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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Every Which-a-way
Non classifié
95
Piano & claviers
Piano seul
62
Piano Facile
40
Piano, Voix
18
Piano, Voix et Guitare
3
Instruments en Do
3
Orgue
1
Piano grosses notes
1
+ 2 instrumentations
Retracter
Guitares
Guitare
6
Guitare notes et tablatures
3
Piano, Guitare (duo)
1
2 Guitares (duo)
1
Banjo
1
4 Guitares (Quatuor)
1
+ 1 instrumentations
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Voix
Chorale SATB
21
Chorale 3 parties
9
Chorale TTBB
5
Chorale 2 parties
3
Chorale SSAA
3
Chorale Unison
2
Voix basse, Piano
1
Voix Alto, Piano
1
Voix Soprano, Piano
1
+ 4 instrumentations
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Vents
Quatuor de Clarinettes: 4 clarinettes
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Saxophone Alto
5
Saxophone Tenor
4
Flûte à bec Soprano
4
Quatuor de Saxophones: 4 saxophones
3
Flûte, Hautbois, Clarinette, Basson
3
Quatuor de Flûtes : 4 flûtes
2
Flûte traversière
2
Hautbois, Piano (duo)
2
Ensemble de saxophones
2
Ensemble de Flûtes
1
Cor Anglais
1
Hautbois (partie séparée)
1
Ensemble de Clarinettes
1
Saxophone (partie séparée)
1
Trio de Flûtes: 3 flûtes
1
Clarinette
1
3 Saxophones (trio)
1
Saxophone Tenor et Piano
1
2 Saxophones (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Saxophone
1
+ 18 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Trompette
5
Trombone
4
Quatuor de cuivres: 4 cors
2
Quatuor de cuivres: 4 trombones
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Cor Anglais
1
2 Trompettes (duo)
1
Ensemble de Trombones
1
Cor
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Tuba
1
Trombone et Piano
1
Trompette, Piano
1
+ 9 instrumentations
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Cordes
Violon et Piano
20
Quatuor à cordes: 2 violons, alto, violoncelle
15
Violon
10
Alto seul
7
Violon, Violoncelle (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
Violoncelle
2
Harpe
2
Violon, Clarinette, Piano (trio)
1
2 Violons, Piano
1
Quatuor à cordes : 4 altos
1
Trio à Cordes: 2 violons, violoncelle
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Ensemble de Violons
1
Violon, Guitare (duo)
1
Violoncelle, Piano
1
4 Violoncelles
1
Piano Trio: Violon, Alto, Piano
1
Harpe, Voix
1
+ 14 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
28
Orchestre
9
Orchestre à Cordes
7
Ensemble de cuivres
4
Ensemble Jazz
3
Orchestre de chambre
2
Jazz combo
2
Ensemble de Percussions
2
+ 3 instrumentations
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Instruments
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FLUTE A BEC
FLUTE A DIX…
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GUITARE PED…
HARMONICA
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LUTH, THEOR…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Vous avez sélectionné:
Every Which-a-way
Orchestre à Cordes
Partitions à imprimer
7 partitions trouvées
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A Daring Escape, for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alison Harbottle
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parts, 34 pages.
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A Daring Escape, for String Or
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Martini Strings
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.873906 Composed by Alison Harbottle. Contemporary. Score and parts. 34 pages. Martini Strings #4333423. Published b...
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String Orchestra - Level 4 - SKU: A0.873906 Composed by Alison Harbottle. Contemporary. Score and parts. 34 pages. Martini Strings #4333423. Published by Martini Strings (A0.873906). Energy, high drama, suspense, intrigue...will they get away? Find out through the exploration of harmonic minor scale shapes and extended use of spiccato bowing! Ideal for the Intermediate ensemble looking for something a little challenging, this pieces gives students the opportunity to develop and consolidate a consistent spiccato bow stroke, along with frequent time signature changes which will keep everyone on their toes. Harmonic minor shapes appear throughout, giving a sense of drama to the entire work.Score & parts, 34 pages.
$45.00
Perplexity
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Travis L
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Perplexity
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Travis L. Evans
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1025115 Composed by Travis L. Evans. Contemporary. Score and parts. 28 pages. Travis L. Evans #4319283. Published b...
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String Orchestra - Level 4 - SKU: A0.1025115 Composed by Travis L. Evans. Contemporary. Score and parts. 28 pages. Travis L. Evans #4319283. Published by Travis L. Evans (A0.1025115). Perplexity for string orchestra uses a variety of techniques and creates some puzzling moments. The piece opens with a rhythmic drive which gives way to a more serene middle before racing to the end. Not your typical everyday piece. .
$10.00
Donut Etudes vol. 3: Don’t Step in the Holes! – String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.784349 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Slide Ride #5288707. Published by Slid...
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String Orchestra - Level 3 - SKU: A0.784349 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Slide Ride #5288707. Published by Slide Ride (A0.784349). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!Combine these with the set for Band when used for Full or Chamber Orchestra.
$15.00
Shetland Sunrise (Elementary String Orchestra)
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Orchestre à Cordes
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DÉBUTANT
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Contemporain
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Colin Kirkpatrick
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Shetland Sunrise
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.522247 Composed by Colin Kirkpatrick. Contemporary. Score and parts. 21 pages. Colin Kirkpatrick Publications #4994...
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String Orchestra - Level 1 - SKU: A0.522247 Composed by Colin Kirkpatrick. Contemporary. Score and parts. 21 pages. Colin Kirkpatrick Publications #4994009. Published by Colin Kirkpatrick Publications (A0.522247). Shetland Sunrise is a movement from Colin Kirkpatrick's suite for elementary string orchestra entitled “Atlantic Highwayâ€. Ideal for end-of-semester concerts or any other school or college concert occasion, these tuneful and attractive pieces are bound to please audience and instrumentalists alike. The work is scored for violins 1 and 2, viola (with an identical but optional part for violin 3 in treble clef), cello, double bass and piano (or digital keyboard). The piano part is an integral part of music and therefore essential. However, it’s not especially difficult and perfectly manageable by the intermediate pianist. All the string parts can be played in first position. Pizzicato is used extensively in the double bass part and in some of the passages for the upper strings. Shetland Sunrise is in G major throughout and the time signature begins in 5/8. This might look a bit daunting to elementary places not used to seeing it but the music is a good deal easier than it appears. Because every 5/8 measure (bar) naturally falls into groups of 3 and 2 beats, the players should be told to count 1, 2, 3, 1, 2, rather than one to five. They will soon pick up the irregular lilting rhythm. There are also a couple of measures of 7/8 in this piece, which should be counted as 1, 2, 1, 2, 3, 1, 2. The string parts have been produced in fairly large type making them ideal for elementary players. Cues have been added where necessary. 
$8.95
Twenty-Two Christmas Carols for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Noël
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Various/Traditional
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Steve Winstead
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Twenty-Two Christmas Carols fo
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Sigma Squared Music
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1122704 Composed by Various/Traditional. Arranged by Steve Winstead. Christian,Christmas,Holiday,Sacred,Spiritual. ...
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String Orchestra - Level 3 - SKU: A0.1122704 Composed by Various/Traditional. Arranged by Steve Winstead. Christian,Christmas,Holiday,Sacred,Spiritual. Score and parts. 66 pages. Sigma Squared Music #723668. Published by Sigma Squared Music (A0.1122704). ​This incredibly versatile collection of Twenty-Two Christmas Carols is a fun-to-play book of well-known Christmas and holiday songs arranged for string orchestra with a traditional feel and just a dash of contemporary flavor. Each song is fairly short, but can be repeated as many times through the verses as desired. An optional introduction is notated for each song, which is useful for creating an audience sing-along or building your own medley. Whether you need a few tunes to round out your holiday concert or want a whole performance in one book, you'll be reaching for this collection every holiday season! Carols included: Angels We Have Heard On High Away In a Manger Carol of the Bells Deck the Halls The First Noel God Rest Ye, Merry Gentlemen Good King Wenceslas Hallelujah Chorus Hark! The Herald Angels Sing Jingle Bells Jolly Old Saint Nicholas Joy to the World O Come All Ye Faithful O Come, O Come Emmanuel O Holy Night O Little Town of Bethlehem O Tannenbaum Silent Night Up on the House Top Wassail Song We Three Kings We Wish You a Merry Christmas.
$160.00
Never Gonna Give You Up
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Orchestre à Cordes
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DÉBUTANT
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Pop musique
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Rick Astley
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Matt Arnett
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Never Gonna Give You Up
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Matt Arnett Music
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SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.1080097 By Rick Astley. By Matthew Aitken, Mike Stock, and Peter Waterman. Arranged by Matt Arnett. Pop. Score and ...
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String Orchestra - Level 1 - SKU: A0.1080097 By Rick Astley. By Matthew Aitken, Mike Stock, and Peter Waterman. Arranged by Matt Arnett. Pop. Score and parts. 10 pages. Matt Arnett Music #684309. Published by Matt Arnett Music (A0.1080097). This is a heavily simplified arrangement of this song that is doable at the end of the first year. Even with simplification, the melody - which everyone plays unison at the beginning - will be the most difficult part. Take time with it, break it down, and help them get used to those rests. After that, there are three sections that I have labeled in the score that are either harmony or melody. Each instrument plays each of these parts at some point in the piece, but not at the same time. This makes rehearsing and learning the harmony together easy! Obviously, you should put the title of some other piece in your program and Rick Roll your audience - I introduced this piece as Symphony in G by Mozart. This is a really fun way to open a concert.
$49.99
Don't Let Me Down
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Orchestre à Cordes
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FACILE
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Pop musique
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The Chainsmokers
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Matt Arnett
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Don't Let Me Down
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Matt Arnett Music
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1080129 By The Chainsmokers. By Andrew Taggart, Emily Schwartz, and Scott Harris. Arranged by Matt Arnett. Pop. Sco...
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String Orchestra - Level 2 - SKU: A0.1080129 By The Chainsmokers. By Andrew Taggart, Emily Schwartz, and Scott Harris. Arranged by Matt Arnett. Pop. Score and parts. 19 pages. Matt Arnett Music #684341. Published by Matt Arnett Music (A0.1080129). This song works shockingly well for orchestra - and everyone gets something fun to play. I did this arrangement with 2nd year students in mind. The piece is really good for focusing on low 2's in the violin and viola, dotted quarter AND triplet rhythms for everyone, and rests on beat 1. The rhythms are almost always true to the original - listen to it with your students to help them feel the tricky spots. You need a strong bass laying down the harmonic foundation throughout for this to work, cello is not doubling. There are usually three independent rhythmic parts going on, which presents a fun challenge and makes the layers of the piece fun and interesting. The piece also utilizes some fun techniques including stomping on the floor (sounds awesome on stage!) and knocking on the back of the instrument. There is an optional cut to remove the bridge if the piece is too much/too long for your group. This piece is a blast to play and I hope your students enjoy it!
$49.99
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