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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Close To Me
Non classifié
130
Piano & claviers
Piano seul
99
Piano, Voix et Guitare
58
Piano, Voix
38
Instruments en Do
30
Piano Facile
21
Orgue
6
1 Piano, 4 mains
2
2 Pianos, 4 mains
1
+ 3 instrumentations
Retracter
Guitares
Guitare notes et tablatures
16
Ligne De Mélodie, (Paroles) et Accords
12
Guitare
9
Ukulele
7
Paroles et Accords
3
Mandoline
1
Banjo
1
Basse electrique
1
Dulcimer
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
59
Chorale 3 parties
18
Chorale 2 parties
13
Chorale TTBB
12
Voix duo, Piano
9
Chorale SSAA
8
Chorale Unison
8
Voix Soprano, Piano
3
Chorale SSATTB
1
Voix duo
1
Voix Alto, Piano
1
Voix moyenne, Piano
1
+ 7 instrumentations
Retracter
Vents
2 Saxophones (duo)
14
Quatuor de Saxophones: 4 saxophones
9
Saxophone, Clarinette (duo)
8
Clarinette, Violon (duo)
6
Quatuor de Clarinettes: 4 clarinettes
6
Quatuor de Flûtes : 4 flûtes
5
Hautbois, Piano (duo)
5
Clarinette, Trompette (duo)
4
Flûte traversière
4
Flûte, Hautbois, Clarinette, Basson
4
Clarinette et Piano
4
Flûte traversière et Piano
4
Cor anglais, Piano
3
Hautbois, Clarinette (duo)
3
2 Hautbois (duo)
3
Saxophone Alto et Piano
3
2 Clarinettes (duo)
3
Saxophone Alto
3
Clarinette et Alto
3
Flûte, Alto (duo)
2
Saxophone Tenor et Piano
2
Clarinette
2
Flûte, Clarinette (duo)
2
Flûte, Trompette (duo)
2
Hautbois, Basson (duo)
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Saxophone Tenor
2
Flûte à bec Alto, Piano
1
Trio de Flûtes: 3 flûtes
1
Saxophone (partie séparée)
1
2 Flûtes traversières (duo)
1
Saxophone Baryton, Piano
1
Flûte et Guitare
1
Saxophone et Orgue
1
Flûte, Saxophone (duo)
1
Flûte à bec Soprano, Piano
1
Ensemble de Flûtes
1
Flûte à bec Soprano
1
Saxophone Soprano et Piano
1
Flûte, Violon
1
2 Cors Anglais Et Pianoforte
1
Hautbois, Flûte
1
Saxophone
1
+ 38 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Trombone et Piano
5
Trompette, Trombone (duo)
4
Cor anglais, Piano
3
Trompette, Piano
3
Trompette, Saxophone (duo)
3
Trompette
2
Instruments en Sib
2
2 Trompettes (duo)
2
Trombone
2
Quatuor de cuivres: 4 trombones
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Euphonium, Piano (duo)
1
Euphonium, Tuba (duo)
1
4 Tubas
1
2 Cors Anglais Et Pianoforte
1
Quatuor de cuivres: 4 cors
1
+ 12 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
14
Violon, Violoncelle (duo)
10
Violon et Piano
9
Trio à Cordes: 2 violons, violoncelle
4
Violoncelle, Piano
4
Violon
4
Trio à Cordes: violon, alto, violoncelle
4
Violoncelle
3
2 Altos (duo)
3
2 Violoncelles (duo)
3
Harpe, Voix
2
Violon, Alto (duo)
2
Harpe
2
2 Violons (duo)
2
Harpe, Flûte (duo)
1
Violon (partie séparée)
1
4 Violoncelles
1
Alto, Piano
1
+ 13 instrumentations
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Orchestre & Percussions
Ensemble Jazz
13
Orchestre d'harmonie
13
Ensemble de cuivres
8
Orchestre à Cordes
7
Orchestre de chambre
7
Jazz combo
5
Orchestre
3
Batterie
3
Fanfare
3
Cloches
2
Ensemble de Percussions
1
+ 6 instrumentations
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
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GUITARE
GUITARE LAP ST…
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LIVRES
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Vous avez sélectionné:
Close To Me
Orchestre à Cordes
Partitions à imprimer
7 partitions trouvées
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1
Jesus Loves Me
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Orchestre à Cordes
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FACILE
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Musique Sacrée
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William B
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Ron Flintjer
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Jesus Loves Me
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Ron Flintjer
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1219473 Composed by William B. Bradbury 1862. Arranged by Ron Flintjer. Christian,Praise & Worship,Religious,Sacred...
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String Orchestra - Level 2 - SKU: A0.1219473 Composed by William B. Bradbury 1862. Arranged by Ron Flintjer. Christian,Praise & Worship,Religious,Sacred,Spiritual. Score and Parts. 9 pages. Ron Flintjer #815849. Published by Ron Flintjer (A0.1219473). Jesus Loves Me is one of the most well known and beloved hymns in the Christian faith. This is a hymn that we all learned at a very early age, perhaps in Sunday School, Bible School or Junior Church. It has been with us since 1862. The lyrics were originally written in 1860 as a poem by Anna B. Warner. Then in 1862 the poem was put to music by William Bradbury. This beautiful hymn has withstood the test of time like Amazing Grace, The Old Rugged Cross and so many moreThis arrangement is written for String Orchestra and has three verses and choruses. The first version closely follows the original harmonic structure without any deviations. The second version utilizes a different harmonic sequence and includes some rhythmic changes in a few spots. Finally,the third version again includes a different harmonic sequence, modulates to a different key and contains an extended ending.This is a wonderful piece that can be played as special music for your church service, or offertory.
$14.00
Scheherazade - I. The Sea and Sinbad's Ship - Pick-A-Part Arrangement for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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Grant Gilman
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Scheherazade - I. The Sea and
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Dr. Grant Gilman
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.799741 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Grant Gilman. 20th Century,Romantic Period. Sco...
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String Orchestra - Level 4 - SKU: A0.799741 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Grant Gilman. 20th Century,Romantic Period. Score and parts. 147 pages. Dr. Grant Gilman #3511981. Published by Dr. Grant Gilman (A0.799741). Nikolai Rimsky-Korsakov Scheherazade - I. The Sea and Sinbad’s Ship Pick-A-Part Arrangement for String Orchestra by Dr. Grant Gilman String Orchestra Parts in This Pick-A-Part Arrangement Violin 1A Violin 1B Violin 1C Violin 2A Violin 2B Violin 2C Viola A Viola B Viola C Cello A Cello B Cello C Bass A Bass B Bass C Harp/Keyboard (optional)About Pick-A-Part Arrangement This arrangement system employs simultaneous, multi-level difficulty parts for each string section. The goal is to accommodate all levels of playing in the preparation and performance of a symphonic masterwork. In this arrangement, there are 3 difficulty levels for each individual string section, labeled A, B, and C, respectively. Each level is a decreasing level of technical and musical difficulty, level A being the highest level of difficulty. The A level is close to, if not exactly the same as, the original string part, plus the integration of wind parts when applicable. B and C follow in a proportional reduction of difficulty level. For this solution to be most effective, some students should be encouraged to play the most challenging parts simultaneously with those playing the simpler parts. This presents the opportunity to participate in a performance that includes most of the original material. The B and C parts cover enough of the surface material while maintaining a modicum of independence from the A part. In other words, the B and C parts are able to hold their own in performance without the A parts. For example, let’s say you have a couple of talented violinists and a few more that are well below their playing level, only two violists that need a great deal of help, a plethora of cellists with a wide range of abilities, and one single bass player that is a beginner. Your distribution of parts may look something like this: Violin 1 - two on Violin 1A, one on Violin 1C, and the rest on Violin 1B Violin 2 - one on Violin 2B, the rest on Violin 2C Viola - both on Viola C Cello - three on Cello A, one on Cello B, and the rest on Cello C Bass - one on Bass C This potential setup will challenge each player at their current level of development while creating the context for a moving experience with a major orchestral work. A Note about the Score and Printing The full score is designed to be printed in portrait orientation on 17x11 tabloid size paper. Even at this size, the score can be confusing to read, especially if you are not covering every difficulty level part. If you would like a custom score showing only the parts you are using, please email me: conductor@grantgilman.com. I will be happy to work with you!www.grantgilman.comwww.americanmusepodcast.com
$29.99
Maestoso and Fugue in D minor for String Orchestra - Based on Ludwig van Beethoven Unv 7 Hess 40 & O
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Orchestre à Cordes
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Classique
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Ludwig van Beethoven, Cees Nie
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Upstream Music
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Maestoso and Fugue in D minor
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Upstream Music
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SheetMusicPlus
String Orchestra - SKU: A0.933521 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 18 pages...
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String Orchestra - SKU: A0.933521 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 18 pages. Upstream Music #6353295. Published by Upstream Music (A0.933521). Both the Adagio molto (Hess 40) and the unfinished, originally intended Fugue date from November, 1817. It was the publisher Tobias Haslinger who requested a prelude and fugue for a publication in line with works published earlier. Beethoven completed the prelude but with the fugue he stopped after merely four bars of music. The short original fugue theme was later inserted into the second part (Molto vivace) of the Ninth Symphony (Opus 125).The prelude (Beethoven did not give any time indication) starts with 37 bars of solemn music followed by 12 bars Allegro. In terms of form, rhythm, and key, this material shows great similarity to the Molto vivace from Opus 125 referred to above. The present version has been arranged for a string orchestra instead of for a string quintet, thus being the first publication which enables it to be performed in its entirety. In order to balance the foundation, I opted for introducing a contrabass part, which largely follows the cello part composed by Beethoven. As regards the phrasing, dynamics, and rests as well as the time indication, this publication follows those in Willy Hess’ publication. So the prescribed time ‘Adagio molto’ is not that of Beethoven himself.The arguments to link the Maestoso to the Fugue in D major (Opus 137) published later are multiple. In the first place, the Fugue also dates from 1817. Secondly, the key is the same as is the number of instruments for a string quintet with two separate alto parts. Not only does the original fugue theme start at the tone a, but the timing too is the same, that is 3/8. So it seems reasonable to assume that Beethoven intended both works as a couple.The abnormal rhythmics of the bars 38 up to and including 49 is remarkable. I have preserved it because the part has been authentically composed by Beethoven, while it did not seem logical to me to have it immediately followed by the Fugue completed by myself. I have composed a number of bars of music based on the beginning of the prelude by way of a smooth transition.In the Fugue, I closely adhere to Beethoven, at the same time introducing a contrabass part here as well, so as to support the cello. At a number of places in the score, Beethoven recorded neither music nor rests. This refers to the bars 5 (second viola and cello), 11, 12, 25 and 26 (first and second violins), 39 to 41 (all parts), 43 and 44 (all parts except the first violin), 45 (first viola) and finally 45 and 46 (second violin). As in Willy Hess’ publication, I have just inserted rests here.
$29.00
'Re-Creation'
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Orchestre à Cordes
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Contemporain
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Craig Michael Davis
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'Re-Creation'
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Jack Harrison Inc.
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SheetMusicPlus
String Orchestra - SKU: A0.1022594 Composed by Craig Michael Davis. 20th Century,Contemporary. Score and parts. 11 pages. Jack Harrison Inc. #50957. Pub...
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String Orchestra - SKU: A0.1022594 Composed by Craig Michael Davis. 20th Century,Contemporary. Score and parts. 11 pages. Jack Harrison Inc. #50957. Published by Jack Harrison Inc. (A0.1022594). 'Re-Creation' Program Notes What is time, and where did it come from? These two questions consumed my thought process while writing Re-Creation. Upon completing the piece, I was no closer to answering those questions, but what I could answer became clear: could I write a piece in which time ceases to exist? In order to do this, I decided early on to throw out conventional notation that tends to restrict most performers. As my thought process evolved, I began contemplating the idea of juxtaposing the continuum of timelessness against the traditional view of time. Not only did this free me from the confines of a specific time, it opened up the entire spectrum of time, creating the possibility of infinity and the eternal existence of the continuity of time that invariably existed from the earliest sketches of this piece. The early sketches of this piece were written in my coastal Californian studio during the summer months of 2014, and because of this, Re-Creation represents not only a freedom of time, but also a sound world unique to California’s breathtaking coast. However, the impetus for this piece was the opening chapters of the book of Genesis, portraying the creation of the world in seven days. In this respect, the usage of three and seven play and important roll in the overall structure of this piece. Re-Creation was also inspired by a vacation I had taken a year before where I drove up the coast, stopping in small towns periodically, to collect poems from local authors. One collection of poems from Jeanie Greensfelder entitled, Biting the Apple, caught my attention. Reading through the poems, I began to realize that each poem was unique in that it marked a special time and place in the authors life, ultimately providing the reader with an autobiographical time capsule. The arch of the author’s life was thus on display for the world to read inevitably transforming her life, rather than her work, into the work of art. My hope for The Creation is that it portrays a snapshot of the Californian coast in which it was written, so that it can have a life of it’s own, free from the confines of it’s author and any concert hall it is performed in.
$15.00
Australian Folksong Medley No. 6 - String Group (Optional Percussion)
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Orchestre à Cordes
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Traditional Australian Folkson
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Brendan Elliget MAGA 537
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Australian Folksong Medley No.
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BJE Music
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.750794 Composed by Traditional Australian Folksongs. Arranged by Brendan Elliget MAGA 537. Folk. Score and parts. 3...
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String Orchestra - Level 3 - SKU: A0.750794 Composed by Traditional Australian Folksongs. Arranged by Brendan Elliget MAGA 537. Folk. Score and parts. 33 pages. BJE Music #3602315. Published by BJE Music (A0.750794). Australian Folksong Medley No. 6 – String Group with Optional Percussion - Suitable for a school or community group.​This Medley includes:​1. The Dying Stockman (3/4 Waltz Tempo): Wrap me up with my stockwhip and blanket And bury me deep down below. Where the dingoes and crows can't molest me In the shade where the Coolibahs grow.​2. Jim Jones of Botany Bay (6/8 Adagio in 6) is a traditional Australian folk ballad. The narrator, Jim Jones, is arrested, tried, and sentenced to transportation. En route, his ship is attacked by pirates, but the crew holds them off. Arriving in Australia, Jones vows to escape, join the bushrangers, and get revenge.​3. The Drovers Dream (6/8 Brightly in 2)One night when traveling sheep, my companions lay asleep There was not a star illuminate the sky. I was dreaming I suppose, for my eyes were partly closed. When a very strange procession passed me by. First there came a kangaroo with a swag of blankets blue. And the dingo ran beside him as his mate. They were traveling mighty fast but they shouted as they passed. We'll have to jog along, it's getting late.​This arrangement is for String Orchestra with plenty of interest for all sections. There are also Optional Percussion parts - Timpani, Drum Set, Glockenspiel, and Xylophone. There is a Violin 3 part which is a substitute for the Viola Part.There are also versions for Full Orchestra, Concert Band and Brass Band at this website.​The MP3 was recorded with NotePerformer 3.​Grade = 3 Duration = 5:30 mins.
$15.00
La Valse d'Amelie - String Orchestra
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Orchestre à Cordes
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Film/TV
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Yann Tiersen
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Paul Trapkus
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La Valse d'Amelie - String Orc
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Paul Trapkus
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SheetMusicPlus
By Yann Tiersen. Arranged by Paul Trapkus. Score, Set of Parts. 15 pages. Published by Paul Trapkus...
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By Yann Tiersen. Arranged by Paul Trapkus. Score, Set of Parts. 15 pages. Published by Paul Trapkus
A meticulous string orchestra arrangement of La Valse d'Amelie by Yann Tiersen from the movie Amelie. Features brief solos from the 1st violin, 2nd violin, and viola sections. Bowings have been carefully added to all parts.
More string orchestra arrangements by Paul Trapkus available at https://www.sheetmusicplus.com/publishers/paul-trapkus/19286 including:
Take On Me ? Africa ? Never Gonna Give You Up ? Ghostbusters ? Secrets ? Final Countdown ? Darude Sandstorm ? Dancing Queen ? Undisclosed Desires ? Some Nights ? The Office Theme ? Seal Lullaby ? Only Time ? Pompeii ? Radioactive ? Paradise ? May It Be ? Laughter Lines ? Things We Lost in the Fire ? All I Ever Wanted ? La Valse d'Amelie ? Young and Beautiful ? Raging Fire
$12.99
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Close To Me
