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--INSTRUMENTS--
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Elegia
Non classifié
33
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33
Orgue
11
Piano, Voix
2
Piano Quatuor: piano, violon, alto, violoncelle
1
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1
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Guitare
4
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6
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7
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9
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8
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6
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5
Violon
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2
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Trio à Cordes: violon, alto, violoncelle
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Harpe, Quatuor à cordes
1
2 Violoncelles (duo)
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Vous avez sélectionné:
Elegia
Orchestre à Cordes
Partitions à imprimer
8 partitions trouvées
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Filiberto Pierami: ELEGIA n°2 (Op.175) - Score Only
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Orchestre à Cordes
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AVANCÉ
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Filiberto Pierami
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Filiberto Pierami: ELEGIA n&de
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Sconfinarte
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.1377674 Composed by Filiberto Pierami. 21st Century,Classical,Contemporary. 8 pages. Sconfinarte #962266. Published...
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String Orchestra - Level 5 - SKU: A0.1377674 Composed by Filiberto Pierami. 21st Century,Classical,Contemporary. 8 pages. Sconfinarte #962266. Published by Sconfinarte (A0.1377674). ELEGIA n°2 Op.175 (ES-21-077)Organico: Orchestra d’archihttps://www.edizionisconfinarte.com/filiberto-pierami/.
$20.00
Filiberto Pierami: ELEGIA N.1 (op.27) - Score Only
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Orchestre à Cordes
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AVANCÉ
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Filiberto Pierami
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Filiberto Pierami: ELEGIA N.1
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Sconfinarte
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.1361218 Composed by Filiberto Pierami. 21st Century,Classical,Contemporary. 11 pages. Sconfinarte #945713. Publishe...
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String Orchestra - Level 5 - SKU: A0.1361218 Composed by Filiberto Pierami. 21st Century,Classical,Contemporary. 11 pages. Sconfinarte #945713. Published by Sconfinarte (A0.1361218). Filiberto PieramiELEGIA n°1 Op.27Organico: Orchestra d’archihttp://www.edizionisconfinarte.com/filiberto-pierami/.
$20.00
Elegia for strings (set of parts)
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Orchestre à Cordes
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Contemporain
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Thomas Jaermann
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Elegia for strings
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Thomas Jaermann
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SheetMusicPlus
String Orchestra - SKU: A0.969716 Composed by Thomas Jaermann. 20th Century,Contemporary. Score and parts. 8 pages. Thomas Jaermann #3554891. Published ...
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String Orchestra - SKU: A0.969716 Composed by Thomas Jaermann. 20th Century,Contemporary. Score and parts. 8 pages. Thomas Jaermann #3554891. Published by Thomas Jaermann (A0.969716). Elegia is a short composition for strings (quintet or orchestra) of medium difficulty and 3 minutes in lenght what makes it ideal to be performed by a school orchestra or a amateur ensemble (parts are also available). It is composed in a neo-romantic style mixed with a hint of contemporary film music.
$7.00
Elegia for strings
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Orchestre à Cordes
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Contemporain
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Thomas Jaermann
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Elegia for strings
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Thomas Jaermann
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SheetMusicPlus
String Orchestra - SKU: A0.969717 Composed by Thomas Jaermann. 20th Century,Contemporary. Score and parts. 4 pages. Thomas Jaermann #3554889. Published ...
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String Orchestra - SKU: A0.969717 Composed by Thomas Jaermann. 20th Century,Contemporary. Score and parts. 4 pages. Thomas Jaermann #3554889. Published by Thomas Jaermann (A0.969717). Elegia is a short composition for strings (quintet or orchestra) of medium difficulty and 3 minutes in lenght what makes it ideal to be performed by a school orchestra or a amateur ensemble (parts are also available). It is composed in a neo-romantic style mixed with a hint of contemporary film music.
$7.00
Carson Cooman: Concerto for Portatif Organ and Strings (2006), score and complete parts
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Orchestre à Cordes
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AVANCÉ
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Carson Cooman
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Carson Cooman: Concerto for Po
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.533701 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 77 pages. Musik Fabrik Music Pub...
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String Orchestra - Level 5 - SKU: A0.533701 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 77 pages. Musik Fabrik Music Publishing #3038897. Published by Musik Fabrik Music Publishing (A0.533701). Concerto for Portatif Organ and Strings (2006) was commissioned by the Harvard Baroque Chamber Orchestra and its director, Robert Mealy. The work is dedicated to organist Nancy Granert, for whom the solo part was written. The work was commissioned in celebration of the von Clemm Chamber Organ at The Memorial Church, Harvard University, built in 2006 by Klop Organ Builders.As with many of my works, relationships between old and new musical concepts are explored. In this piece, musical aspects of the Baroque organ concerto tradition (and Baroque style string playing) co-exist with more contemporary musical elements. In particular, the directness of expression found in many Baroque concertante works is present throughout. Musical material is shared between the movements in a motivic fashion.The title of the first movement, Bricolage, is defined as “something made or put together using whatever materials happen to be available.†Thus, the musical material for the movement is of varying characters; these elements are assembled together in ways that allow them to comment on and inform each other. Some of these musical elements include: a traditional “overture†texture, a Basse de Trompette texture (with an organ reed stop in the left hand) common in French Baroque organ music, and the French keyboard toccata style.The second movement, Elegia, is dark and searching in tone. It begins with a rageful roar before quieting down to introduce its basic musical material – a simple “lament†theme in a folk-inflected style. This material is used for further explorations, building to passionate climaxes. Finally, the opening music returns, but this time with a whisper. The movement winds down to a sad conclusion.After the soul-searching of the second movement, the third movement, Rondeau, is sprightly and energetic. The basic material is a set of Baroque and Classical-style figurations (with a few American gospel inflections thrown in), firmly grounded in G major. After minor diversions, the original material continues to return and ends the work with unfettered joy.
$64.95
Carson Cooman: Concerto for Portatif Organ and Strings, score only
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Orchestre à Cordes
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AVANCÉ
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Carson Cooman
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Carson Cooman: Concerto for Po
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.533700 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 38 pages. Musik Fabrik Music Pub...
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String Orchestra - Level 5 - SKU: A0.533700 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 38 pages. Musik Fabrik Music Publishing #3038895. Published by Musik Fabrik Music Publishing (A0.533700). Concerto for Portatif Organ and Strings (2006) was commissioned by the HarvardBaroque Chamber Orchestra and its director, Robert Mealy. The work is dedicatedto organist Nancy Granert, for whom the solo part was written. The work wascommissioned in celebration of the von Clemm Chamber Organ at The MemorialChurch, Harvard University, built in 2006 by Klop Organ Builders.As with many of my works, relationships between old and new musical concepts areexplored. In this piece, musical aspects of the Baroque organ concerto tradition(and Baroque style string playing) co-exist with more contemporary musicalelements. In particular, the directness of expression found in many Baroqueconcertante works is present throughout. Musical material is shared between themovements in a motivic fashion.The title of the first movement, Bricolage, is defined as “something made or puttogether using whatever materials happen to be available.†Thus, the musicalmaterial for the movement is of varying characters; these elements are assembledtogether in ways that allow them to comment on and inform each other. Some ofthese musical elements include: a traditional “overture†texture, a Basse deTrompette texture (with an organ reed stop in the left hand) common in FrenchBaroque organ music, and the French keyboard toccata style.The second movement, Elegia, is dark and searching in tone. It begins with arageful roar before quieting down to introduce its basic musical material – a simple“lament†theme in a folk-inflected style. This material is used for further explorations,building to passionate climaxes. Finally, the opening music returns, but this timewith a whisper. The movement winds down to a sad conclusion.After the soul-searching of the second movement, the third movement, Rondeau, issprightly and energetic. The basic material is a set of Baroque and Classical-stylefigurations (with a few American gospel inflections thrown in), firmly grounded in Gmajor. After minor diversions, the original material continues to return and ends thework with unfettered joy.This item is the score only. The score and complete parts are available for sale as another item.
$25.95
Elegiac Rondo
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Stanley M
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Elegiac Rondo
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stanleymhoffman.com
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.924852 Composed by Stanley M. Hoffman. 20th Century,Contemporary. Score and parts. 36 pages. Stanleymhoffman.com #3...
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String Orchestra - Level 4 - SKU: A0.924852 Composed by Stanley M. Hoffman. 20th Century,Contemporary. Score and parts. 36 pages. Stanleymhoffman.com #3913641. Published by stanleymhoffman.com (A0.924852). This is one of the most important and original pieces in the composer's catalog. It was begun in 2001 and completed from sketches in 2018. The composer began it as an elegy to both his father and to the victims of the 9/11 terrorist attacks, but since it was completed so much later, he removed that dedication from the performance materials. The mood is nevertheless deeply sad and piercingly poignant. The musical language is 12-tone, but is loaded with minor triads/trichords tinged with dissonances and contextual resolutions, most of which sound like suspended fourths. Duration: 7:00.
$17.00
Intermezzo in E minor for String Orchestra, First Position String Orchestra Series
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Orchestre à Cordes
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INTERMÉDIAIRE
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Michael Bomier
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Intermezzo in E minor for Stri
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Michael Butkus-Bomier
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.862510 Composed by Michael Bomier. Contemporary,Instructional,Romantic Period,Standards. Score and parts. 19 pages....
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String Orchestra - Level 3 - SKU: A0.862510 Composed by Michael Bomier. Contemporary,Instructional,Romantic Period,Standards. Score and parts. 19 pages. Michael Butkus-Bomier #2032125. Published by Michael Butkus-Bomier (A0.862510). The Intermezzo was a character piece from the Romantic Period which often took a specific musical idea, and created a bittersweet, elegiac mood, similar to the feeling evoked by a Nocturne. This piece takes the interval of a 6th and weaves it through several configurations to create this same feeling in the first offering from the GateWay Editions First Position String Orchestra Series. A Brahmsian feeling predominates throughout. At 5 mins 30 secs duration, this all-first-position piece makes an excellent concert feature for the ensemble that is finding its voice, but may not yet be up to the level of multi-position full-fledged classical string music. The tempo is stately without being draggy, the mood is somber but not dark, and tuneful without being busy or meandering. The key signature of one sharp makes this nicely adapted to teaching and performance by students, while the rich writing makes it quite presentable to an adult concert audience.The bowings are by string pedagogue Lori Sandell Lacey. The PDF provided here is a score, and a single part for each section. Multiple printings of each part, as needed for your ensemble, are permissible, of course. There are NO notes out of first position, or outside the range of the second year of string pedagogy, the basses having a bit more need to move up 1/2 position for each string. n There are no trills or fast passages across strings. All parts have standard up or down-bowing, no advanced bowings or pizzicato. Audio is at prescribed tempo, faster or even a bit slower are also reasonable interpretations. MBB.
$20.00
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