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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Four For Tee
Non classifié
204
Piano & claviers
Piano seul
110
Piano Facile
36
Orgue
21
Piano, Voix
19
Piano, Voix et Guitare
12
1 Piano, 4 mains
6
Instruments en Do
4
2 Pianos, 4 mains
1
Piano grosses notes
1
1 Piano, 6 mains
1
+ 5 instrumentations
Retracter
Guitares
Guitare notes et tablatures
9
Guitare
8
Ligne De Mélodie, (Paroles) et Accords
7
Ukulele
4
Mandoline
2
2 Guitares (duo)
1
4 Guitares (Quatuor)
1
Dulcimer
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
54
Chorale 2 parties
16
Voix haute
15
Chorale 3 parties
8
Chorale TTBB
6
Voix Baryton, Piano
6
Chorale Unison
5
Chorale SSAA
3
Voix Tenor, Piano
2
Voix seule
2
Voix duo, Piano
2
Voix duo
1
+ 7 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
15
Quatuor de Saxophones: 4 saxophones
13
Flûte traversière et Piano
9
Saxophone Alto et Piano
8
Saxophone Tenor et Piano
8
2 Saxophones (duo)
7
Flûte, Hautbois, Clarinette, Basson
7
2 Clarinettes (duo)
6
Clarinette et Piano
6
2 Flûtes traversières (duo)
5
Hautbois, Piano (duo)
5
Saxophone, Clarinette (duo)
4
Quatuor de Clarinettes: 4 clarinettes
4
Quatuor de Flûtes : 4 flûtes
4
Saxophone Tenor
4
Saxophone Alto
4
Saxophone Soprano et Piano
3
Clarinette
3
Clarinette, Violon (duo)
3
Flûte traversière
3
Ensemble de Clarinettes
3
Flûte, Hautbois, Clarinette (trio)
2
3 Clarinettes (trio)
2
Flûte, Violon
2
Clarinette, Trompette (duo)
2
Flûte, Clarinette et Basson
2
Clarinette, Violoncelle (duo)
2
Hautbois (partie séparée)
2
Hautbois, Clarinette (duo)
2
Saxophone (partie séparée)
2
Flûte, Saxophone (duo)
2
Clarinette et Alto
2
Flûte, Clarinette (duo)
2
2 Hautbois (duo)
1
Flûte à Bec
1
Hautbois, Flûte
1
Saxophone
1
Clarinette (partie séparée)
1
Flûte, Alto (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
3 Flûtes à bec (trio)
1
Hautbois, Basson (duo)
1
Clarinette Basse
1
Clarinette Basse, Piano
1
Trio de Flûtes: 3 flûtes
1
Ensemble de saxophones
1
Flûte, Trompette (duo)
1
3 Saxophones (trio)
1
+ 43 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
Trompette
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Cor et Piano
4
Trombone et Piano
4
Trombone
4
Cor
4
2 Trombones (duo)
3
Trompette, Saxophone (duo)
3
2 Trompettes (duo)
3
Quatuor de cuivres: 4 trombones
3
Tuba et Piano
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
3 Trombones (trio)
2
Quatuor de Cuivres
2
Trompette, Trombone (duo)
2
Tuba et Orgue
2
Euphonium, Piano (duo)
1
Quatuor de cuivres: 4 cors
1
Instruments en Sib
1
2 Tubas (duo)
1
2 Cors (duo)
1
Tuba
1
Trompette, Piano
1
Bass Clef Instruments
1
+ 20 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
20
Harpe
13
Violon et Piano
10
Violon
8
Violoncelle, Piano
7
Contrebasse, Piano (duo)
5
Violoncelle
5
Violon, Violoncelle (duo)
4
Alto seul
4
2 Altos (duo)
4
2 Violons (duo)
4
Violon, Alto (duo)
4
Trio à Cordes: violon, alto, violoncelle
3
Alto, Piano
3
Trio à Cordes: 2 violons, violoncelle
2
4 Violoncelles
2
2 Violoncelles (duo)
2
Quatuor à cordes : 4 altos
1
Alto et Harpe
1
Contre Basse
1
Trio à Cordes: 3 violoncelles
1
Quatuor à cordes: 4 violons
1
Alto, Violoncelle (duo)
1
+ 18 instrumentations
Retracter
Orchestre & Percussions
Orchestre
16
Orchestre à Cordes
13
Orchestre d'harmonie
13
Ensemble de Percussions
11
Ensemble de cuivres
8
Orchestre de chambre
7
Jazz combo
2
Fanfare
1
Caisse Claire
1
Percussion
1
Cloches
1
Batterie
1
Ensemble Jazz
1
2 Caisses Claires (duo)
1
Orchestre, Violon
1
+ 10 instrumentations
Retracter
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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LIVRES
LUTH
MANDOLINE
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POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
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Vous avez sélectionné:
Four For Tee
Orchestre à Cordes
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1
Overture for Strings No. 3 - Score Only
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Joseph Bologne, Chevalier de S
#
Robert Debbaut
#
Overture for Strings No. 3 - S
#
ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
(+)
String Orchestra - Level 4 - SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 28 pages. ROBERT DEBBAUT #783207. Published by ROBERT DEBBAUT (A0.1183534). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 5 - Score Only
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Joseph Bologne, Chevalier de S
#
Robert Debbaut
#
Overture for Strings No. 5 - S
#
ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
(+)
String Orchestra - Level 4 - SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 39 pages. ROBERT DEBBAUT #783209. Published by ROBERT DEBBAUT (A0.1183536). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 6 - Score Only
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Joseph Bologne, Chevalier de S
#
Robert Debbaut
#
Overture for Strings No. 6 - S
#
ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
(+)
String Orchestra - Level 4 - SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 57 pages. ROBERT DEBBAUT #783210. Published by ROBERT DEBBAUT (A0.1183537). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 4 - Score Only
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Joseph Bologne, Chevalier de S
#
Robert Debbaut
#
Overture for Strings No. 4 - S
#
ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 34 pages. ROBERT DEBBAUT #783208. Published by ROBERT DEBBAUT (A0.1183535). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 2 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 2 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 43 pages. ROBERT DEBBAUT #783206. Published by ROBERT DEBBAUT (A0.1183533). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Five Australian Scenes for String Orchestra - 4. Snowy Mountains
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Orchestre à Cordes
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INTERMÉDIAIRE
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Martin Lass
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Five Australian Scenes for Str
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MA Lass & I Lass
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1368932 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 32 pages. MA Lass & I Lass #953274. Publ...
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String Orchestra - Level 3 - SKU: A0.1368932 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 32 pages. MA Lass & I Lass #953274. Published by MA Lass & I Lass (A0.1368932). Five Australian Scenes for String Orchestra was conceived with specific iconic Australian places in mind, as well as with the intention to convey the experience of these places programmatically through the music. From this point of view, the pieces could have just as successfully been called Australian Days. As such, each piece represents a kind of day journey in microcosm, like a travel diary set to music. The points of interest in each day are indicated sequentially in the music.The pieces were written with the intermediate student string orchestra in mind. As such, they explore a wide variety of string techniques, dynamic and tonal contrasts, styles, and moods. Although the writing never takes a student out of first position barring one solo cello passage, and the fingering avoids the use of cello forward extensions and minimises high 3s for the upper strings, the technical, rhythmic, ensemble, and intonational challenges put these pieces at the intermediate level. There are ossias and other alternatives for greater challenge or greater ease. Fingering has been offered where appropriate. And bowing has been meticulously indicated.This particular piece, Snowy Mountains, is set in the alpine region of Australia, in Thredbo in the state of NSW, which is a popular ski resort. The scene opens with the majesty and austerity of the alpine mountains. Then, the cold sets the teeth chattering and the feet stamping with a paraphrase from Vivaldi's Winter from The Four Seasons but which transforms into the iconic Australian song, Waltzing Matilda. From there, fun is had in the snow followed by the journey up the ski lift to the top of the ski fields. Then, of course, there is the exhilarating ski journey down the mountain! After more fun in the snow, the day ends, everybody tired but happy!
$39.00
Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
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Orchestre à Cordes
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Contemporain
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Therese Brenet
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Thérèse Brenet:
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Orchestra - SKU: A0.532834 Composed by Therese Brenet. 20th Century,Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #45419...
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String Orchestra - SKU: A0.532834 Composed by Therese Brenet. 20th Century,Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #45419. Published by Musik Fabrik Music Publishing (A0.532834). Thérèse Brenet was attracted to the Chinese poems in La Flûte de Jade by Franz Toussaint. She chose seven of these poems in a contrasting style and assembled them into a single work, striving to create an unusual orchestration which reflects this delicate, fantastic and sensual qualities of these poems. Her orchestration uses a small group of strings which are re-enforced by a harpsichord, a vibraphone, a harp and percussion, often superimposed, which serve to underline the delicate character of the poems. IN addition, she uses all styles of vocal production, from whispered passages to spoken words or screams, and from singing normally to sprechgesang. The work finishes serenely with a long melody in flute upon which the baritone repeats the last phrases of the poem in a long perdendosi. The voice and the flute slowly die away without there being a definite ending to the work, which allow the listener to imagine that the work continues, as in a waking dream. One could imagine hearing the echo of the words whispered by the baritone and the arien and luminous sounds of the flute which has lulled us as a soloist throughout the seven poems of the cycle. The orchestration is for 4 percussion, harp, harpsichord, piano and strings (44221). The piece generally lasts approximately fourteen minutes. The composer has intentionally broken with tradition by using instrumental notation for the vovcal part. This notations gives, in her view, a greater ease of reading when the voice exchanges with the flute. This version for flute, voice and piano is identical, as much as is possible, with the orchestral version, excpet for short segments in the 5th and 7th poems. These differences only affect the flute and piano parts and do not affect the vocal part. The Baritone may therefore use this score for performances with orchestra. The Flutist should use the part included in the orchestral parts for performances with orchestra. This work was first performed at the Villa Medicis during Thérèse Brenet time spend there during her Prix de Rome voyage. It was recorded in 2014 with Kurt Ollmann Baritone, Christel Rayneau, flute and the National Polish Radio Orchestra under the direction of Paul Wehage. The orchestral materials are on rental from the publisher.
$25.95
for Sasha (string orchestra)
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Orchestre à Cordes
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INTERMÉDIAIRE
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Contemporain
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Philip Orem
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for Sasha
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Philip Orem
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.872717 Composed by Philip Orem. Contemporary. Score and parts. 25 pages. Philip Orem #6486791. Published by Philip ...
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String Orchestra - Level 3 - SKU: A0.872717 Composed by Philip Orem. Contemporary. Score and parts. 25 pages. Philip Orem #6486791. Published by Philip Orem (A0.872717). Originally the second movement of a brass sextet, this begged to be arranged and adapted for string orchestra. Sasha was a beautiful husky that lived with me for fourteen years and the writing of this was part of my grieving process. His name is spelled out at one point in the score and the main melody is a bit of a nonsense song I used to sing to him. This elegy will move both performers and listeners.
$30.00
Sinfonia No. I for harpsichord and strings
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Orchestre à Cordes
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INTERMÉDIAIRE
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Contemporain
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Joseph Dillon Ford
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Sinfonia No. I for harpsichord
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David Warin Solomons2
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.958517 Composed by Joseph Dillon Ford. 20th Century. Score and parts. 9 pages. David Warin Solomons2 #3860371. Publ...
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String Orchestra - Level 3 - SKU: A0.958517 Composed by Joseph Dillon Ford. 20th Century. Score and parts. 9 pages. David Warin Solomons2 #3860371. Published by David Warin Solomons2 (A0.958517). A stately overture-like movement in a style recalling seventeenth-century Italy (approximately four minutes in duration).
$14.00
Enescu Balada Op. 4a for Violin and String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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George Enescu
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Paul Wood
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Enescu Balada Op. 4a for Violi
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MyMusicScores.com
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1502733 Composed by George Enescu. Arranged by Paul Wood. Romantic Period. 21 pages. MyMusicScores.com #1078402. Pu...
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String Orchestra - Level 4 - SKU: A0.1502733 Composed by George Enescu. Arranged by Paul Wood. Romantic Period. 21 pages. MyMusicScores.com #1078402. Published by MyMusicScores.com (A0.1502733). The PDF file contains the score and all parts.Experience the tender introspection and youthful brilliance of Enescu's Ballade, Op. 4, now reimagined for string orchestra. Composed at the remarkable age of fourteen, this piece showcases Enescu's precocious talent and deep understanding of musical form. Originally dedicated to the violinist Eva Rolland, this arrangement brings Enescu's heartfelt melodies to a broader ensemble.This small, perfect pearl in three parts unfolds with a songful melody carried by the string orchestra, accompanied by a gentle bass line evoking the warmth of Baroque continuo. The lyrical theme creates an intimate atmosphere, inviting the listener into Enescu's captivating musical world.This arrangement for string orchestra allows the rich harmonies and emotional depth of Enescu's Ballade to resonate with even greater intensity.
$24.99
Captain Cat
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Orchestre à Cordes
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DÉBUTANT
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Sue Morris
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Captain Cat
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Susan M Morris
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SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.913440 Composed by Sue Morris. Children,Contemporary,Pop. Score and parts. 10 pages. Susan M Morris #3056255. Publi...
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String Orchestra - Level 1 - SKU: A0.913440 Composed by Sue Morris. Children,Contemporary,Pop. Score and parts. 10 pages. Susan M Morris #3056255. Published by Susan M Morris (A0.913440). A Teeny Tiny song for beginning orchestra. This cute little song was adored by my beginning orchestras. Piano accompaniment backs this tiny tune. For the most basic beginner it only utilizes four notes in the key of D Major. Composed for my cat Jammy Baby while she tip-toed across the keyboard and keyp me from playing!
$3.99
Courage Triptych
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Orchestre à Cordes
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INTERMÉDIAIRE
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Contemporain
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Sarah Wallin Huff
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Courage Triptych
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Novel Soundtrax
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.800324 Composed by Sarah Wallin Huff. Contemporary. Score and parts. 56 pages. Novel Soundtrax #2035929. Published ...
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String Orchestra - Level 3 - SKU: A0.800324 Composed by Sarah Wallin Huff. Contemporary. Score and parts. 56 pages. Novel Soundtrax #2035929. Published by Novel Soundtrax (A0.800324). Following an interim of fourteen years since the completion of the work’s first Image in 1998, Sarah Wallin Huff completed this suite of Images for violin duo, piano, soprano saxophone, and string orchestra in 2005, with final official revisions completed in 2012. Each Image had seen its own time of creation as independent works throughout those years, until Wallin Huff ultimately wove the three together into an epic musical journey in 2005. These highly cinematic movements depict an unnamed hero's personal journey from loneliness and uncertainty to triumph. The Triptych consists of the following Three Images: I. A Garden Prayer, for violin duo and piano II. Broken Innocence, for soprano saxophone and string orchestra III. Valiance, for soprano saxophone, piano, and string orchestra.
$25.00
Nar Echki
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Orchestre à Cordes
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INTERMÉDIAIRE
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Classique
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Sotiri, Miltiade A
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Nick M Lacanski
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Nar Echki
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theupperstaff
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1144923 Composed by Sotiri, Miltiade A. Arranged by Nick M Lacanski. Romantic Period. Score and parts. 18 pages. Th...
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String Orchestra - Level 3 - SKU: A0.1144923 Composed by Sotiri, Miltiade A. Arranged by Nick M Lacanski. Romantic Period. Score and parts. 18 pages. Theupperstaff #745240. Published by theupperstaff (A0.1144923). Nar Echki is the first waltz in a set of five for piano titled Ismailieh. Sotiri, as best as we can tell, was an Egyptian that lived a very short life (fourteen years) during the romantic period. Thank you for looking.
$8.99
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