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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
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50
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Tuba
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
57
Violon
18
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11
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10
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10
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9
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9
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7
Harpe
7
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6
Alto seul
6
Contrebasse (partie séparée)
5
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5
Trio à Cordes: 2 violons, violoncelle
5
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4
Trio à cordes
4
Alto, Piano
4
Harpe (partie séparée)
3
Violon, Alto (duo)
3
2 Altos (duo)
3
Alto, Violoncelle (duo)
2
Quatuor à cordes : 4 altos
2
Quatuor à cordes: 4 violons
2
Contre Basse
2
4 Violoncelles
2
Harpe, Voix
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violoncelle , Guitare (duo)
1
Violoncelle, Basse continue
1
Trio à cordes: 3 violins
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à Cordes: 2 violons, alto
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
18
Ensemble Jazz
10
Orchestre à Cordes
8
Jazz combo
6
Ensemble de cuivres
5
Percussion (partie séparée)
5
Orchestre
4
Batterie (partie séparée)
3
Orchestre de chambre
3
Ensemble de Percussions
2
Batterie
2
Fanfare
1
Marimba
1
3 Marimbas
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Timbales (partie séparée)
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AUTRES
Vous avez sélectionné:
Ben E. King
SheetMusicPlus
Partitions à imprimer
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Stand By Me
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1239457 By Ben E. King. By Be…
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String Orchestra - Level 3 - Digital Download SKU: A0.1239457 By Ben E. King. By Ben E. King, Jerry Leiber, and Mike Stoller. Arranged by Danl. Hip-Hop,R & B,Rock,Soul,Standards,Wedding. Score and Parts. 24 pages. Danl #834849. Published by Danl (A0.1239457). Stand by Me Arranged for string orchestra. This rockin' rhythmic rendition of the great Ben E. King classic is a great for developing rhythmic string playing techniques. Ghost bowing will help your playters master this groove, and who needs a drum kit if you know how to slap? Preperatory exercies included! (Includes string orchestra score and parts for Violin 1, Violin 2, Viola, Cello, and Bass as well as some preperatory rhytmic/technical exercises. Questions about the arrangement? You can reach Danl by email: dnjk27@gmail.com.
$50.00
45.34 €
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Orchestre à Cordes
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Ben E
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Danl
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Stand By Me
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Danl
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SheetMusicPlus
Stand By Me
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1414950 By Ben E. King. By Be…
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String Orchestra - Level 3 - Digital Download SKU: A0.1414950 By Ben E. King. By Ben E. King, Jerry Leiber, and Mike Stoller. Arranged by Dr. Tianna Heppner Smith www.HeppnerMusic.com. Broadway,Film/TV,Instructional,Musical/Show,Pop,Wedding. 12 pages. Heppner Music Publishing #996679. Published by Heppner Music Publishing (A0.1414950). Your group and audiences alike will love this nostalgic tune.Expertly arranged for string players by a string performer. Please note that bowings have intentionally been omitted to give freedom and flexibility to the ensemble.Included is a copy of the score and all parts.
$49.99
45.33 €
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Orchestre à Cordes
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Ben E
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Dr
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Stand By Me
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Heppner Music Publishing
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SheetMusicPlus
Stand By Me
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.814971 By Ben E. King. By Ben…
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String Orchestra - Level 4 - Digital Download SKU: A0.814971 By Ben E. King. By Ben E. King, Jerry Leiber, and Mike Stoller. Arranged by Julie Doubleday. Soul. Score and parts. 20 pages. Julie Doubleday #4727091. Published by Julie Doubleday (A0.814971). Stand By Me for String OrchestraScore and Parts.
$20.00
18.13 €
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Orchestre à Cordes
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Ben E
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Julie Doubleday
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Stand By Me
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Julie Doubleday
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SheetMusicPlus
Stand By Me
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.814968 By Ben E. King. By Ben…
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String Orchestra - Level 3 - Digital Download SKU: A0.814968 By Ben E. King. By Ben E. King, Jerry Leiber, and Mike Stoller. Arranged by Julie Doubleday. Soul. Score and parts. 10 pages. Julie Doubleday #4727085. Published by Julie Doubleday (A0.814968). Stand By Me for Intermediate String OrchestraScore and Parts.
$20.00
18.13 €
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Orchestre à Cordes
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Ben E
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Julie Doubleday
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Stand By Me
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Julie Doubleday
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SheetMusicPlus
Stand By Me
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.814969 By Ben E. King. By Ben…
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String Orchestra - Level 2 - Digital Download SKU: A0.814969 By Ben E. King. By Ben E. King, Jerry Leiber, and Mike Stoller. Arranged by Julie Doubleday. Soul. Score and parts. 10 pages. Julie Doubleday #4727089. Published by Julie Doubleday (A0.814969). Stand By Me for Junior String OrchestraScore and Parts.
$20.00
18.13 €
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Orchestre à Cordes
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Ben E
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Julie Doubleday
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Stand By Me
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Julie Doubleday
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SheetMusicPlus
Stand By Me (string orchestra)
Orchestre à Cordes
By Ben E. King. Arranged by Lena Seeger. Score, Set of Parts. 24 pages. Published by Lena …
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By Ben E. King. Arranged by Lena Seeger. Score, Set of Parts. 24 pages. Published by Lena Seeger (H0.174981-778900). - Score,Set of Parts - - Lena Seeger
$14.99
13.59 €
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Orchestre à Cordes
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Ben E
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Lena Seeger
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Stand By Me
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Lena Seeger
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SheetMusicPlus
The Edmund Fitzgerald - Concerto for Piano and Strings
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey P…
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String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
$9.99
9.06 €
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Orchestre à Cordes
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Geoffrey Peterson
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The Edmund Fitzgerald - Concerto for Piano and Strings
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Geoffrey Peterson
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SheetMusicPlus
The Concise String Method, Book 2- Teacher's Score
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.808194 Composed by Mark W. Hu…
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String Orchestra - Level 2 - Digital Download SKU: A0.808194 Composed by Mark W. Huxhold. Instructional. Score and parts. 68 pages. Mark Wayne Music, LLC #3489363. Published by Mark Wayne Music, LLC (A0.808194). Developed by a String Specialist for the String Specialist by Mark W. Huxhold (Who's Who Among America's Teachers- 2000, 2005, 2006) I developed this method over a 20 year period as a school orchestra teacher faced with ever diminishing classroom instructional time. My goal was to preserve and articulate the scope and sequence of the curriculum in a concise and efficient manner. This method is intended to foster music reading skills from the beginning when used in conjunction with teacher initiated rote and modeling teaching techniques. Book 2 continues in standard portrait format at 100% scale. Curriculum Scope & Sequence Prerequisite: Book 1 or 1st position (bass 1st & 3rd pos.) on A and D strings. D major, Common time. Eighth, quarter and half notes. Detáche and whole bowing. Technique: Position:violin/viola-1st position (viola half pos.), cello- 1st and extended position, bass- half, 1st, 2nd, 3rd, 3 1/2 position. Bowing: Slurs, Richochet Keys: G, C, F/d, Bb/g, Eb/c, A/f#, b, e, a Rhythm Time signatures: 2/4, 3/4, 6/8 Notes/Rests: whole, eight, dotted half, sixteenth, dotted quarter & eight, eighth & quarter triplets Concerning the Double BassMy experience as a classroom teacher and a bassist has convinced me that a beginning bassist develops best in a heterogeneous string class when playing the same contour as the other instruments. This is achieved by introducing the bassist to 3rd position when the other instruments learn C# and D on the A string. I do advocate marking 3rd position on the fingerboard. Another benefit is that the bassist is able to develop good tone production and intonation more easily on the higher 2 strings.
$3.99
3.62 €
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Orchestre à Cordes
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Mark W
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The Concise String Method, Book 2- Teacher's Score
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Mark Wayne Music, LLC
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SheetMusicPlus
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