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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
But One
Sheetmusicplus
Non classifié
5 458
Piano & claviers
Piano seul
1 926
Piano, Voix
678
Piano Facile
451
Piano, Voix et Guitare
275
Orgue
220
Piano grosses notes
164
Instruments en Do
138
Accompagnement Piano
97
1 Piano, 4 mains
80
Accordéon
52
Piano (partie séparée)
36
Piano Trio: piano, violon, violoncelle
30
2 Pianos, 4 mains
26
Piano Quatuor: piano, violon, alto, violoncelle
10
Piano Quatuor: piano, 2 violons, violoncelle
8
Orgue, Piano (duo)
6
Clavecin
4
Orgue, Trompette (duo)
3
2 Pianos, 8 mains
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Clavier
2
1 Piano, 6 mains
2
Ensemble d'Accordéons
1
Orgue et Orchestre
1
+ 19 instrumentations
Retracter
Guitares
Guitare
207
Guitare notes et tablatures
143
Guitare (partie séparée)
78
Ukulele
59
Ligne De Mélodie, (Paroles) et Accords
47
2 Guitares (duo)
35
Basse electrique
34
Dulcimer
17
4 Guitares (Quatuor)
12
Paroles et Accords
10
Mandoline, Piano (duo)
10
Ukulele Baryton
7
Mandoline
7
3 Guitares (trio)
6
Piano, Guitare (duo)
6
Ensemble de guitares
5
Banjo
5
Mandoline, Guitare (duo)
3
Guitare, Violon, Violoncelle (trio)
3
2 Mandolines (duo)
2
Ensemble de Ukulélés
1
Orchestre à Plectres
1
Basse électrique (partie séparée)
1
+ 18 instrumentations
Retracter
Voix
Chorale SATB
1 009
Chorale 3 parties
332
Chorale 2 parties
202
Chorale TTBB
194
Chorale SSAA
128
Voix Baryton, Piano
78
Chorale Unison
70
Voix duo, Piano
50
Voix duo
49
Pack Instrumental pour Chorale
38
Voix Soprano, Piano
33
Voix haute
27
Voix moyenne, Piano
17
Voix Alto, Piano
13
Voix Tenor, Piano
12
Voix seule
12
Voix basse, Piano
11
Chorale
6
Chorale SSATTB
5
Voix Soprano
3
Chorale SSAATTBB
3
Voix Tenor
3
Voix basse
2
Voix Mezzo-Soprano, Piano
2
Voix Soprano, Orchestre
1
Voix Baryton
1
Chorale SSATB
1
+ 22 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
806
2 Saxophones (duo)
740
Saxophone (partie séparée)
466
Saxophone Alto et Piano
361
3 Saxophones (trio)
321
Quintette de Saxophone: 5 saxophones
292
Saxophone Tenor et Piano
276
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
274
Saxophone Soprano et Piano
219
Flûte traversière et Piano
213
Saxophone Alto
181
Flûte, Hautbois, Clarinette, Basson
169
2 Clarinettes (duo)
167
Clarinette et Piano
166
Ensemble de saxophones
154
2 Flûtes traversières (duo)
143
Hautbois, Piano (duo)
137
Saxophone Tenor
136
Saxophone, Clarinette (duo)
135
Quatuor de Clarinettes: 4 clarinettes
127
Saxophone Baryton, Piano
122
Clarinette
108
Clarinette, Violon (duo)
98
Flûte traversière
80
Ensemble de Clarinettes
77
Clarinette, Trompette (duo)
75
Flûte, Clarinette (duo)
70
Quatuor de Flûtes : 4 flûtes
69
Ensemble de Flûtes
64
2 Hautbois (duo)
58
Hautbois, Basson (duo)
54
Flûte, Saxophone (duo)
50
Flûte, Violon
48
Hautbois, Clarinette (duo)
44
Clarinette et Alto
44
Hautbois (partie séparée)
43
3 Clarinettes (trio)
42
Hautbois, Flûte
42
Flûte, Trompette (duo)
39
Flûte et Guitare
37
Flûte, Alto (duo)
36
Cor anglais, Piano
34
Quintette de Clarinettes: 5 clarinettes
30
2 Flûte à bec (duo)
28
Flute (partie séparée)
28
Quintette de Flûte : 5 flûtes
25
Trio de Flûtes: 3 flûtes
25
Saxophone Soprano
23
Saxophone Baryton
20
Clarinette (partie séparée)
20
Clarinette Basse, Piano
19
Saxophone et Orgue
14
Quatuor de Flûtes à bec
14
Clarinette, Guitare (duo)
12
Hautbois
12
Flûte à bec Soprano
11
4 Hautbois
11
Flûte, Hautbois, Clarinette (trio)
11
Ensemble De Flûte à bec
10
Hautbois, Clarinette, Basson (trio d'anches)
10
Piccolo, Piano
9
3 Flûtes à bec (trio)
9
Clarinette, Basson (duo)
9
Saxophone et Guitare
8
Flûte à Bec
8
3 Hautbois
7
Flûte, Violon, Piano
7
2 Saxophones, Piano
6
Flûte, Hautbois (duo)
6
Flûte, Hautbois, Basson
6
Cor Anglais
6
5 Flûtes à bec
5
Cor anglais, Guitare (duo)
5
Flûte, Clarinette et Basson
5
Clarinette, Trombone (duo)
5
Hautbois, Guitare (duo)
5
Flûte à bec Alto
4
Flûte à bec Tenor
4
Saxophone
3
Flûte et Trio à cordes
3
Flûte irlandaise
3
Ocarina
2
Flûte, Clarinette, Violon (trio)
2
Saxophone et Harpe
2
Flûte à bec Alto, Piano
2
Clarinette, Harpe (duo)
2
Harmonica
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Violoncelle
2
Flûte, Violon, Violoncelle et Piano
2
Clarinette Basse
2
Clarinette, Violoncelle (duo)
2
Flûte de Pan
1
2 Clarinettes, Piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Hautbois, Harpe
1
Clarinette, Saxophone, Piano
1
Flûte traversière, Basse continue
1
Clarinette, Orgue
1
Hautbois, Violoncelle
1
Hautbois, Basson et Piano
1
Hautbois, violon (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Violoncelle, Piano (trio)
1
Flûte à bec Soprano, Piano
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
2 Flûtes traversières, Piano
1
Flûte, Hautbois, Piano (trio)
1
Hautbois, Violon, Piano
1
2 Cors Anglais Et Pianoforte
1
Ensemble de Hautbois
1
Flute, harpe et violon
1
Flûte, Basson et Piano
1
Flûte, Violon et Violoncelle
1
Piccolo
1
+ 110 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
664
Quatuor de Cuivres : 2 trompettes, trombone, tuba
508
Trombone (partie séparée)
370
Trombone et Piano
344
Quatuor de Cuivres: 2 trompettes, Cor, trombone
240
2 Trombones (duo)
193
Trompette (partie séparée)
146
Trompette, Trombone (duo)
141
Trombone
126
Trompette
107
Trompette, Piano
98
Trompette, Saxophone (duo)
93
Quatuor de cuivres: 4 trombones
85
Cor et Piano
81
Ensemble de Trompettes
78
Ensemble de Trombones
68
2 Trompettes (duo)
63
Quatuor de Cuivres
60
Euphonium, Piano (duo)
47
2 Cors (duo)
40
Tuba et Piano
38
Cor
36
Cor anglais, Piano
34
Tuba
31
Cor (partie séparée)
30
Tuba (partie séparée)
23
2 Tubas (duo)
23
Trio de Cuivres
17
Trompette, Cor (duo)
17
Quatuor de cuivres: 4 cors
17
3 Trombones (trio)
16
Ensemble de Cors
13
2 Euphoniums et 2 Tubas
11
Trombone, Tuba (duo)
11
4 Tubas
10
Quatuor de cuivres: 4 trompettes
10
Euphonium
9
Trombone, Cor (duo)
8
Trombone basse
8
Trombone, Orgue
7
Quatuor de cuivres: 2 trompettes, 2 trombones
6
Cor Anglais
6
Cor anglais, Guitare (duo)
5
3 Trompettes (trio)
4
3 Tubas (trio)
4
Trombone basse et Piano
4
Tuba ou Euphonium ou Saxhorn
3
3 Cors (trio)
3
Instruments en Sib
2
Trompette, Tuba (duo)
2
Cor et Orgue
2
Cor, Violoncelle (duo)
2
Euphonium, Tuba (duo)
2
Cor et Basson (duo)
2
Tuba et Orgue
2
3 Euphoniums
2
Trompette, Trombone, Piano
2
Trombone et orchestre
2
Ensemble de Tubas
1
Trombone, Violon (duo)
1
Trompette, Violoncelle et Piano
1
Bass Clef Instruments
1
2 Cors Anglais Et Pianoforte
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Trompette, Euphonium (duo)
1
2 Cors, Piano
1
+ 61 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
666
Violon, Violoncelle (duo)
290
Violon
273
Violon et Piano
226
Trio à Cordes: violon, alto, violoncelle
212
Violoncelle, Piano
171
Violoncelle
142
Alto, Piano
141
Harpe
138
2 Violons (duo)
112
Violon, Alto (duo)
77
2 Violoncelles (duo)
77
Trio à Cordes: 2 violons, violoncelle
67
2 Altos (duo)
64
Contrebasse (partie séparée)
52
Quintette à cordes: 2 violons, alto, violoncelle, basse
48
Alto seul
39
Contre Basse
33
Contrebasse, Piano (duo)
28
Violon (partie séparée)
28
Alto (partie séparée)
23
4 Violoncelles
21
Trio à cordes: 3 violins
20
2 Contrebasses (duo)
19
Ensemble de Violons
18
Trio à cordes: 3 altos
17
Trio à Cordes: 3 violoncelles
16
Ensemble d'Altos
16
Piano Trio: Violon, Alto, Piano
16
Alto, Violoncelle (duo)
15
Quatuor à cordes: 4 violons
9
Harpe et mandoline
9
Violoncelle (partie séparée)
7
Violon, Guitare (duo)
6
Quatuor à cordes : 4 altos
6
Violoncelle, Contrebasse (duo)
6
Harpe, Flûte (duo)
6
Harpe, Voix
5
Violoncelle , Guitare (duo)
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
2 Harpes (duo)
4
Harpe, Violon (duo)
3
Harpe, Violon, Violoncelle
2
Harpe et Piano
2
Violoncelle, Orgue
2
Trio à Cordes: 2 violons, alto
2
Alto et Harpe
2
Alto et Basson
2
Ensemble de Violoncelles
2
Alto, Guitare (duo)
1
Violon, Clarinette, Piano (trio)
1
Violoncelle, Orchestre
1
4 Contrebasses
1
3 Harpes
1
Harpe (partie séparée)
1
Harpe, Trombone (duo)
1
Autoharp
1
+ 52 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 535
Ensemble Jazz
428
Orchestre
390
Orchestre à Cordes
336
Ensemble de cuivres
298
Jazz combo
121
Orchestre de chambre
120
Cloches
68
Ensemble de Percussions
56
Fanfare
55
Batterie
45
Batterie (partie séparée)
44
Percussion (partie séparée)
15
Xylophone, Piano
10
Xylophone
8
Marimba
7
Ensemble d'École
7
Vibraphone
5
Quintette de Cuivres: autres combinaisons
4
Quintette à Vent
3
Piano et Orchestre
2
Xylophone (partie séparée)
1
3 Percussions
1
Marimba, Piano (duo)
1
3 Marimbas
1
Orchestre, Violon
1
+ 21 instrumentations
Retracter
Autres
Instruments
ACCORDEON
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AUTRES INST…
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BANJO
BASSE
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BATTERIE
BOUZOUKI
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CHANT - CHO…
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CLAVECIN
CLOCHES
CONTREBASSE
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DOBRO - GUI…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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PAS DE PART…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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ORCHESTRE
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PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
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Partitions à imprimer
336 partitions trouvées
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326
Carson Cooman: Concerto for Bass Saxophone and Strings (1999), score and solo part
#
Orchestre à Cordes
#
AVANCÉ
#
Carson Cooman
#
Carson Cooman: Concerto for Ba
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.533709 Composed by Carson Cooman. 20th Century,Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Musi...
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String Orchestra - Level 5 - SKU: A0.533709 Composed by Carson Cooman. 20th Century,Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Music Publishing #3041103. Published by Musik Fabrik Music Publishing (A0.533709). I. Chaconne: ...a continuum of dreams...II. CadenzaIII. ToccataConcerto for Bass Saxophone and Strings (1999) was commissioned by basssaxophonist Andreas van Zoelen (with generous support from the Broeker Fund forNew Music) and is dedicated with appreciation and admiration to him. Van Zoelen iscommitted to enhancing the very small existing bass saxophone repertoire throughsupporting the creation and performance of new works. The subtitle of the firstmovement (...a continuum of dreams...) could be seen as a sort of subtitle for theentire work that sets the mood and provides unification for the entire piece. The firstmovement is a slow and ethereal chaconne. The strings and the saxophone interact invarious ways throughout this movement in non-traditional form. There are actuallytwo ground bass themes; one is introduced at the beginning with pizzicato stringsbut soon moves to the background (although it is almost always present). The secondis presented near the end of the work and eventually the two are combined. Theinterval of an augmented fourth (tritone) has special use throughout the movementas a variety of themes and motifs are transformed throughout. The second movementis a cadenza for the unaccompanied saxophone. The third movement is a fast andwild toccata. The saxophone plays almost without rest for the entire movement. Amiddle section recalls the theme of augmented fourths from the first movement.Heavy use is made of pizzicato strings. The saxophone part for this movement ishighly virtuosic, exploring the full possibilities and range of the instrument.This is the score and solo part only. The parts are on rental from the publisher.
$29.95
TELEPHONE LOVE SONGS for STRINGS
#
Orchestre à Cordes
#
Alan Edgar
#
String orchestra.
#
TELEPHONE LOVE SONGS for STRIN
#
Alan Edgar Ted Moon
#
SheetMusicPlus
String Orchestra - SKU: A0.903775 Composed by Alan Edgar. 20th Century,Holiday,Love. Score and parts. 12 pages. Alan Edgar Ted Moon #6559577. Published ...
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String Orchestra - SKU: A0.903775 Composed by Alan Edgar. 20th Century,Holiday,Love. Score and parts. 12 pages. Alan Edgar Ted Moon #6559577. Published by Alan Edgar Ted Moon (A0.903775). Melodies from my opera The Telephone. String orchestra. True love comes but Once, octatonic; A song of Love, pentatonic; A Kiss, extended harmony; My Mind is in Chaos, serial. Easy. 3 minutes. Another version for cello and organ was premiered by me and Fiona Law at Clayworth.
$6.00
The Abduction of Persephone (for String Orchestra)
#
Orchestre à Cordes
#
INTERMÉDIAIRE
#
Aaron Fonzi
#
#
The Abduction of Persephone
#
Aaron Fonzi
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.998356 Composed by Aaron Fonzi. Children,Contemporary,Rock,Standards. Score and parts. 27 pages. Aaron Fonzi #33678...
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String Orchestra - Level 3 - SKU: A0.998356 Composed by Aaron Fonzi. Children,Contemporary,Rock,Standards. Score and parts. 27 pages. Aaron Fonzi #3367893. Published by Aaron Fonzi (A0.998356). This piece tells the epic story of Hades' abduction of his niece, Persephone. According to the legend, Hades came up through a crack in the ground and snatched the girl while she was playing. In the Underworld, he tried to seduce her in a variety of ways, but to no avail. Finally, Hades is said to have tricked her into staying by offering her a tempting pomegranate. As Persephone ate 6 seeds, she was to stay in the Underworld for six months each year. It is said that while Persphone is in the Underworld, the plants wither and die, and when she comes back to the surface she brings rebirth to growing things. This piece begins with playful pizzicato lines that build upon each other. These represent Persphone at play, but forebodes the dark forces that are encircling her. When the orchestra goes to arco, Persphone is being dragged into the Underworld. A mournful violin solo signifies her arrival, but this mournful theme is quickly replace by the devious seductions of Hades in the form of a humorous waltz. Finally, Hades offers the pomegranate to Persephone and she eats 6 seeds (represented by the six beats of the B major chord in measures 76 and 77). The main theme then takes over once again, modulating to F# minor to represent Hades' victory. With relentless energy, catchy ostinati and opportunities to work on shifting, pizzicato and arco throughout, this piece will not dissapoint for audiences and students alike. A FEW NOTES: 1. I'd recommend rehearsing the rhythms of recurring ostinati together- first pizzicato then arco. You may get creative and incorporate scales with these rhythms. However you do it, it'll be important that each ostinato is played with precision and confidence. 2. Have fun with the waltz section! It's meant to portray the strange, whimsical nature of Hades' attempts to woo Persephone, so the awkwardness in delivery is encouraged! 3. All ritardandos should be exaggerated for the sake of drama. 4. Encourage your drumset player to explore different ways of accompanying the orchestra- the drumset part is a blueprint, not definitive instructions. 5. Be sure to practice shifting into 2nd position for the modulation. I hope you and your students have a great time putting this epic piece together! I had a ton of fun writing it! ~Aaron Fonzi
$20.00
Game Of Thrones
#
Orchestre à Cordes
#
AVANCÉ
#
Various
#
Levent Altuntas
#
Game Of Thrones
#
Levent Altuntas Music
#
SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.1414803 By Various. By Ramin Djawadi. Arranged by Levent Altuntas. 21st Century,Classical,Film/TV,Medieval,Thriller...
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String Orchestra - Level 5 - SKU: A0.1414803 By Various. By Ramin Djawadi. Arranged by Levent Altuntas. 21st Century,Classical,Film/TV,Medieval,Thriller. 16 pages. Levent Altuntas Music #996576. Published by Levent Altuntas Music (A0.1414803). If you're looking for the most exciting string arrangement of the iconic theme from Game of Thrones, look no further. This version, aimed at the advanced string orchestra, is not content with preserving the momentum of the original, but goes a step further and adds to the inherent epicness by including virtuosic runs, interesting chordal movement and thrilling reharmonizations. Originally conceived as an encore for the Mainhattan Strings, a college string orchestra, this arrangement is sure to be a hit with your audience!
$59.99
Butterfly Lovers Concerto
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Gang Chen and Zhanhao He
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Lyris Pat
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Butterfly Lovers Concerto
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Lyris Pat
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1452599 Composed by Gang Chen and Zhanhao He. Arranged by Lyris Pat. 20th Century,Multicultural,Romantic Period,Wor...
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String Orchestra - Level 4 - SKU: A0.1452599 Composed by Gang Chen and Zhanhao He. Arranged by Lyris Pat. 20th Century,Multicultural,Romantic Period,World. 17 pages. Lyris Pat #1031690. Published by Lyris Pat (A0.1452599). The Butterfly Lovers Violin Concerto (Liang Zhu 梁祝) is a beloved concerto that features traditional Chinese folk tunes written in the Western orchestral idiom. This rendition has taken the main tune from the first movement and abridged it to fit into a short 5 minute stand alone piece.This arrangement is for 2 advanced solo violinists, optional guzheng, harp, or piano, and an intermediate student string orchestra. The 2 solo violin parts here are symbolic of Zhu Yingtai (祝英臺), the story's protagonist, and of Liang Shanbo (梁山伯), her lover. The first movement describes Zhu’s road to Hangzhou for her studies. As a young woman she is forbidden to attend school so she becomes disguised as a man. She meets Liang for the first time and their passionate journey begins, first as a sweet friendship and then finally as a tragic, forbidden love.
$75.00
Fiddlin' Casey Jones: 2nd Violin
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Orchestre à Cordes
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Folklorique/Traditionel
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Andrew H
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Fiddlin' Casey Jones: 2nd Viol
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0016955_VN2 2nd Violin. Arranged by Andrew H. Dabczynski. Folk. Part. 2 pages. Alfred Music - Digital Sheet Musi...
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String Orchestra - SKU: AX.00-PC-0016955_VN2 2nd Violin. Arranged by Andrew H. Dabczynski. Folk. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016955_VN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016955_VN2). UPC: 038081507101.Next stop---Fiddlin' Casey Jones--- a piece that's guaranteed to get both the orchestra and audience rolling along! This is a sparkling arrangement of the beloved American folk song that beginning / intermediate string players will have the skills to play, but more advanced students will find delightfully challenging. All sections of the orchestra are featured, with opportunities for optional improvised solos. Fiddlin' Casey Jones is a great opener or closer for any concert program. All aboard! (2:20).
$5.99
Fiddlin' Casey Jones: Viola
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Orchestre à Cordes
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Folklorique/Traditionel
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Andrew H
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Fiddlin' Casey Jones: Viola
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0016955_VA1 Viola. Arranged by Andrew H. Dabczynski. Folk. Part. 2 pages. Alfred Music - Digital Sheet Music #00...
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String Orchestra - SKU: AX.00-PC-0016955_VA1 Viola. Arranged by Andrew H. Dabczynski. Folk. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016955_VA1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016955_VA1). UPC: 038081507101.Next stop---Fiddlin' Casey Jones--- a piece that's guaranteed to get both the orchestra and audience rolling along! This is a sparkling arrangement of the beloved American folk song that beginning / intermediate string players will have the skills to play, but more advanced students will find delightfully challenging. All sections of the orchestra are featured, with opportunities for optional improvised solos. Fiddlin' Casey Jones is a great opener or closer for any concert program. All aboard! (2:20).
$5.99
Fiddlin' Casey Jones: String Bass
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Orchestre à Cordes
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Folklorique/Traditionel
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Andrew H
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Fiddlin' Casey Jones: String B
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0016955_SB String Bass. Arranged by Andrew H. Dabczynski. Folk. Part. 2 pages. Alfred Music - Digital Sheet Musi...
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String Orchestra - SKU: AX.00-PC-0016955_SB String Bass. Arranged by Andrew H. Dabczynski. Folk. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016955_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016955_SB). UPC: 038081507101.Next stop---Fiddlin' Casey Jones--- a piece that's guaranteed to get both the orchestra and audience rolling along! This is a sparkling arrangement of the beloved American folk song that beginning / intermediate string players will have the skills to play, but more advanced students will find delightfully challenging. All sections of the orchestra are featured, with opportunities for optional improvised solos. Fiddlin' Casey Jones is a great opener or closer for any concert program. All aboard! (2:20).
$5.99
Fiddlin' Casey Jones: Score
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Orchestre à Cordes
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Folklorique/Traditionel
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Andrew H
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Fiddlin' Casey Jones: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PR-0005197 Score. Arranged by Andrew H. Dabczynski. Folk. Score. 13 pages. Alfred Music - Digital Sheet Music #00-P...
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String Orchestra - SKU: AX.00-PR-0005197 Score. Arranged by Andrew H. Dabczynski. Folk. Score. 13 pages. Alfred Music - Digital Sheet Music #00-PR-0005197. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0005197). UPC: 038081507101.Next stop---Fiddlin' Casey Jones--- a piece that's guaranteed to get both the orchestra and audience rolling along! This is a sparkling arrangement of the beloved American folk song that beginning / intermediate string players will have the skills to play, but more advanced students will find delightfully challenging. All sections of the orchestra are featured, with opportunities for optional improvised solos. Fiddlin' Casey Jones is a great opener or closer for any concert program. All aboard! (2:20).
$9.00
GRANADOS Aragonesa (Jota)(Spanish Dance Op.37 No.6)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Enrique Granados
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I
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GRANADOS Aragonesa
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Ian Butterworth
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.963709 Composed by Enrique Granados. Arranged by I. 20th Century. Score and Parts. 23 pages. Ian Butterworth #59554...
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String Orchestra - Level 4 - SKU: A0.963709 Composed by Enrique Granados. Arranged by I. 20th Century. Score and Parts. 23 pages. Ian Butterworth #5955489. Published by Ian Butterworth (A0.963709). A lively Spanish dance, originally for piano, admirably suitable for strings.  Copying of individual parts for sole use by the purchaser is permitted. A companion piece is Andaluza (Spanish Dance Op.37 No.5) which is also available in an arrangement for strings. Through his experience of teaching the violin at all levels and conducting youth orchestras over many years, Ian Butterworth’s large number of compositions and arrangements have been enjoyed by youth and amateur players. www.ianbutterworthmusic.co.uk
$11.99
CHINESE RHAPSODY No.3 For Saxophone with String Orchestra, Op.46(1988) (SCORE) - Score Only
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Orchestre à Cordes
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AVANCÉ
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An-lun Huang
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CHINESE RHAPSODY No.3 For Saxo
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DoReMi Edition
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.1049001 Composed by An-lun Huang. 20th Century,Classical,Contemporary,Multicultural,Traditional,World. Score and pa...
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String Orchestra - Level 5 - SKU: A0.1049001 Composed by An-lun Huang. 20th Century,Classical,Contemporary,Multicultural,Traditional,World. Score and parts. 32 pages. DoReMi Edition #653394. Published by DoReMi Edition (A0.1049001). Chinese Rhapsody No.3 was composed e in Toronto, Canada , 1988. Huang dedicated the piece to the Canadian Saxophonist Paul Brodie who premiered it in Parry sound of Ontario in the same year. Written in Saibei Folk Style, the music is divided into 5 movements without stop. As usual, Huang didn‘t use any folk song . But the typical taste of Huang’s “Zhang Jia Kou[張家å£] accent†is pretty easy to be identified. With the concert virtuosity, the 1st movement is composed as an emotional Cadenza which expresses the profound affections to the land of Saibei. Using the same Alto Sax., the lyric 2nd movement is followed by a folk dance, the 3rd movement. Chang to a Soprano Saxophone, the 4th movement is sound like a dreamy nocturne which is interrupted by the percussions of the fiery 5th movement. The whole Rhapsody ends on a climax of the Chinese Northern west “wind and percussion “styleâ€. Brodie found more than 300 trills in this piece. Perhaps this is the key to perform the music in real Chinese style. Huang has composed 5 versions of these pieces for different ensembles: saxophone solo with piano, or strings, or winds/brasses, or Chinese traditional orchestra, or symphony orchestra. The attached mp3 was performed by the German saxophonist Jurgen Demmler with pianist Peter Grabinger in 1996. Duration: 20’.
$19.99
E Piu Ti Penso (Deborah's Theme) from Once Upon a Time in America for STRING ORCHESTRA
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Orchestre à Cordes
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INTERMÉDIAIRE
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Film/TV
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Ennio Morricone
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E Piu Ti Penso
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Flavio Regis Cunha
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SheetMusicPlus
Violin, Viola, Cello, Double Bass - Intermediate - Digital Download By Ennio Morricone. Arranged by Flavio Regis Cunha. Score, Set of Parts. 11 pages. ...
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Violin, Viola, Cello, Double Bass - Intermediate - Digital Download By Ennio Morricone. Arranged by Flavio Regis Cunha. Score, Set of Parts. 11 pages. Published by Flavio Regis Cunha
The music of Once Upon a Time in America was composed by Sergio Leone's long-time collaborator, Ennio Morricone. Due to the film's unusually long production, Morricone had finished composing most of the soundtrack before many scenes had even been filmed. Some of Morricone's pieces were actually played on set as filming took place (a technique that Leone had used for Once Upon a Time in the West). "Deborah's Theme" was in fact originally written for another film in the 1970s but rejected; Morricone presented the piece to Leone, who was initially reluctant, considering it too similar to Morricone's main title for Once Upon a Time in the West.
$49.99
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Visionary Quest Records
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Violin Solo
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Tears from My Eyes: Onward and
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Visionary Quest Records
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.984536 Composed by Visionary Quest Records. Concert,Contemporary. Score and parts. 75 pages. Visionary Quest Record...
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String Orchestra - Level 4 - SKU: A0.984536 Composed by Visionary Quest Records. Concert,Contemporary. Score and parts. 75 pages. Visionary Quest Records #4767739. Published by Visionary Quest Records (A0.984536). STRING ORCHESTRA - Cello Solo; Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 75 pages. Composer: Tito Abeleda (1964 - ) . HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter:
$44.99
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
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Orchestre à Cordes
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Tito Abeleda
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Violin Solo
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Tears from My Eyes: Onward and
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Visionary Quest Records
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SheetMusicPlus
Cello,Double Bass,Viola,Violin - SKU: A0.1070245 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 404. Visionary Quest Records...
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Cello,Double Bass,Viola,Violin - SKU: A0.1070245 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 404. Visionary Quest Records #4767765. Published by Visionary Quest Records (A0.1070245). STRING ORCHESTRA - Cello Solo; Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 75 pages. Composer: Tito Abeleda (1964 - ) . HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeleda
$2.99
Jazz Combo for Beginner Strings
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Orchestre à Cordes
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DÉBUTANT
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Mark Lansom
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Jazz Combo for Beginner String
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Mark Lansom
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SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.759592 Composed by Mark Lansom. Broadway,Instructional,Jazz,Standards. Score and parts. 13 pages. Mark Lansom #6266...
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String Orchestra - Level 1 - SKU: A0.759592 Composed by Mark Lansom. Broadway,Instructional,Jazz,Standards. Score and parts. 13 pages. Mark Lansom #6266657. Published by Mark Lansom (A0.759592). Music for beginner and first-year string players with performance in mind. Despite this piece being playable with only open strings and first finger, the backing track makes it sound much more complex and advanced! The following are assumed to be learnt in advance: Violin 1 / Viola 1 / Cello 1 / Double Bass: Crotchets (quarter notes), minims (half notes) and dotted minims (dotted half notes), crotchet rests (quarter rests). Open strings and first finger one tone higher on G, D and A strings. Violin A / Viola A (A for advanced): the above plus second and third fingers making the tone-tone-semitone shape from the open string. Violoncello A: the above plus all four fingers in first shape. The use of second finger is clearly marked. As many or a few parts as required can perform the piece, though the 1 parts have the true melody if used alone. Admittedly the Double Bass part musically interferes with the bass part of the backing track but is added for inclusion purposes. The backing track adds considerably and is essential for the performance. It can be bought separately from the same website. If there are any problems or requests please get in touch with the composer through his website at www.marklansom.com
$19.99
Orchestral Suite in G Minor No 5
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
J
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Arte Nova Music Lab
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Orchestral Suite in G Minor No
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Arte Nova Music Lab
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.742377 Composed by J. Sebastian Bach. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards. Score and parts. ...
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String Orchestra - Level 4 - SKU: A0.742377 Composed by J. Sebastian Bach. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards. Score and parts. 74 pages. Arte Nova Music Lab #2988437. Published by Arte Nova Music Lab (A0.742377). The Orchestral Suite in G minor, BWV 1070 is a work by an unknown composer. It is part of the Bach-Werke-Verzeichnis catalogue (BWV catalogue) of the works of J. S. Bach, and sometimes called the Orchestral Suite No. 5, but was almost certainly not composed by him. It is more likely that the composer was W. F. Bach. It is a French suite with an overture and several dances, which has a similar structure with the 4 orchestral suites by J. S. Bach. But one point making it different from the 4 orchestral suites by J. S. Bach is that it has one movement not in the home key (which is the Aria in E-flat major). Taken from https://en.wikipedia.org/wiki/Orchestral_Suite_in_G_minor,_BWV_1070
$40.00
"One Fine Day' from opera "Madama Butterfly"
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Orchestre à Cordes
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FACILE
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Giacomo Puccini
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Elena Ionova
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"One Fine Day' from opera
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Elenaviolin
#
SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1229086 Composed by Giacomo Puccini. Arranged by Elena Ionova. Chamber,Classical,Opera. Score and Parts. 4 pages. E...
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String Orchestra - Level 2 - SKU: A0.1229086 Composed by Giacomo Puccini. Arranged by Elena Ionova. Chamber,Classical,Opera. Score and Parts. 4 pages. Elenaviolin #824986. Published by Elenaviolin (A0.1229086). Beautiful music for any concert for Strings.Classical String Quartet/Quintet collection are extremely useful for performing musicians.
$10.00
"One Fine Day' from opera "Madama Butterfly"
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Orchestre à Cordes
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FACILE
#
Giacomo Puccini
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Elena Ionova
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"One Fine Day' from opera
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Elenaviolin
#
SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1229076 Composed by Giacomo Puccini. Arranged by Elena Ionova. Chamber,Classical,Opera. Score and Parts. 4 pages. E...
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String Orchestra - Level 2 - SKU: A0.1229076 Composed by Giacomo Puccini. Arranged by Elena Ionova. Chamber,Classical,Opera. Score and Parts. 4 pages. Elenaviolin #824980. Published by Elenaviolin (A0.1229076). Beautiful music for any concert for Strings.Classical String Quartet/Quintet collection are extremely useful for performing musicians.
$10.00
REMEMBER ALWAYS
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Orchestre à Cordes
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INTERMÉDIAIRE
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Contemporain
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Vincent Vitale
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REMEMBER ALWAYS
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Vincent Vitale
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.835555 Composed by Vincent Vitale. Contemporary. Score and parts. 12 pages. Vincent Vitale #3619035. Published by V...
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String Orchestra - Level 3 - SKU: A0.835555 Composed by Vincent Vitale. Contemporary. Score and parts. 12 pages. Vincent Vitale #3619035. Published by Vincent Vitale (A0.835555). REMEMBER ALWAYS is written in loving memory of Catherine C. Hettle (Mum) and is my humble tribute to a most wonderful person and mother of my best friend Mark . I first met Mum when I was 19 years old while serving in the US Navy and she immediately treated me with such kindness which I never forgot. After losing contact for a number of years I was so glad and fortunate that I was able to once again be a small part of her life. You will be dearly missed Mum by so many. There are no good-byes because loved ones will always live in our hearts. REMEMBER ALWAYS is written for intermediate students and includes full score and parts for Violin 1, Violin 2, Viola, Cello, String Bass and optional Soprano and Baritone vocals. The vocal parts are vocalised without the use of words such as in the final movement of The Planets by Holst. As an example the vowel ‘ah‘ could be used but the choice will be the director’s. Perform this work with only one to a part or use multiples for a fuller sound. It can also be performed without the vocals. I sincerely hope you and your students enjoy performing this piece, If this composition appeals to you please consider others in this string series by typing VINCENT VITALE in the search bar located on the home page. I thank you very much for your consideration and wish you and your students much musical success.
$22.00
Recordare (from "Requiem") (F) (String Orchestra - 3 Violins, 2 Violas, 2 Cellos, 1 Bass)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Classique
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
#
SheetMusicPlus
String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - SKU: A0.1112894 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Chri...
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String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - SKU: A0.1112894 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 44 pages. Regis Bookshar #714847. Published by Regis Bookshar (A0.1112894). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - String Orchestra - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a String Orchestra, consisting of 3 Violins, 2 Violas, 2 Violoncellos and 1 Double Bass, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (44 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a String Orchestra, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$40.00
Australian Folksong Medley No. 6 - String Group (Optional Percussion)
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Orchestre à Cordes
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Traditional Australian Folkson
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Brendan Elliget MAGA 537
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Australian Folksong Medley No.
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BJE Music
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.750794 Composed by Traditional Australian Folksongs. Arranged by Brendan Elliget MAGA 537. Folk. Score and parts. 3...
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String Orchestra - Level 3 - SKU: A0.750794 Composed by Traditional Australian Folksongs. Arranged by Brendan Elliget MAGA 537. Folk. Score and parts. 33 pages. BJE Music #3602315. Published by BJE Music (A0.750794). Australian Folksong Medley No. 6 – String Group with Optional Percussion - Suitable for a school or community group.​This Medley includes:​1. The Dying Stockman (3/4 Waltz Tempo): Wrap me up with my stockwhip and blanket And bury me deep down below. Where the dingoes and crows can't molest me In the shade where the Coolibahs grow.​2. Jim Jones of Botany Bay (6/8 Adagio in 6) is a traditional Australian folk ballad. The narrator, Jim Jones, is arrested, tried, and sentenced to transportation. En route, his ship is attacked by pirates, but the crew holds them off. Arriving in Australia, Jones vows to escape, join the bushrangers, and get revenge.​3. The Drovers Dream (6/8 Brightly in 2)One night when traveling sheep, my companions lay asleep There was not a star illuminate the sky. I was dreaming I suppose, for my eyes were partly closed. When a very strange procession passed me by. First there came a kangaroo with a swag of blankets blue. And the dingo ran beside him as his mate. They were traveling mighty fast but they shouted as they passed. We'll have to jog along, it's getting late.​This arrangement is for String Orchestra with plenty of interest for all sections. There are also Optional Percussion parts - Timpani, Drum Set, Glockenspiel, and Xylophone. There is a Violin 3 part which is a substitute for the Viola Part.There are also versions for Full Orchestra, Concert Band and Brass Band at this website.​The MP3 was recorded with NotePerformer 3.​Grade = 3 Duration = 5:30 mins.
$15.00
Overture for Strings No. 3 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 3 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 28 pages. ROBERT DEBBAUT #783207. Published by ROBERT DEBBAUT (A0.1183534). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 5 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 5 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 39 pages. ROBERT DEBBAUT #783209. Published by ROBERT DEBBAUT (A0.1183536). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 6 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 6 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 57 pages. ROBERT DEBBAUT #783210. Published by ROBERT DEBBAUT (A0.1183537). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 4 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 4 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 34 pages. ROBERT DEBBAUT #783208. Published by ROBERT DEBBAUT (A0.1183535). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
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