English version
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ever Ever After
Non classifié
643
Piano & claviers
Piano seul
367
Piano, Voix
104
Piano, Voix et Guitare
102
Piano Facile
91
Instruments en Do
40
Orgue
29
1 Piano, 4 mains
15
Piano grosses notes
5
Piano Quatuor: piano, violon, alto, violoncelle
4
2 Pianos, 4 mains
4
Piano Trio: piano, violon, violoncelle
4
Piano (partie séparée)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
1 Piano, 6 mains
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
32
Guitare
30
Ukulele
12
Ligne De Mélodie, (Paroles) et Accords
7
Basse electrique
4
2 Guitares (duo)
3
Piano, Guitare (duo)
2
Guitare (partie séparée)
2
Dulcimer
1
Banjo
1
Mandoline
1
4 Guitares (Quatuor)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
137
Chorale 3 parties
44
Chorale TTBB
23
Chorale Unison
13
Voix Soprano, Piano
12
Chorale SSAA
11
Chorale 2 parties
7
Voix seule
5
Voix duo
5
Voix Alto, Piano
4
Voix Soprano
3
Voix Baryton, Piano
3
Pack Instrumental pour Chorale
1
Voix duo, Piano
1
Chorale
1
Voix moyenne, Piano
1
Voix haute
1
Voix Mezzo-Soprano, Piano
1
Chorale SSAATTBB
1
+ 14 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
79
Flûte traversière et Piano
65
Quintette de Saxophone: 5 saxophones
57
Quatuor de Saxophones: 4 saxophones
49
Clarinette et Piano
43
Saxophone Alto et Piano
33
Hautbois, Piano (duo)
32
2 Saxophones (duo)
31
Saxophone Alto
26
Quatuor de Clarinettes: 4 clarinettes
22
Flûte, Hautbois, Clarinette, Basson
22
Saxophone Soprano et Piano
21
Clarinette
20
Flûte traversière
19
Quatuor de Flûtes : 4 flûtes
17
2 Clarinettes (duo)
17
2 Flûtes traversières (duo)
16
3 Saxophones (trio)
16
Saxophone Tenor et Piano
15
Ensemble de Clarinettes
14
Ensemble de Flûtes
14
Saxophone (partie séparée)
13
Flûte, Clarinette (duo)
13
Saxophone Baryton, Piano
12
Hautbois
11
Ensemble de saxophones
11
Saxophone, Clarinette (duo)
11
Clarinette Basse, Piano
10
Clarinette, Violon (duo)
9
3 Clarinettes (trio)
9
Harmonica
8
Saxophone Tenor
8
Quintette de Flûte : 5 flûtes
8
2 Hautbois (duo)
8
Clarinette, Trompette (duo)
7
Cor anglais, Piano
6
Quintette de Clarinettes: 5 clarinettes
6
Hautbois, Basson (duo)
6
Clarinette et Alto
5
Hautbois (partie séparée)
5
Flûte, Violon
4
Trio de Flûtes: 3 flûtes
4
Hautbois, Flûte
4
Flûte, Saxophone (duo)
4
Clarinette, Basson (duo)
4
Flute (partie séparée)
3
2 Flûte à bec (duo)
3
Hautbois, Clarinette (duo)
3
Flûte, Trompette (duo)
3
Flûte, Alto (duo)
3
Flûte, Hautbois, Clarinette (trio)
2
Flûte à bec Soprano, Piano
2
Ocarina
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Clarinette, Guitare (duo)
2
Ensemble De Flûte à bec
2
Flûte à Bec
2
Quatuor de Flûtes à bec
2
Flûte et Guitare
2
Flûte, Clarinette, Piano (trio)
2
Piccolo
1
Flûte et Trio à cordes
1
Flûte à bec Soprano
1
2 Cors Anglais Et Pianoforte
1
2 Flûtes à bec, Guitare
1
Saxophone
1
Clarinette Basse
1
Piccolo, Piano
1
Flûte à bec Tenor
1
Flûte traversière, Basse continue
1
Flûte à bec Alto
1
3 Flûtes à bec (trio)
1
Flûte, Violon, Piano
1
Ensemble de Hautbois
1
Cornemuse
1
Flûte, Violoncelle
1
Saxophone Soprano
1
5 Flûtes à bec
1
2 Saxophones, Piano
1
+ 74 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
87
Quatuor de Cuivres : 2 trompettes, trombone, tuba
47
Trompette
30
Trompette, Piano
24
Cor et Piano
24
Trombone et Piano
21
Tuba et Piano
16
Euphonium, Piano (duo)
14
Trombone
13
Quatuor de Cuivres
12
Tuba
12
Cor
10
Trompette (partie séparée)
9
2 Trombones (duo)
9
Trompette, Saxophone (duo)
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
2 Trompettes (duo)
7
Trompette, Trombone (duo)
7
Quatuor de cuivres: 4 trombones
6
Cor anglais, Piano
6
Ensemble de Trombones
6
Trombone (partie séparée)
5
Ensemble de Trompettes
5
2 Cors (duo)
4
Cor (partie séparée)
3
4 Tubas
3
Trompette, Cor (duo)
2
Ensemble de Cors
2
Tuba (partie séparée)
2
2 Tubas (duo)
2
Quatuor de cuivres: 4 cors
2
3 Trombones (trio)
2
Tuba et Orgue
2
Ensemble de Tubas
1
2 Cors Anglais Et Pianoforte
1
2 Euphoniums et 2 Tubas
1
3 Tubas (trio)
1
Quatuor de cuivres: 4 trompettes
1
Trio de Cuivres
1
3 Cors (trio)
1
3 Trompettes (trio)
1
+ 36 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
117
Harpe
70
Violon et Piano
65
Alto, Piano
42
Violoncelle, Piano
39
Violon
29
Violoncelle
25
Violon, Violoncelle (duo)
18
Trio à Cordes: violon, alto, violoncelle
16
2 Harpes (duo)
16
Quintette à cordes: 2 violons, alto, violoncelle, basse
16
2 Violons (duo)
14
Contrebasse, Piano (duo)
13
2 Altos (duo)
13
Alto seul
12
Trio à Cordes: 2 violons, violoncelle
12
Contre Basse
10
Violon, Alto (duo)
9
2 Violoncelles (duo)
9
Ensemble de Violons
5
Ensemble d'Altos
5
Violon (partie séparée)
4
Contrebasse (partie séparée)
4
4 Violoncelles
3
Alto, Violoncelle (duo)
3
Trio à Cordes: 3 violoncelles
3
Trio à cordes: 3 violins
2
Quatuor à cordes: 4 violons
2
2 Contrebasses (duo)
2
Trio à cordes: 3 altos
2
Quatuor à cordes : 4 altos
2
Harpe, Voix
1
Violon, Clarinette, Piano (trio)
1
Alto (partie séparée)
1
2 Altos, Piano
1
4 Contrebasses
1
Violoncelle, Orchestre
1
3 Harpes
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
222
Orchestre
84
Fanfare
72
Orchestre à Cordes
41
Ensemble de cuivres
30
Orchestre de chambre
25
Ensemble Jazz
24
Cloches
8
Ensemble de Percussions
8
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Vibraphone
4
Batterie
3
Jazz combo
3
Marimba
2
Percussion (partie séparée)
1
Batterie (partie séparée)
1
Piano et Orchestre
1
Orchestre, Violon
1
Xylophone, Piano
1
+ 14 instrumentations
Retracter
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BASSE
BASSON
BATTERIE
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CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
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CHRISTIAN (contempor…
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COUNTRY
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ENFANTS : EVEIL - IN…
FILM - TV
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FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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THANKSGIVING
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Note4Piano
Noviscore
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SheetMusicPlus
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Vous avez sélectionné:
Ever Ever After
Orchestre à Cordes
Partitions à imprimer
41 partitions trouvées
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1
26
Never Gonna Give You Up
Orchestre à Cordes
String Orchestra - Level 1 - Digital Download SKU: A0.1080097 By Rick Astley. By Ma…
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String Orchestra - Level 1 - Digital Download SKU: A0.1080097 By Rick Astley. By Matthew Aitken, Mike Stock, and Peter Waterman. Arranged by Matt Arnett. Pop. Score and parts. 10 pages. Matt Arnett Music #684309. Published by Matt Arnett Music (A0.1080097). This is a heavily simplified arrangement of this song that is doable at the end of the first year. Even with simplification, the melody - which everyone plays unison at the beginning - will be the most difficult part. Take time with it, break it down, and help them get used to those rests. After that, there are three sections that I have labeled in the score that are either harmony or melody. Each instrument plays each of these parts at some point in the piece, but not at the same time. This makes rehearsing and learning the harmony together easy! Obviously, you should put the title of some other piece in your program and Rick Roll your audience - I introduced this piece as Symphony in G by Mozart. This is a really fun way to open a concert.
$49.99
46.09 €
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Orchestre à Cordes
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Rick Astley
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Matt Arnett
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Never Gonna Give You Up
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Matt Arnett Music
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SheetMusicPlus
Suite for Strings after 12 Violin Sonatas, Op. 5 as played by Eugene Ormandy &Philadelphia Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1466810 By Arcangelo Corelli,…
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String Orchestra - Level 3 - Digital Download SKU: A0.1466810 By Arcangelo Corelli, Eugene Ormandy and Philadelphia Orchestra. By Arcangelo Corelli. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional,Wedding. 31 pages. Flavio Regis Cunha #1045345. Published by Flavio Regis Cunha (A0.1466810). Corelli: Suite for Strings after 12 Violin Sonatas, Op. 5, for String Orchestra (Full Score & Parts) I. Sarabanda II.Giga III. BadinerieEdition based on the arrangement by Ettore PinelliReview by Flavio Regis Cunha🎻 Transform Your Strings with Corelli’s Masterpiece! 🎶Step into the enchanting world of Baroque music with Arcangelo Corelli’s Suite for Strings after 12 Violin Sonatas, Op. 5, magnificently interpreted by Eugene Ormandy and the Philadelphia Orchestra. Perfect for professional and amateur string orchestras in churches, theatres, and schools, this advanced-intermediate level sheet music brings Corelli’s brilliance to life.🌟 Features:Advanced intermediate LevelFormat: 9 x 12 inches, 23 pages of concert-quality engravingFonts: Beautifully set in Urtext Kapellmeister Music FontsImmerse your orchestra in the lush movements of Sarabanda, the lively rhythms of Giga, and the playful spirit of Badinerie. With every note, let your ensemble convey the passion and elegance of Corelli’s timeless compositions.🎼 Order now and let your strings sing with the soul of the Baroque era!
$18.99
17.51 €
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Orchestre à Cordes
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Arcangelo Corelli, Eugene Ormandy and Philadelphia Orchestra
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Flavio Regis Cunha
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Parts) I
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Suite for Strings after 12 Violin Sonatas, Op. 5 as played by Eugene Ormandy &Philadelphia Orchestra
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Flavio Regis Cunha
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SheetMusicPlus
Chanson For a Gloomy Afternoon
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.908691 Composed by Mark D Het…
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String Orchestra - Level 3 - Digital Download SKU: A0.908691 Composed by Mark D Hettle. Romantic Period. Score and parts. 10 pages. Goomba Publishing Company (GPC) #6307317. Published by Goomba Publishing Company (GPC) (A0.908691). Chanson For a Gloomy Afternoon is a slow (mm-60) melancholy composition written for an intermediate string orchestra. Written in the key of B minor, a somewhat somber mood is achieved. Care must be taken to articulate the eighth note triplets, and the sixteenth notes accurately. However, at the slow tempo indicated they should not pose a problem. I hope you enjoy rehearsing and performing my composition. Thank you!
$15.00
13.83 €
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Orchestre à Cordes
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Mark D Hettle
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Chanson For a Gloomy Afternoon
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Goomba Publishing Company
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SheetMusicPlus
The Forever After
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1453189 Composed by Iyassu Ta…
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String Orchestra - Level 3 - Digital Download SKU: A0.1453189 Composed by Iyassu Taye. 21st Century,Chamber. 10 pages. Iyassu Taye #1032415. Published by Iyassu Taye (A0.1453189). A colorful, bright song, simple yet charming!
$3.99
3.68 €
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Orchestre à Cordes
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Iyassu Taye
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The Forever After
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Iyassu Taye
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SheetMusicPlus
Never Gonna Give You Up (Rick Astley, 1987) - String Quintet (2 violins, viola, cello, bass) or small String Orchestra or Ensemble
Orchestre à Cordes
By Rick Astley. Arranged by Ellen Harle. Score, Set of Parts. 21 pages. Published by …
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By Rick Astley. Arranged by Ellen Harle. Score, Set of Parts. 21 pages. Published by Fireworks Music
Made popular in the past decade, the "rickroll" is a classic bait and switch prank, whereby someone is tricked into listening to Rick Astley's "Never Gonna Give You Up" when expecting something different. Your students will love to "Rickroll" their audience! This arrangement starts with a snippet of Pachelbel's timeless "Canon in D", to lull the audience into a false sense of seriousness - the bass plays the usual cello part here, with the cello leading the canon. After a few bars, we pause on a dominant chord, before launching into the upbeat strains of this classic 80's pop anthem. To leave out the prank, just omit the first two lines, and commence from rehearsal mark A. Arranged into D major for ease of playing. Cello, bass and viola parts include limited position work. The melody is passed between parts with the exception of the double bass, who opens the Pachelbel's "Canon in D" snippet. Included in purchase is the score and all parts, including Violin 3 (Viola part in treble clef). A great piece for school ensembles.Made popular in the past decade, the "rickroll" is a classic bait and switch prank, whereby someone is tricked into listening to Rick Astley's "Never Gonna Give You Up" when expecting something different. Your students will love to "Rickroll" their audience! This arrangement starts with a snippet of Pachelbel's timeless "Canon in D", to lull the audience into a false sense of seriousness - the bass plays the usual cello part here, with the cello leading the canon. After a few bars, we pause on a dominant chord, before launching into the upbeat strains of this classic 80's pop anthem. To leave out the prank, just omit the first two lines, and commence from rehearsal mark A. Arranged into D major for ease of playing. Cello, bass and viola parts include limited position work. The melody is passed between parts with the exception of the double bass, who opens the Pachelbel's "Canon in D" snippet. Included in purchase is the score and all parts, including Violin 3 (Viola part in treble clef). A great piece for school ensembles.
$49.99
46.09 €
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Orchestre à Cordes
#
Rick Astley
#
Ellen Harle
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Never Gonna Give You Up
#
Fireworks Music
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SheetMusicPlus
BASTION SQUARE MARCH FOR STRING ORCHESTRA AND PERCUSSION
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.837278 Composed by Garth M. W…
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String Orchestra - Level 3 - Digital Download SKU: A0.837278 Composed by Garth M. Wiliams (Socan). Concert,Contemporary,Standards. Score and parts. 24 pages. Garth M. Williams (Socan) #3425847. Published by Garth M. Williams (Socan) (A0.837278). Bastion Square March is named after the famous Bastion Square found in Victoria, B.C. Canada. Research states that many of the buildings in Bastion Square were haunted by previous residents of the buildings in the area. This composition is a typical march with First Violin parts ascending into third and fifth position. However, whenever this happens in the part it is double by a lower First Violin part in case the upper part is a little too challenging. The entire march ends with strains of Rule Brittania which I felt appropriate because Victoria is known in British Columbia, Canada as a little bit of England.
$20.00
18.44 €
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Orchestre à Cordes
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Garth M
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BASTION SQUARE MARCH FOR STRING ORCHESTRA AND PERCUSSION
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Garth M. Williams
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SheetMusicPlus
REMEMBER ALWAYS
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.835555 Composed by Vincent Vi…
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String Orchestra - Level 3 - Digital Download SKU: A0.835555 Composed by Vincent Vitale. Contemporary. Score and parts. 12 pages. Vincent Vitale #3619035. Published by Vincent Vitale (A0.835555). REMEMBER ALWAYS is written in loving memory of Catherine C. Hettle (Mum) and is my humble tribute to a most wonderful person and mother of my best friend Mark . I first met Mum when I was 19 years old while serving in the US Navy and she immediately treated me with such kindness which I never forgot. After losing contact for a number of years I was so glad and fortunate that I was able to once again be a small part of her life. You will be dearly missed Mum by so many. There are no good-byes because loved ones will always live in our hearts. REMEMBER ALWAYS is written for intermediate students and includes full score and parts for Violin 1, Violin 2, Viola, Cello, String Bass and optional Soprano and Baritone vocals. The vocal parts are vocalised without the use of words such as in the final movement of The Planets by Holst. As an example the vowel ‘ah‘ could be used but the choice will be the director’s. Perform this work with only one to a part or use multiples for a fuller sound. It can also be performed without the vocals. I sincerely hope you and your students enjoy performing this piece, If this composition appeals to you please consider others in this string series by typing VINCENT VITALE in the search bar located on the home page. I thank you very much for your consideration and wish you and your students much musical success.
$22.00
20.28 €
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Orchestre à Cordes
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Vincent Vitale
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REMEMBER ALWAYS
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Vincent Vitale
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SheetMusicPlus
If I Could I Would
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.942083 Composed by Apostolos …
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String Orchestra - Level 4 - Digital Download SKU: A0.942083 Composed by Apostolos Paraskevas. 20th Century,Contemporary. Score and parts. 12 pages. Silver Sickle Publications #4897941. Published by Silver Sickle Publications (A0.942083). If I Could I Would Chamber Concerto for StringsIn this experimental work for Strings every letter of the title is been represented by a block of music. The score is being performed by creating sentences based on the first two pages of the proportional score notation. The conductor determines the entrances and fade outs of the instruments as well the repetition of blocks of music. Dynamics are provided for specific movements and different other sentences could be also created. Could I? Would I? If I Would? Etc… Duration: approx. 7-10 minutes Apostolos Paraskevas is a classical guitarist and composer as well as an award-winning film director and producer. He has received multiple international awards for his compositions and was nominated for a Grammy Award. He is the only guitarist ever to have a major orchestral piece performed at Carnegie Hall under the direction of Lukas Foss––and the only musician who has performed there in a Grim Reaper outfit. He was the founder and served for 16 years as the artistic director of the International Guitar Congress-Festival of Corfu, Greece. He is a voting member of the Recording Academy (Grammy's). After his undergraduate music studies in Volos he pursued advanced studies in classical guitar with Costas Cotsiolis (diploma, 1990) and Leo Brouwer (Havana 1984, 1988), as well as postgraduate studies in composition with Lukas Foss and Theodore Antoniou (DMA in composition, Boston University, 1998). Paraskevas embarked on a successful career as a guitar soloist and contemporary composer, achieving distinctions in both disciplines: Grammy nomination for Chase Dance (Bridge Records, 1999); first prize for Night Wanderings (Lukas Foss Composition Competition, 2000); first prize for Phygein Adynaton (National Composers Conference, 1997); and numerous prestigious commissions, performances, and publications. Following teaching posts at Northeastern and Boston Universities, Paraskevas has taught since 2001 at the Berklee College of Music in Boston (professor of composition and classical guitar). His eclectic compositional style arises as an idiosyncratic integration of seemingly conflicting influences – from avant-garde approaches to harmonic structure, form, and timbre, to pop-folk modal and rhythmical concepts – amalgamated into a personal evocative musical language, characterized by rhythmic verve, melodic grace, dramatic (and sometimes unexpectedly humorous) gestures, and ritualistic or theatrical elements. The latter feature has also led Paraskevas to the creation of films, notably the acclaimed I Finally Did It (Gold award, California Film Awards 2010), dealing wittily with Death, a recurring extra-musical theme in his music. The Groves Dictionary of Music Costas Tsougras
$14.99
13.82 €
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Orchestre à Cordes
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Apostolos Paraskevas
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If I Could I Would
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Silver Sickle Publications
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SheetMusicPlus
I Love Lucy
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.734620 Composed by Eliot Dani…
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String Orchestra - Level 3 - Digital Download SKU: A0.734620 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemporary. Score and parts. 10 pages. Chicory Music #6676835. Published by Chicory Music (A0.734620). On October 15, 1951, the very first episode of the I Love Lucy show aired on CBS and became the most watched TV show in the U.S. for four of its seven-year run. Fun trivia about the opening theme song is that during the first season the show opened with their sponsor Philip Morris’ animation of stick figure cartoons of Lucy and Desi climbing down a pack of Philip Morris cigarettes. It was scored with Ferde Grofé’s Jr. The Grand Canyon Suite theme (a composition from 1931).From the second season onwards, the I Love Lucy signature tune we all know so well became the main theme, and one of the most recognizable pieces of music on the planet. It was written by composer Eliot Daniel who cranked it out in an afternoon as a favor to his old Coast Guard buddy Jess Oppenheimer, the show’s producer. Since Daniel still had another year under his exclusive contract to Fox, he asked Oppenheimer to keep his name out of it. Consequently his name does not appear on first or the second season TV credits for what became one of the most popular TV themes. Later, Daniel did seek credit and received royalties from syndicated reruns for the rest of his life.The lyrics were written by Harold Adamson for an episode in the third season in which Lucy believes everyone has forgotten her birthday. So of course Ricky saves the day after a near disaster.This arrangement for String Orchestra plus optional Drum Set part remains faithful to the original.Performance Time Approx. 1 minute 25 seconds
$12.99
11.98 €
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Orchestre à Cordes
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Eliot Daniel
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Dennis Ruello
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I Love Lucy
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Chicory Music
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SheetMusicPlus
Gregory Sullivan Isaacs; Night Into Dawn for string ensemble, score only
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.534672 Composed by Gregory Su…
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String Orchestra - Level 5 - Digital Download SKU: A0.534672 Composed by Gregory Sullivan Isaacs. Contemporary,Jewish. Score and parts. 29 pages. Musik Fabrik Music Publishing #5775635. Published by Musik Fabrik Music Publishing (A0.534672). The concept for this piece is to restore the voice of millions silenced by the horrific experience we now call the Holocaust, through the sounds of musical instruments that survived. One thing is clear: the genocide of the Jews was an appalling blow to the human race; one that left a permanent stain on both the perpetrators and enablers, those who stood by without uttering a word of protest. A terrible Night descended upon the world, yet, the breaking Dawn that followed was glorious, indeed. The price to save civilization in the 20th century was appallingly high. Although we must remain ever vigilant, the Jewish people today have a proud homeland—and their magnificent contributions to humanity are universally celebrated.The piece opens with the descent of the seemingly benign curtain of night. Premonitions arise but the darkness continues to descend, over and over again. Finally, chaos ensues and runs its ghastly course before dissipating. The inevitable dawn begins to break, although the curtain of night continues to threaten. Dawn is characterized by two contrasting melodies. One, a stalwart tune that marches ever forward, while the second, more questioning tune appears independently. After their separate statements, the two powerfully join forces to bring this work to a hopeful close, followed by a quiet “Amen.†This item is the score only. The parts are available on rental from the publisher.
$25.95
23.92 €
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Orchestre à Cordes
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs; Night Into Dawn for string ensemble, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
A Pizzicato Winter Bash
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.904423 Composed by John Sarno…
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String Orchestra - Level 3 - Digital Download SKU: A0.904423 Composed by John Sarno. Arranged by jtsarno publishing. Christmas. Score and parts. 42 pages. John T Sarno #6442481. Published by John T Sarno (A0.904423). This is a fun piece for an intermediate-level string orchestra. It also has a part for a solo violin, solo cello, jingle bells, and a glockenspiel. It is a mash-up of several traditional Christmas carols, Good King Wenceslas, Jingle Bell, Jolly Ol' St. Nicolas, Deck the Halls, Coventry Carol and We Wish you a Merry Christmas. In the middle of the piece, each string section plays a different melody at the same time. Under all that noise a solo cello will start to play The Coventry Carol and after a while, everyone stops and listens to the cello's melody. Eventually, everyone all joins in playing that tune. And it ends with We Wish You A Merry Christmas. This is a great piece for your Winter Concert.
$19.99
18.43 €
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Orchestre à Cordes
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John Sarno
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jtsarno publishing
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A Pizzicato Winter Bash
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John T Sarno
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SheetMusicPlus
Five Australian Scenes for String Orchestra - 4. Snowy Mountains
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1368932 Composed by Martin La…
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String Orchestra - Level 3 - Digital Download SKU: A0.1368932 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 32 pages. MA Lass & I Lass #953274. Published by MA Lass & I Lass (A0.1368932). Five Australian Scenes for String Orchestra was conceived with specific iconic Australian places in mind, as well as with the intention to convey the experience of these places programmatically through the music. From this point of view, the pieces could have just as successfully been called Australian Days. As such, each piece represents a kind of day journey in microcosm, like a travel diary set to music. The points of interest in each day are indicated sequentially in the music.The pieces were written with the intermediate student string orchestra in mind. As such, they explore a wide variety of string techniques, dynamic and tonal contrasts, styles, and moods. Although the writing never takes a student out of first position barring one solo cello passage, and the fingering avoids the use of cello forward extensions and minimises high 3s for the upper strings, the technical, rhythmic, ensemble, and intonational challenges put these pieces at the intermediate level. There are ossias and other alternatives for greater challenge or greater ease. Fingering has been offered where appropriate. And bowing has been meticulously indicated.This particular piece, Snowy Mountains, is set in the alpine region of Australia, in Thredbo in the state of NSW, which is a popular ski resort. The scene opens with the majesty and austerity of the alpine mountains. Then, the cold sets the teeth chattering and the feet stamping with a paraphrase from Vivaldi's Winter from The Four Seasons but which transforms into the iconic Australian song, Waltzing Matilda. From there, fun is had in the snow followed by the journey up the ski lift to the top of the ski fields. Then, of course, there is the exhilarating ski journey down the mountain! After more fun in the snow, the day ends, everybody tired but happy!
$39.00
35.95 €
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Orchestre à Cordes
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Martin Lass
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Five Australian Scenes for String Orchestra - 4. Snowy Mountains
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MA Lass & I Lass
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SheetMusicPlus
Dominican Republic NationalAnthem for String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1503869 By Keith Terrett. By …
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String Orchestra - Level 3 - Digital Download SKU: A0.1503869 By Keith Terrett. By José Rufino Reyes y Siancas 1882. Arranged by Keith Terrett. Instructional,Multicultural,Patriotic,Standards,Traditional,World. 12 pages. Keith Terrett #1079321. Published by Keith Terrett (A0.1503869). The national anthem of the Dominican Republic (Spanish: Himno nacional de República Dominicana), also known by its incipit Valiant Quisqueyans (Spanish: Quisqueyanos valientes), was composed by José Rufino Reyes y Siancas (1835–1905), and its lyrics were authored by Emilio Prud'Homme (1856–1932).José Reyes was inspired to create a national anthem for the Dominican Republic after having seen the Argentine National Anthem in the Parisian newspaper El Americano. In 1883, he invited his friend Emilio Prud'Homme to write lyrics for the anthem.The first version of Prud'Homme's lyrics was published in the weekly newspaper El Eco de la Opinion on 16 August 1883, and the first public performance of the anthem took place the next day on 17 August in Respectable Hope Lodge No. 9 in Santo Domingo. Though the music was an instant success, several objections were made to the lyrics for having various historical inaccuracies. In 1897, Prud’Homme submitted revised lyrics, which stand to this day.On 7 June 1897, the Congress of the Dominican Republic passed an act adopting Himno Nacional with the original music and revised lyrics as the country's official national anthem; however, then-President Ulises Heureaux (1846–1898) vetoed the act, because the lyric's author, Prud’Homme, was an opponent of the president and his administration.[1] In 1899, Heureaux was assassinated, and the political disorder that ensued prevented the national anthem's legal adoption until 30 May 1934, when Himno Nacional was officially adopted and signed into law.
$8.99
8.29 €
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Orchestre à Cordes
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Keith Terrett
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Keith Terrett
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Dominican Republic NationalAnthem for String Orchestra
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Keith Terrett
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SheetMusicPlus
Carson Cooman: Concerto for Portatif Organ and Strings (2006), score and complete parts
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.533701 Composed by Carson Coo…
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String Orchestra - Level 5 - Digital Download SKU: A0.533701 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 77 pages. Musik Fabrik Music Publishing #3038897. Published by Musik Fabrik Music Publishing (A0.533701). Concerto for Portatif Organ and Strings (2006) was commissioned by the Harvard Baroque Chamber Orchestra and its director, Robert Mealy. The work is dedicated to organist Nancy Granert, for whom the solo part was written. The work was commissioned in celebration of the von Clemm Chamber Organ at The Memorial Church, Harvard University, built in 2006 by Klop Organ Builders.As with many of my works, relationships between old and new musical concepts are explored. In this piece, musical aspects of the Baroque organ concerto tradition (and Baroque style string playing) co-exist with more contemporary musical elements. In particular, the directness of expression found in many Baroque concertante works is present throughout. Musical material is shared between the movements in a motivic fashion.The title of the first movement, Bricolage, is defined as “something made or put together using whatever materials happen to be available.†Thus, the musical material for the movement is of varying characters; these elements are assembled together in ways that allow them to comment on and inform each other. Some of these musical elements include: a traditional “overture†texture, a Basse de Trompette texture (with an organ reed stop in the left hand) common in French Baroque organ music, and the French keyboard toccata style.The second movement, Elegia, is dark and searching in tone. It begins with a rageful roar before quieting down to introduce its basic musical material – a simple “lament†theme in a folk-inflected style. This material is used for further explorations, building to passionate climaxes. Finally, the opening music returns, but this time with a whisper. The movement winds down to a sad conclusion.After the soul-searching of the second movement, the third movement, Rondeau, is sprightly and energetic. The basic material is a set of Baroque and Classical-style figurations (with a few American gospel inflections thrown in), firmly grounded in G major. After minor diversions, the original material continues to return and ends the work with unfettered joy.
$64.95
59.88 €
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Orchestre à Cordes
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Carson Cooman
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Carson Cooman: Concerto for Portatif Organ and Strings
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Concerto for Portatif Organ and Strings, score only
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.533700 Composed by Carson Coo…
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String Orchestra - Level 5 - Digital Download SKU: A0.533700 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 38 pages. Musik Fabrik Music Publishing #3038895. Published by Musik Fabrik Music Publishing (A0.533700). Concerto for Portatif Organ and Strings (2006) was commissioned by the HarvardBaroque Chamber Orchestra and its director, Robert Mealy. The work is dedicatedto organist Nancy Granert, for whom the solo part was written. The work wascommissioned in celebration of the von Clemm Chamber Organ at The MemorialChurch, Harvard University, built in 2006 by Klop Organ Builders.As with many of my works, relationships between old and new musical concepts areexplored. In this piece, musical aspects of the Baroque organ concerto tradition(and Baroque style string playing) co-exist with more contemporary musicalelements. In particular, the directness of expression found in many Baroqueconcertante works is present throughout. Musical material is shared between themovements in a motivic fashion.The title of the first movement, Bricolage, is defined as “something made or puttogether using whatever materials happen to be available.†Thus, the musicalmaterial for the movement is of varying characters; these elements are assembledtogether in ways that allow them to comment on and inform each other. Some ofthese musical elements include: a traditional “overture†texture, a Basse deTrompette texture (with an organ reed stop in the left hand) common in FrenchBaroque organ music, and the French keyboard toccata style.The second movement, Elegia, is dark and searching in tone. It begins with arageful roar before quieting down to introduce its basic musical material – a simple“lament†theme in a folk-inflected style. This material is used for further explorations,building to passionate climaxes. Finally, the opening music returns, but this timewith a whisper. The movement winds down to a sad conclusion.After the soul-searching of the second movement, the third movement, Rondeau, issprightly and energetic. The basic material is a set of Baroque and Classical-stylefigurations (with a few American gospel inflections thrown in), firmly grounded in Gmajor. After minor diversions, the original material continues to return and ends thework with unfettered joy.This item is the score only. The score and complete parts are available for sale as another item.
$25.95
23.92 €
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Orchestre à Cordes
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Carson Cooman
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Carson Cooman: Concerto for Portatif Organ and Strings, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.68 €
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Orchestre à Cordes
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Concerto for 2 Cellos and Strings, RV 531 in G minor.
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.742474 Composed by Antonio Vi…
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String Orchestra - Level 5 - Digital Download SKU: A0.742474 Composed by Antonio Vivaldi. Arranged by Arte Nova Music Lab. Baroque,Concert,Easter,Standards,World. Score and parts. 50 pages. Arte Nova Music Lab #4601825. Published by Arte Nova Music Lab (A0.742474). Antonio Lucio Vivaldi 4 March 1678 – 28 July 1741) was an Italian Baroque musical composer, virtuoso violinist, teacher, and priest. Born in Venice, the capital of the Venetian Republic, he is regarded as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He composed many instrumental concertos, for the violin and a variety of other instruments, as well as sacred choral works and more than forty operas. His best-known work is a series of violin concertos known as the Four Seasons. Many of his compositions were written for the all-female music ensemble of the Ospedale della Pietà , a home for abandoned children. Vivaldi had worked there as a Catholic priest for 1 1/2 years and was employed there from 1703 to 1715 and from 1723 to 1740. Vivaldi also had some success with expensive stagings of his operas in Venice, Mantua and Vienna. After meeting the Emperor Charles VI, Vivaldi moved to Vienna, hoping for royal support. However, the Emperor died soon after Vivaldi's arrival, and Vivaldi himself died, in poverty, less than a year later. Taken from https://en.wikipedia.org/wiki/Antonio_Vivaldi
$25.00
23.05 €
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Orchestre à Cordes
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Antonio Vivaldi
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Arte Nova Music Lab
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Concerto for 2 Cellos and Strings, RV 531 in G minor.
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Arte Nova Music Lab
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Viola True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.68 €
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Orchestre à Cordes
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Johann Strauss Jr
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Aaron Meier
#
Olga-Polka, Op. 196
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Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792379. Published by Aaron Meier (A0.922639). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Double Bass True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit.
$3.99
3.68 €
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Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Violin II
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792367. Published by Aaron Meier (A0.922636). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin II True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.68 €
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Orchestre à Cordes
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Cello
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792373. Published by Aaron Meier (A0.922637). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Cello True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.68 €
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Orchestre à Cordes
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
"Oktoberfest Waltz Medley"-----String Orchestra"-----Heritage Series # 18
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.947266 Arranged by John Phili…
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String Orchestra - Level 3 - Digital Download SKU: A0.947266 Arranged by John Philips. Folk,World. Score and parts. 39 pages. John Philips Music Service #1999441. Published by John Philips Music Service (A0.947266). This collection of waltzes is from the celebrations of everyday people in Germany & Austria. This is not what was played for the high society functions but is what was heard at Oktoberfests and other public events for the masses. Much can be called folk music. See the back cover for the tune list. This is one of a series of charts for string orchestra that are easy to play and each relate to a single theme---patriotic, ethnic, activity, holiday or age related songs. Being easy to play---nothing past an eighth note and no hemi-demi-semi-quavers--they will be more apt to be in tune and this is good for all concerned. They all are in tempo and have a swing feeling to them to make your audience like them. After all--this is about making music and not displaying technique. Parts are Violin 1 & 2 / Violin 3 (Viola Part) / Viola /Cello / Optional Acoustic Guitar (No Electrics) / Bass / Piano / Full Score / Front & Back Covers. Bass and piano are required to make these arrangements work. See the back cover for the tune list and tempos. Electric bass works if read. Maybe you could convert to a cello or upright player? Bass and piano are required to make these arrangements work. See the back cover for the tune list and tempos. If you take your orchestra to an Oktoberfest, make sure they are all 21 or have a good ID.
$15.00
13.83 €
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Orchestre à Cordes
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John Philips
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Austria
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"Oktoberfest Waltz Medley"-----String Orchestra"-----Heritage Series # 18
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John Philips Music Service
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SheetMusicPlus
Elegy for String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1110603 Composed by Steve Win…
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String Orchestra - Level 4 - Digital Download SKU: A0.1110603 Composed by Steve Winstead. Contemporary,Contest,Festival,Patriotic. Score and parts. 32 pages. Sigma Squared Music #712906. Published by Sigma Squared Music (A0.1110603). Elegy is a sad and beautifully lyrical piece that was written in the aftermath of the terrorist attacks on the United States on September 11th, 2001. It is dedicated to the victims of the attacks their families and everyone worldwide who experienced suffering and loss that day. This piece features solo parts for violin and cello, in addition to the standard string orchestra instrumentation.
$65.00
59.92 €
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Orchestre à Cordes
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Steve Winstead
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Elegy for String Orchestra
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Sigma Squared Music
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SheetMusicPlus
The Chase on the Mountain
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.923645 Composed by Will Eakin…
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String Orchestra - Level 4 - Digital Download SKU: A0.923645 Composed by Will Eakin. Contemporary. Score and parts. 27 pages. Will Eakin #432673. Published by Will Eakin (A0.923645). A man is on horseback, riding down a path. Suddenly, a group of bandits come chasing after him. The man rides his horse forever until the bandits catch up and get him. The bandits shoot him down and the story ends. This piece begins with slow chord changes, and then ends with a violin solo. Then, the intense melody begins.
$29.99
27.65 €
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Orchestre à Cordes
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Will Eakin
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The Chase on the Mountain
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Will Eakin
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SheetMusicPlus
Bill
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1017599 Composed by Jerome Ke…
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String Orchestra - Level 3 - Digital Download SKU: A0.1017599 Composed by Jerome Kern. Arranged by Robert Renshaw. Contemporary. Score and Parts. 21 pages. Taggart Press #6167729. Published by Taggart Press (A0.1017599). The groundbreaking Broadway Musical Showboat arguably changed the Broadway theater forever when it premiered in 1927. With music by Jerome Kern and a book and lyrics by Oscar Hammerstein II, the show deals with themes of racism, alcoholism, and spousal desertion at a time when social ills were not even a remote part of the typical Broadway fare. Kern's score was well received and contains many familiar songs like Ol' Man River. Make Believe, and Why do I love you?. But after Ol' Man River, It is probably the charming and poignant Bill that is most familiar to modern audiences. This arrangement gives the melody to a solo Alto Saxophone with a string accompaniment that preserves the early 20th-century feel of the original. It will work great on a pops concert, or as a lighter encore to a more serious saxophone concerto.
$49.99
46.09 €
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Orchestre à Cordes
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Jerome Kern
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Robert Renshaw
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Bill
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Taggart Press
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SheetMusicPlus
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