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356
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61
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42
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21
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20
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18
Orgue
7
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4
Piano (partie séparée)
3
Clavecin
1
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1
2 Accordéons
1
+ 6 instrumentations
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7
Ukulele
6
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6
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3
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3
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2
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2
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1
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30
Pack Instrumental pour Chorale
14
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5
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4
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3
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2
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2
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2
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2
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2
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1
Voix moyenne, Piano
1
+ 8 instrumentations
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21
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13
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12
Saxophone Alto et Piano
12
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12
Clarinette et Piano
11
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10
Saxophone Tenor et Piano
10
Clarinette
9
Hautbois
6
Flûte, Hautbois, Clarinette, Basson
6
Saxophone Alto
6
2 Flûte à bec (duo)
4
Saxophone Tenor
4
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3
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2
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2
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2
2 Flûtes traversières (duo)
2
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2
Flûte à bec Alto
2
Flûte traversière, Basse continue
2
Saxophone Baryton, Piano
2
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2
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2
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2
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1
Harmonica
1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
Flûte à bec Alto, Basse continue
1
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30
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19
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18
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17
Cor
16
Trompette (partie séparée)
14
Trompette, Piano
13
Trompette
11
Trombone et Piano
9
Trombone
8
Tuba
7
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7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
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4
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2
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2
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2
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2
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1
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1
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1
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15
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5
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4
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3
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3
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2
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2
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2
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2
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1
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1
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1
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1
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1
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6
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4
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3
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2
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2
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Big band
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The Edmund Fitzgerald - Concerto for Piano and Strings
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Orchestre à Cordes
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AVANCÉ
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Contemporain
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Geoffrey Peterson
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The Edmund Fitzgerald - Concer
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Geoffrey Peterson
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Publishe...
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String Orchestra - Level 5 - SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
$9.99
Goldberg – Sonata for 2 violins, viola and continuo in C minor
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Johann Gottlieb Goldberg
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Sneakwood Editions
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Goldberg – Sonata for 2
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Sneakwood Editions
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.890774 Composed by Johann Gottlieb Goldberg. Arranged by Sneakwood Editions. Contemporary. Score and parts. 34 page...
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String Orchestra - Level 4 - SKU: A0.890774 Composed by Johann Gottlieb Goldberg. Arranged by Sneakwood Editions. Contemporary. Score and parts. 34 pages. Sneakwood Editions #5321919. Published by Sneakwood Editions (A0.890774). ohann Gottlieb Goldberg (1727-1756)[Quartet for two violins, viola and continuo in C minor DürG 14]Sonata per 2 Violini, Viola e Basso .Based on manuscript Staatsbibliothek zu Berlin Mus.ms. 7920. ca. 1750Score and parts: Violin I. Violin II. Viola. Basso (continuo with numbers) and extra basso part without numbers.Goldberg was born in Danzig (Gdańsk), Royal Prussia (a part of the Crown of Poland), and was baptized there on March 14, 1727 at St. Mary’s Church, Gdańsk. Little is known for certain about his childhood, other than that he was an exceptionally talented performer, attracting the attention of Hermann Karl von Keyserlingk, the Russian ambassador to Saxony, around 1737. Goldberg was reported to have studied with both J.S. Bach and Wilhelm Friedemann Bach, J.S. Bach’s eldest son, though the periods of study are not known; Goldberg may have studied with J.S. Bach as early as 1737, shortly after Keyserlingk recognized his talent in Danzig, and Goldberg may have studied with W.F. Bach at any time before 1745. [Wikipedia]
$16.00
For Heaven and the Future (33-Piece Digital Pack)
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Orchestre à Cordes
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INTERMÉDIAIRE
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Contemporain
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Samuel R
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For Heaven and the Future
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Hal Leonard - Digital
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SheetMusicPlus
Level 3 - SKU: HX.345955 Composed by Samuel R. Hazo. This edition: scorch. Concert,Festival. 1 pages. Duration 300. Hal Leonard - Digital #0. Published ...
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Level 3 - SKU: HX.345955 Composed by Samuel R. Hazo. This edition: scorch. Concert,Festival. 1 pages. Duration 300. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.345955).
Digital Pack includes
:
For Heaven and the Future - Conductor Score (Full Score)
For Heaven and the Future - Flute 1
For Heaven and the Future - Flute 2
For Heaven and the Future - Oboe
For Heaven and the Future - Bassoon
For Heaven and the Future - Bb Clarinet 1
For Heaven and the Future - Bb Clarinet 2
For Heaven and the Future - Bb Clarinet 3
For Heaven and the Future - Bb Bass Clarinet
For Heaven and the Future - Eb Contra Alto Clarinet
For Heaven and the Future - Eb Alto Saxophone 1
For Heaven and the Future - Eb Alto Saxophone 2
For Heaven and the Future - Bb Tenor Saxophone
For Heaven and the Future - Eb Baritone Saxophone
For Heaven and the Future - Bb Trumpet 1
For Heaven and the Future - Bb Trumpet 2
For Heaven and the Future - Bb Trumpet 3
For Heaven and the Future - F Horn 1
For Heaven and the Future - F Horn 2
For Heaven and the Future - Trombone 1
For Heaven and the Future - Trombone 2
For Heaven and the Future - Bass Trombone
For Heaven and the Future - Euphonium in Bass Clef
For Heaven and the Future - Euphonium in Treble Clef
For Heaven and the Future - Tuba
For Heaven and the Future - String Bass
For Heaven and the Future - Bass Drum
For Heaven and the Future - Suspended Cymbal
For Heaven and the Future - Wind Chimes
For Heaven and the Future - Chimes
For Heaven and the Future - Bells
For Heaven and the Future - Vibraphone
For Heaven and the Future - Timpani
$75.00
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