). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. String Orchestra - Advanced/Intermediate - . This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (26 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a String Orchestra, with parts for 3 Violins, 2 Violas, 2 Violoncellos and 1 Double Bass. In addition to this arrangement of Tchaikovsky's Coronation March for a String Orchestra, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.
$26.00
"Famous Classical Themes"----String Orchestra-----Heritage Series # 8
#
Orchestre à Cordes
#
INTERMÉDIAIRE
#
John Philips
#
"Famous Classical Themes&
#
John Philips Music Service
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.947259 Arranged by John Philips. Jazz,Romantic Period. Score and parts. 38 pages. John Philips Music Service #19994...
(+)
String Orchestra - Level 3 - SKU: A0.947259 Arranged by John Philips. Jazz,Romantic Period. Score and parts. 38 pages. John Philips Music Service #1999429. Published by John Philips Music Service (A0.947259). Some of the best known classical themes are presented in a steady tempo that will please your audience. See the back cover for the tune list. Since these classic themes are presented to a young played in a manner that he can play without being faced with music that is so difficult he can never enjoy playing it, they will be more likely to go on to become more able to do the heavy stuff. This is one of a series of charts for string orchestra that are easy to play and each relate to a single theme---patriotic, ethnic, activity, holiday or age related songs. Being easy to play---nothing past an eighth note and no hemi-demi-semi-quavers--they will be more apt to be in tune and this is good for all concerned. They all are in tempo and have a swing feeling to them to make your audience like them. After all--this is about making music and not displaying technique. Parts are Violin 1 & 2 / Violin 3 (Viola Part) / Viola /Cello / Optional Acoustic Guitar (No Electrics) / Bass / Piano / Full Score / Front & Back Covers. Bass and piano are required to make these arrangements work. See the back cover for the tune list and tempos. Electric bass works if read. Maybe you could convert to a cello or upright player?
$15.00
The American Seasons (1st violins part – violin and string orchestra)
#
Orchestre à Cordes
#
AVANCÉ
#
Mark O'Connor
#
The American Seasons
#
Mark O'Connor Musik International
#
SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.861929 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 42 pages. Mark O'Connor Musik In...
(+)
String Orchestra - Level 5 - SKU: A0.861929 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 42 pages. Mark O'Connor Musik International #6208101. Published by Mark O'Connor Musik International (A0.861929). The American Seasons (1st violins part – violin and string orchestra) MO148D1st Violins Part (score and parts available)Music by Mark O’Connor38 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148DCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor M.
$15.00
Intermezzo in E minor for String Orchestra, First Position String Orchestra Series
#
Orchestre à Cordes
#
INTERMÉDIAIRE
#
Michael Bomier
#
Intermezzo in E minor for Stri
#
Michael Butkus-Bomier
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.862510 Composed by Michael Bomier. Contemporary,Instructional,Romantic Period,Standards. Score and parts. 19 pages....
(+)
String Orchestra - Level 3 - SKU: A0.862510 Composed by Michael Bomier. Contemporary,Instructional,Romantic Period,Standards. Score and parts. 19 pages. Michael Butkus-Bomier #2032125. Published by Michael Butkus-Bomier (A0.862510). The Intermezzo was a character piece from the Romantic Period which often took a specific musical idea, and created a bittersweet, elegiac mood, similar to the feeling evoked by a Nocturne. This piece takes the interval of a 6th and weaves it through several configurations to create this same feeling in the first offering from the GateWay Editions First Position String Orchestra Series. A Brahmsian feeling predominates throughout. At 5 mins 30 secs duration, this all-first-position piece makes an excellent concert feature for the ensemble that is finding its voice, but may not yet be up to the level of multi-position full-fledged classical string music. The tempo is stately without being draggy, the mood is somber but not dark, and tuneful without being busy or meandering. The key signature of one sharp makes this nicely adapted to teaching and performance by students, while the rich writing makes it quite presentable to an adult concert audience.The bowings are by string pedagogue Lori Sandell Lacey. The PDF provided here is a score, and a single part for each section. Multiple printings of each part, as needed for your ensemble, are permissible, of course. There are NO notes out of first position, or outside the range of the second year of string pedagogy, the basses having a bit more need to move up 1/2 position for each string. n There are no trills or fast passages across strings. All parts have standard up or down-bowing, no advanced bowings or pizzicato. Audio is at prescribed tempo, faster or even a bit slower are also reasonable interpretations. MBB.
$20.00
Ahwak - I Love You
#
Orchestre à Cordes
#
DÉBUTANT
#
Abdel Halim Hafez
#
Snezana Ivkovic
#
Ahwak - I Love You
#
World Violin Academy
#
SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.1505009 By Abdel Halim Hafez. By Mohammed Abdel Wahab. Arranged by Snezana Ivkovic. 20th Century,Multicultural,Worl...
(+)
String Orchestra - Level 1 - SKU: A0.1505009 By Abdel Halim Hafez. By Mohammed Abdel Wahab. Arranged by Snezana Ivkovic. 20th Century,Multicultural,World. 9 pages. World Violin Academy #1080367. Published by World Violin Academy (A0.1505009). The song Ahwak (Arabic: أهواك) has multiple translations, with the most popular being I love you or I adore you. This piece has been arranged for the Violin Orchestra by Snezana Ivkovic and serves as an educational method for students and self-learners at an elementary music level. The arrangement consists of three violin sections and can be played as a solo, duet, trio, or string orchestra. The sheet music is visually appealing and easy to follow, with vibrant colors. The song remains in its original key and has been shortened for purpose of elementary music education. The third violin section is suitable for beginner learners, the second violin section is designed for grade 1 students, while grade 2 violinists can play the melody of the first violin part.
$10.99
Scottish Anthem for String Orchestra
#
Orchestre à Cordes
#
INTERMÉDIAIRE
#
Keith Terrett
#
Keith Terrett
#
Scottish Anthem for String Orc
#
Keith Terrett
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1491758 By Keith Terrett. By Roy Williamson. Arranged by Keith Terrett. Classical,Contemporary,Contest,Festival,Ins...
(+)
String Orchestra - Level 3 - SKU: A0.1491758 By Keith Terrett. By Roy Williamson. Arranged by Keith Terrett. Classical,Contemporary,Contest,Festival,Instructional,Multicultural,World. 10 pages. Keith Terrett #1068437. Published by Keith Terrett (A0.1491758). As of February 2024, the Scottish Government have not yet formally adopted an official national anthem of Scotland, despite having the legal competence in order to do so. ] During a meeting of the Enterprise and Culture Committee on 9 May 2006 in the Scottish Parliament, MSP Michael Matheson raised the question about the status of Scotland's national anthem, citing during the recent Commonwealth Games in Melbourne, there was some debate about a Scottish national anthem, largely because a number of songs were being used as our national anthem. However, in recent discussions on the matter, no consensus was reached, other than on the point that we should have a national anthem. At that time, there was suggestions that the incumbent First Minister of Scotland Jack McConnell had claimed that a debate on an official national anthem for Scotland should take place to address the issue.MSP Murdo Fraser expressed concerns over the three most popular candidates for an official national anthem of Scotland – Flower of Scotland, Scotland the Brave and Highland Cathedral. In his speech to the committee, he claimed Flower of Scotland is inappropriate because some of the sentiments that are expressed in it are jingoistic and anti-English; Scotland the Brave is inappropriate because, although it is a good tune, it does not have words that match the upbeat nature of the music; and Highland Cathedral is a good tune, but it has no words at all.
$8.99
Bach: Toccata and Fugue in D Minor, BWV 565 for String Orchestra
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
James M
#
Bach: Toccata and Fugue in D M
#
jmsgu3
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1473627 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Halloween,Historic,Standards,Tradi...
(+)
String Orchestra - Level 4 - SKU: A0.1473627 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Halloween,Historic,Standards,Traditional. 48 pages. Jmsgu3 #1051343. Published by jmsgu3 (A0.1473627). The Toccata and Fugue in D Minor, BWV 565, is one of Johann Sebastian Bach's most famous organ compositions. It follows a typical North German structure with three main sections - a free opening (toccata), a fugal section (fugue), and a short free closing section. The exact date of composition is uncertain, but it's believed to have been written before 1708. There is no surviving autograph manuscript. The oldest known source is an undated copy by Johannes Ringk, a student of one of Bach's pupils. It was first published in 1833 through the efforts of composer Felix Mendelssohn during the early Bach Revival period. It gained widespread recognition after being featured in Disney's 1940 film Fantasia, which Leopold Stokowski adapted for orchestra. The piece has become strongly associated with horror films and Gothic imagery in Western culture. The Toccata begins with dramatic flourishes and arpeggios, showcasing the organist's virtuosity. The fugue is characterized by overlapping repetitions of the central theme in different melodic lines. It employs simple triadic harmony but includes some unexpected elements, such as a C minor subject entry and a solo pedal statement.
$49.95
Halo
#
Orchestre à Cordes
#
INTERMÉDIAIRE
#
Martin O'donnell
#
Sasha Hennings
#
Halo
#
Xess
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1391700 Composed by Martin O'donnell. Arranged by Sasha Hennings. 21st Century,Video Game. 13 pages. Xess #975216. ...
(+)
String Orchestra - Level 3 - SKU: A0.1391700 Composed by Martin O'donnell. Arranged by Sasha Hennings. 21st Century,Video Game. 13 pages. Xess #975216. Published by Xess (A0.1391700). This piece, originally created by Martin O'donnel, is an arrangement for a string orchestra in which it gives each player an equal amount of challenging and fun portions to play through. There are many callbacks to main themes within the piece, such as the low bass notes repeating throughout, and the violin/viola whole notes to wrap it all together. Using the two time signatures in the arrangement, 4/4 and 12/8, the audience will get an accurate feel for how exciting and suspenseful the music can be. In the 12/8 sections, there is a sense of being pushed along by the sound, but in the 4/4 beginning and end, the song is slower and more melodic as it ties everything together like bindings to a book.
$59.99
Cradle Song
#
Orchestre à Cordes
#
Ron Flintjer
#
Cradle Song
#
Ron Flintjer
#
SheetMusicPlus
String Orchestra - SKU: A0.1374850 Composed by Ron Flintjer. Children,Early Music,Traditional. 8 pages. Ron Flintjer #959381. Published by Ron Flintjer ...
(+)
String Orchestra - SKU: A0.1374850 Composed by Ron Flintjer. Children,Early Music,Traditional. 8 pages. Ron Flintjer #959381. Published by Ron Flintjer (A0.1374850). Lullaby, a quiet, gentle song sung to lull a child to sleep. It also could be a poem to be spoken, but in this case, it is a beautiful song and melody.This is composed for Beginning Easy Level, three part harmony, where there is 1st violin, 2nd violin doubles viola and cello doubles the string bass.Also available on SMP is the Beginning Intermediate Level, four and five part harmony, 1st violin, 2nd violin, viola, cello and string bass. This has gorgeousharmony, moving parts and basically the same melody as the Beginning Easy Level.This being a relatively short number, so your audience just might want to hear it again, and again.
$12.00
Cradle Song
#
Orchestre à Cordes
#
FACILE
#
Ron Flintjer
#
Cradle Song
#
Ron Flintjer
#
SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1374853 Composed by Ron Flintjer. Children,Early Music,Traditional. 8 pages. Ron Flintjer #959386. Published by Ron...
(+)
String Orchestra - Level 2 - SKU: A0.1374853 Composed by Ron Flintjer. Children,Early Music,Traditional. 8 pages. Ron Flintjer #959386. Published by Ron Flintjer (A0.1374853). Lullaby, a quiet, gentle song sung to lull a child to sleep. It also could be a poem to be spoken, but in this case, it is a beautiful song and melody.This is composed for Beginning Intermediate Level, four and five part harmony. Each instrument has its own part, 1st violin, 2nd violin, viola, cello and stringbass. This has gorgeous harmony, moving parts and basically the same melody as the Beginning Easy Level.Also availableon SMP is the Beginning Easy Level, where it is three part harmony, 1st violin, 2nd violin doubles viola and cello doubles string bass.This being a relatively short number, your audience just might want to hear it again, and again.
$14.00
Fugue in D Major, Op. 93 (String Orchestra)
#
Orchestre à Cordes
#
Classique
#
Richard Byrnes
#
Richard Byrnes
#
1907
#
Fugue in D Major, Op. 93
#
Richard Byrnes
#
SheetMusicPlus
String Orchestra - SKU: A0.1196411 By Richard Byrnes. By Alexander Glazunov. Arranged by Richard Byrnes. Romantic Period. Score and parts. 38 pages. Ric...
(+)
String Orchestra - SKU: A0.1196411 By Richard Byrnes. By Alexander Glazunov. Arranged by Richard Byrnes. Romantic Period. Score and parts. 38 pages. Richard Byrnes #795569. Published by Richard Byrnes (A0.1196411). Originally for organ, this fugue is indicated as being composed between 1906 & 1907.This is an arrangement for 4 Violins, Viola, 2 Celli & Bass.Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.In addition to works by Glazounov, we offer works by J.S. Bach, Debussy, Fauré, Glinka, Gottschalk, Granados, Griffes, Lotti, Mozart, Ravel, Richard Strauss, and Turina.
$34.99
Fugue in C Minor, BWV 537 (String Orchestra + Contrabassoon)
#
Orchestre à Cordes
#
Classique
#
Richard Byrnes
#
Richard Byrnes
#
Contrabassoon
#
Fugue in C Minor, BWV 537
#
Richard Byrnes
#
SheetMusicPlus
String Orchestra - SKU: A0.1164540 By Richard Byrnes. By Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. Score and parts. 68 pages. Richard ...
(+)
String Orchestra - SKU: A0.1164540 By Richard Byrnes. By Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. Score and parts. 68 pages. Richard Byrnes #764875. Published by Richard Byrnes (A0.1164540). Originally for organ, this fugue is indicated as being composed in 1716.This is an arrangement for 8 Violins, 2 Violas, 4 Celli, Bass & Contrabassoon.You will notice that there are no dynamics offered. Rather find a dynamic level for your group where all of the parts are balanced equally.Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.In addition to many works by J.S. Bach, we offer works by Brahms, Debussy, Fauré, Glinka, Gottschalk, Granados, Griffes, Lotti, Mozart, Ravel, Richard Strauss, and Turina.
$59.99
Terbangnya Burung - Conductor's Score and Instrumental Parts
#
Orchestre à Cordes
#
Contemporain
#
Arya Brahmantya Boga
#
Terbangnya Burung - Conductor'
#
Arya Brahmantya Boga
#
SheetMusicPlus
String Orchestra - SKU: A0.493684 Composed by Arya Brahmantya Boga. Contemporary. Score and parts. 30 pages. Published by Arya Brahmantya Boga (A0.49368...
(+)
String Orchestra - SKU: A0.493684 Composed by Arya Brahmantya Boga. Contemporary. Score and parts. 30 pages. Published by Arya Brahmantya Boga (A0.493684). A song based on the poem Terbangnya Burung by Sapardi Djoko Damono. This song depicted someone who must set his/her beloved one free from his/her boundaries; like a bird soaring up to the sky, no one, not even that person, could imagine where it will fly. He/she must be willing to set his/her beloved one free without knowing what he/she thinks or feels, while he himself/she herself is being swallowed by his/her own insecurity of their relationship.
$60.00
Carousel for string orchestra
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Jennifer Bellor
#
Carousel for string orchestra
#
Bellor
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1244242 Composed by Jennifer Bellor. 21st Century,Classical,Contemporary,Instructional. Score and Parts. 36 pages. ...
(+)
String Orchestra - Level 4 - SKU: A0.1244242 Composed by Jennifer Bellor. 21st Century,Classical,Contemporary,Instructional. Score and Parts. 36 pages. Bellor #839166. Published by Bellor (A0.1244242). For string orchestra Level 4 Composed by Jennifer Bellor (www.jenniferbellor.com) Duration: 5'Score and Parts Carousel is inspired by the piece Alone in Kyoto by the french band Air which was featured in the Sophia Coppola Film, Lost in Translation. Scarlett Johansson’s character is exploring the Heian Shrine by herself to the sounds of electronic music, plucked piano and guitar. Carousel features rhythmic pizzicato strings in all four parts with bowed solos in the violins and cellos. The constant driving pizzicatos evoke the feeling of being on a mysterious carousel.Carousel was premiered by the Las Vegas Youth Chamber Orchestra on May 1, 2023, conducted by Tim Warren.
$99.99
Overture for Strings No. 3 - Score Only
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Joseph Bologne, Chevalier de S
#
Robert Debbaut
#
Overture for Strings No. 3 - S
#
ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
(+)
String Orchestra - Level 4 - SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 28 pages. ROBERT DEBBAUT #783207. Published by ROBERT DEBBAUT (A0.1183534). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
I Got The Blues - Easy string ensemble (Mixed Abilities) for flexible instrumentation
#
Orchestre à Cordes
#
DÉBUTANT
#
Austin Ralphson
#
I Got The Blues - Easy string
#
Austin Ralphson
#
SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.563591 Composed by Austin Ralphson. Blues,Concert,Instructional,Standards. Score and parts. 39 pages. Austin Ralphs...
(+)
String Orchestra - Level 1 - SKU: A0.563591 Composed by Austin Ralphson. Blues,Concert,Instructional,Standards. Score and parts. 39 pages. Austin Ralphson #4317691. Published by Austin Ralphson (A0.563591). Children (and adults) who learn a musical instrument will always progress at different rates. Students also develop some of the many skills involved in instrumental playing faster than other skills.The Mixed Abilities School Ensemble Series for Easy String Orchestra has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts).Each piece has a total of 5 different parts which are fully interchangeable between violins, violas and cellos (double basses can double the cello parts). So whether you have 15 violins and a viola, or 3 violins, or 4 cellos or whatever, the pieces will still work well together. All parts are provided for all instruments.Part 5 uses long notes on open strings. The other parts gradually increase in difficulty up to Part 1, which uses first and second positions. The teacher should select appropriate parts for the players in the group.I GOT THE BLUES is the second piece in this series, and uses typical Blues characteristics such as syncopation and swung quavers. It also includes a section in which any player can improvise; suggested notes to use in the solo are provided along with backing figures.Please listen to the mp3 file, which is an electronic example of the piece being played with 4 violin parts and a cello on Part 5.The purchaser of this product may print as many copies of the parts as required in order for the piece to work successfully with the ensemble. They must not copy, print or distribute the score or parts for others who have not purchased the product independently.Complete string catalogue arr. Austin Ralphson is here (copy and paste to new tab):www.ralphsonstrings.com
$9.99
<
1
26
51
....
126
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale