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AUTOHARPE
BANJO
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Crossing Over
Non classifié
18
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54
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28
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6
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2
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2
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1
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1
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6
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1
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25
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4
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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Vous avez sélectionné:
Crossing Over
Orchestre à Cordes
Partitions à imprimer
4 partitions trouvées
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THE LITTLE BUD CAR THAT COULD FOR YOUNG STRING ORCHESTRA
Orchestre à Cordes
String Orchestra - Level 1 - Digital Download SKU: A0.1286980 Composed by Garth M. …
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String Orchestra - Level 1 - Digital Download SKU: A0.1286980 Composed by Garth M. Williams (Socan). Children,Comedy,Instructional,Traditional. Score and Parts. 12 pages. Garth M. Williams (Socan) #877984. Published by Garth M. Williams (Socan) (A0.1286980). The Little Bud Car originally ran from Victoria to Courtenay on Vancouver Island. This piece is a nostalgic rememberance in music. The musicians play their music as if they are crossing over various different patterns of track.  As is the case with all of these pieces from The Scampering Scarecrow teachers will find that a third violin has been added for those students who are not quite ready to handle second violin. There is also a piano accompaniment which can be used for rehearsal purposes. A fun piece to play.
$25.50
23.51 €
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Orchestre à Cordes
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Garth M
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THE LITTLE BUD CAR THAT COULD FOR YOUNG STRING ORCHESTRA
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Garth M. Williams
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SheetMusicPlus
Feel the Spirit
Orchestre à Cordes
String orchestra - Grade 1 - Digital Download SKU: IZ.OMW172 Composed by Traditiona…
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String orchestra - Grade 1 - Digital Download SKU: IZ.OMW172 Composed by Traditional. Arranged by Marsha Chusmir Shapiro. Score and Parts. 26 pages. Imagine Music - Digital #OMW172. Published by Imagine Music - Digital (IZ.OMW172). 9 x 12 in inches.Feel the Spirit is an arrangement of four pre-Civil War spirituals which were sung by slaves inAmerica. These wereChristian songs which described Bible stories (Joshua Fought the Battle of Jericho) or about living with the spiritof God (Every Time I Feel the Spirit). Sometimes the spirituals described the hardships of slavery (NobodyKnows the Trouble I've Seen). Most interestingly, some spirituals had hidden meanings. In Swing Low, SweetChariot it appears that the singer is talking about dying and going to heaven, but in actuality, home refers to aplace of freedom, and crossing the river Jordan means overcoming the obstacles to freedom.
$40.00
36.88 €
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Orchestre à Cordes
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Traditional
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Marsha Chusmir Shapiro
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Feel the Spirit
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Imagine Music - Digital
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SheetMusicPlus
Circles - Concerto for Cello & (H.S.) String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.878900 Composed by Eric Moore…
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String Orchestra - Level 4 - Digital Download SKU: A0.878900 Composed by Eric Moore. Contemporary,Instructional,Standards. Score and parts. 83 pages. Cello Loft #3420919. Published by Cello Loft (A0.878900). Written for an advanced high school cellist to play with his/her own school orchestra. This is a great way to feature a fantastic cellist while introducing the whole orchestra (and audience) to some accessible trends in contemporary music. The orchestra students were *very* excited and engaged with this piece, and the audience absolutely loved it.Compositional goals included:Accessible introduction to contemporary music.Fun and engaging parts for each section of the orchestraHighlight both cellist and orchestra with parts that sound difficult but are relatively simple.Clear-cut form and motivic material as a starting point for discussion of composition.Circles is 11:00 long, in 4 movements with no breaks.Mvt I. Circles begins high-energy and includes sweeping arpeggio figures and measured tremolo oscillations. The energy dissipates and a simple lyrical theme emerges, battling complications as they arise in the orchestra.Mvt II. Passacaglia is built over an exotic vamp and includes jete (to imitate castanets), col legno, snap pizz and instrument slaps. Mvt III. Lament begins with the soloist doing slow pizzicato arpeggiations while the orchestra bows weeping chords. Eventually, everyone is pizzicato, echoing and transforming the solo line. A cello cadenza recalls material from the Passacaglia. The soloist introduces triple-stop string crossings that lead into the fourth movement.Mvt IV. Coda is fast, with the triple stops in the solo part as a moto perpetuo, while the string sections come in one-by-one underneath. By the end, everyone is bowing and we circle back to the opening material of the 1st movement. The Soloist should be fluent through 3 octaves.Orchestra parts are easier and generally require fluency through 4th position. Written in 2011-12 and premiered by Eric with the Mountain View High School (Loveland, CO), Peter Toews conducting. Recording is of that premier. Eric can provide a MIDI if desired.Eric is happy to work with the orchestra and/or soloist via Skype (or a similar arrangement).
$20.00
18.44 €
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Orchestre à Cordes
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the end, everyone is bowing and we circle back to the opening material of the 1st movement
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Eric Moore
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Circles - Concerto for Cello &
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Cello Loft
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SheetMusicPlus
On Jordan's Stormy Banks - Flex Orchestra
Orchestre à Cordes
String Orchestra - Level 1 - Digital Download SKU: A0.596378 Composed by From South…
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String Orchestra - Level 1 - Digital Download SKU: A0.596378 Composed by From Southern Harmony. Arranged by Kristin Campbell. Folk,Sacred. Score and parts. 30 pages. Horsehair Music #4274707. Published by Horsehair Music (A0.596378). The Flex Orchestra Series are arrangements that can flex to the instrumentation that is available in your context. This series was born out of a desire to have beginning players participate in worship and play along side more experienced players. These arrangements are written with a melody part in each instrument's clef. The melody part is the same from instrument to instrument with slight variations in register. Along with the melody part is a harmony part or ensemble part. Unlike the melody parts, each ensemble part is unique to that instrument. The piano accompaniment is the glue that holds it all together. This arrangement to be played as a solo with accompaniment, or any combination duet, trio, quartet or quintet with piano accompaniment. By having one or more instruments play the melody part, and then add any other instrument on their ensemble part. The melody part is overall the easiest or simplest part. The ensemble parts can be a little more techincal. These techniques would include harder string crossings, and some position work. This scoring flexiblity allows less-experienced players of any stringed instrument to play the melody part, and the more-experienced string players to play their instrument's ensemble part. This allows all levels of string players to play together any combination. On Jordan's Stormy Banks, the American hymn tune, PROMISED LAND, dates back to the early 1800's. It is originally found in a hymnal that was used in the singing schools that were prevalent throughout the southern United States. This arrangement has a fiddle-tune like flavor and uses some open string double stops in an opening motif, hinting at its roots in the folk song tradition. The melody part is can be played in first position entirely. Your players are sure to have fun with the double-stops, finger slides, sounded glissandos and rhythmic patterns that are sure to have you tapping your toe.
$9.99
9.21 €
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Orchestre à Cordes
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having one or more instruments play the melody part, and then add any other instrument on their ensemble part
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From Southern Harmony
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Kristin Campbell
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On Jordan's Stormy Banks - Flex Orchestra
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Horsehair Music
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SheetMusicPlus
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Crossing Over
