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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ben Mark
Non classifié
264
Piano & claviers
Piano seul
104
Piano Facile
56
Piano, Voix
32
Orgue
29
Piano, Voix et Guitare
28
Instruments en Do
13
Accordéon
8
Piano Trio: piano, violon, violoncelle
3
2 Pianos, 4 mains
2
Piano (partie séparée)
1
+ 5 instrumentations
Retracter
Guitares
Guitare notes et tablatures
90
2 Guitares (duo)
6
Guitare
4
Ligne De Mélodie, (Paroles) et Accords
4
Piano, Guitare (duo)
3
Dulcimer
2
Basse electrique
2
Guitare (partie séparée)
2
Ukulele
1
Paroles et Accords
1
Ensemble de guitares
1
3 Guitares (trio)
1
Banjo
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
90
Chorale 3 parties
38
Pack Instrumental pour Chorale
38
Chorale TTBB
19
Chorale 2 parties
3
Chorale SSAA
3
Chorale Unison
2
Chorale SSAB, Piano
1
Chorale SSATB
1
Voix seule
1
Voix Alto, Piano
1
Chorale SSAATTBB
1
+ 7 instrumentations
Retracter
Vents
Clarinette (partie séparée)
21
Saxophone (partie séparée)
20
Saxophone Alto
18
Flûte traversière
17
Flute (partie séparée)
12
Flûte et Guitare
12
Quatuor de Saxophones: 4 saxophones
9
Hautbois, Piano (duo)
7
Saxophone Alto et Piano
7
Hautbois (partie séparée)
6
Clarinette et Piano
6
Flûte, Hautbois, Clarinette, Basson
5
Flûte traversière et Piano
5
Saxophone Tenor et Piano
5
Saxophone Tenor
5
2 Saxophones (duo)
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Clarinette
3
Flûte, Hautbois, Clarinette (trio)
2
Quatuor de Flûtes : 4 flûtes
2
Flûte à bec Alto, Piano
2
2 Flûtes traversières (duo)
2
Ensemble de Flûtes
2
Quatuor de Clarinettes: 4 clarinettes
2
Hautbois
1
Hautbois, Basson et Piano
1
3 Saxophones (trio)
1
Flûte à bec Soprano, Piano
1
2 Clarinettes (duo)
1
Ensemble de saxophones
1
2 Saxophones, Piano
1
Ensemble de Clarinettes
1
Saxophone Soprano et Piano
1
Flûte à Bec
1
+ 29 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
29
Trombone (partie séparée)
22
Cor (partie séparée)
12
Trombone
7
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Trombone et Piano
6
Trompette
6
Euphonium (partie séparée)
4
Tuba (partie séparée)
4
Quatuor de cuivres: 4 trombones
3
Trompette, Piano
3
Quatuor de cuivres: 4 cors
2
2 Trompettes (duo)
2
Cor
2
Tuba
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Trompette, Trombone (duo)
1
Cor et Piano
1
Tuba et Piano
1
Trombone basse et Piano
1
+ 15 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
34
Violon et Piano
24
Violoncelle, Piano
8
Violon
8
Alto, Piano
7
2 Violons (duo)
7
Contrebasse (partie séparée)
6
Harpe
6
Violon, Violoncelle (duo)
5
Violon (partie séparée)
4
2 Violoncelles (duo)
4
Violon, Alto (duo)
3
Violoncelle, Contrebasse (duo)
3
Violoncelle
3
Alto seul
2
5 Harpes
2
3 Harpes
2
Trio à Cordes: violon, alto, violoncelle
2
Alto (partie séparée)
1
Trio à Cordes: 2 violons, violoncelle
1
2 Harpes (duo)
1
Violoncelle (partie séparée)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe (partie séparée)
1
Violon, Guitare (duo)
1
Violoncelle , Guitare (duo)
1
+ 21 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
28
Ensemble Jazz
22
Orchestre à Cordes
18
Batterie
13
Orchestre
10
Cloches
4
Timbales (partie séparée)
4
Ensemble de Percussions
3
Ensemble de cuivres
3
Orchestre de chambre
2
Jazz combo
2
Fanfare
2
Batterie (partie séparée)
1
Percussion (partie séparée)
1
Quintette de Cuivres: autres combinaisons
1
+ 10 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
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Vous avez sélectionné:
Ben Mark
Orchestre à Cordes
Partitions à imprimer
18 partitions trouvées
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1
Supermarket Flowers
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Orchestre à Cordes
#
FACILE
#
Pop musique
#
Ed Sheeran
#
Olga Leonard
#
Supermarket Flowers
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Olga Leonard
#
SheetMusicPlus
By Ed Sheeran. By Benjamin Levin, Johnny McDaid, and Ed Sheeran. Arranged by Olga Leonard. 155, Contemporary, Pop. Score and parts. 11 pages. Olga Leo...
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By Ed Sheeran. By Benjamin Levin, Johnny McDaid, and Ed Sheeran. Arranged by Olga Leonard. 155, Contemporary, Pop. Score and parts. 11 pages. Olga Leonard #730724. Published by Olga Leonard
$49.99
Albendlied (Evening Song)
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Orchestre à Cordes
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FACILE
#
Josef Gabriel Rheinberger
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Leonard Ingrande
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Albendlied
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Ingrande Music Production
#
SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1319136 Composed by Josef Gabriel Rheinberger. Arranged by Leonard Ingrande. Chamber,Classical,Contest,Early Music,...
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String Orchestra - Level 2 - SKU: A0.1319136 Composed by Josef Gabriel Rheinberger. Arranged by Leonard Ingrande. Chamber,Classical,Contest,Early Music,Festival. 14 pages. Ingrande Music Production #907768. Published by Ingrande Music Production (A0.1319136). This piece featrures phrasing with combined legato and detache techniques. Â Furthermore, the slow tempo and long phrases require a thoughtful and well-controlled use of the bow. Imitative voices traded between instruments invite each section to articulate their entrances thus keeping the forward motion alive. Â Finally, although the dynamics remain mostly in the reange of p or mp--mf or f, there are moments of ff and pp (especially at the end) with crescendo and diminuendo markings throughout which are crucial for bringing out the expressive and poetic nature of the piece.
$55.00
The Concise String Method, Book 2- Teacher's Score
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Orchestre à Cordes
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FACILE
#
Methodes
#
Mark W
#
The Concise String Method, Boo
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Mark Wayne Music, LLC
#
SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.808194 Composed by Mark W. Huxhold. Instructional. Score and parts. 68 pages. Mark Wayne Music, LLC #3489363. Publi...
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String Orchestra - Level 2 - SKU: A0.808194 Composed by Mark W. Huxhold. Instructional. Score and parts. 68 pages. Mark Wayne Music, LLC #3489363. Published by Mark Wayne Music, LLC (A0.808194). Developed by a String Specialist for the String Specialist by Mark W. Huxhold (Who's Who Among America's Teachers- 2000, 2005, 2006) I developed this method over a 20 year period as a school orchestra teacher faced with ever diminishing classroom instructional time. My goal was to preserve and articulate the scope and sequence of the curriculum in a concise and efficient manner. This method is intended to foster music reading skills from the beginning when used in conjunction with teacher initiated rote and modeling teaching techniques. Book 2 continues in standard portrait format at 100% scale. Curriculum Scope & Sequence Prerequisite: Book 1 or 1st position (bass 1st & 3rd pos.) on A and D strings. D major, Common time. Eighth, quarter and half notes. Detáche and whole bowing. Technique: Position:violin/viola-1st position (viola half pos.), cello- 1st and extended position, bass- half, 1st, 2nd, 3rd, 3 1/2 position. Bowing: Slurs, Richochet Keys: G, C, F/d, Bb/g, Eb/c, A/f#, b, e, a Rhythm Time signatures: 2/4, 3/4, 6/8 Notes/Rests: whole, eight, dotted half, sixteenth, dotted quarter & eight, eighth & quarter triplets Concerning the Double BassMy experience as a classroom teacher and a bassist has convinced me that a beginning bassist develops best in a heterogeneous string class when playing the same contour as the other instruments. This is achieved by introducing the bassist to 3rd position when the other instruments learn C# and D on the A string. I do advocate marking 3rd position on the fingerboard. Another benefit is that the bassist is able to develop good tone production and intonation more easily on the higher 2 strings.
$3.99
Menuet in G major BWV 114
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Orchestre à Cordes
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FACILE
#
Classique
#
Johann Sebastian Bach
#
Mark W
#
Menuet in G major BWV 114
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Mark Wayne Music, LLC
#
SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.808386 Composed by Johann Sebastian Bach. Arranged by Mark W. Huxhold. Baroque,Standards. Score and parts. 1 pages....
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String Orchestra - Level 2 - SKU: A0.808386 Composed by Johann Sebastian Bach. Arranged by Mark W. Huxhold. Baroque,Standards. Score and parts. 1 pages. Mark Wayne Music, LLC #3679641. Published by Mark Wayne Music, LLC (A0.808386). The famous Minuet in G major is an excellent piece for students learning to play in parts. Arranged for string orchestra in 2 parts, it is also suitable as a duet for violin/viola, cello, or bass. Curricular Benchmarks: Key- G major Bowing & Articulation- limited 2 eighth note slurs in violin Rehearsal Letters/Numbers History- baroque period Left-Hand Technique: (most advanced) violin- low 2nd finger (L2), 4th finger viola- high 3rd finger (H3), 4th finger cello- 1st position bass- 1st, 2nd, and 3rd position
$1.99
Symphony No. 7, II. Allegretto
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Ludwig van Beethoven
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Mark W
#
Symphony No. 7, II. Allegretto
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Mark Wayne Music, LLC
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.808181 Composed by Ludwig van Beethoven. Arranged by Mark W. Huxhold. Contemporary,Romantic Period,Standards. Score...
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String Orchestra - Level 4 - SKU: A0.808181 Composed by Ludwig van Beethoven. Arranged by Mark W. Huxhold. Contemporary,Romantic Period,Standards. Score and parts. 4 pages. Mark Wayne Music, LLC #3233761. Published by Mark Wayne Music, LLC (A0.808181). Feature your lower strings with this beautiful Beethoven classic. Arranged for string orchestra, this is an abridgment retaining the original notation of the original. With the string student in mind, bowing and fingering is edited to the level of proficiency required for this piece. Curricular Benchmarks: Key- A minor Tempo- Allegretto Bowing- slurred staccatos (hooked bowing) Dynamics- crescendo/diminuendo Terms- poco a poco History- romantic period Left-Hand Technique:cello- extended position, 3rd position
$6.95
Symphony No. 7, II. Allegretto
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Ludwig van Beethoven
#
Mark W
#
Symphony No. 7, II. Allegretto
#
Mark Wayne Music, LLC
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.808396 Composed by Ludwig van Beethoven. Arranged by Mark W. Huxhold. Contemporary,Romantic Period,Standards. Score...
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String Orchestra - Level 4 - SKU: A0.808396 Composed by Ludwig van Beethoven. Arranged by Mark W. Huxhold. Contemporary,Romantic Period,Standards. Score and parts. 12 pages. Mark Wayne Music, LLC #3679781. Published by Mark Wayne Music, LLC (A0.808396). Feature your lower strings with this beautiful Beethoven classic. Arranged for string orchestra, this is an abridgment retaining the original notation of the original. With the string student in mind, bowing and fingering is edited to the level of proficiency required for this piece. Curricular Benchmarks: Key- A minor Tempo- Allegretto Bowing- slurred staccatos (hooked bowing) Dynamics- crescendo/diminuendo Terms- poco a poco History- romantic period Left-Hand Technique: cello- extended position, 3rd position
$14.95
Symphony No. 94 "Surprise", II. Andante
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Orchestre à Cordes
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INTERMÉDIAIRE
#
Classique
#
Franz Joseph Haydn
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Mark W
#
Symphony No. 94 "Surprise
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Mark Wayne Music, LLC
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.808349 Composed by Franz Joseph Haydn. Arranged by Mark W. Huxhold. Classical,Standards. Score and parts. 15 pages....
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String Orchestra - Level 3 - SKU: A0.808349 Composed by Franz Joseph Haydn. Arranged by Mark W. Huxhold. Classical,Standards. Score and parts. 15 pages. Mark Wayne Music, LLC #3676341. Published by Mark Wayne Music, LLC (A0.808349). A student favorite, they love the surprise fortissimo. Arranged for string orchestra, this is an abridgment retaining the original notation of the original. With the string student in mind, bowing and fingering is edited to the level of proficiency required for this piece. 3rd violin part included. Curricular Benchmarks: Key- C major/Cminor *parallel major/minor Dynamics (in general) Tempo- Andante, fermata Bowing & Articulation- staccato, tenuto, slurred staccatos (hooked bowing), double stops & chords Terms- poco a poco History- classic period Left Hand Technique: violin- intro to 3rd position (optional in 2 measures) violin, viola- low first (L1), low 4th (L4) cello- extended position bass- half position
$12.95
Ave Maria
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Josquin Desprez
#
Mark W
#
Ave Maria
#
Mark Wayne Music, LLC
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.808327 Composed by Josquin Desprez. Arranged by Mark W. Huxhold. Renaissance,Standards. Score and parts. 21 pages. ...
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String Orchestra - Level 4 - SKU: A0.808327 Composed by Josquin Desprez. Arranged by Mark W. Huxhold. Renaissance,Standards. Score and parts. 21 pages. Mark Wayne Music, LLC #3675897. Published by Mark Wayne Music, LLC (A0.808327). One of the most famous pieces from the renaissance, Desprez’s Ave Maria is noted for its forward-thinking use of counterpoint and inference towards full tonality. Arranged for string quartet in modern notation and retaining the original time signatures, this piece is accessible to the advanced intermediate player. Curricular Benchmarks: Renaissance period Time signatures: 3/2, 4/2, 6/2
$12.95
Symphony No. 7, II. Allegretto
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Ludwig van Beethoven
#
Mark W
#
Symphony No. 7, II. Allegretto
#
Mark Wayne Music, LLC
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.808392 Composed by Ludwig van Beethoven. Arranged by Mark W. Huxhold. Contemporary,Romantic Period,Standards. Score...
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String Orchestra - Level 4 - SKU: A0.808392 Composed by Ludwig van Beethoven. Arranged by Mark W. Huxhold. Contemporary,Romantic Period,Standards. Score and parts. 9 pages. Mark Wayne Music, LLC #3679733. Published by Mark Wayne Music, LLC (A0.808392). Feature your lower strings with this beautiful Beethoven classic. Arranged for string orchestra, this is an abridgment retaining the original notation of the original. With the string student in mind, bowing and fingering is edited to the level of proficiency required for this piece.Curricular Benchmarks:Key- A minorTempo- AllegrettoBowing- slurred staccatos (hooked bowing) Dynamics- crescendo/diminuendoTerms- poco a pocoHistory- romantic periodLeft-Hand Technique: cello- extended position, 3rd position
$12.95
Menuet in G major BWV 114
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Orchestre à Cordes
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FACILE
#
attr
#
Mark W
#
Menuet in G major BWV 114
#
Mark Wayne Music, LLC
#
SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.808185 Composed by attr. Christian Petzold (priorly attr. J.S. Bach). Arranged by Mark W. Huxhold. Baroque,Standard...
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String Orchestra - Level 2 - SKU: A0.808185 Composed by attr. Christian Petzold (priorly attr. J.S. Bach). Arranged by Mark W. Huxhold. Baroque,Standards. Score and parts. 3 pages. Mark Wayne Music, LLC #3238397. Published by Mark Wayne Music, LLC (A0.808185). The famous Minuet in G major is an excellent piece for students learning to play in parts. Arranged for string orchestra in 2 parts, it is also suitable as a duet for violin/viola, cello, or bass. Curricular Benchmarks: Key- G major Bowing & Articulation- limited 2 eighth note slurs in violin Rehearsal Letters/Numbers History- baroque period Left Hand Technique: (most advanced) violin- low 2nd finger (L2), 4th finger viola- high 3rd finger (H3), 4th finger cello- 1st position bass- 1st, 2nd, and 3rd position
$6.95
Menuet in G major BWV 114
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Orchestre à Cordes
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FACILE
#
Classique
#
Johann Sebastian Bach
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Mark W
#
Menuet in G major BWV 114
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Mark Wayne Music, LLC
#
SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.808384 Composed by Johann Sebastian Bach. Arranged by Mark W. Huxhold. Baroque,Standards. Score and parts. 7 pages....
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String Orchestra - Level 2 - SKU: A0.808384 Composed by Johann Sebastian Bach. Arranged by Mark W. Huxhold. Baroque,Standards. Score and parts. 7 pages. Mark Wayne Music, LLC #3679637. Published by Mark Wayne Music, LLC (A0.808384). The famous Minuet in G major is an excellent piece for students learning to play in parts. Arranged for string orchestra in 2 parts, it is also suitable as a duet for violin/viola, cello, or bass. Curricular Benchmarks: Key- G major Bowing & Articulation- limited 2 eighth note slurs in violin Rehearsal Letters/Numbers History- baroque period Left-Hand Technique: (most advanced) violin- low 2nd finger (L2), 4th finger viola- high 3rd finger (H3), 4th finger cello- 1st position bass- 1st, 2nd, and 3rd position
$12.95
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Viola True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792379. Published by Aaron Meier (A0.922639). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Double Bass True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit.
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Violin II
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792367. Published by Aaron Meier (A0.922636). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin II True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Cello
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
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Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792373. Published by Aaron Meier (A0.922637). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Cello True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
RONDO MODERATO (med.easy for beginners)
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Orchestre à Cordes
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FACILE
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Contemporain
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Vincent Vitale
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RONDO MODERATO
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Vincent Vitale
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.835566 Composed by Vincent Vitale. Contemporary. Score and parts. 10 pages. Vincent Vitale #4988187. Published by V...
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String Orchestra - Level 2 - SKU: A0.835566 Composed by Vincent Vitale. Contemporary. Score and parts. 10 pages. Vincent Vitale #4988187. Published by Vincent Vitale (A0.835566). RONDO MODERATO is written for a beginning string orchestra where students have 2-3 years of playing experience. I chose to write this piece in a three part harmony so if you are lacking instrumentation this will certainly benefit you and allow your group to sound fuller…the 2nd violin and viola are doubled as are the violincello and contrabass. There can be as little as one player per part or placing numerous players on each part will produce a bigger and fuller sound. Even advanced players will find these pieces fun to play. Complete with full score and parts. Music does not have to be difficult to sound good. If you are looking for something playable and full sounding you found it in this string orchestra series for young players composed by a retired music teacher who actually worked with young players. These compositions contain flowing melodies with unique harmonies, easy key signatures and have generated great audience appeal. Counterpoint is also incorporated into many of the compositions. Bow markings are indicated. Enjoy these pieces along with your students and audience. If this composition appeals to you please consider others in this string series by typing VINCENT VITALE in the search bar located on the home page. I thank you very much for your consideration and wish you and your students much musical success. …Copyright 2019...
$12.00
The Edmund Fitzgerald - Concerto for Piano and Strings
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Orchestre à Cordes
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AVANCÉ
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Contemporain
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Geoffrey Peterson
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The Edmund Fitzgerald - Concer
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Geoffrey Peterson
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Publishe...
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String Orchestra - Level 5 - SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
$9.99
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Mentions légales
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Version intégrale
Ben Mark
