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Free At Last
Orchestre à Cordes
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Klezmer Concerto - for clarinet, strings, harp, and percussion (full score)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Klezmer
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Ofer Ben-Amots
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Klezmer Concerto - for clarine
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The Composer's Own Press
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.944031 Composed by Ofer Ben-Amots. Contemporary,Jewish. Score and parts. 132 pages. The Composer's Own Press #46098...
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String Orchestra - Level 4 - SKU: A0.944031 Composed by Ofer Ben-Amots. Contemporary,Jewish. Score and parts. 132 pages. The Composer's Own Press #4609863. Published by The Composer's Own Press (A0.944031). THE KLEZMER CONCERTO The concerto opens with a slow but intense movement titled Pastoral Doyna.  A Doyna is a lament-like melody -- both declamatory and melancholic -- of Eastern-European origin, most likely Rumanian, Gypsy, or Jewish. The opening by the string ensemble is reminiscent of the awakening sound of nature. On top of the busy accompaniment the clarinet enters with occasional shouts, echoes, and cry-like gestures. The second movement is a sort of a wedding-waltz, titled: Dance of the Seven Circles. The name goes back to the old Jewish tradition according to which a bride must circle seven times around the bridegroom before the actual start of the marriage ceremony. Its nature of this movement is a mixture of irony and passion, humor and pain. At the end of the waltz the clarinetist is invited to play a free cadenza and improvise on previous motives and melodic patterns. The movement ends with a return to the orchestra, with a soulful lament and quiet murmuring of the soloist. The third and last movement of the concerto is titled Halleluya. It is inspired by the textual content, vibrant rhythms and many musical instruments suggested in the 150th Psalm. Toward the end of this movement, there is a second solo cadenza in a perpetual motion style, where upon the players of the orchestra join in and add their voices to the pandemonium with a song of praise: Halleluya! Parts available through rental only! For performance materials, demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
ENTRANCE OF THE MATADOR
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Orchestre à Cordes
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DÉBUTANT
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Contemporain
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Ron Flintjer
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ENTRANCE OF THE MATADOR
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Ron Flintjer
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SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.1005101 Composed by Ron Flintjer. Contemporary. Score and parts. 10 pages. Ron Flintjer #5041951. Published by Ron ...
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String Orchestra - Level 1 - SKU: A0.1005101 Composed by Ron Flintjer. Contemporary. Score and parts. 10 pages. Ron Flintjer #5041951. Published by Ron Flintjer (A0.1005101). Entrance of the Matador evokes the anticipatory excitement of the bull ring. Will the matador triumph of will he met his demise? The music builds throughout, from the matador's entrance to the final minutes of the life or death scenario. Once the last note is played, the audience must answer the question for themselves. Who has fate smiled upon? The bull or the matador?This piece is written in three part harmonization and comes complete with full score and parts for violin 1, violin 2, viola, cello and string bass. Viola doubles 2nd violin and cello doubles string bass for a rich, full-sounding, three part harmony. All parts are in 1st position. Should you have any questions, feel free to contact the composer at ronflintjer@gmail.com
$14.00
Theme and Variations for String Orchestra
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Orchestre à Cordes
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AVANCÉ
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Panagiotis Theodossiou
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Theme and Variations for Strin
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Panagiotis Theodossiou
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.886673 Composed by Panagiotis Theodossiou. 20th Century,Concert,Contemporary,Standards. Score and parts. 63 pages. ...
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String Orchestra - Level 5 - SKU: A0.886673 Composed by Panagiotis Theodossiou. 20th Century,Concert,Contemporary,Standards. Score and parts. 63 pages. Panagiotis Theodossiou #3073729. Published by Panagiotis Theodossiou (A0.886673). Theme and Variations, for string orchestra (2005). The work is written especially for the composer’s final composition diploma and has been his second attempt to write a work in a large scale (the first was a cello concerto - fantasia). The theme, on which ten variations lead to the grandiose finale, is written by a composer’s good friend, Nikos Drelas. The strict polyphonic writing of the earlier serial works as well as the free homophonic style of the last almost tonic are here altogether in a almost progressive idiom. The programmatic nature of this composition coexists with the absolute musical sound form. Titles of variations like Waltz funebre or Jazz Polka, in an austere musical text give the point for a new direction in composer’s creative thinking. Parts of the work have been performed by Philothei - Psychico Youth Orchestra under the direction of the composer at Benetatou Cultural Center in October 2014.https://www.youtube.com/watch?v=yFJX5DXQaiAhttps://www.youtube.com/watch?v=ASIC4x8BV_4&t=2shttps://www.youtube.com/watch?v=ijsl8qz8Q5Qhttps://www.youtube.com/watch?v=LiitDuH4wCkhttps://www.youtube.com/watch?v=YeVUcJUIbFA&t=2s
$35.00
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